Jardin des plantes | |
 The exterior of the Grande Galerie de l'Évolution ('Gallery of Evolution'). Drawing plans by architectLouis-Jules André, 1889, when it still was namedGalerie de Zoologie ('Gallery of Zoology'). | |
  Location within Paris | |
| Established | 1635 (1635) |
|---|---|
| Location | Paris, France |
| Coordinates | 48°50′38″N2°21′35″E / 48.84396°N 2.35960°E /48.84396; 2.35960 |
| Type | botanical garden |
| Visitors | 1,586,450[1] |
| Public transit access | Jussieu   Austerlitz   |
| Muséum national d'histoire naturelle network | |
| |
TheJardin des Plantes (French pronunciation:[ʒaʁdɛ̃deplɑ̃t]ⓘ,lit. 'Garden of the Plants'), also known as theJardin des Plantes de Paris (French:[-dəpaʁi]) when distinguished from otherjardins des plantes in other cities, is the mainbotanical garden inFrance. Jardin des Plantes is the official name in the present day, but it is in fact anelliptical form of Jardin Royal des Plantes Médicinales ("Royal Garden of theMedicinal Plants"), which is related to the original purpose of the garden back in the 17th century.
Headquarters of the Muséum National d'Histoire Naturelle (National Museum of Natural History, part ofSorbonne University), the Jardin des Plantes is situated in the5th arrondissement,Paris, on theleft bank of the riverSeine, and covers 28 hectares (280,000 m2). Since 24 March 1993,[2] the entire garden and its contained buildings, archives, libraries, greenhouses,ménagerie (a zoo), works of art, and specimens' collection are classified as a national historical landmark in France (labelledmonument historique).
The grounds of the Jardin des Plantes include four buildings containing exhibited specimens. These buildings are officially considered as museums following the French law (they are labelledmusée de France) and the French Museum of Natural History calls themgaleries (French for 'galleries'):
The botanical garden grows more than 10,000 species. It includes tropical greenhouses, a rose garden, a winter garden, as well as an Alpine garden.[3] In addition to the gardens and the galleries, there is also a smallzoo, theMénagerie du Jardin des Plantes, founded in 1795 byBernardin de Saint-Pierre from animals of the Ménagerie Royale de Versailles, themenagerie atVersailles, which was dismantled during theFrench Revolution.[citation needed]
The garden was formally founded in 1635 as the Royal Garden of Medicinal Plants by an edict of KingLouis XIII. The garden was put under the authority of the Physician of the king,Guy de la Brosse. It was staffed by a group of "demonstrateurs", who lectured visitors, particularly future physicians and pharmacists, on botany, chemistry, and geology, illustrated by the garden collections.[4]
In 1673, under Louis XIV, and his new royal physician and director of the Garden,Guy-Crescent Fagon, great-nephew of Guy de la Brosse, the garden was given a new amphitheater, where dissections and other medical courses were conducted. The lecturers included the celebrated physician and anatomistClaude Perrault, who was equally famous as the architect; he designed the facade of theLouvre Palace.
In the early 18th century, the chateau was given an additional floor to house the collections the royal botanist's medicinal plant collection. This section was gradually turned into galleries to display the royal collection of minerals. At the same time, the greenhouses on the west and south were enlarged, to hold the plants brought back to France by numerous scientific expeditions around the world. New plants were studied, dried, and cataloged. A group of artists made Herbiers, books with detailed illustrations of each new plant, and the plants of the collection were carefully studied for their possible medical or culinary uses.[5] One example was the group ofcoffee plants brought from Java to Paris, which were raised and studied byAntoine de Jussieu for their possible medical and commercial use. His studies led to the plantation of coffee in the French colonies of North America.[6]
The most celebrated head of the garden wasGeorges-Louis Leclerc, Comte de Buffon, who served as its head from 1739 until his death in 1788. While director of the garden, he also owned and operated a large and successful iron works and foundry in Burgundy, but lived in the garden, in the house that now carries his name. Buffon was responsible for doubling the size of the garden, expanding down to the banks of Seine. He enlarged the Cabinet of Natural History in the main building, and added a new gallery to the south. He also brought into the scientific community of the garden a team of important botanists and naturalists, includingJean Baptiste Lamarck, author of one of the earliest theories ofevolution.[7]
Under the sponsorship of Buffon, explorers and botanists were sent to different corners of the world to collect specimens for garden and museum.Michel Adanson was sent toSenegal, and the navigatorLa Perouse to the islands of the Pacific. They returned with shiploads of specimens, which were carefully studied and classified. This research caused a conflict between the scientists of Royal Gardens and the professors of theSorbonne over the question of evolution. The scientists, led by Buffon and his followers, claimed that natural species gradually evolved, while the theologians of the Sorbonne insisted that nature was exactly as it was at the time of the Creation. Since the scientists had the backing of the Royal court, they were able to continue their studies and publish their work.[8]
On June 7, 1793, in the course of the French Revolution, the new government, theNational Convention, ordered a complete transformation of the former royal institutions. They created a new Museum of Arts and Techniques, transformed the Louvre from a royal residence to a museum of art, and joined the Royal Garden of Plants and the Cabinet of Natural Sciences together into a single organization: the Museum of Natural History. It also received a number of important collections which had belonged to members of the aristocracy, such as a famous group of wax models illustrating anatomy which had been created by André Pinson.[9]
