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Jewish hat

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(Redirected fromJudenhut)
Cone-shaped pointed hat, worn by Jews in Medieval Europe and parts of the Islamic world
This article is about the headgear of medieval European Jews. For the modern Jewish skullcap, seeKippah.
The Jewish poetSüßkind von Trimberg (on the right) wearing a Jewish hat (Codex Manesse, fourteenth century)

TheJewish hat, also known as theJewish cap,Judenhut (German) orLatinpileus cornutus ("horned skullcap"), was a cone-shapedpointed hat, often white or yellow, worn by Jews inMedieval Europe. Initially worn by choice, its wearing was enforced in some places in Europe after the 1215Fourth Council of the Lateran for adult maleJews to wear while outside aghetto to distinguish them from others. Like thePhrygian cap that it often resembles, the hat may have originated in pre-IslamicPersia, as a similar hat was worn byBabylonian Jews.

Modern distinctive or characteristic Jewish forms of male headgear include thekippah (skullcap),shtreimel,spodik,kolpik, andkashkets; see alsoHasidic clothing.

Europe

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Shape

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Circumcision ofIsaac, in the Jewish manuscript the "Regensburg Pentateuch", Germany,c. 1300

The shape of the hat is variable. Sometimes, especially in the thirteenth century, it is a softPhrygian cap, but rather more common in the early period is a hat with a round circular brim—apparently stiff—curving round to a tapering top that ends in a point,[1] called the "so-calledoil-can type" by Sara Lipton.[2] Smaller versions perching on top of the head are also seen. Sometimes a ring of some sort encircles the hat an inch or two over the top of the head. In the fourteenth century a ball or bobble appears at the top of the hat, and the tapering end becomes more of a stalk with a relatively constant width.[3] The top of the hat becomes flatter, or rounded (as in the Codex Manesse picture). The materials used are unclear from art, and may have included metal and woven plant materials as well as stiffened textiles and leather.

By the end of the Middle Ages the hat is steadily replaced by a variety of headgear including exotic flared Eastern style hats, turbans and, from the fifteenth century, wide flat hats and large berets. In pictures of Biblical scenes these sometimes represent attempts to portray the contemporary dress of the time worn in theHoly Land, but all the same styles are to be seen in some images of contemporary European scenes. Where a distinctive pointed Jewish hat remains it has become much less defined in shape, and baggy. Loose turbans, wide flat hats, and berets, as well as new fur hat styles from thePale of Settlement, remain associated with Jews up to the eighteenth century and beyond.

History

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Figure in a Jewish hat holding acitron (etrog) for the holiday ofsukkot in a medievalHebrew calendar.

The origin of the hat is unclear, although it is often seen as ultimately evolving from the same origin as themitre, perhaps from late Roman styles, which may themselves derive from the hats of ancient Persian clergy. Hats worn (by Pharaoh's advisors, among others) in the illustrations to theOld English Hexateuch, a manuscript of around 1030, have been seen as an early form, and they appear in theMosanStavelot Bible of 1097.[4]

The first recorded instance of a “Jewish hat” or “Judenhut” was around the 11th century in the Flanders region.[5] The wearing of these distinctive hats originate from European Christians who wore such hats before mandating that it become a symbol for European Jews. According to Sara Lipton, "The few surviving early medieval references to Jewish clothing likewise suggest that Jews dressed no differently from their Gentile neighbor".[6]

In Europe, the Jewish hat was worn in France from the eleventh century, and Italy from the twelfth. TheGniezno Doors were probably made in Germany around 1175, and two Jewish merchants depicted on the doors wear them. UnderJewish law, observant Jews should keep their heads covered almost all the time,[7] and indeed men of all religious groups tended to wear hats when outside in theMiddle Ages to a much greater extent than today.[8]

Unlike theyellow badge, the Jewish hat is often seen in illustrated Hebrew manuscripts, and was later included by German Jews in their seals andcoats of arms, suggesting that at least initially it was regarded by European Jews as "an element of traditional garb, rather than an imposed discrimination".[9][10][11][12] The hat is also worn in Christian pictures by figures such asSaint Joseph and sometimesJesus (see below). However, once "made obligatory, the hat, hitherto deliberately different from hats worn by Christians, was viewed by Jews in a negative light".[9] A provincialsynod held inBreslau in 1267 said that since Jews had stopped wearing the pointed hats they used to wear, this would be made compulsory.[13]

Christian painting of an Old Testament sacrifice, 1483, with various forms of Jewish hat, as well as turbans and other exotic styles. By this date it is hard to judge how illustrations like these relate to actual contemporary dress in Europe, or are an attempt to recreate historically appropriate ancient dress from styles of the contemporary Middle East.

