 | |
| Broadcast area | Southern California |
|---|---|
| Frequency | 640kHz |
| Branding | KFI AM 640 |
| Programming | |
| Format | Talk radio |
| Affiliations | |
| Ownership | |
| Owner |
|
| History | |
First air date | April 16, 1922 (102 years ago) (1922-04-16) |
| Technical information[1] | |
Licensing authority | FCC |
| Facility ID | 34425 |
| Class | A (Clear channel) |
| Power | 50,000watts |
Transmitter coordinates |
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| Repeater(s) | 103.5-2KOST-HD2 |
| Links | |
Public license information | |
| Webcast | Listen live (viaiHeartRadio) |
| Website | kfiam640.iheart.com |
KFI (640AM) is aradio station inLos Angeles, California, owned and operated byiHeartMedia, Inc. It began operations in 1922 and became one of the first high-powered,clear-channelClass A stations. It was the first U.S. station west of Chicago to broadcast at 50,000watts.[2]
Studios and offices are inBurbank, between theWarner Bros. Studios andThe Burbank Studios. Thetransmitter site is inLa Mirada near the Artesia Boulevard exit of Interstate 5, theSanta Ana Freeway. By day, its signal can be heard throughoutSouthern California, with city-grade coverage as far asSan Diego,Santa Barbara andTijuana, and secondary coverage as far asBakersfield and northwestern Mexico, and at times can be heard some distance into Nevada and Arizona. At night, it can be heard across much of the western half of North America.
KFI andKNX (AM 1070 and97.1 FM) serve as the primary entry points for the Southern CaliforniaEmergency Alert System, which are responsible for activation of the EAS whenhazardous weather alerts,disaster area declarations, andchild abductions are issued.[3]
KFI is licensed by the U.S.Federal Communications Commission to broadcast in theHD (hybrid) format;[4] however, it was reported that KFI turned off its HD signal as of August 12, 2015.[5][6] Like other stations owned by iHeartMedia, KFI uses iHeartRadio to stream its webcast.
KFI is one of two iHeartMedia stations in Los Angeles that carry atalk radioformat. KFI features mostly local hosts whileKEIB (1150 AM) has a schedule ofnationally syndicated talk shows. Morningdrive time on KFI has been hosted byBill Handel since 1993. He is followed by Gary Hoffmann and Shannon Farren in middays,John and Ken in early afternoons, Tim Conway, Jr. (son of comedianTim Conway) in late afternoons and Mo' Kelly in the evening. One syndicated show is heard overnight,Coast to Coast AM withGeorge Noory. Two Los Angeles TV stations do live segments with cameras in KFI's studios:KTTV (Bill Handel) andKTLA (John and Ken).
Weekends feature specialty shows, some of which are nationally syndicated from KFI:Handel on the Law with Bill Handel,Rich DeMuro on Tech andThe Jesus Christ Show with Neil Saavedra. Other weekend shows focus on money, psychology, food, home repair and unsolved crimes. KFI has news and traffic updates every 15 minutes and is anaffiliate ofABC News Radio.
Effective December 1, 1921, the U.S. government adopted regulations formally defining "broadcasting stations". The wavelength of 360 meters (833 kHz) was designated for entertainment broadcasts, while 485 meters (619 kHz) was reserved for broadcasting official weather and other government reports.[7]
KFI was first licensed on March 31, 1922. It was owned byEarle C. Anthony, Inc. It operated on the 360-meter entertainment wavelength.[8] The KFIcall letters were randomly assigned from a roster of available call signs.
The station made its debut broadcast on April 16, 1922. It featured vaudeville performersEugene and Willie Howard.[9] Earle Anthony had trained as an electrical engineer and in 1903, founded theCalifornia Pelican,UC Berkeley's first humor magazine.[10] He was best known as the owner of aPackard automobile dealership.
