Jacques Romain Georges Brel (French:[ʒɑkʁɔmɛ̃ʒɔʁʒbʁɛl]ⓘ; 8 April 1929 – 9 October 1978) was a Belgian singer and actor who composed and performed theatrical songs. He generated a large, devoted following—initially in Belgium and France, but later throughout the world. He is considered a master of the modernchanson.[1]
Brel was a successful actor, appearing in ten films. He directed two films, one of which,Le Far West, was nominated for thePalme d'Or at theCannes Film Festival in 1973.[3] Having sold over 25 million records worldwide, Brel is thethird-best-selling Belgian recording artist of all time. Brel married Thérèse "Miche" Michielsen in 1950, and the couple had three children. He also had a romantic relationship with actress and dancer Maddly Bamy from 1972 until his death in 1978.
Jacques Romain Georges Brel was born on 8 April 1929 inSchaerbeek,Brussels, to Élisabeth Lambertine "Lisette" (née Van Adorp) and Romain Brel.[4] He came from a family ofFlemish descent (who had adopted the French language); part of his family originated inZandvoorde, nearYpres.[5] His father worked for Conimex, an import–export firm, and later became co-director of a company that manufactured cardboard.[6] Jacques and his elder brother Pierre grew up in an austere household, and attended a Catholic primary school, École Saint-Viateur, run by theorder of Saint Viator.[7] Remembered as a courteous and manageable pupil, Brel did well in reading and writing, but struggled through arithmetic and Dutch.[7] The boys were also members of the local Boy Scout troop, and enjoyed their time at summer camp and on family outings to the North Sea coast.[8] In Brussels, the family lived at 138,avenue du Diamant/Diamantlaan inSchaerbeek,[4] then moved to 26,boulevard Belgica/Belgicalaan inMolenbeek-Saint-Jean, and finally settled at 7,rue Jacques Manne/Jacques Mannestraat inAnderlecht.[7] Brel was close to his mother, fascinated by her generosity and sense of humour, which he inherited.[9]
In September 1941, his parents enrolled Brel at theInstitut Saint-Louis on theRue du Marais/Broekstraat near theBotanical Garden of Brussels.[10] Although he did poorly in many subjects, he did well in History and French, and showed a talent for writing.[10] He helped set up the school's drama club, taking on his first stage roles with great enthusiasm.[11] He wrote short stories, poems, and essays.[12] In 1944, at the age of 15, Brel began playing the guitar.[2] The following year he formed his own theatre group with friends and began writing plays.[1] In the spring of 1947, during his final year at Saint-Louis, Brel wrote a short story titled "Frédéric" for a school magazineLe Grand Feu ("The Great Fire"). Published pseudonymously, the story is about a man on his deathbed who encourages his grandson to run away while the rest of the family makes arrangements for his funeral.[13] Despite his growing talent for writing, Brel was not a good student, and failed many of his exams.[1]
With an academic career not in his future, the 18-year-old Brel went to work at his father's cardboard factory in August 1947.[14] His job at Vanneste and Brel was predictable and uninspiring—a routine that involved fixing prices and meeting customers.[14] Apart from joining the company football team, he showed little interest in the company's social activities and events.[14] Perhaps to offset the boredom of his daily office routine, he joined a local Catholic youth organisation, La Franche Cordée (FC), which had as its motto, "More is within you."[15] Dedicated to philanthropic work, the group organised religious retreats, fundraising events, and food and clothing deliveries to orphanages and old people's homes.[15] Brel supported these activities with great enthusiasm and believed strongly in FC's mission.[Note 1] His parents were pleased with their son's dedication, and provided him with the company van and family car to support his FC activities.[17]
In June 1948, Brel enlisted for military service, did his basic training inLimbourg, and served as a corporal in the Belgian air force stationed at Groenveld barracks inZellik near Brussels.[18][Note 2] Throughout his military service, Brel was still able to attend FC meetings.[19] While working at FC, Brel met his future wife, Thérèse Michielsen, known to her friends as "Miche". On 1 June 1950, Jacques and Miche were married inLaeken, a suburb of theCity of Brussels. On 6 December 1951, Miche gave birth to their first daughter, Chantal.[1][9]
In 1952 Brel began writing songs and performing them at family gatherings and on Brussels' cabaret circuit. His family and friends were not supportive of his stark lyrics and violent, emotional performances. That year he performed on a local radio station for the first time.[1]
