Juliana Rojas | |
|---|---|
.jpg) Juliana Rojas atBerlinale 2024 | |
| Born | (1981-06-23)23 June 1981 (age 43) |
| Education | School of Communications and Arts, University of São Paulo |
| Occupation(s) | Director andEditor |
| Years active | 2004 - present |
| Notable work | Hard Labor |
Juliana Rojas is a Brazilian filmmaker and editor born inCampinas,São Paulo (June 23, 1981).[1] She graduated in Cinema inSchool of Communication and Arts of University of São Paulo (Escola de Comunicação e Artes da USP).
In 2011, her first feature filmHard Labor had its world premiere at theUn Certain Regard section of the2011 Cannes Film Festival.[2] Her film,Good Manners won the Silver Leopard at the 2017Locarno Film Festival.[3] In 2024, her latest filmCidade; Campo, won the Best Director award at the Encounters section of the74th Berlin International Film Festival.
.jpg)
She graduated from USP in 2005, with specialization in Editing, Screenplay and Sound (1999-2005). Juliana Rojas started her career while she was still in school.[1] According to an interview with her, she said yet on the first year of college she became close friends with Marco Dutra and realized both had shared interests such as scary movies, animation, musicals. She directed her first film with Dutra in 2004, a short movie calledLenço Branco as their final assignment project for school.[4] In the same year, it was part ofCinéfondation in Cannes Film Festival.
This event brought attention to the duo. In 2007, they directed another short filmUm Ramo and was nominated toSemaine de la Critique and won Best Short Film.[5]Um Ramo was made with government of São Paulo funding, through an"Edital" (public notice) and produced by Sara Silveira from Dezenove Som e Imagens production company. Juliana Rojas had the opportunity to meet Sara Silveira through a friend in common.[4]Um Ramo helped her get attention in her work and helped her find her aesthetics. It brings fantasy elements to portray urban life of nowadays middle class society and this characteristic is a constant in Juliana Rojas and Marco Dutra’s work.[6][7]
With Dutra, she codirectedAs Sombras, a short movie in 2009, and thenDesassossego – filme das maravilhas in 2010. After being nominated for Best Short Film in Cannes (2007), Sara Silveira[clarification needed] proposed that they brought a feature film screenplay project to show at the Festival.[4] That is how, in 2011,Hard Labor would become Rojas's first feature film and would get into the selectionUn Certain Regard, in Cannes Film Festival. This film was nominated for ten categories inPrêmio Fiesp/Sesi-SP, such as Best Movie and Best Director.[8] It featured a frequent actress in their work,Helena Albergaria, who was a longtime friend they met working with Cia. do Latão[4] - a theater company in São Paulo - andMarat Descartes.Hard Labor was edited by Caetano Gotardo, to whom Rojas would edit a film.[4]
Together with Dutra, Rojas won the Silver Leopard award inLocarno Festival withGood Manners, in 2017.[9] However, Rojas did not base her career in only co-directed films with Dutra, she also had some works directed by herself,[1] such as:Vestida in 2008,Pra domir tranquilo in 2011 andO Duplo in 2012 – premiered in Cannes Film Festival[10] and also in 16thMostra de Cinema Tiradentes, 2013. In 2014, she won Critics Category Award inGramado Film Festival with her feature film calledSinfonia da Necrópole.[11]
Besides her directing career, she also used her skills as an editor in some important films in Brazilian Cinema, such as: documentaryPulsações (2011) directed byManoela Ziggiati;Os dias com ele (2012) directed by Maria Clara Escobar andO sol nos meus olhos (2012) directed by Flora Dias, both shown in 16thMostra de Cinema Tiradentes; TV movieCorpo Presente (2012) by Paolo Gregori and Marcelo Toledo;O que se move (2012) by Caetano Gotardo andQuando eu era vivo (2013) by her Cinema partner Marco Dutra.[1][4]
Rojas participated in very relevant[clarification needed] Film Festivals. She has been showing her films in Cannes Film Festival in France since the beginning of her career.[1] She also had her work shown in Locarno Film Festival and Gramado Film Festival. Rojas is one of the filmmakers of contemporary Brazilian Cinema investing in fantastic storytelling, using genres such as thriller, fantasy, drama to create a critical argument of contemporary Brazilian society.[12][failed verification] She has been compared to and listed with internationally known Brazilian filmmakers and films - asNeighboring Sounds byKleber Mendonça Filho, for example.[13][failed verification]
| Year | Film | Notes |
|---|---|---|
| 2004 | O Lenço Branco | Co-directed with Marco Dutra |
| 2007 | Um Ramo | |
| 2008 | Vestida | |
| 2009 | As Sombras | Co-directed with Marco Dutra |
| 2010 | Desassossego – filme das maravilhas | |
| 2011 | Hard Labor / Trabalhar Cansa | |
| Pra dormir tranquilo | ||
| 2012 | O Duplo | |
| 2014 | Sinfonia da Necrópole | |
| 2017 | Good Manners / As Boas Maneiras | Co-directed with Marco Dutra |
| 2024 | Cidade; Campo | [14] |
| Year | Film | Director |
|---|---|---|
| 2011 | Pulsações | Manoela Ziggiati |
| 2012 | Os dias com ele | Maria Clara Escobar |
| Corpo Presente | Paolo Gregori and Marcelo Toledo | |
| O que se move | Caetano Gotardo | |
| Quando eu era vivo | Marco Dutra |
| International | |
|---|---|
| National | |
| Other | |