The Museum and gardens also benefited from the 1798 expedition launched by First ConsulNapoleon Bonaparte to Egypt; the military force was accompanied by one hundred and fifty-four botanists, astronomers, archeologists, chemists, artists and other scholars, includingGaspard Monge,Joseph Fourier, andClaude Louis Berthollet. Drawings and paintings of their findings are found in the collections of the Natural History Museum.[9]
The holdings today include 6,963 specimens of the herbarium collection ofJoseph Tournefort, donated on his death to the Jardin du Roi.[10]
The major addition to the garden in the late 18th century was theMénagerie du Jardin des Plantes. It was proposed in 1792 by Bernardin de Saint-Pierre, the intendant of the gardens, in large part to rescue the animals of the royal menagerie at the Palace of Versailles, who had been largely abandoned during the Revolution. The Duke of Orleans had a similar private zoo, also abandoned. At the same time the government of the Convention ordered the seizure of all the animals put on public display by various circuses in Paris. In 1795, the government acquired the Hôtel de Magné, the large estate of a French nobleman next to the gardens, and installed the large cages that had housed the animals at Versailles. It went through a very difficult early period, when the majority of the animals died, before it was given sufficient funding and more suitable structures by Napoleon. It became the home of animals brought back to France in scientific expeditions in the early 19th century, including a famous giraffe given to KingCharles X by the Sultan of Cairo in 1827.[11]
On 25 August 1944, Allied American troops (2nd DB) were stationed here for the night after the Liberation of Paris from Nazi Germany.[12]
Throughout the 19th and early 20th century, the primary mission of the gardens and museums was research. Working in the laboratories there, the chemistEugene Chevreul first isolated fatty acids andcholesterol, and studied the chemistry of vegetal dyes. The physiologistClaude Bernard studied the functions of theglycogen in the liver. In 1896, the physicistHenri Becquerel, working in a laboratory in the museum, discoveredradioactivity. He wrappeduranium salts together with an unexposed photographic plate wrapped in black cloth, to keep out the sunlight. When he unwrapped them, the photographic plate had changed color from exposure to the radiation. He received theNobel Prize in 1903 for his discovery.[13]
The Gallery of Paleontology and of Comparative Anatomy was opened in 1898, replacing structures built between 1795 and 1807, to contain and display the thousands of skeletons the museum had collected. The buildings of menagerie were also expanded, with the construction of immense Bird House, by architectJules André, 12 meters high, 37 meters long and 25 meters long,[14]
The appearance of the gardens changed in late 19th and early 20th century with the construction of new buildings. In 1877, the gallery of zoology, the landmark building that overlooks the formal garden, designed byJules André, was begun. It was built to contain the immense zoological collections of the museum; the central hall is a landmark of iron construction, comparable to theGrand Palais and theMusée d'Orsay. It was inaugurated in 1888, but thereafter suffered from a long lack of maintenance. It was closed in 1965, In the 1980s, a new home was found for the museum's gigantic collections. The Zoothêque, was constructed between 1980 and 1986 underneath the Esplanade Milne-Edwards, directly in front of the Gallery of Zoology. It is accessible only to researchers, and contains the thirty million specimens of insects, five hundred thousand fish and reptiles, one hundred fifty thousand birds, and seven thousand other animals. The building above underwent a major renovation from 1991 to 1994, to house the updated Grand Gallery of Evolution.[13]
The National Museum of Natural History has been called "the Louvre of the Natural Sciences." It is contained in a five buildings laid out along the formal garden; the Gallery of Evolution; the Gallery of Mineralogy and Geology; the Gallery of Botany; the Gallery of Paleontology and Comparative Anatomy; and the Laboratory of Entomology.[15]
The Grand Gallery of Evolution was designed byJules André, whose other works in Paris included, in collaboration withHenri Labrouste. the Beaux-artsBibliotheque National. He became architect of the museum in 1867, and his works are found throughout the Jardin des Plantes. It opened during theParis Universal Exposition of 1889, though it was not finished as intended; it still lacks a grand facade on the side of rue Geoffroy-Saint-Hilaire. The main facade, facing the two principal alleys of the formal garden, is flanked by two lantern towers. A series of medallions between the bays on the main facade overlooking the garden honors ten of the notable scientists who have worked in the Museum along with an allegorical statue of a woman holding an open book of knowledge.[16]
While the exterior isBeaux-Arts architecture, the interior iron structure was entirely modern, contemporary with theGrand Palais and the new railroad station of thegare d'Orsay (now theMusée d'Orsay). It encloses a rectangular hall 55 meters long, 25 meters wide and 15 meters high, with the glass roof of one thousand square meters supported by rows of slender iron columns. The structure deteriorated, had to be closed in 1965, then underwent extensive restoration between 1991 and 1995. It now presents, through preserved animals and media displays, the evolution of species. It gives special attention to species that have disappeared or are endangered. The collection of preserved animals includes the rhinoceros brought to France in the 18th century byLouis XV.[16]