TheFourth Council of the Lateran of 1215 ruled that Jews and Muslims must be distinguishable by their dress (Latin "habitus"), the rationale given being: "In some provinces the dress of Jews andSaracens distinguishes them from Christians, but in others a degree of confusion has arisen, so that they cannot be recognised by any distinguishing marks. As a result, in error Christians have sexual intercourse with Jewish or Saracen women, and Jews and Saracens have intercourse with Christian women. In order that the crime of such an accursed mingling shall not in future have an excuse and an evasion under the pretext of error, we resolve that (Jews and Saracens) of both sexes in all Christian lands shall distinguish themselves publicly from other people by their dress. According to the testimony of scripture, such a precept was already made by Moses (Lev.19.19; Deut.22.5.11)".[11]

Local regulations

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However, not all European medieval monarchs followed these pontifical resolutions. KingAndrew II of Hungary (1177–1235), ignored on several occasions demands from the Pope, which gained him excommunication twice. At that time many Jews were in royal service. The excommunications even forbade Andrew II from being present at his daughterElisabeth of Hungary'scanonization in Germany.[14] The hat was mostly found north of theAlps, despite some of the earliest examples being seen in Italy, and was not found in Spain.

Additional rules were imposed by local rulers at various times. The council decision was confirmed by theCouncil of Vienne of 1311–12. In 1267 the hat was made compulsory inVienna. A doctor was given a temporary dispensation from wearing it inVenice in 1528, at the request of various distinguished patients[15] (at the time in Venice each profession had special clothing rules).Pope Paul IV ordered in 1555 that in thePapal States it must be a yellow, peaked hat, and from 1567 for twenty years it was compulsory inLithuania, but by this period it is rarely seen in most of Europe.[16]

As an outcome of theJewish Emancipation its use was formally discontinued, although it had been declining long before that, and is not often seen after 1500; the various forms of theyellow badge were far more long-lasting.[17] This was an alternative form of distinguishing mark, not found in Europe before 1215, and later reintroduced by theNazis. It was probably more widely required by local laws, for example English legislation concentrated on the badge, which took the form of the twoTablets of the Law. In some pictures from all parts of theMiddle Ages, rabbis or other Jewish leaders wear the Jewish hat when other Jews do not, which may reflect reality.[18]

Such examples of this hat-wearing can be seen nearly 350 years after the Fourth Lateran Council. Regions divided into many states, such as Renaissance Italy and Germany, had local laws in this as in other fields, leading to difficulties for travellers who might not be aware of the local regulations. For example, in Italy a Leone Segele was arrested inLodi for wearing a black hat, as was acceptable in his home city ofGenoa, instead of a yellow one, required in Lodi. These dress codes became a normal part of what it meant to be a Jew living inside Catholic dominated European societies.[19]

In a late addition to local rulings, the very strict and locally unpopularCounter ReformationPope Paul IV ordered in 1555 that all Jews in Rome were required to wear the yellow hat "under the severest penalties." When he died, his statue, erected before theCampidoglio just months before, had a yellow hat placed on it (similar to the yellow hat Paul IV had forced Jews to wear in public). After a mock trial, the statue was decapitated.[20] It was then thrown into theTiber.[21]

In art

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Circumcision of Christ,Austria,c. 1340

The Jewish hat is frequently used in medieval art to denote Jews of the Biblical period. Often the Jews so shown are those shown in an unfavourable light by the story being depicted, such as the money-changers expelled by Jesus from the Temple (Matthew 21:12–17), but this is by no means always the case. The husband of Mary,Saint Joseph, is often shown wearing a Jewish hat, and Jesus himself may be shown wearing one, especially in depictions of theMeeting at Emmaus, where his disciples do not recognise him at first (Luke.24.13-32).[22] Sometimes it is used to distinguish Jews from other peoples such as Egyptians or Philistines. It is often depicted in art from times and places where the hat does not seem to have actually been commonly worn by Jews, "as an external and largely arbitrary sign devised by Christian iconographers", one of a number of useful visual ways of identifying types of persons in medieval art.[23] In notable contrast to forms ofJewish badge, the Jewish hat is often seen in Hebrewmanuscript illuminations such asHaggadot made in medieval Europe (picture above). In theBirds' Head Haggadah (Germany, c. 1300), the figures wear the hat when sitting to eat thePassover Seder.[24][25]

