TheJapanese Sign Languagesyllabary (指文字,yubimoji; literally "finger letters") is a system of manualkana used as part ofJapanese Sign Language (JSL). It is a signary of 45 signs and 4diacritics representing the phonetic syllables of the Japanese language. Signs are distinguished both in the direction they point, and in whether the palm faces the viewer or the signer. For example, the manual syllablesna, ni, ha are all made with the first two fingers of the hand extended straight, but forna the fingers point down, forni across the body, and forha toward the viewer. The signs forte andho are both an open flat hand, but inte the palm faces the viewer, and inho it faces away.
Although asyllabary rather than analphabet, manualkana is based on themanual alphabet ofAmerican Sign Language. The simple vowelsa, i, u, e, o are nearly identical to the ASL vowels, while the ASL consonantsk, s, t, n, h, m, y, r, w are used for the corresponding syllables ending in the vowela in manual kana:ka, sa, ta, na, ha, ma, ya, ra, wa. The sole exceptions arema,na, andta, the latter having been modified because the ASL lettert is an obscene gesture in Japan.
The other 31 manualkana are taken from a variety of sources. The signs forko, su, tu (tsu), ni, hu (fu), he, ru, re, ro imitate the shapes of thekatakana for those syllables. The signs forno, ri, n trace the way thosekatakana are written, just asj andz do in ASL. The signshi, mi, yo, mu, shi, ku, ti (chi) are slight modifications of the numerals 1hito, 3mi, 4yo, 6mu, 7shichi, 9ku, 1000ti. The syllableyu represents the symbol for 'hot water' (yu) displayed atpublic bath houses. Other symbols are taken from words in Japanese Sign Language, or common gestures used by the hearing in Japan, that represent words starting with that syllable in Japanese:se from JSL "back, spine" (Japanesese);so from "that" (sore);ki from "fox" (kitsune);ke from "fault" (ketten), or perhaps "hair" (ke);te from "hand" (te);to from "together with" (to);nu from "to steal" (nusumu);ne from "roots" (ne);ho from "sail" (ho);me from "eye" (me),mo from "of course" (mochiron).
These signs may be modified to reflect the diacritics used in writtenkana. All the modifications involve adding an element of motion to the sign. Thedakuten orten ten, which representsvoicing, becomes a sideways motion; thehandakuten ormaru, used for the consonantp, moves upwards, smallkana and silentw move inwards, and long vowels move downwards.
That is, the voiced consonants are produced by moving the sign for the syllable with the corresponding unvoiced consonant to the side. (That is, to the right if signing with the right hand.) The manualkanaga, gi, gu, ge, go are derived this way fromka, ki, ku, ke, ko; likewise, those starting withz, d, b are derived from thes, t, h kana. Thepkana are derived from theh kana by moving them upwards. The long vowel inkō (indicated inkatakana by a long line) is shown by moving the signko downward. In writtenkana, a consonant cluster involvingy orw is indicated by writing the secondkana smaller than the first; ageminate consonant by writing a smalltu for the first segment. In foreign borrowings, vowels may also be written small. In manualkana, this is indicated by drawing the kana that would be written small in writing (theya, yu, yo, wa, tu, etc.) inwards, toward the body. This motion is also used to derive thekanawi, we, wo (now pronouncedi, e, o) from thekanai, e, o.
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