Jason Webster is anAnglo-American author who writes onSpain. He was born inCalifornia to British parents in 1970. He has spent most of his adult life in Spain, having settled inValencia with his Spanish wife, actress and dancer Salud Botella.[1][2] He is a director ofThe Scheherazade Foundation.
Webster is the author of fifteen books on Spain and Spanish themes, ranging from travel to history, biography, detective fiction, essay, short story and poetry. He has appeared in several television documentaries and his works have been translated into a dozen languages.
Duende: A journey in search of Flamenco (2003), which recounts Webster's move to Spain after university and his quest to learnflamenco guitar and the path to the elusive yet passionate feeling ofduende, an untranslatable term referring to the feeling that is the essence offlamenco.[3] It was long-listed for theGuardian First Book Award[4] and read onBBC Radio 4'sBook of the Week.[5]
Andalus: Unlocking the secrets of Moorish Spain (2004, Doubleday,ISBN0-385-60507-2) examines the deep impact left on Spain – and by extension the rest ofEurope – by theMoorish presence and was adapted as a radio play by theBBC.[6]
Guerra: Living in the shadows of the Spanish Civil War (2006,Black Swan,ISBN0-385-60854-3), studied the wounds left by thecivil war on contemporary Spain through a combination of history and travel. A Spanish edition,Las heridas abiertas de la guerra civil, was published in 2008 with a prologue byPaul Preston of theLondon School of Economics
Sacred Sierra: A year on a Spanish mountain (2009,Chatto & Windus,ISBN0-7011-8157-5) describes a year that Webster and his Spanish wife spent living on their mountain farm in eastern Spain, on the slopes of the sacred peak ofPenyagolosa, working on the land and planting trees with the help of a 12th-century Moorish gardening manual. It paints a portrait of a little-known part of the country, with details of its folklore, history and customs, and with meditations on stories, the need to preserve them and their importance for communities. Webster made a short promotional film for the book in conjunction with the award-winning Swedish film directorDavid Flamholc ofCaravan Film.
Blood Med (2014, Chatto & Windus,ISBN0-7011-8691-7), is the fourth Chief Inspector Max Cámara crime novel, focussing on the political and social problems of contemporary Spain.
A Body in Barcelona (2015, Chatto & Windus,[ISBN missing]), is the fifth Chief Inspector Max Cámara novel, set mostly in Barcelona against a backdrop of attempts by Catalan activists to declare independence from Spain. The novel anticipated by two years similar moves in real life by Catalan politicians, who held a controversialreferendum on independence in October 2017.
Fatal Sunset (2017, Chatto & Windus,[ISBN missing]), is the sixth Chief Inspector Max Cámara novel, set mostly in and around the city of Valencia.
Violencia: A New History of Spain (2019, Constable,ISBN1-4721-2985-7), published in the US asWhy Spain Matters: A History of the Land that Shaped the Western World (Corsario,ISBN978-1-913955-04-5).
The World of Max Cámara (2020, Corsario,ISBN978-1-913955-00-7), Volume I of Webster'sMosaics of Spain series, is a collection of essays, articles, photos, interviews and a short story focussing on the author's fictional police detective and the city of Valencia, where he lives and works.
The Art of Flamenco (2020, Corsario,ISBN978-1-913955-02-1), Volume II of theMosaics of Spain series, is a collection of articles, essays and photos focussing on flamenco.
The Book of Duende (2022, Corsario,ISBN978-1-913955-09-0) is an in-depth examination of what Webster describes as 'the magical and often mysterious force at the heart of flamenco', containing aphorisms, essays, proverbs, stories and poetry.
He has appeared in several British TV documentaries, includingAn Islamic History of Europe,[8] presented byRageh Omaar on BBC television and the critically acclaimedAndalusia: The Legacy of the Moors forFive.
In April 2013 he presented "Flashmob Flamenco", a documentary forBBC Radio 4 on the response within the Flamenco community to the economic crisis in Spain.[9]