In January 1953, Brel performed at the cabaret La Rose Noire in Brussels. In February he signed a contract withPhilips Records and recorded his first 78 rpm record, "Il Y A", which was released in March.[20][21] The talent scout and artistic director at the record company,Jacques Canetti, invited him to move to Paris. Despite his family's objections and the added pressure of raising a second daughter, France, born on 12 July,[9] he left Brussels for Paris in the autumn of 1953.[1] In Paris Brel worked hard to get his career off the ground. He stayed at the Hotel Stevens and gave guitar lessons to artist-dancer Francesco Frediani to pay his rent. He found work on the cabaret circuit at venues such as L'Écluse, L'Échelle de Jacob, and in Jacques Canetti's cabaret Les Trois Baudets.[1]
In 1954 Brel participated in the music contest Grand Prix de la Chanson inKnokke-le-Zoute, finishing a disappointing 27th out of 28 participants. One positive result of the experience was that the French starJuliette Gréco requested to sing one of Brel's songs, "Le diable (Ça va)" (The devil (It's OK)), at her up-and-coming concert at the prestigious Olympia music-hall.[1] She went on to record the song that spring.[12] In July 1954, Brel made his first appearance at the prestigiousOlympia Theatre in Paris. Later that summer, he embarked on his first French tour, appearing on the bill with French singersDario Moreno,Philippe Clay, andCatherine Sauvage.[1] By the end of the year, Philips released his debut album, a nine-song, 10-inch LP calledJacques Brel et ses chansons ("Jacques Brel and His Songs").[2]
Jacques Brel, 1955
In February 1955, Brel met Georges "Jojo" Pasquier, who would become the singer's closest friend, manager, and personal chauffeur. He began singing with a number of Christian associations, which later led to his nickname of Abbé ("Abbot") Brel.[1] In March Brel's wife and children joined him in France and the family settled in the Paris suburb ofMontreuil-sous-Bois on the Rue du Moulin à vent. In June he toured France again with Canetti's showLes Filles de Papa, which includedFrançoise Dorin, Perrette Souplex, andSuzanne Gabriello.[12]
In March 1956, Brel performed in North Africa, Amsterdam,Lausanne, and throughoutBelgium.[9] In July, while visitingGrenoble, he metFrançois Rauber, a classical pianist who would become his accompanist on future recordings. Rauber played a major role in providing Brel with the formal musical training he was lacking and was responsible for Brel's musical arrangements.[1] In September Brel recorded "Quand on n'a que l'amour" ("When You Only Have Love"), which would prove to be his commercial breakthrough. The song was released in November on a Philips 7-inch EPQuand on n'a que l'amour. The song reached number three on the French music charts.[2]
In February 1957, Brel performed at theAlhambra Theatre withMaurice Chevalier,Michel Legrand, and ballet dancerZizi Jeanmaire. In April he released his second studio album,Quand on n'a que l'amour, which contained the popular title song.[1][9] The album was recorded at theThéâtre de l'Apollo in Paris, with André Popp and Michel Legrand conducting.[22] In June he won the prestigiousGrand Prix du Disque from theAcadémie Charles Cros. In September he appeared on the bill in the Discorama programmeAu Palace d'Avignon withRaymond Devos, Pierre-Jean Vaillard, and Les Trois Ménestrels. In November he metGérard Jouannest, another talented pianist, who would accompany the singer on his many concert tours. Brel and Jouannest would also collaborate on many of Brel's future classic songs, such as "Madeleine", "La Chanson des vieux amants" ("Song of the old lovers"), and "Les Vieux" ("The old folks").[9]
In February 1958, Brel's wife Miche and their two children returned to live in Belgium, while Brel rented a room nearPlace de Clichy in Paris—a place to stay on those rare occasions when he was not touring. In March and April, he recorded his third album,Au printemps ("In the spring"), which would be released later that year. In May, while touring Canada for the first time, he metFélix Leclerc. On 23 August, his third daughter, Isabelle, was born back in Belgium. In November he gave a recital at the Halles d'Arlon inBelgian Luxembourg with Stéphane Steeman. In December Brel appeared at theOlympia in Paris as the supporting act toPhilippe Clay. The pianist Gérard Jouannest andFrançois Rauber joined Brel on stage for this performance.[9] Brel's incredibly emotional performance brought the house down.[1]