In front of the Gallery of Mineralogy and Geology stands one of the trees of the royal garden, a Sophora Japonica tree planted byBernard de Jussieu in 1747. The gallery was constructed between 1833 and 1837 byCharles Rohault de Fleury in neoclassical style, with triangular frontons and pillars. The collection inside includes some six hundred thousand stones, gems, and fossils. Among the notable exhibits is the petrified trunk of bald cypress tree from the tertiary geological era, discovered in Essonne region of France in 1986.[17]
In front of the Gallery of Botany is the oldest tree in Paris, a "Robinier Faux Acacia" brought to France from America in 1601. The gallery was built in 1930–35 with a grant from theRockefeller Foundation. The gallery keeps the Herbier National, specimens of all known plant species, with 7.5 million plants represented. The ground floor gallery is used for temporary exhibitions.[18]
This gallery is sited next to theIris garden, which contains 260 varieties of Iris. The building was constructed between 1894 and 1897 byFerdinand Dutert, a specialist in metallic architecture, whose most famous building was the Gallery of Machines at the 1889 Paris Exposition. The gallery was expanded in 1961 with a brick addition by architect Henri Delage. The interior is highly decorated with lace-like iron stairways and detail. It displays a large collection of fossilized skeletons of dinosaurs and other large vertebrates.[19]
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The garden covers an area of twenty-four hectares (59 acres). It is bordered by the RiverSeine on the east, on the west by the Rue Geofroy-Saint-Hilaire, on the south by the Rue Buffon, and on the north by Rue Cuvier, all streets named for French scientists whose studies were carried out within the garden and its museums.
The main entrance is on the east, along the Seine, at Place Valhubert, reaching to the Grand Gallery, which copies its width. It is in the style of aFrench formal garden and extends for five hundred meters (550 yards) between two geometrically trimmed rows ofplane trees. Its rectangula beds contain over a thousand plants. This part of the garden is bordered on the left by a row of galleries, and on the right by the School of Botany, the Alpine Garden, and greenhouses.[20]
The iron grill gateways and fence at Place Valubuert were created in the beginning of the formal garden on the east is a statue of the botanistJean-Baptiste Lamarck, the director the school of botany beginning in 1788. He is best known for devising the first coherent theory of biological evolution.[21]
At the other end of the formal garden, facing the Grand gallery, is a statue of another major figure in the garden's history, the naturalistBuffon, in a dressing gown, seated comfortably in an armchair atop the skin of a lion, holding a bird in his hand. Between the statue and the Gallery is the Esplanade Mine Edwards, beneath which is the Zoothéque, the massive underground storage area for the museum's collections. It is not open to the public.[22]
Four large serres chaudes, or greenhouses, are placed in a row to the right front of the Gallery of Evolution. facing onto the Esplanade Milne-Edwards. They replaced the earliest greenhouses, built on the same site in the early 18th century, to house the plants brought to France from tropical climates by French explorers and naturalists. The Mexican greenhouse, which houses succulents, is separated by an alley from the Australian greenhouse, which hosts plants from that country. They were built between 1834 and 1836 by the architectRohault de Fleury. Each of the two greenhouses is 20 meters by 12 meters in size. Their iron and glass structure was revolutionary for Paris, preceding by fifteen years the similar pavilions built byVictor Baltard for the Paris markets ofLes Halles.[23][24]
A larger structure, the "Jardin d'hiver" (Winter Garden), covering 750 square meters, was designed byRené Berger and completed in 1937. It features anArt Deco entrance, between two illuminated glass and iron pillars built for nighttime visits. The heating system keeps the interior temperature at 22 degrees Celsius year-round, creating a suitable environment for bananas, palms, giant bamboo, and other tropical plants. Its central feature, designed to create a more natural environment, is a fifteen-meter-high waterfall.[23]
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The Alpine Garden was created in 1931, and is about three meters higher than the other parts of the garden. It is divided into two zones, connected by a tunnel. It contains several different microclimates, controlled by the water distribution, the orientation toward the sun, the type of soil and the distribution of the rocks. It is home to plants for Corsica, theCaucasus, North America and theHimalayas. The oldest plant is a pistachio tree, planted in about 1700. This tree was the subject of research by the botanistSebastien Vaillant in the 18th century which confirmed the sexuality of plants. Another ancient tree found there is themetasequoia, or dawn redwood, a primitive conifer.[25]
A large section alongside the formal garden, with an entrance on the Allee Bequrerel, belongs to the School of Botany, and is dedicated to plants that have medicinal or economic uses. It was originally created in the 18th century, and now has over three thousand eight hundred specimens, organised bygenus andfamily. Regular tours by museum guides are given of this section. One of its special attractions is the "Pinus nigra" or black pine, of the variety Laricio, fromCorsica, which was planted in the garden byJussieu in the 1770s.[26]
The small garden is placed directly behind the Winter Garden greenhouse. Its prominent features are a largeoriental plane tree from the Orient, planted by Buffon in 1785, and aGinkgo biloba, a tree originating in China considered a living fossil, since traces show that these trees existed in the Second Era of living things, as defined by botanists. It was planted in 1811.
