Judith Yung | |
|---|---|
| Born | (1946-01-25)January 25, 1946 San Francisco,California, U.S. |
| Died | December 14, 2020(2020-12-14) (aged 74) San Francisco,California, U.S. |
| Alma mater | San Francisco State University (B.A. 1967);University of California, Berkeley (M.L.S. 1968; Ph.D. 1994) |
| Spouse(s) | Eddie Fung, 2003-2018 |
| Scientific career | |
| Fields | Ethnic Studies |
| Institutions | University of California, Santa Cruz, 1990-2004 |
Judith Yung (January 25, 1946 – December 14, 2020) was a librarian, community activist, historian, and professoremerita in American Studies at theUniversity of California, Santa Cruz. She specialized in oral history, women's history, andAsian American history.[1][2] She died on December 14, 2020, inSan Francisco, where she had returned in 2018.[3][4]
Judy Yung was the fifth daughter of six children born to immigrant parents from China. She grew up inSan Francisco Chinatown, where her father worked as a janitor and her mother as a seamstress to support the family. Yung was able to acquire a bilingual education by attending both public school and Chinese language school for ten years. She received a B.A. in English Literature and Chinese Language fromSan Francisco State University in 1967 and a Masters in Library Science from theUniversity of California, Berkeley the next year. Later, she went back to obtain her Ph.D. (1994) in Ethnic Studies from theUniversity of California, Berkeley.[5]
In the late 1960s and early 1970s, Yung worked as librarian for the Chinatown branch of theSan Francisco Public Library and later established the first Asian public library in America at the Park Boulevard branch of theOakland Public Library, pioneering the development of Asian language materials and Asian American interest collections in the public library to better serve the Asian American community. She also spent four years working as associate editor of theEast West newspaper.[3]
In 1975, inspired by the discovery of Chinese poetry on the walls of theAngel Island detention barracks, Yung embarked on a research project withHim Mark Lai andGenny Lim to translate the poems and interview former Chinese detainees about their immigration experiences. They self-publishedIsland: Poetry and History of Chinese Immigrants on Angel Island, 1910-1940 in 1980, and a second expanded edition of the book was published by theUniversity of Washington Press in 2014.
From 1981 to 1983, with afederal grant from the Women's Educational Equity Program, Yung directed the Chinese Women of America Research Project, resulting in the first traveling exhibit on the history of Chinese American women and the book,Chinese Women of America: A Pictorial History. She then returned to graduate school to hone her research skills as a historian.
Upon receiving her Ph.D. in Ethnic Studies in 1990, Yung was hired to establish an Asian American Studies program at theUniversity of California, Santa Cruz, where she taught courses in Asian American studies, women's history, oral history, and mixed race until she retired in 2004. She has since devoted her time to writing more books about Chinese American history and serving as a historical consultant with a number of community organizations and film projects.
In 2002, while working onChinese American Voices, Judy Yung met Eddie Fung, aPOW duringWorld War II. They got married a year later and made Santa Cruz their home. After her husband died in 2018, Yung moved back to her hometown San Francisco.[4]
Yung appears in the 2021 documentaryThe Six, in which she explains the significance of a Chinese poem written byRMS Titanic survivor Fong Wing Sun, and Chinese poetry written by Chinese immigrants while being held atAngel Island in the 1920s and 1930s.
She died on December 14, 2020, of complications from a fall at her home. She was 74 years old.[3]
Judy Yung.
Judy Yung.
Judy Yung's contribution to the story of Chinese women in San Francisco took more than a decade of meticulous research and the resulting exhaustive tome was worth the effort.... It is to Yung's credit that she examines this unsavory aspect of Chinese life in the United States unflinchingly and honestly.... Yung's tale describes the strikes, lockouts and blacklistings in the garment industry that inevitably involved Chinese women on both sides of the conflict.