| "Joan of Arc" | |
|---|---|
| Song byMadonna | |
| from the albumRebel Heart | |
| Released | February 9, 2015 (2015-02-09) |
| Recorded | 2014 |
| Genre |
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| Length | 4:01 |
| Label | Interscope |
| Songwriters | |
| Producers |
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| Rebel Hearttrack listing | |
24 tracks
| |
| Licensed audio | |
| "Madonna - Joan Of Arc (Official Audio)" onYouTube | |
"Joan of Arc" is a song recorded by American singer and songwriterMadonna from her thirteenth studio albumRebel Heart (2015). It was written by Madonna,Toby Gad,Maureen McDonald andLarry Griffin Jr., with production being done by Madonna, Gad, Afsheen andJosh Cumbee. The song's demo was leaked onto the internet on December 17, 2014, with twelve other tracks from the album. Its final version was released on February 9, 2015 with two other tracks on theiTunes store. "Joan of Arc" is the eighth track onRebel Heart and has similarity to the demo version, but with a lift in itstempo during the chorus. It is a guitar-led pop andelectro-folk ballad, with drums and guitars being added as the song's instrumentation.
Lyrically, the song uses the metaphor ofJoan of Arc to explain that even strong people have fragile hearts and can break down, showing that the air ofself-confidence that someone can carry through an entire life may be just a shield for insecurities. The lyrical content present on the song was compared to her compositions during her previous albums,Like a Prayer (1989) andRay of Light (1998), especially "Drowned World/Substitute for Love" from the latter. The song received positive reviews from most music critics, who commended her raw vocals, the revelatory lyrics that matched with the album's thematic and noted it for being a highlight on the record. It charted in some European territories, peaking inside the top-twenty in Hungary and the top-forty in Spain and Sweden. Madonna performed an acoustic version of the track onThe Ellen DeGeneres Show and on her 2016 concert in Melbourne,Madonna: Tears of a Clown.
During the recording process of her thirteenth studio album, Madonna enlisted several collaborators, withMoZella,Symbolyc One andToby Gad being announced as new collaborators on the album in April 2014. Madonna posted a photograph of the trio working with her in a recording studio on herInstagram account.[1] She said on the photograph, "Having an Iconic Moment in the studio with Toby-Mozilla and S1. My throat hurts from singing, laughing and crying."[2] Gad worked with Madonna on fourteen songs, twelve appeared on the album's multiple track lists, with one being "Joan of Arc". According to Gad, "The first week she was quite intimidating. It was like a test phase. You have to criticize, but you can't really offend. But she also likes honest, harsh critics to say things as they are. It worked out really well and she got sweeter and sweeter."[3] In December 2014, thirteen demos of tracks for the album, including "Joan of Arc", were leaked to the Internet. The song was described as a "gentle ballad".[4] To avoid further leaks, Madonna released six completed tracks with the pre-order for the album on theiTunes Store on December 20, 2014, as an "early Christmas gift".[5] On February 9, 2015, the singer released three other finished tracks, including the final version of "Joan of Arc", as well as the album's track list.[6]
"Joan of Arc" was written byMadonna,Toby Gad,Mozella andSymbolyc One (S1), with production being done by Madonna, Gad, Afsheen andJosh Cumbee. Gad was also responsible forprogramming, additional backing vocals and the song's instruments, which were also played by Afsheen, Cumbee, Stephen Kozmeniuk, Dan Warner (guitar) and Lee Levin. The track was engineered and mixed by Demacio "Demo" Castellon with Gad and Angie Teo.[7] "Joan of Arc" is a guitar-led pop andelectro-folkballad,[8][9] which starts acoustic,[10] similar to its demo version, but having a "new beat that lifts theBPMs considerably" in the chorus,[11] with the added drums and guitars "turning [it] into a mid-paced radio-friendly pop [song],"[12] but preserving the "string-laden bridge and acoustic denouement."[11] Madonna's vocals were considered "hushed, vibrato-tinged",[11] and "the rawest that [her] voice has sounded since 'Ray of Light' during the opening lines.[13]
Lyrically, the confessional song talks plainly and plaintively about the detachment and loneliness that Madonna feels in the face of the press, with the singer lamenting: "Each time they write a hateful word / dragging my soul into the dirt / I wanna die."[10] John Marrs ofGay Times compared the lyrical content of the song to Madonna's "Drowned World/Substitute For Love" (1998) explaining that the lyrics are essentially autobiographical as well as talks about how her outspokenness had led to the media trying to "hurt her". It also talks about how although Madonna is tough at heart, she still feels the "negativity" of the media.[12] The chorus, which features skittering drums and strings, has Madonna simply saying: "I don't wanna talk about it right now / even hearts made out of steel can break down."[10] In an interview forThe New York Times, Madonna explained her admiration for Joan, her conviction as well as her commitment. She also confessed that the lyrics elaborated how the singer is still hurt by any negative words.[3][14]