However, in Christian art the wearing of the hat can sometimes be seen to express an attitude to those wearing it. In one extreme example in a manuscript of theBible moralisée, an illustration shows the rod ofAaron, which has turned into a serpent, turning on thePharaoh's magicians (Exodus, 7:10-12);Moses and Aaron do not wear the hat but the Egyptian magicians do, signifying not that they are Jews, but that they arelike Jews, i.e. on the wrong side of the dispute. The pairedroundel below shows twotonsured clerics confronting a group of hat-wearing Jews, and has a Latin caption explaining "Moses and Aaron signify good prelates who, in explaining the words of the Gospel, devour the false words of the Jews".[26] In another scene showing the conversion of Jews and other non-Christians at the end of the world, a series of figures show different stages of removing their hats to signify the stages they have reached in their conversion, so that "the hat does not just identify Jews; it functions independently of its placement to signify infidelity and recalcitrant Jewishness".[27][28] Other scenes in Christian art where some characters often wear it include theCircumcision of Christ andSaint Helena Finding the True Cross, where the medieval legend specified a Jewish character. The Jewish hat worn in reality was probably less pointy than is usually shown in art.


William III the Brave (1425–1482) ofMeissen, minted a silvergroschen known as the Judenkopf Groschen. Its obverse portrait shows a man with a pointed beard wearing a Judenhut, which the populace took as depicting a typical Jew.[29]

Transfer

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When theplague broke out in 1349, Jews were expelled from much of German-speaking Europe. The pointed hat which had formerly been used to depict Jews, now was also used for other outcasts. Naomi Lubrich claims that the pointed hat was transferred in iconography to criminals, pagans, and other non-Christian outsiders, in particular sorcerers[30] and dwarfs.[31] Among the examples are laws, for example in Hungary in 1421, according to which people convicted of sorcery were forced to put on a Jewish hat for public shaming.

Regulated dress for Jews in the Islamic world

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Fordhimmis to be clearly distinguishable from Muslims in public, Muslim rulers often prohibited dhimmis from wearing certain types of clothing, while forcing them to put on highly distinctive garments, usually of a bright colour. These included headgear, though this was not usually the primary element. At some times the regulated dress of Christians and Jews differed, at others it did not. As in Europe, the degree to which the recorded regulations were enforced is hard to assess, and probably varied greatly.

Islamic scholars cited thePact of Umar in which Christians supposedly took an obligation to "always dress in the same way wherever we may be, and… bind the zunar [wide belt] round our waists". Al-Nawawi required dhimmis to wear a piece of yellow cloth and a belt, as well as a metallic ring, inside public baths.[32][better source needed]

Regulations on dhimmi clothing varied frequently to please the whims of the ruler. Although the initiation of such regulations is usually attributed to Umar I, historical evidence suggests that it was the Abbasid caliphs who pioneered this practice. In 850 thecaliph al‑Mutawakkil ordered Christians and Jews to wear both a sash called azunnar and a distinctive kind of shawl or headscarf called ataylasin (the Christians had already been required to wear the sash).[33] He also required them to wear small bells in public baths. In the eleventh century, theFatimid caliphAl-Hakim, whose various extreme decrees and actions are usually attributed to mental illness, ordered Christians to put on half-meter wooden crosses and Jews to wear woodencalves around their necks. In the late twelfth century, Almohad rulerAbu Yusuf ordered the Jews of the Maghreb to wear dark blue garments with long sleeves and saddle-like caps. His grandsonAbdallah al-Adil made a concession after appeals from the Jews, relaxing the required clothing to yellow garments and turbans. In the sixteenth century, Jews of the Maghreb could only wear sandals made of rushes and black turbans or caps with an extra red piece of cloth.[34]

Ottoman sultans continued to regulate the clothing of their non-Muslim subjects. In 1577,Murad III issued afirman forbidding Jews and Christians from wearing dresses, turbans, and sandals. In 1580, he changed his mind, restricting the previous prohibition to turbans and requiring dhimmis to wear black shoes; Jews and Christians also had to wear red and black hats, respectively. Observing in 1730 that some Muslims took to the habit of wearing caps similar to those of the Jews,Mahmud I ordered the hanging of the perpetrators.Mustafa III personally helped to enforce his decrees regarding clothes. In 1758, he was walking incognito inIstanbul and ordered the beheading of a Jew and anArmenian seen dressed in forbidden attire. The last Ottoman decree affirming the distinctive clothing for dhimmis was issued in 1837 byMahmud II. Discriminatory clothing was not enforced in those Ottoman provinces where Christians were the majority, such asGreece and theBalkans.[34]

