James Hogg | |
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 Portrait, 1830 | |
| Born | before 9 December 1770 Ettrick,Selkirkshire, Scotland |
| Died | 21 November 1835 (aged 64–65) Ettrick, Selkirkshire, Scotland |
| Occupation |
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| Nationality | Scottish |
| Period | 1794–1835 |
| Notable works | The Private Memoirs and Confessions of a Justified Sinner |
| Spouse | |
| Children |
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| Relatives | Margaret Laidlaw (mother) |
James Hogg (1770 – 21 November 1835) was a Scottish poet, novelist and essayist who wrote in bothScots and English. As a young man he worked as a shepherd and farmhand, and was largely self-educated through reading. He was a friend of many of the great writers of his day, includingSir Walter Scott, of whom he later wrote anunauthorised biography. He became widely known as the "Ettrick Shepherd", a nickname under which some of his works were published, and the character name he was given in the widely read seriesNoctes Ambrosianae, published inBlackwood's Magazine. He is best known today for his novelThe Private Memoirs and Confessions of a Justified Sinner. His other works include the long poemThe Queen's Wake (1813), his collection of songsJacobite Relics (1819), and his two novelsThe Three Perils of Man (1822), andThe Three Perils of Woman (1823).
James Hogg was born on a small farm nearEttrick,Selkirkshire, Scotland in 1770 and wasbaptised there on 9 December, his actual date of birth having never been recorded.[1][2] His father, Robert Hogg (1729–1820), was a tenant farmer while his mother,Margaret Hogg (née Laidlaw) (1730–1813), was noted for collecting native Scottishballads.[1][3] Margaret Laidlaw's father, known as Will o' Phawhope, was said to have been the last man in theBorder country to speak with thefairies.[4] James was the second eldest of four brothers, his siblings being William, David, and Robert (from eldest to youngest).[5] Robert and David later emigrated to the United States, while James and William remained in Scotland for their entire lives.[5]
James attended a parish school for a few months before his education was stopped due to his father's bankruptcy as a stock-farmer and sheep-dealer. Robert Hogg was then given the position of shepherd at Ettrickhouse farm by one of his neighbours. James worked as a farm servant throughout his childhood, tending cows, doing general farm work, and acting as a shepherd's assistant. His early experiences of literature and story telling came from the Bible and his mother's and uncle's stories.[6] In 1784 he purchased a fiddle with money that he had saved, and taught himself how to play it. In 1785 he served a year working for a tenant farmer at Singlee. In 1786 he went to work for Mr. Laidlaw of Ellibank, staying with him for eighteen months. In 1788 he was given his first job as a shepherd by Laidlaw's father, a farmer at Willenslee. He stayed here for two years, learning to read while tending sheep, and being given newspapers and theological works by his employer's wife.[7]
In 1790 he began ten years of service to James Laidlaw of Blackhouse in theYarrow valley. Hogg later said that Laidlaw was more like a father to him than an employer. Seeing how hard he was working to improve himself, Laidlaw offered to help by making books available for Hogg from his own library, and through a local lending library. Hogg also began composing songs to be sung by local girls. He became a lifelong friend of his master's son, William Laidlaw, himself a minor writer and later theamanuensis of Walter Scott. It was at this time that Hogg, his eldest brother, and several cousins, formed a debating society of shepherds.[8]
Hogg first became familiar with the work of the recently deceasedRobert Burns in 1797, after having the poemTam o' Shanter read to him. During this period Hogg wrote plays and pastorals, and continued producing songs. His work as a sheep drover stimulated an interest in theScottish Highlands. In 1800 he left Blackhouse to help take care of his parents at Ettrickhouse. Early in 1801 he published a bookletScottish Pastorals. His patriotic song "Donald Macdonald", printed as a broadside probably in 1803, achieved considerable popularity.[9]
