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Jo Mielziner

From Wikipedia, the free encyclopedia
American designer (1901-1976)
Jo Mielziner
Born
Joseph Mielziner

March 19, 1901
Paris, France
DiedMarch 15, 1976(1976-03-15) (aged 74)
New York City, New York, U.S.
Known forScenic design
AwardsTony Award;Drama Desk Award for Outstanding Set Design;Academy Award for Best Art Direction

Joseph Mielziner (March 19, 1901 – March 15, 1976) was an American theatricalscenic, andlighting designer born in Paris, France. He was described as "the most successful set designer of the Golden era of Broadway", and worked on both stage plays and musicals.[1]

Career

[edit]
Jo Mielziner's design forGeorge Bernard Shaw'sThe Doctor's Dilemma (1927)
Mielziner's setting forElmer Rice'sStreet Scene (1929)
Mielziner's set design forArthur Miller'sDeath of a Salesman (1949)

Joseph Mielziner was the son of artistLeo Mielziner and Ella Lane McKenna Friend, a writer. Mielziner was the brother of actor-directorKenneth MacKenna. Their paternal grandfather,Moses Mielziner, was arabbi.[2] He studied painting at theArt Students League and thePennsylvania Academy of the Fine Arts.[3] His brother recruited him as a stage manager for summer stock, where Mielziner discovered his passion for scenic design. With fellowships he received from the Pennsylvania Academy, he had the opportunity to study set design in Paris, Vienna, and Berlin. Additionally, he served as an apprentice toRobert Edmond Jones, designer ofEugene O'Neill'sDesire Under The Elms.[4]

Mielziner was considered one of the most influential theatre designers of the 20th century,[5] designing the scenery and often the lighting for more than 200 productions, many of which became American classics. He "pioneered 'selective realism' in scenic design".[6] According to his obituary, he was perhaps "praised most often...for his sweeping canvas of people under the Brooklyn Bridge, used as a backdrop for Maxwell Anderson'sWinterset.[2]

After his education and spending 13 months in Europe "absorbing the revolutionary changes occurring in traditional stage design", in 1923 he worked for theTheatre Guild in New York as an assistant stage manager and bit actor.[2] Mielziner'sBroadway debut as a designer was in 1927 withThe Guardsman, for which he designed the scenery and lighting.[7] His other Broadway credits include the original productions ofStrange Interlude,Sweet and Low,Of Thee I Sing,The Barretts of Wimpole Street,Winterset,Oh, Captain!,Dodsworth,Another Part of the Forest,Carousel,South Pacific,Guys and Dolls,The King and I,A Streetcar Named Desire,Death of a Salesman,Cat on a Hot Tin Roof,Gypsy, andThe Prime of Miss Jean Brodie,[8] as well as the filmPicnic and the balletWho Cares?. He won theAcademy Award for best color art direction for his work onPicnic.[9]

During World War II, Mielziner worked as a camouflage specialist with theUnited States Air Force, until he was transferred to theOffice of Strategic Services, a precursor to theCIA, where he served underGeneral William J. "Wild Bill" Donovan.[10][11]

In the course of his career, Mielziner won sevenTony Awards and was nominated for another five.[12] He also won theDrama Desk Award for Outstanding Set Design. His influence extended outside of the theatre. He was acquainted with the American artistEdward Hopper, who is said to have modeled his well-known paintingEarly Sunday Morning (1930) after Mielziner's set forElmer Rice's playStreet Scene, produced in 1929.

Mielziner designed the theater atWake Forest University[13] and co-designed theVivian Beaumont Theater atLincoln Center with architectEero Saarinen.[14] He designed the setting for theVatican Pavilion's showing ofMichelangelo'sPietà at the1964 New York World's Fair.[2]

Later years

[edit]

Mielziner resided for many years atThe Dakota[15] and can be seen working in his studio in an exterior shot in the filmRosemary's Baby.

He died on March 15, 1976, in a New Yorktaxicab, four days before his 75th birthday. Mielziner was rushing between meetings forThe Baker's Wife, a musical for which he was designing.[2][4]

Personal life

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Mielziner was of bothJewish and Christian ancestries, though he converted toRoman Catholicism under the influence of BishopFulton J. Sheen.