Gallery

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See also

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Notes

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  1. ^For example as worn by the Old Testament figures on theKlosterneuburg Altar of 1181
  2. ^Lipton 1999, p. 16.
  3. ^Occasionally small straight "stalks" are seen earlier,e.g. Schreckenberg:77, illus 4, of c. 1170
  4. ^Silverman 2013, p. 55-56.
  5. ^Silverman 2013, p. 55–57.
  6. ^Lipton, Sara (2014).Dark mirror: the medieval origins of anti-Jewish iconography (First ed.). New York: Metropolitan Books/Henry Holt and Company. p. 15.ISBN 978-0-8050-7910-4.
  7. ^Although this may not yet have acquired the force of law at this period. See Roth op cit.
  8. ^Silverman 2013, p. 56.
  9. ^abPiponnierMane 1997, p. 138.
  10. ^Silverman 2013, p. 57.
  11. ^abSchreckenberg 1996, p. 15.
  12. ^Seals from Norman Roth, op cit.
  13. ^"Medieval Jewish History: An Encyclopedia. Edited by Norman Roth, Routledge". Archived fromthe original on February 25, 2008.
  14. ^Fehér, J. (1967). Magyar Középkori Inkvizicio. Buenos Aires, Argentina: Editorial Transilvania.
  15. ^"Mantino, Jacob ben Samuel".Jewish Encyclopedia. Retrieved5 July 2014.
  16. ^Papal BullCum nimis absurdum. Lithuania, JE: "Yellow badge".
  17. ^Schreckenberg 1996, p. 288-296.
  18. ^For example in the enigmatic illustrations to theGolden Haggadah ofDarmstadt, of about 1300. See sacrifice illustration below also.
  19. ^Cassen, Flora (2019-10-08),"Jewish Travelers in Early Modern Italy: Visible and Invisible Resistance to the Jewish Badge",Dress and Cultural Difference in Early Modern Europe, De Gruyter Oldenbourg, pp. 73–89,doi:10.1515/9783110635942-005,ISBN 978-3-11-063594-2, retrieved2024-10-05
  20. ^Stow, Kenneth (2001).Theater of Acculturation: The Roman Ghetto in the 16th Century. Seattle: University of Washington Press. p. 41.ISBN 978-0295980256.
  21. ^Setton, Kenneth M. (1984).The Papacy and the Levant, 1204-1571. Volume IV: The Sixteenth Century. Philadelphia: American Philosophical Society. p. 719.ISBN 978-0871691149.
  22. ^Schreckenberg: 125–196. A twefth-century English exampleis in the Getty MuseumArchived 2010-06-07 at theWayback Machine
  23. ^Lipton 1999, p. 16-19.
  24. ^Schapiro, Meyer (1980).Selected papers. New York: G. Braziller. pp. 380–386.ISBN 978-0-7011-2514-1.
  25. ^Lipton 1999, p. 16-17.
  26. ^Lipton 1999, p. 18the image is on folio 25c of Vienna ONB Codex 1179Bible moralisée.
  27. ^Lipton 1999, p. 19.
  28. ^ONB Codex 1179, f. 181a
  29. ^Saurma no. 4386
  30. ^Lubrich, Naomi.""From Judenhut to Zauberhut: A Jewish Sign Proliferates", in: Asdiwal, 10, 2015, 136–162".
  31. ^Lubrich, Naomi.""The Wandering Hat: Iterations of the Medieval Jewish Hat", in: Jewish History, 29 (2015), 203–244".JSTOR 24709777.
  32. ^Al-Nawawi,Minhadj, quoted inBat Ye'or (2002).Islam and Dhimmitude. Where Civilizations Collide. Madison/Teaneck, J: Fairleigh Dickinson University Press/Associated University Presses.ISBN 0-8386-3943-7.p. 91
  33. ^"Medieval Jewish History: An Encyclopedia. Edited by Norman Roth, Routledge". Archived fromthe original on October 24, 2008.
  34. ^abBat Ye’or (2002), pp. 91–96

Bibliography

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Parts of this article are translated fromde:Judenhut of 13 July 2005

 This article incorporates text from a publication now in thepublic domainSinger, Isidore; et al., eds. (1901–1906)."Judenhut".The Jewish Encyclopedia. New York: Funk & Wagnalls.

External links

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