KFI was originally located at Anthony's home, using a 50-watt transmitter Anthony had personally constructed on a kitchen table.[11][12][13][14][15][16]
1922 saw a rapid expansion in the number of broadcasting stations, most sharing the single entertainment wavelength of 360 meters, which required progressively more complicated time sharing schedules among stations in the same region. In mid-May 1922, KFI was assigned 1:45 to 2:30 and 4:30 to 5:00 p.m. weekdays.[17] An August 1922 schedule reported that KFI was conducting broadcasts, in conjunction with theLos Angeles Examiner, on both the 360-meter "entertainment" wavelength (daily from 1:45-2:15 p.m, with additional hours of Tuesday, 9 to 10 p.m; Wednesday, 6 to 7 p.m; Friday 9 to 10 p.m.; Saturday, 6 to 7 p.m., and Sunday 10:45 to 11:30 a.m. plus 4 to 5 p.m.), and on 510 meters (588 kHz) on Sunday from 7 to 9 p.m.[18] A regional schedule adopted November 1, 1922, listed KFI's slots as 1:00 to 1:30 p.m. Monday through Saturday, 2:00 to 3:00 p.m Tuesday and Saturday, 10:30 to 11:30 a.m. and 4:00 to 5:00 p.m. Sunday, and 9:20 to 10:00 p.m daily.[19]
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Anthony moved quickly to expand operations. The station's studios and transmitter were moved to the top of the Packard dealership building, formerly located at Tenth and Hope Streets in Los Angeles, with a rooftop "T" antenna mounted between two short towers. This installation reportedly cost $30,000, and included a 500-watt Western Electric transmitter, the most powerful commercially available transmitter at this time.[21] This new facility went into operation on January 27, 1923.[22] In September 1922 the Department of Commerce set aside a second entertainment wavelength, 400 meters (750 kHz) for "Class B" stations that had quality equipment and programming,[23] and KFI was assigned to this more exclusive wavelength,[24] joiningKHJ on a timesharing basis.[25] In May 1923 additional "Class B" frequencies were made available, with Los Angeles allocated 640 and 760 kHz,[26] and KFI was reassigned to 640 kHz, with KHJ moving to 760 kHz.[27]
From 1922 to 1926, early programming consisted of such things as readingnews from a newspaper and local gossip. Broadcasting hours were very short, since Anthony was involved in many other activities, and programming sources were limited. However, Anthony stressed the need for quality programming that would be in keeping with his status as the seller of luxury automobiles.[11]
In November 1926, theNational Broadcasting Company (NBC) was incorporated. When NBC's network facilities were extended to the west coast of the United States, KFI immediately became one of itsaffiliates. In joining this network, KFI had the advantage of NBC's vast entertainment and news resources. One of the first NBC programs to originate on theWest Coast, and KFI, was the broadcast of the 1927 Rose Bowl Game fromPasadena, California, with announcerGraham McNamee.
On November 11, 1928, theFederal Radio Commission's (FRC)General Order 40 divided transmitting frequencies into "clear", "regional" and "local" classifications.[28] 640 kHz was now classified as a "clear channel", and KFI remained on this frequency, now designated as its dominant station.[29] KFI was allowed to operate with a non-directional antenna at the highest allowable power of 50,000 watts, while other stations on the frequency were required to protect KFI's signal from interference.
NBC operated two radio networks, theRed Network and theBlue Network. The Red Network carried sponsored commercial programs, while the Blue Network carried the sustaining ones where the network sold individual commercials within the shows. In 1931, NBC reorganized its West Coast operations, creating regional Orange and Blue networks that replaced its previous Pacific Coast network. KFI was part of the Orange group, along withKGO inOakland,KGW inPortland,KOMO inSeattle, andKHQ inSpokane.[30]
In July 1931, KFI increased its transmitter power from 5,000 to 50,000 watts, becoming the first U.S. station west of Chicago to broadcast with that power.[31] A special 4-hour program was aired, featuring congratulatory speeches by NBC West Coast vice president and others, joined by entertainers from New York and Chicago on a coast-to-coast live hookup.Variety reported that Los Angeles mayorJohn Clinton Porter was comically effusive in his praise.[2]
NBC's, and KFI's, programming expanded in 1930s and 1940s. The NBC radio network was owned by theRadio Corporation of America (RCA), which also owned the Keith–Albee–Orpheum vaudeville circuit, later renamed Radio–Keith–Orpheum (RKO).RKO handled many vaudeville comedians and singers, includingJack Benny,Burns and Allen,Fred Allen,Eddie Cantor, andRudy Vallee, whose programs were highly rated. During theGreat Depression of the 1930s, many people could not afford movie tickets, but they could purchase a radio where they could listen to commercially sponsored entertainment for free. During its early days, KFI carried such sporting events as theWorld Series and theRose Bowl. Although KFI's call letters were randomly assigned, many people assumed that the "FI" stood for "Farmers Information". Every winter evening from 1924 to 1956, KFI delivered a frost report at 8 p.m. telling citrus farmers whether to turn on wind machines or light "smudge pots" to keep their orange and lemon groves from freezing.[32] The frost warnings moved to 7 p.m. until the late 1970s when they were removed from the schedule.[33]
From 1929 to 1944, Earle Anthony also owned KECA, nowKABC. KFI was an affiliate of the NBC Red Network, while KECA carried programming from the Blue Network. However, in August 1941 theFederal Communications Commission (FCC) adopted a "duopoly" rule, which restricted licensees from operating more than one radio station in a given market.[34] Therefore, Anthony sold KECA in 1944 to the Blue Network for $800,000.[35] (In 1942, under the provisions of theSherman Anti-Trust Act, NBC had been required to divest itself of its Blue Network, which later became the Blue Network Incorporated, and subsequently theAmerican Broadcasting Company.)
