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Jaideva Singh

From Wikipedia, the free encyclopedia
Indian musicologist (1893–1986)

Thakur
Jaideva Singh
Born(1893-09-19)19 September 1893
Died27 May 1986(1986-05-27) (aged 92)

Thakur Jaideva Singh (19 September 1893[nb 1] inShoratgarh,Uttar Pradesh[2] – 27 May 1986 in[3]Banaras) was an Indianmusicologist andphilosopher. He played a key role in the development ofAll India Radio where he was chief producer.[4][5] He was influenced by the IndianmusicologistVishnu Narayan Bhatkhande.[6]

Singh was a scholar in theKashmir Saivism school ofIndian philosophy,[7][8] a subject he studied for many years withSwami Lakshman Joo inKashmir. He prepared and published first-ever English and Hindi translations of a number of Shaivite scriptures.[9] Singh was appointed as the Chairman of theUttar Pradesh Sangeet Natak Akademi in 1973. He was awarded thePadma Bhushan in 1974 for his contribution to music.Thakur Jaideva Singh, has contributed numerous papers on music. He studied vocal music with Srikrishna Harihirlekar and Nankoo Bhaya Telang; was elected a Fellow of the Sangeet Natak Akademy in 1965; was honoured byAkhil Bharatiya Gandharva Maha Vidyalaya Mandal and awarded Padma Bhushan by the President of India in 1974.

Selected works

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  • Introduction to Madhyamaka Philosophy, Bharatiya Vidya Prakashan, Varanasi, 1968.
  • Pratyabhijnahrdayam: The Secret of Self-Recognition, byKṣemarāja, translation,Motilal Banarsidass, Delhi, 1977.
  • Vijnanabhairava or Divine Consciousness: A Treasury of 112 Types of Yoga, translation, Motilal Banarsidass, Delhi, 1979.
  • Siva Sutras: The Yoga of Supreme Identity, byVasugupta, translation, Motilal Banarsidass, Delhi, 1979.
  • Spanda-Karikas: The Divine Creative Pulsation, by Vasugupta, translation, Motilal Banarsidass, Delhi, 1980.
  • Para-trisika-Vivarana by Abhinavagupta: The Secret of Tantric Mysticism, byAbhinavagupta, translation, Motilal Banarsidass, Delhi, 1988.
  • Los Shiva Sutras: El yoga del reconocimiento de la identidad con el Ser supremo, byVasugupta, translation into Spanish, Fundación Genesian, Sevilla, 2000.
  • Pratyabhijñahridayam. El secreto del autorreconocimiento, byKṣemarāja, translation into Spanish, Ediciones Maha Yoga, Buenos Aires, 2013.

Notes

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  1. ^Some sources state 1896[1]

References

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  1. ^Menon, Rekha (1961).Cultural Profiles. Inter-National Cultural Centre.
  2. ^Journal of the Indian Musicological Society. Indian Musicological Society. 1986.
  3. ^Misra, Susheela (1 January 2001).Among contemporary musicians. Harman Pub. House. p. 232.ISBN 978-81-86622-46-9. Retrieved4 August 2013.
  4. ^Roy, Ashok (2 February 2004).Music makers: living legends of Indian classical music. Rupa & Co.ISBN 9788129103192. Retrieved4 August 2013.
  5. ^Gowri Ramnarayan (17 April 2009)."Finding her own voice".The Hindu. Archived fromthe original on 21 April 2009. Retrieved30 May 2013.
  6. ^Bakhle, Janaki (2005).Two Men and Music: Nationalism in the Making of an Indian Classical Tradition. Oxford University Press. p. 258.ISBN 978-0-19-534731-9.
  7. ^Rastogi, Navjivan (1987).Introduction to the Tantrāloka: a study in structure. Motilal Banarsidass. p. 14.ISBN 9788120801806.
  8. ^Rastogi, Navjivan (1 January 1979).The krama tantricism of Kashmir: historical and general sources. Motilal Banarsidass.ISBN 9780896840485. Retrieved4 August 2013.
  9. ^Saints and Sages of Kashmir. APH Publishing. 2004. p. 297.ISBN 978-81-7648-576-0.

External links

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