Field's published work concerns thematerial culture ofAnne of Denmark,queen consort ofScotland, and wife ofJames VI and I.[4] Like many modern writers she prefers the use of the forename "Anna" instead of "Anne". Her ideas about Anne of Denmark's personal piety and religious views, and the role of her Danish chaplainJohannes Sering, contribute to contemporary debate.[5]
Field examines the ways in which Anne of Denmark expressed her identity andagency through her own dress and bodily ornament, includingher jewellery, and also the costume of her servants and household, which reflected both the customs of Scotland and the royal court of Denmark and theHouse of Oldenburg.[6]
'Clothing the Royal Family: The Intersection of the Court and City in Early Stuart London', Peter Edwards,Monarchy, the Court, and the Provincial Elite in Early Modern Europe (Brill, 2024).doi:10.1163/9789004694149_014
"Dressing a Queen: The Wardrobe of Anna of Denmark at the Scottish Court of King James VI, 1590–1603",The Court Historian, 24:2 (2019).doi:10.1080/14629712.2019.1626120
"The Wardrobe Goods of Anna of Denmark, Queen Consort of Scotland and England (1574–1619)",Costume, 51:2 (March 2017).doi:10.3366/cost.2017.0003
^Erin Griffey,Early Modern Court Culture (Routledge, 2022), p. xxv.
^Jemma Field, 'Dressing a Queen: The Wardrobe of Anna of Denmark at the Scottish Court of King James VI, 1590–1603', in Sara Ayres ed.,The Court Historian, 24:2 (2019), pp. 166-7.
^Jemma Field, 'Anna of Denmark and the Politics of Religious Identity in Jacobean Scotland and England, c. 1592-1619',Northern Studies, 50 (2019), pp. 87-113.