James Broughton | |
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| Born | (1913-11-10)November 10, 1913 Modesto,California, U.S. |
| Died | May 17, 1999(1999-05-17) (aged 85) |
| Occupation | Poet,memoirist,playwright,film-maker |
James Broughton (November 10, 1913 – May 17, 1999) was an American poet and poetic filmmaker. He was part of theSan Francisco Renaissance, a precursor to theBeat poets. Broughton was an early bard of theRadical Faeries,[1] as well as a member ofThe Sisters of Perpetual Indulgence,[2] serving the community as Sister Sermonetta.
Broughton was born to wealthy parents inModesto, California. His father died when he was five years old in the1918 influenza epidemic, and he spent his childhood in San Francisco. Before he was three, "Sunny Jim" experienced a transformational visit from his muse, Hermy, which he describes in his autobiography,Coming Unbuttoned (1993):[3]
I remember waking in the dark and hearing my parents arguing in the next room. But a more persistent sound, a kind of whirring whistle, spun a light across the ceiling. I stood up in my crib and looked into the backyard. Over a neighbor's palm tree a pulsing headlamp came whistling directly toward me. When it had whirled right up to my window, out of its radiance stepped a naked boy. He was at least three years older than I but he looked all ages at once. He had no wings, but I knew he was angel-sent: his laughing beauty illuminated the night and his melodious voice enraptured my ears….He insisted I would always be a poet even if I tried not to be….Despite what I might hear to the contrary the world was not a miserable prison, it was a playground for a nonstop tournament between stupidity and imagination. If I followed the game sharply enough, I could be a useful spokesman for Big Joy.
Broughton was kicked out of military school for having an affair with a classmate, and attendedStanford University before dropping out just before his class graduated in 1935. In 1945, he won the Alden Award given by the Stanford Dramatists' Alliance for his original screenplaySummer Fury.[4] He spent time in Europe during the 1950s, culminating with an award at the1954 Cannes Film Festival from Jean Cocteau for the "poetic fantasy" of his filmThe Pleasure Garden, made in England with partnerKermit Sheets.
Through his career, Broughton produced 25 books and 23 films. In 1967's "summer of love", Broughton made a film,The Bed, which broke taboos against frontal nudity and won prizes at many film festivals. The film rekindled Broughton's filmmaking and led to more films, includingThe Golden Positions,This Is It,The Water Circle,High Kukus, andDreamwood. Broughton's films developed a following, especially among students at theSan Francisco Art Institute, where he taught film (and wroteSeeing the Light, a book about filmmaking) and artistic ritual. In 1965, Broughton collaborated with harpist Joel Andrews to produceThe Bard & the Harper, an album of recited poetry and music, on Gleeman Records.[5]
As poetJack Foley writes inAll: A James Broughton Reader, "In Broughton's moment of need, Hermy appeared again in the person of a twenty-five-year-old Canadian film student named Joel Singer... Broughton's meeting with Singer was a life-changing, life-determining moment,[6] that animated his consciousness with a power that lasted until his death."
With Singer, Broughton traveled and made more films –Hermes Bird (1979), a slow-motion look at an erection shot with the camera developed to photograph atomic bomb explosions,The Gardener of Eden (1981), filmed when they lived inSri Lanka,Devotions (1983), a study of male relationships, andScattered Remains (1988), a tribute to Broughton's poetry and filmmaking.
Broughton explored death deeply throughout his life.[7] He died in May 1999 with champagne on his lips, in the house inPort Townsend, Washington, where he and Singer had lived for 10 years.[8] His last words were: "My creeping decrepitude has crept me all the way to the crypt." His gravestone in a Port Townsend cemetery reads, "Adventure – not predicament."[8]
InComing Unbuttoned, Broughton remarks on his love affairs with both men and women. Among his male lovers was gay activistHarry Hay.[9]
Broughton had many creative love affairs during the San FranciscoBeat Scene. He briefly lived with the film criticPauline Kael and they had a daughter, Gina, who was born in 1948.[10] Broughton put off marriage until the age of 49, when he married Suzanna Hart in a three-day ceremony on the Pacific coast, documented by his friend, the experimental filmmakerStan Brakhage. Hart and Broughton had two children, and built a counter-culture community along with friends includingAlan Watts,Michael McClure,Anna Halprin, andImogen Cunningham.
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Joel Singer wrote of his long relationship and collaboration with Broughton in a 2004 issue ofWhite Crane Journal.[11]
The Films of James Broughton, a compilation of seventeen films on three DVDs, was released in 2006 by Facets Multimedia.[12]
All: A James Broughton Reader, an anthology edited by Jack Foley, was released in 2007 by White Crane Books.
The 2012 documentaryBig Joy: the Adventures of James Broughton was directed by Stephen Silha, Eric Slade, andDawn Logsdon, with cinematographer Ian Hinkle.[13]