The song received generally favorable reviews from music critics. Joey Lynch ofBillboard compared the song's demo to the studio versions, claiming that "The studio version of 'Joan of Arc' is a massive improvement on the illegally leaked demo that preceded news of the album itself. [...] Nowhere is this more apparent than on 'Joan of Arc,' a solid album track that sounds 10 times better than the leaked version."[15] While reviewing the three tracks released prior to the album, Sam C. Mac ofSlant Magazine called it "arguably the standout of the whole over-blown affair," noting that the song "sounded like a highlight even in its more acoustic demo form, but the album version is a full-on stunner... The song sounds a bit like aCardigans leftover circaLong Gone Before Daylight. It's the strongest (anti-)ballad of Madonna's last few albums, and a strong argument for artists responding to the denigration of their art through the more considered medium of the art itself, rather than snap public statements. [...] More than any of the previously released songs, 'Joan of Arc' also establishes one of the foundational themes ofRebel Heart, albeit one not always evident when wading through the poorly sequenced album."[11] Adding to the previous review,Annie Zaleski ofThe A.V. Club praised the juxtapositions in the album's lyrical content, which according to her, "make some of her most vulnerable, engaging work in years — in particular 'Joan of Arc'."[16]
Ben Kelly ofAttitude called it "a fresh sounding pop guitar tune treading new territory for her, and which could carry serious currency as a single,"[8] while Nick Levine ofTime Out labeled it "a sublime electro-folk ballad."[9] Furthermore, Randall Roberts ofLos Angeles Times considered it "the kind [of song] that can lift spirits to emotional heights."[17] ReviewingRebel Heart forNow, journalist Kevin Ritchie named "Joan of Arc" as one of "the most ambitious and interesting [song] lyrically."[18] Amy Pettifer ofThe Quietus pointed out that "It could be aTaylor Swift song and that's a compliment." She also analysed that the Joan of Arc metaphor is "a bit of a stretch", but it's "the sweetest and catchiest song on the album thus far."[10] Music criticAlexis Petridis wrote inThe Guardian that the song is one of the "indispensable moments" on the album, "on which the singer genuinely seems to be revealing her personal feelings and frailties", saying that it is "cut from the same emotional cloth asLike a Prayer's 'Promise to Try' orRay of Light's 'Drowned World/Substitute for Love'."[19] John Marrs ofGay Times agreed with theLike a Prayer-style influence, noting that "[v]ocally and lyrically she could easily be channelingEva Peron, so don’t cry for her too much."[12]
Digital Spy's Lewis Corner reflected on the song's lyrics that "[Madonna] is still very much a sensitive soul despite a hardened public persona. [The singer] acknowledging her mortality, for some reason, feels wholly more intriguing than suggestive rhetoric that belongs with her work back in the '90s."[20] Jamieson Cox ofTime and Lauren Murphy ofThe Irish Times agreed that the song is one of the album's highlights.[21][22] Brennan Carley ofSpin thought that the song "revels convincingly in its vulnerability"[13] where as Lindsay Zoladz ofNew York cited "Joan of Arc" as one of the "most affecting songs" on the album for grappling with the feeling of being defeated and fatigued directly.[23] Bradley Stern of MuuMuse was largely positive, declaring that the song "is possibly Madonna’s best ballad since 'Miles Away'—or really since theMusic orRay of Light era."[24] On the other hand,Consequence of Sound's Sasha Geffen had mixed feelings about the song, calling it a "lukewarm love [track that] couples easy, inoffensive melodies with historical Christian imagery."[25] Further criticism came from Saeed Saeed ofThe National about the "anaemic production",[26] whileThe New Zealand Herald's Lydia Jenkin called it "awfully pedestrian".[27]
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After "Joan of Arc" was released with "Iconic" and "Hold Tight" on February 5, 2015, the song managed to reach number twenty on the Hungarian charts,[28] while in Spain and Sweden the song peaked inside the top-forty, reaching numbers twenty-seven and thirty-eight, respectively.[29][30] In France, nine songs fromRebel Heart managed to enter theSNEP charts, with "Joan of Arc" being the second highest charting non-single from the album, managing to peak at number seventy-six, and peaking higher than the single "Bitch I'm Madonna" (which reached number 90).[31]
Madonna performed "Joan of Arc" in an acoustic version for the first time during her week onThe Ellen DeGeneres Show on March 18, 2015. Madonna was dressed in a sequined heart blouse,[32] with the performed track being "slightly slower than the studio version, while parts of the song [had a minimal production]".[33] Mike Wass ofIdolator praised the performance, calling it "a little too good to be true — but it's nice to see Madonna showing her softer side".[32]Digital Journal reviewer Markos Papadatos wrote that it was "an outstanding vocal performance", where Madonna "showcased tremendous control over her voice, and allows the lyrics to speak for themselves. Her delivery is emotional, vulnerable yet delicate."[34] Writing forThe Inquisitr, Daryl Deino praised her vocal performance, saying that she "showed the world once again just what her voice is made of", calling the version "beautiful".[35] Furthermore, Bradley Stern of MuuMuse also applauded the performance, calling "[r]eally great. Super vulnerable, super emotional...and that chilly guitar finish was a wonderful surprise".[36] Madonna also added the song to the set list of herTears of a Clown free concert in Australia—an intimate show where the singer combined a mix of acoustic music, comedy and storytelling.[37] It was considered a "gorgeous ballad" by Cameron Adams ofNews.com.au website.[38]
Credits adapted from Madonna's official website.[7]
| Chart (2015) | Peak position |
|---|---|
| France (SNEP)[31] | 76 |
| Hong Kong (HKRIA)[39] | 12 |
| Hungary (Single Top 40)[28] | 20 |
| Italy (Musica e dischi)[40] | 30 |
| Spain Singles Sales (PROMUSICAE)[29] | 27 |
| Sweden (DigiListan)[30] | 38 |