DuringWorld War II, KFI was a prime source for war news in the Los Angeles area. It was feared that an attack on the west coast of the United States was possible, and people were warned to turn off lights and drape black cloths over windows, so that enemy bombers would not see identifying landmarks. Periodically, KFI and the other Los Angeles radio stations signed off so that any hostile aircraft could not use their signals as a guide for bombing attacks, which had been the case in the December 1941attack on Pearl Harbor.
On November 29, 1944, KFI officials broke ground onMount Wilson for construction of a new FM and TV facility. The ceremony was broadcast from noon to 12:15 p.m. over KFI.KFI-FM began broadcasting with its first test program on 105.9MHz in July 1946, although other sources say the station went on the air in 1947. KFI-FM only lasted until 1951, when Earle C. Anthony decided to end operations and returned the station license to the FCC for cancellation.[36] That same year KFI-TV was sold to theGeneral Tire and Rubber Company. This station is nowKCAL-TV.
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In the 1950s, sponsors began a gradual migration from radio to television, reducing radio advertising revenue, and less money became available for quality radio network entertainment programming. NBC and the other radio networks began dropping large-budget entertainment shows in favor of news and information programming. "NBC News on the Hour" and "Emphasis" became the network staples as entertainment programs were slowly phased out.
NBC radio affiliates like KFI had to decide whether to reduce or eliminate their network connections in order to maintain profits. KFI began usingdisc jockeys playingphonograph records. KFI programming transitioned during this period from block programming, often featuring 15-minute shows, to afull servicemiddle of the road format. Populardisk jockeys played records and chatted about local events, interspersed with aggressive local news and sports coverage. The station also carriedMonitor, the NBC network's weekend radio service.
In the 1980s, as FM replaced AM radio as the primary source for contemporary music, KFI became a news and information outlet.
KFI was theflagship station for theLos Angeles Chargers professional football team during its inaugural year in theAmerican Football League in 1960, when the team was based in Los Angeles, before spending the next five decades in San Diego.[38] From 1960 to 1973, the station was the radio flagship station of theLos Angeles Dodgersbaseball team. KFI aired all the games as well as feeding the play-by-play broadcasts to other stations in the Southwest.
KFI's founder, Earle C. Anthony, died on August 6, 1961.[39] In April 1972, KFI celebrated its 50th birthday. Festivities included a 12-hour special, featuring interviews and commentaries from many former NBC Radio personalities.
In 1973,Cox Broadcasting, headquartered inAtlanta, purchased KFI for $15 million, which at the time was the highest amount paid for a radio station. James Wesley, Cox's general manager atWIOD inMiami, and that station's operations manager, Elliott "Biggie" Nevins, were dispatched to Los Angeles to manage KFI.
Cox instructed Wesley to find an FM station in the Los Angeles market to buy, and a deal was reached withDallas broadcaster Gordon McLendon to purchaseKOST (103.5 FM) for $2.2 million. Wesley also decided against renewing the long term agreement for carrying Dodger baseball, allowing KABC to become the new Dodger radio station in Los Angeles.
Starting in the mid-1970s, KFI switched totop 40 music. Cox Broadcasting hiredJohn Rook as program director. Rook was considered the force behind the success ofWLS inChicago. One of his first hires was Dave Sebastian (Williams), formerly ofKHJ, as music director and air personality. Rook's first air staff included "The Lohman and Barkley Show" withAl Lohman andRoger Barkley (top-rated in the morning), Mark Taylor (midday),Bob Shannon (afternoondrive time) and music director Dave Sebastian (evenings). Within the first year Dave left abruptly for crosstown Top 40 competitorKTNQ (1020 AM; Ten-Q). John Rook then moved in Eric Chase (midday), Charlie Fox (early evening) and Dave Diamond (late night). KFI shot to #1 in the ratings, at some points being the most listened-to Top 40 station in the nation at 50,000 watts.
By the late 1970s the staff was revised toLohman &Barkley mornings, Tim & Ev Kelly in middays,Jack Armstrong afternoons,Big Ron O'Brien evenings and Charlie Fox at night.