He was married three times, all of which were tumultuous, though only two ended in divorce. Mielziner's first wife,Marya Mannes, a literary critic he married in 1926, was unfaithful to him. Annie Laurie Jacques, an actress and Mielziner's second wife, whom he married in 1932, had substance abuse problems. Though, as a Roman Catholic, Mielziner could not divorce his third wife, actress Jean MacIntyre, their relationship ended due to Mielziner's relationship with Sheen's private secretary.

Mielziner and MacIntyre married in 1938, and had long since separated at the time of death in 1976, despite remaining legally married.[11]

Legacy

[edit]

Mielziner's scenic designs for the original production ofArthur Miller'sDeath of a Salesman were re-created for the 2012Broadwayrevival starringPhilip Seymour Hoffman,Andrew Garfield andLinda Emond. DirectorMike Nichols said he felt he needed Mielziner's original set because it was "intimately connected with the way the play developed." He went on to say he has never seen anything "near as good in any of the productions of 'Salesman' because it's everything and nothing."[16]

References

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  1. ^Bloom, Ken; Vlastnik, Frank (2010-10-27).Broadway Musicals: The 101 Greatest Shows of All Time. Running Press. p. 261.ISBN 978-1-57912-849-4.
  2. ^abcdeKrebs, Albin (1976-03-16)."Jo Mielziner Dead at 74; Pioneering Set Designer".The New York Times.ISSN 0362-4331. Retrieved2023-03-10.
  3. ^"Art: Theatre - TIME".TIME. 1932-04-11. Archived fromthe original on 27 October 2010. Retrieved2023-03-10.
  4. ^ab"archives.nypl.org -- Mielziner family papers".New York Public Library Archives & Manuscripts. Retrieved2016-04-21.
  5. ^Thornton, Margaret Rose; Williams, Tennessee (2006-01-01).Notebooks. Yale University Press. p. 554.ISBN 978-0-300-11682-3.
  6. ^Barranger, Milly S. (2006).Theatre: A Way of Seeing. Thomson/Wadsworth. p. 258.ISBN 978-0-495-00472-1.
  7. ^Atkinson, Brooks."The Play:Pasting the Medicine Men"The New York Times (abstract), November 22, 1927
  8. ^"Jo Mielziner – Broadway Cast & Staff | IBDB".www.ibdb.com. Retrieved2023-03-10.
  9. ^"NY Times: Picnic". Movies & TV Dept.The New York Times. 2012. Archived fromthe original on 2012-10-18. Retrieved2011-04-16.
  10. ^Wright, Charles."No Ordinary Jo -- Mielziner: Master of Modern Stage Design"Archived 2007-11-15 at theWayback Machine theatermania.com, April 5, 2001
  11. ^abHenderson, Mary C. (2001-01-01).Mielziner: Master of Modern Stage Design. Back Stage.ISBN 9780823088232.
  12. ^"Jo Mielziner Tony Awards Info".www.broadwayworld.com. Retrieved2023-03-10.
  13. ^"Harold Tedford Abstract" wakespace.lib.wfu.edu, accessed April 16, 2011
  14. ^Calta, Louis (November 21, 1958)."Mielziner to Aid Lincoln Sq. Plan; Scenic Designer Will Assist Architect in Planning Repertory Theatre".The New York Times.ISSN 0362-4331. RetrievedMarch 7, 2022.
  15. ^Birmingham, Stephen (1996).Life at the Dakota: New York's Most Unusual Address. Syracuse University Press.ISBN 978-0-8156-0338-2.
  16. ^Bloom, Julie; Huang, Jon; Piepenburg, Erik (March 1, 2012)."Life of a 'Salesman'".The New York Times.

Further reading

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  • Henderson, Mary C.Mielziner: Master of Modern Stage Design, Back Stage Books (2001), 320 pages,ISBN 978-0-8230-8823-2

External links

[edit]
Wikimedia Commons has media related toJo Mielziner.
Awards for Jo Mielziner
1927–1939
Interior Decoration
1940–1946
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1947–1956 renamed
Art Direction
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1957–1958
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1969–1995
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1947–1975
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