In 1801 Hogg was recruited to collect ballads forWalter Scott's collectionMinstrelsy of the Scottish Border. He met Scott himself the following year and began working for theEdinburgh Magazine.[10] In the summer of 1802 he embarked on the first of three tours of the Highlands with a view to securing a farm of his own.[11] He eventually found a farm on Harris but due to trouble with his finances and a legal issue he was unable to secure a lease by 1804. He may not have been really committed to the project in any case.[12] His experiences on his Highland tours were described in letters to Scott which were published in theScots Magazine.[13][14] On his way back to Ettrickhouse in 1803 he dined with the novelistJohn Galt in Greenock. In 1805–06 he worked as a shepherd inDumfriesshire, meeting the poetAllan Cunningham and becoming friends with him and his family. In October 1806 he became the lover of a young woman named Catherine Henderson, and in the same autumn he attempted unsuccessfully to establish himself as an independent farmer.[15]
Hogg's first collection,The Mountain Bard, was published in February 1807 byConstable. At the end of summer 1807 his daughter by Catherine Henderson was born, baptised on 13 December as Catherine Hogg. In 1837 she married David Lauder[16] and they named their son James Hogg Lauder.[17] Catherine Henderson herself went on to marry David Laidlaw in 1812.[18] Hogg continued working as a sheep-grazer for other farmers, but his debts began to grow throughout 1808–1809. At the end of 1809 he began an affair with Margaret Beattie, and soon after absconded from his creditors, returning in disgrace to Ettrick.[15]
In 1810 Hogg moved toEdinburgh to start a literary career. In March 1810 his daughter by Margaret Beattie was born, christened Elizabeth Hogg in June. At the end of 1810 he met his future wife Margaret Phillips. His magazineThe Spy, begun in 1810, ended after a year. At this time he became a founder member of a debating society calledThe Forum, eventually serving as its secretary. In 1812 he composed a long poetical work.The Queen's Wake (the setting of which was the return to Scotland ofMary, Queen of Scots in 1561 after her exile in France) was published early in 1813 and was a success. It was, in the guise of a competition, a collection of verse tales, of whichKilmeny became and remained the best known. At the end of 1813 Hogg began writing a narrative poemMador of the Moor set in the central Highlands; he completed it the spring of 1814 but it was not published for another two years.[19]
In 1814 Hogg completed a visionary poetic narrativeThe Pilgrims of the Sun in three weeks, and in the same year he metWilliam Wordsworth and made a visit to theLake District to see Wordsworth and other poets. In 1815 theDuke of Buccleuch granted him a small farm at Eltrive Moss, where he could live rent-free for his lifetime. He continued to write songs and poems, including "The Field of Waterloo" and "To the Ancient Banner of Buccleuch". His poemMador of the Moor was published in 1816. Later in the year he published his collection of parodiesThe Poetic Mirror, achieving a marked success.[20]
Hogg first met the publisherWilliam Blackwood in the aftermath of his own publisher John Goldie's 1814 bankruptcy, and in 1817 he helped with the start of Blackwood'sEdinburgh Monthly Magazine.[21] He published his two volume collectionDramatic Tales in May. In 1818 his collectionThe Brownie of Bodsbeck; and Other Tales was published by Blackwood. This work utilized genuine Scottish folklore which Hogg had collected.[22] At this time Hogg was busy with his workJacobite Relics. In 1819 he proposed marriage to Margaret Phillips. At the end of the year he published the first volume ofJacobite Relics. He married Margaret Phillips on 28 April 1820. His second tales collectionWinter Evening Tales was published a month later. At the end of the year his father died. The second volume ofJacobite Relics was published in February 1821, and his son James Robert Hogg was born in March 1821. Around this time, Hogg began having serious financial problems.[23]
It was through theEdinburgh Monthly Magazine, soon renamedBlackwood's Magazine, that Hogg found fame, although it was not the sort that he wanted. Launched as a counter-blast to the WhigEdinburgh Review, Blackwood wanted punchy content in his new publication. He found his ideal contributors inJohn Wilson (who wrote as Christopher North) andJohn Gibson Lockhart (later Walter Scott's son-in-law and biographer). Their first published article, "The Chaldee Manuscript", a thinly disguised satire of Edinburgh society in biblical language which Hogg started and Wilson and Lockhart elaborated, was so controversial[24] that Wilson fled and Blackwood was forced to apologise. Soon Blackwood's Tory views and reviews – often scurrilous attacks on other writers – were notorious, and the magazine, or "Maga" as it came to be known, had become one of the best-selling journals of its day.