Rook and several of the on air personalities left in the early 1980s. At that point, KFI began softening itsplaylist toadult top 40 (in between top 40 andadult contemporary). By the mid-1980s the station was more news and personality driven than music intensive with a full service format.
In the 1970s and '80s, the station featured a hybridformat combining adult contemporary music with comedian hosts. In addition to Lohman and Barkley, other hosts includedHudson & Landry, Charlie and Mitzi (Charlie Brill andMitzi McCall ofRowan & Martin's Laugh-In), andGary Owens. In winter 1984, KFI began broadcasting inAM stereo, with theMotorolaC-QUAM system. The stereo broadcasts ended in January 2000.[40]
By the mid-1980s ratings began to slip, as music listening switched to the FM band. In the spring of 1984, KFI was ranked 28th in the Los AngelesArbitron ratings, ahead of only KHJ among the market's AM music stations. KFI moved the music to more of a softgold-based AC and began to play less of it. The talk shows moved from a blend of entertainment, comedy, and lifestyle to more political issues.
Writer/Producer John Thomas was assigned to Lohman & Barkley in 1984 and helped raise their ratings for the morning show to a tie for #1 in the 25-54 demographic in Fall 1985. Shortly after Thomas left KFI for WLS in Chicago the morning show fell apart. Barkley split off from the morning show to go to KABC.
The music was dropped in 1988 as KFI evolved to an issues-orientedtalk format. The first hosts were psychologist Dr.Toni Grant, TV game show hostGeoff Edwards andTom Leykis hosted a politically oriented "combat radio" program.[41]Competitor KABC, which had been doing talk radio for some time, sued KFI in U.S. District Court to have KFI cease and desist using the term "Talk Radio" with the call letters. Therefore, the sloganMore Stimulating Talk Radio was created.[42]Rush Limbaugh'snationally syndicatedconservative talk show replaced Edwards in 1988 after Edwards refused to play promotional spots for the controversial Leykis show.
In 1999, Chancellor Media traded 13 stations to Cox to acquire KFI and KOST. Cox opted to exit the Los Angelesmarket and focus on medium radio markets and its TV stations.
Chancellor merged withCapstar in 1999 and became known as AMFM Inc. In 2000, AMFM merged withClear Channel Communications making KFI Clear Channel's top AM radio station in Los Angeles. In 2014, Clear Channel changed its corporate name toiHeartMedia to identify its radio stations with itsiHeartRadio internet streaming platform. The station license continued to be held by a subsidiary of Capstar.
On the day of the9/11 attacks, Bill Handel remained on air for seven consecutive hours. Handel hosted his morning show from 5-9 am, then continuted hosting from 9-noon as an emergency fill-in on the syndicatedRush Limbaugh show. Limbaugh was scheduled to be off that day, but his planned fill-in host could not broadcast from New York due to communication problems in the city.[43] Handel's broadcast was also carried on the other Clear Channel stations in Los Angeles.
In summer 2004, KFI became the most listened to talk radio station in the United States, beating New York City'sWABC in cumulative audience during the rating period. That year KFI was named theRadio & Records "News & Talk Radio Station of the Year".
The syndicatedRush Limbaugh Show was heard on KFI from July 4, 1988, to January 20, 2014, when it moved to sister stationKEIB.
On August 10, 2015, KFI began a simulcast on KOST's HD 2 signal.
KFI served as the flagship station of the Los Angeles Chargers, carrying all of the team's game day broadcasts from the team's return to the Los Angeles market in 2017 until 2020, when games were moved to co-owned 98.7KYSR.[38]
In recent years, especially since the2003 recall of the Governor of California, afternoon drive hosts John and Ken have become actively involved in several political causes, most notably that ofillegal immigration. In the months leading up to the2004 election, the hosts instigated several political rallies advocating the defeat ofCongressmenDavid Dreier (aRepublican) andJoe Baca (aDemocrat), both of whom they felt were wrongly supportive of illegal immigration.
As a result, theJohn and Ken Show was the subject of aFederal Election Commission complaint filed by theRepublican National Committee, alleging that John and Ken engaged in an illegal campaign against Congressman Dreier. The "Political Human Sacrifice" campaign, as they dubbed it, was not successful, since both Dreier and Baca were re-elected, albeit Dreier by a substantially smaller percentage than in past terms. On March 16, 2006, the complaint was dismissed.[44]
The main transmitter was eventually relocated from Anthony's Packard dealership to its present location inLa Mirada, California, where a "T" antenna was erected between two medium height towers, and the studios of the KFI and its sister station, KECA, were moved to 610 South Ardmore Avenue. The 610 South Ardmore Avenue building is now gone, replaced by a parking lot. (The Packard dealership site was retained as an emergency transmitter for many years, but powered by a 5,000 watt transmitter.)
