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Jean-Baptiste Monnoyer

From Wikipedia, the free encyclopedia
French painter

Jean-Baptiste Monnoyer
Studio ofGodfrey Kneller,Portrait of Jean-Baptiste Monnoyer
Born(1636-01-12)12 January 1636
Died20 February 1699(1699-02-20) (aged 63)
London, England

Jean-Baptiste Monnoyer[1] (12 January 1636 – 20 February 1699) was a Franco-Flemish painter who specialised in flower pieces. He was attached to theGobelins tapestry workshops and theBeauvais tapestry workshops, too, where he produced cartoons of fruit and flowers for the tapestry-weavers, and at Beauvais was one of three painters[2] who collaborated to produce cartoons for the suiteThe Emperor of China.

Life

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He was born atLille, but was inParis by 1650, where he was documented working on the decors of theHôtel Lambert. He was taken up byCharles Le Brun for decorative painting at theChâteau de Marly and at the Grand Dauphin's residence, theChâteau de Meudon. He was received at theAcadémie Royale de Peinture et de Sculpture in 1665 with a piece of the genre that he made his specialty, a still life of flowers and fruit combined withobjets d'art.[3] His only appearance at theParis salon was in 1673, when four paintings of flowers were exhibited by "M. Baptiste".[4]

Bouquet de Fleurs (Musée des Beaux-Arts, Marseille)

In 1690, he left France for England, to work on painting decorations forMontagu House, Bloomsbury, London, where he produced over fifty panels of fruit and flowers for overmantels andoverdoors, some of which have survived atBoughton House, Northamptonshire.[5] He died in London in 1699.

Family

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One of his sons,Antoine Monnoyer (died 1747), called 'Young Baptiste,' was a painter of flowers. Another of his sons, known as 'Frere Baptiste,' who went to Rome and became a Dominican friar, and a painter.[6]

Works

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A still life with flowers in a stone vase

His suites of engravings, most notablyLe Livre de toutes sortes de fleurs d'après nature[7] show flowers withbotanical accuracy and served decorative designers for decades. Monnoyer's engravings of flower pieces were being used by tapestry makers, such as at theSoho tapestry works in London, long after his death.[8] In the twentieth century the poetWallace Stevens invoked Monnoyer's titleLivre de toutes sortes de fleurs d'après nature in his philosophical poem "Esthéthique du Mal", whose centrality to Stevens' work was stressed byHarold Bloom;[9] for Stevens "all sorts of flowers" epitomized the anodyne and sentimental poem, attempting to address and assuage "all sorts of misfortune".[10]

Notes

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Wikimedia Commons has media related toJean-Baptiste Monnoyer.
  1. ^His contemporaries simply called himBaptiste.
  2. ^The other two were Jean Baptiste Blin (or Belin) de Fontenay, Monnoyer's son-in-law, andGuy Louis de Vernansal the Elder; Monnoyer's role in this particular case was apparently secondary. (Edith A. Standen, "The Story of the Emperor of China: A Beauvais Tapestry Series"Metropolitan Museum Journal11 (1976, pp. 103-117), p. 115).
  3. ^Monnoyer'smorceau de reception is at theMusée Fabre, Montpellier.
  4. ^Standen 1976:115.
  5. ^Edward Croft-Murray,Decorative Painting in England vol I (London) 1962:255.
  6. ^Graves 1894.
  7. ^AlsoLivre de plusieurs vaze in original--> de fleurs, andLivre de plusieurs corbeilles de fleurs.
  8. ^Geoffrey Beard, "William Bradshaw: Furniture Maker and Tapestry Weaver"Metropolitan Museum Journal37 (2002), pp. 167-169.
  9. ^Bloom,Wallace Stevens: The Poems of Our Climate (Cornell University Press) 1977:225f.
  10. ^Noted by Kevin Crotty,Law's Interior: Legal and Literary Constructions of the Self, "Rationality and imagination in the law" (Cornell University Press) 2001:179.

References

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Graves, Robert Edmund (1894)."Monnoyer, Jean Baptiste" . InLee, Sidney (ed.).Dictionary of National Biography. Vol. 38. London: Smith, Elder & Co.

External links

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