But Hogg quickly found himself forced out of the inner circle. As other writers such as Walter Maginn andThomas de Quincey joined, he became not merely excluded from the lion's share of publication in Maga, but a figure of fun in its pages. Wilson and Lockhart were dangerous friends. Hogg'sMemoirs of the Author's Life were savagely attacked by an anonymous reviewer, causing Hogg to temporarily break withBlackwood's, and go to work for Constable's smallerEdinburgh Magazine.[25]
In 1822 theMaga launched theNoctes Ambrosianae or "Nights at Ambrose's", imaginary conversations in a drinking-den between semi-fictional characters such as North, O'Doherty, The Opium Eater and the Ettrick Shepherd. The Shepherd was Hogg.[25] TheNoctes continued until 1834, and were written after 1825 mostly by Wilson, although other writers, including Hogg himself, had a hand in them. The Shepherd of theNoctes is a part-animal, part-rural simpleton, and part-savant. He became one of the best-known figures in topical literary affairs, famous throughout Britain and its colonies. Quite what the real James Hogg made of this is mostly unknown, although some of his letters to Blackwood and others express outrage and anguish.
Hogg'sPoetical Works in four volumes were published in 1822, as was his novelThe Three Perils of Man. In 1823, in debt to Blackwood, Hogg began publishing his workThe Shepherd's Calendar inBlackwood's Edinburgh Magazine. Hogg's daughter Jessie was born in April, and later in the year he published his novelThe Three Perils of Woman. In June 1824 he published his best known work, the novelThe Private Memoirs and Confessions of a Justified Sinner. His epic poemQueen Hynde was published at the end of the year. In 1825 he found a new and lucrative market for his works as he began publishing in a literary annual called theLiterary Souvenir.[25]
In 1825 Hogg's daughter Maggie was born, and he began writing a new prose work, later titledTales of the Wars of Montrose. In 1826 Hogg was in serious trouble with his debts, while the firm of Constable collapsed, involving Walter Scott and Hogg's friend John Aiken. In 1827 his debts began to lighten as hisShepherd's Calendar pieces were being published, and he was getting more and more applications to contribute to annuals. The death of his father-in-law, whose family Hogg had been supporting, gave him relief. His third daughter Harriet was born at the end of the year. Hogg's collectionSelect and Rare Scottish Melodies was published in 1829, and he continued to write songs and contribute to annuals throughout 1828–1829, whileThe Shepherd's Calendar was published in book form in Spring, 1829.[26]
In 1830 he started publishing in the newFraser's Magazine, which helped to alleviate a further financial crisis,[27] and at the end of the year he met with Walter Scott for the last time. In early 1831 Hogg'sSongs, by The Ettrick Shepherd was published, but the publishing of the companion volumeA Queer Book was held up by Blackwood. Hogg's last child, his daughter Mary, was born in August. At the end of the year he quarrelled with Blackwood, and decided to publish his works inLondon. In 1832 hisAltrive Tales was published in London, while Blackwood finally publishedA Queer Book in April or May. Hogg was offered a large sum to edit a collection of the works of Robert Burns, but the bankruptcy of his London publisher stopped the publication of hisAltrive Tales after the first of the twelve projected volumes.[28]
In 1833 Hogg had an accident whilecurling, falling through the ice, causing a serious illness. In 1834 his biographical workFamiliar Anecdotes of Sir Walter Scott was published in the United States, while a pirated version published in Glasgow led to a break with Lockhart. Hogg mended his relationship with Blackwood in May, but Blackwood died at the end of the year. Hogg publishedTales of the Wars of Montrose in March 1835.
