Judith Malina | |
|---|---|
| Born | (1926-06-04)June 4, 1926 |
| Died | April 10, 2015(2015-04-10) (aged 88) Englewood, New Jersey, U.S. |
| Resting place | Cedar Park Cemetery, New Jersey |
| Citizenship | American |
| Education | The New School for Social Research |
| Occupations | Actress, director, writer |
| Known for | Co-foundingThe Living Theatre |
| Spouses | |
| Signature | |
Judith Malina (June 4, 1926 – April 10, 2015) was a Jewish-American actress, director and writer. With her husbandJulian Beck, Malina co-foundedThe Living Theatre, a radical political theatre troupe that rose to prominence in New York City and Paris during the 1950s and 1960s.
Malina was born inKiel,Weimar Germany, the daughter of Polish Jewish parents: her mother, Rosel (née Zamora), was a former actress, and her father, Max Malina, a rabbi in theconservative denomination.[1][2] In 1929, at the age of 3, she immigrated with her parents to New York City.[3]
Malina's parents influenced her deeply, leading her to find an interest in political theatre, as her father left Germany with his family, largely due to the rise ofantisemitism in the late 1920s, after attempting to warn people of the threat posed byNazism.[4]
From 1943 until 1945, Malina worked forValeska Gert at theBeggar Bar. There she observed many of Gert's performances which influenced her later artistic approach.[5][6] Interested in acting from an early age, she began attending theNew School for Social Research in 1945 to study theatre underErwin Piscator. Malina was greatly influenced by Piscator's philosophy of theatre. Piscator saw theatre as a form of political communication oragitprop ("Theatre interests me only when it is a matter of interest to society.").[7] Malina, unlike Piscator, was committed tononviolence andanarchism.[8]
In 1947, Malina and her husbandJulian Beck openedThe Living Theatre, an experimental theatre company that focused on producing unconventional works by both American and European authors. By 1963, all three of the Living Theatre venues in New York had been shut down by authorities, in one instance by theIRS due to a tax dispute. The organization attributes this to "the difficulty of operating a unique, experimental enterprise within a cultural establishment ill-equipped to accept it", though the group returned to the United States in 1968.[9]
Malina appeared occasionally in films, beginning in 1975, when she playedAl Pacino's mother inDog Day Afternoon. Using her for the role was Pacino's idea, said its directorSidney Lumet. Lumet recalled that contacting her was difficult because she had moved to Vermont. "I had no idea of what to expect," said Lumet. "I didn't even know whether she'd want to do a 'commercial' film. Well, let me tell you, she is an actress. Totally professional. She also had no money, and we had to pay her fare from Vermont, but she walked in and was perfect."[10][11]
She also appeared in Pacino'sLooking for Richard. Malina's other roles in cinema include Rose inAwakenings (1990) andGranny inThe Addams Family (1991). She had major roles inHousehold Saints (1993) and the low-budget filmNothing Really Happens (2003). She appeared in an episode of the TV seriesThe Sopranos in 2006 as a nun, the secret mother ofPaulie "Walnuts" Gualtieri. She also has a significant supporting role in the filmEnemies, A Love Story (1989), based on the novel byIsaac Bashevis Singer. The Living Theatre and its founders were the subject of the 1983 documentarySignals Through The Flames.
Malina is the subject of the documentaryLove and Politics (2012) by Azad Jafarian and took part inRosa von Praunheim's documentaryNew York Memories (2010). Von Praunheim's film premiered at theBerlin International Film Festival in 2010 and Jafarian's premiered in 2012 at theTribeca Film Festival.
Theater scholarRichard Schechner said:
The thing about Judith Malina is that she is indefatigable, unstoppable, erupting with ideas. Malina is long-living, long-working, optimistic, and by the second decade of the 21st century girlish and old womanish at the same time. She survives and she bubbles, both.[12]

Malina met her long-time collaborator and husbandJulian Beck in 1943 when she was 17 and he was a student at Yale University. Beck, originally a painter, came to share her interest in political theatre. In 1947, the couple foundedThe Living Theatre, which they directed together until Beck's death in 1985. Beck and Malina had "two offstage children", Garrick and Isha.
Malina's and Beck's marriage was non-monogamous. The bisexual Beck had a long-term male partner as did Malina. In 1988, she married her long-term partner Hanon Reznikov.[13] They co-directed the Living Theatre's activity in the Middle East, Europe and the United States, until Reznikov's unexpected death in 2008.[13]
While not on tour, Malina lived in New York City until she moved to theLillian Booth Actors Home in Englewood, New Jersey in 2013.[14][15] Malina died in Englewood, New Jersey, on April 10, 2015.[12]
In 1996, Malina was awarded an honoraryDoctor of Humane Letters degree from Whittier College.[16] In 2007, she was awarded an honorary Doctor of Fine Arts degree from Lehman College.[17] In 2008 she received theOrdem do Mérito Cultural from the government of Brazil.[18][19]
This list related to film, television, or video isincomplete; you can help byadding missing items.(June 2025) |
| Year | Title | Role | Notes | Ref. |
|---|---|---|---|---|
| 1957 | The Bachelor Party | Long-hair Village intellectual (uncredited) | Theatrical film | [citation needed] |
| 1958 | Narcissus | Narration (voice) | Theatrical film | |
| 1963 | Flaming Creatures | The Fascinating Woman | Theatrical film | |
| 1963 | Queen of Sheba Meets the Atom Man | Unknown | Theatrical film | |
| 1968 | Aprèsla Passion selon Sade | Unknown | Theatrical film | |
| 1968 | Wheel of Ashes | Crazy Woman Preaching | Theatrical film | |
| 1968 | Candy | Bit Part | Theatrical film | |
| 1969 | Love and Anger | Unknown | Theatrical film. Segment: "Agonia" | |
| 1975 | Dog Day Afternoon | Mother | Theatrical film | |
| 1986 | No Picnic | Unknown | Theatrical film | |
| 1987 | Radio Days | Mrs. Waldbaum | Theatrical film | |
| 1987 | The Secret of My Success | Mrs. Meacham | Theatrical film | |
| 1987 | China Girl | Mrs. Monte | Theatrical film | |
| 1989 | American Stories, Food, Family and Philosophy | Unknown | Theatrical film | |
| 1989 | The Equalizer | Old Woman | Episode: "Heart of Justice" | |
| 1989 | Enemies, A Love Story | Masha's Mother | Theatrical film | |
| 1990 | Awakenings | Rose | Theatrical film | |
| 1991 | The Addams Family | Grandmama | Theatrical film | |
| 1993 | Household Saints | Carmela Santangelo | Theatrical film | |
| 1994 | Men Lie | Unknown | Theatrical film | |
| 1997 | The Deli | Vincenza Amico | Theatrical film | |
| 1998 | Music from Another Room | Clara Klammer | Theatrical film | |
| 2000 | Snow Day | Grammy | ||
| 2003 | Nothing Really Happens: Memories of Aging Strippers | Tillie Hirsch | Theatrical film | |
| 2006 | The Sopranos | Aunt Dottie | Episode: "The Fleshy Part of the Thigh" | |
| 2010 | When in Rome | Umberto's Grandma | Theatrical film | |
| 2010 | New York Memories | byRosa von Praunheim | ||
| 2013 | Over/Under | Catherine | Television film | |
| 2019 | The Forgiveness of Judith Malina | [21] |