John C. Gaeta (born 1965) is a designer and inventor, best known for his work on theMatrix film trilogy, where he advanced methods and formats known asBullet Time.
John Gaeta was born in New York City and raised in Shoreham,Long Island. He pursued film studies atNew York University'sTisch School of the Arts, earning aBFA degree with honors in 1989. He was introduced to the industry as a staff production assistant for theSaturday Night Live film unit, as well as doing camera and lighting work for a variety of media types and makers.[1] Some of these early work experiences included holography with Jason Sapan, stop-motion animation with Peter Wallach, motion control with Bran Ferren,nature documentary, filming birdlife forNational Geographic Explorer, timelapse and experimental photography in Namibia, Africa on Miramax's first feature,Dust Devil.[2]
In 2000, Gaeta wonBest Visual Effects at the73rd Academy Awards for his work onThe Matrix, alongsideJanek Sirrs,Steve Courtley andJon Thum.[3] The same year, Gaeta was brought on as the senior visual effects supervisor to complete theMatrix trilogy, includingThe Matrix Reloaded andThe Matrix Revolutions. These films were created in parallel and featured over 2000 visual effects shots. Many were photographed and post-processed at a custom-built complex called ESC, located at the Alameda Naval Base near San Francisco. Overall conceptual design as well as research and development was initiated for the final two installments in January 2000. The centerpiece innovations and new methodologies presented through the Matrix universe were the creation of "Virtual Cinematography" and "Virtual Effects," phrases coined by Gaeta in 1999 and 2000.[4]
In 2022, Gaeta took the role of Chief Creative Officer at Inworld AI, a company that powers the memories, behavior, and dialogue of AI NPCs and characters.[5]
2003 Visual Effects Society Award for Best Single Visual Effect of the Year in Any Medium, forThe Matrix Reloaded (trailer "Top Crash"), shared withDan Glass, Adrian De Wet, Greg Juby
2003 Visual Effects Society Award for Outstanding Visual Effects Photography in a Motion Picture forThe Matrix Reloaded (U-cap facial photography), shared with Kim Libreri, George Borshukov, Paul Ryan
Nominated, 2003 Visual Effects Society Award for Outstanding Visual Effects in a Visual Effects Driven Motion Picture forThe Matrix Revolutions, shared with Kim Libreri,George Murphy,Craig Hayes
2014 Palo Alto International Film Festival, Muybridge Award for Innovation