In January 1959, Brel signed a new recording contract with Philips Records. He continued to tour extensively throughout the year. On 22 February, he performed at the Bolivie Gala in the Solvay Casino inCouillet. In March he starred at the Trois Baudets withSerge Gainsbourg. In September he recorded his fourth album,La Valse à mille temps (The thousand-beat waltz), with François Rauber and his orchestra. On 14 October, he appeared at the Eden inMouscron withRaymond Devos. On 20 November, he sang withCharles Aznavour at theAncienne Belgique in Brussels.[12] By the end of the decade, he had gained an impressive and enthusiastic following across France. He was so popular that he was invited to headline the end-of-year concert at the renowned Bobino in Paris. The concert was an enormous success. During these appearances, he stopped accompanying himself on the guitar to concentrate entirely on his increasingly theatrical vocal performances.[1]
In January 1960, Brel's new impresario, Charles Marouani, organised a series of international concert tours for the singer that would take him from the French provinces to the thenSoviet Union, the Middle East, Canada, and the United States. From 19 to 24 March, he appeared at theAncienne Belgique in Brussels. On 19 October, he performed atShepheard's Hotel inCairo. The year's concert tours brought him international recognition and popularity.[1][12] His appearances initiated the first United States release of a Jacques Brel recording,American Début, released onColumbia Records. It was a compilation of previously released Philips tracks.[2]
In January 1961, Brel made a triumphant return to the Bobino. By now, the accordionist Jean Corti had joined his touring group. Between 22 February and 12 April, he recorded his fifth album for Philips simply titledNo. 5, which introduced the future Brel classics "Marieke" and "Le Moribond" (The dying man).[1] In March he toured Canada again. InMontreal he met French actress and singerClairette Oddera at her club on the Rue Saint-Jacques. They would become good friends. While in Montreal, he appeared withRaymond Devos at La Comédie Canadienne.[9] In May Brel performed at theKurhaus of Scheveningen inThe Hague in theNetherlands. From 12 to 29 October, he returned to theOlympia music hall in Paris with star billing, afterMarlene Dietrich cancelled at the last minute. Many critics point to these inspired performances as the turning point in his career. The audiences responded with rapturous applause and the critics proclaimed him as the new star of Frenchchanson.[1]
In March 1962, Brel left Philips Records and signed a five-year contract withBarclay Records. The contract was to be renewed in 1967 for another six years. His first album release for his new label was a live album,Olympia 1961, recorded the previous year.[2] On 6 March, he recorded his first song for Barclay, "Le plat Pays" (The flat country). During the second week of March, he recorded the remaining tracks for his sixth studio album,Les Bourgeois (The bourgeois). In addition to the title song and "Le plat Pays", the new album contained the future Brel classics "Madeleine", "Les Biches" (The does), and "La Statue" (The statue).[23] In October, Brel set up his own music publishing company, Arlequin, which was soon renamed Éditions Musicales Pouchenel. Brel's wife Miche was appointed company director.[1] In November he recorded "Les Bigotes", "Quand Maman reviendra" (When mother returns), "Les Filles et les chiens" (Girls and dogs), and "La Parlote" (The gossip) as singles.[12]
Jacques Brel, 1963
In April 1963, Brel performed again at the Bobino in Paris. In July he headlined at the Casino in Knokke for the fifth Coupe d'Europe de Tour de Chant. During this engagement, he performed the classic "Mathilde" for the first time.[12] He also returned for another triumphant engagement at the Olympia in Paris, performing withIsabelle Aubret, who was the support act. Once again, his performance was a critical and artistic success, with the audience leaping up from their seats in a standing ovation following his emotional rendering of "Amsterdam".[12]
The year 1964 brought a mix of personal tragedies and professional triumphs. On 8 January, Brel's father, Romain, died of bronchial pneumonia. Only two months later, on 7 March, his mother, Élisabeth (nicknamed Mouky), also died. At the same time, he was given the Gold Medal of Brussels from the Tourist Information Bureau and won a prize from the Société d'Auteurs Belge/Belgische Auteurs Maatschappij (SABAM). He was also awarded the French Academy's Grand Prix du Disque. He continued his ambitious touring schedule. By the end of the year, he released a new live album,Olympia 1964.[1] That year, he discovered a new passion, aviation. After taking flying lessons with Paul Lepanse, he purchased a small plane.[24] In the United States, his audience was growing. American poet and singerRod McKuen began translating Brel's songs into English, and theKingston Trio recorded one of his English versions on theirTime to Think album, "Seasons in the Sun", based on Brel's "Le Moribond" (The dying man).[2]