James Hogg died on 21 November 1835[29] and was buried in Ettrick Churchyard, close to his childhood home in theScottish Borders.[30] In 2021, it was reported that his grave had been preemptively toppled byScottish Borders Council out of safety concerns and that independent restoration efforts were planned by the community.[31]
Wordsworth's "Extempore Effusion upon the Death of James Hogg", written on 30 November, nine days after Hogg's death,[32] includes the lines:
The mighty Minstrel breathes no longer,
'Mid mouldering ruins low he lies;
And death upon the braes of Yarrow,
Has closed the Shepherd-poet's eyes.
Thiseulogy notwithstanding, Wordsworth's notes state "He was undoubtedly a man of original genius, but of coarse manners and low and offensive opinions."[33]
Among the reading public at large Hogg was, during his lifetime, one of the most admired writers of the day, but this admiration was largely for his success in overcoming the disadvantages of his peasant birth and lack of education. He was considered a man of great natural genius whose uncouth style and subject-matter, so natural for the clownish figure depicted in theNoctes Ambrosianae, should not be held against him.[34] A collected edition of his works was published in the 1830s, after Hogg's death, pruned of some passages which offended the increasing delicacy of the age, and anotherWorks of the Ettrick Shepherd was prepared in the 1860s which took the process even further; some works, for exampleThe Three Perils of Woman, were excluded altogether. Victorian readers of these emasculated texts naturally came to the conclusion that Hogg had been overrated, and that he was notable mainly as an example of triumph over adverse circumstances.[35][36][37] Apart fromJustified Sinner, which even his detractors acknowledged as unusually powerful (and often attributed to someone else, usually Lockhart), his novels were regarded as turgid, his verse as light, his short tales and articles as ephemera.
This situation only began to change in 1924, when the French writerAndré Gide was loanedJustified Sinner byRaymond Mortimer. Gide was amazed, writing that "It is long since I can remember being so taken hold of, so voluptuously tormented by any book."[38] Its republication in 1947, with an enthusiastic introduction by Gide,[39] helped bring about the modern critical and academic appreciation of this novel. Growing interest inThe Confessions led to the rediscovery and reconsideration of his other work in the late 20th and early 21st centuries. Now his novelThe Three Perils of Woman is also considered a classic and all his work, including his letters, is undergoing major publication in the Stirling/South Carolina editions. However,Justified Sinner remains his most important work and is now seen as one of the major Scottish novels of its time, and absolutely crucial in terms of exploring one of the key themes ofScottish culture and identity:Calvinism. In a 2006 interview withMelvyn Bragg forITV1, Scottish novelistIrvine Welsh cited Hogg, especiallyThe Confessions as a major influence on his writing. A James Hogg Society was founded in 1981 to encourage the study of his life and writings.[40] Hogg's story "The Brownie of the Black Haggs" was dramatised forBBC Radio 4 in 2003 by Scottish playwrightMarty Ross as part of his "Darker Side of the Border" series. More recently Ross returned to the villain of that story, Merodach, making him the villain of aDoctor Who audiobook,Night's Black Agents (Big Finish Productions 2010), in which this demonic figure assumes the pose of a Minister of theKirk.
Thomas Wilson's Opera,The Confessions of a Justified Sinner (1972–75), commissioned byScottish Opera, is based on the novel.[citation needed]
A bill he issued to purchase £50 worth of lambs in 1824 is exhibited in theMuseum on the Mound, Edinburgh.[41]
Hogg is a direct ancestor of Nobel Prize-winning Canadian writerAlice Munro.[42]
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