In the center of the garden is monument to the botanistBernardin de Saint-Pierre. the last director of the garden named by the King before theFrench Revolution, and the creator of the menagerie. He is better known in France as the author of a well-known romantic novel, "Paul et Virginie", published in 1788.[27]
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The Grand Labyrinth features a winding path to the top of the Butte Copeaux, a hill overlooking the garden. It was originally created underLouis XIII, then redone in its present form under Louis XVI, on the site of an old garbage dump. At the beginning of the upward path is a Cedar of Lebanon, planted in 1734 by Jussieu, with a trunk four meters in circumference. The butte was largely planted with trees from the Mediterranean, including an old erable tree from Crete planted in 1702 and still in place. including from in it is topped by a picturesque 18th-century cast-iron viewing platform, the oldest work of iron architecture in Paris. The labyrinth was created underLouis XIII, then redone by the garden director Buffon for Louis XVI.
At the top is a neoclassical viewing platform called the Gloriette de Buffon. It was made of cast iron, bronze and copper in 1786–87, using metal from the foundry owned by Buffon. It is considered the oldest metallic structure in Paris.[27] The eight iron columns carry a roof in the shape of a Chinese hat, topped by a lantern with a frieze decorated with swastikas a popular motif in the period. The top is inscribed with a tribute to Louis XVI, honouring his "justice, humanity, and munificence", as well as a quotation from Bouffon, in Latin, translated; "I only count the hours without clouds". It was originally equipped with a precise clock which chimed exactly at noon, but it disappeared in 1795.[27]
Nearby is the Lion Fountain, built in 1834 into the wall of a former reservoir. It is decorated with two bronze lions made in 1863 by the noted animal sculptor Henri Jacquemart.
The Menagerie is the second-oldest public zoo in the world still in operation (following theTiergarten Schönbrunn in Vienna, Austria), founded in 1752.[28] It was laid out in its current form between 1798 and 1836, and occupies 5.5 hectares (14 acres). Besides displaying and studying animals, it has the mission, in cooperation with the zoos of other European cities, to preserve the genetic pool of certain endangered species, with the longer-term goal of trying to re-introduce some of these species into nature.[27]
The menagerie, in the style of 19th century zoos, is composed of a series of fenced areas, separated by paths, each with "Fabriques" or shelters in pictureesque styles, ranging from rustic toArt Deco. The largest building is the rotunda, built of brick and stone between 1804 and 1812, which unites five separate structures. Its form is said to have been inspired by the medal of theLegion of Honor. It was restored in 1988. It formerly contained the large animals of the collection, including the elephants and the famous giraffe given to KingCharles X of France, which lived there for twenty-seven years. The trenches around the rotunda were part of the residence of bears. In 1934, most of the large animals were moved to the new zoo in the Bois de Vincennes, and now the building is used mainly for events and receptions.[27]
The major structures in the Menagerie include the neoclassical Grand Volerie, built for flying animals byLouis-Jules André, the designer of the garden's central building, the Gallery of Evolution. It was built in 1888 of iron, stone and wood, in an oval form. Like the main building of the gardens, it features two neoclassical lantern towers. The Palace of Reptiles is also a work of André. It was built between 1870 and 1874. Its decoration includes a bronze statue of "The Snake Charmer" from 1862.
The Vivarium is a gallery byEmmanuel Pontremoli from 1926; it is a modernist update of a Classical Greek villa, with an Art Deco portico dating from 1926. Other notable buildings include the Art Deco Ape House from 1934, a ceramic-covered oval building with the cages on the exterior. In 1934, the apes were transferred to Vincennes.[29]
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The garden has a large collection of fossil plants, collected from around the world. Some of them are displayed in the greenhouses of the garden.
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| Located near theMétro stations: Quai de la Rapée, Jussieu, Place Monge and Gare d'Austerlitz. |
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