In 1948, the "T" antenna was replaced by a 722-foot (220 m) vertical tower and a 200-foot (61 m) emergency vertical tower, as long before vertical antennas had been determined to be superior to "T" antennas for high-powered stations, although 195 degrees (which would be 828 feet (252 m) on 640 kHz) would have been optimum. Competitor KNX employs just such a 195 degree tower, as do many other U.S. Class A non-directional stations, and even some Class B non-directional stations. KFI was relatively late to convert from a horizontal to a vertical antenna: same-market Class A KNX converted to a vertical in 1938, and same-state Class As KGO and KPO (nowKNBR) converted to verticals in 1941 and 1949, respectively.
There is an unpatched bullet hole in the ceiling of the transmitter building, where aNational Guardsman accidentally discharged a rifle during World War II on December 10, 1941. The bullet hole has been preserved as a monument to KFI's wartime service.
On Sunday, December 19, 2004, at 9:45 a.m., Jim and Mary Ghosoph were killed when their rentedCessna 182P single engine airplane, traveling from theEl Monte Airport toFullerton Municipal Airport, struck KFI'stransmission tower.[45][46][47] The solid steeltruss, originally built in 1948, collapsed upon itself, mostly landing in a parking lot to the north of the site. KFI's signal was knocked off the air for approximately one hour.
The Ghosophs had taken off from the El Monte Airport with a planned stop at the Fullerton Airport to pick up two passengers. From there, the plan was to fly to the island of Catalina to spend the day, after which they would make the return route to Fullerton and then to El Monte. Pilots had complained for years to KFI management that it needed to put strobe lights on the tower and highly reflective balls on theguy wire. KFI and Clear Channel Communications management responded by saying the tower was in compliance with FCC andFederal Aviation Administration regulations and that it did not need to make any changes.
Until a replacement was erected, the station transmitted from the 200-foot (61 m) auxiliary tower at a power of 25,000 watts, but provisions had been made to transmit from the disused KRKD (KIIS) 1150 AM site just north of downtown Los Angeles, whenever the RF field towards the tower erection crew would exceed safety limits. Work was conducted at the site on November 19, 2006, temporarily interrupting a broadcast ofLeo Laporte's talk show KFI Tech Guy at 11:55 a.m.[48]
At 2:30 p.m. on March 18, 2008, the replacement tower collapsed while under construction.[49] The tower was about 300 feet (91 meters) tall (the final height was to be 684 feet (208 m) when a guy wire support failed, causing the tower to tip over in the opposite direction. There were no major injuries, and only limited collateral damage.
The reason for the failure is assumed to be a combination of factors, including the much higher per unit weight of the new 84 inches (210 cm) cross-section tower, compared to the 1948 tower which had a 42 inches (110 cm) cross-section, and the inadequacy of the 1948 pier and guy wire terminations, one of which had previously been modified to a cantilever design to facilitate the passage of vehicles under that termination (and, it was the cantilever termination which catastrophically failed during this erection attempt). All of these structural components were replaced or strengthened in preparation for erection of the third tower, which is identical in design to the (failed) replacement tower.
A new tower began construction at the end of July 2008 and was completed on August 14, 2008, by Eli the Construction Guy (structural engineer). It has a 50-foot-wide (15 m) top-loading "capacitance hat", which electrically extends the tower's height another 75 feet (23 m), effectively, without actually needing more tower sections. The tower was also equipped with high intensity strobe lights due to its proximity to theFullerton Municipal Airport, and additional safety upgrades because of the previous plane crash. It has torque arms which limit the twisting of the tower in high winds. (Local regulation authorities in apparent defiance of electrical engineering principles, and communications law, demanded "a 10 percent reduction in overall height", otherwise the necessary permits would be refused, not withstanding the federal government'sprimary authority over radio communications, and KFI's strategic role as anEmergency Alert System station for the western U.S. region).
The station returned to full 50,000 watt power on September 25, 2008, at 5:00 p.m. The tower has been dedicated to the memory of John Paoli, KFI Chief Engineer from 2000 to 2008, who died suddenly from a previously unknown genetic heart condition soon after overseeing the construction of the new tower. A plaque bearing the words "John A. Paoli, 1958-2008, Memorial Tower. Dedicated on this day, November 18, 2008 to our friend and colleague whose passion and talent brought KFI AM 640 to millions of listeners." and his likeness now graces the wall around the tower's base.[50]
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