In 1965Reprise Records licensed tracks from Barclay for a United States album titledJacques Brel.[2] On 25 March, he performed at theKurhaus of Scheveningen in theNetherlands. In October he completed a successful five-week tour of theSoviet Union, which included a week's engagement at the Estrada Theatre in Moscow. On 6 November, he was back in France, recording the songs "Fernand", "Les Désespérés" (The despaired), and "Ces gens-là" (These people) for Barclay. On 4 December, he appeared at the prestigiousCarnegie Hall in New York City. His performance was received with high public and critical acclaim.[1]
Jacques Brel performing in 1963
By 1966 Brel had grown increasingly weary of his grueling concert schedules. In April he touredDjibouti, Madagascar,Reunion Island, andMauritius. On 21 August, while on tour inVittel, he revealed to his musicians his decision to retire from touring.[24] In subsequent public statements, Brel stated that he had nothing more to give to the music world and that he wanted to devote more time to other projects.[1] In October 1966, he gave a series of farewell concerts at the Olympia in Paris. Thousands of devoted fans flocked to see these final performances, which took place over the course of three weeks. On 1 November, he gave his final concert at the Olympia. After a highly emotional and stunning performance, the audience's standing ovations prompted him to return to the stage seven times for his final bows.[1] He spent the next six months fulfilling his concert commitments. On 15 November, he gave his farewell performance at thePalais des Beaux-Arts in Brussels. Later that month, he gave his final UK performance at theRoyal Albert Hall in London. During these last months of his world tour, many of his close friends, includingCharles Aznavour, urged him to reconsider his decision to retire from singing, but he was adamant about his decision.[1] On 4 December, he returned toCarnegie Hall in New York City and gave inspired performances before enthusiastic fans. By then, several English recordings of his songs were on the charts, includingDamita Jo's "If You Go Away" (based on "Ne me quitte pas"),Judy Collins' "The Dove" (based on "La Colombe"), andGlenn Yarbrough's "The Women" (based on "Les Biches").[2]
In January 1967, Brel finished recording songs for a new studio album,Jacques Brel 67, which was released later in the year. The album included "Mon Enfance" (My childhood), "Fils de..." (Sons of...), "Les bonbons 67" (The candies 67), and "La Chanson des vieux amants" (Song of the old lovers).[23] In late January, he returned toCarnegie Hall and gave one final performance. While in New York, he went to seeMan of La Mancha, a musical based onMiguel de Cervantes' novelDon Quixote, at theANTA Washington Square Theatre inGreenwich Village. Moved by the experience, he began planning a French language production of the musical for Europe. He returned to France in the spring and, on 16 May 1967, he gave his final concert performance inRoubaix in northern France.[1][2] Toward the end of the year, with vague plans of sailing around the world, Brel purchased a yacht.[24]
Following his retirement from the concert stage, Brel's professional life focused on film. He would record only four more studio albums in the last decade of his life. In September 1968, he recorded the songs for the album,J'arrive (I'm coming), which was released later in the year. In addition to the title song, the album included "Vesoul", "Je suis un soir d'été" (I am a summer's evening), and "Un Enfant" (A child). In October 1968, his musicalL'Homme de La Mancha (Man of La Mancha) premièred inBrussels, with Brel playingDon Quixote andDario Moreno playing Sancho Panza. Moreno would die tragically only ten days before the musical's Paris première.[1] From 23 to 27 November, Brel and his fellow cast-members recorded the studio albumL'Homme de la Mancha. He adapted the book, translated the lyrics, directed the production, and played the lead role. This was the only time he ever adapted songs by other writers or appeared in a stage musical. The album contains his classic performance of "La Quête" (The quest). Moreno was replaced by Robert Manuel, and the first performance at theThéâtre des Champs-Élysées in Paris went ahead as planned on 11 December 1968.[25] Brel's performance received unanimous praise. After 150 performances ofL'Homme de La Mancha, he gave his final performance in the role of Don Quixote on 17 May 1969. He was never replaced.[1]
In March 1970 Brel gave a one-off performance at the Salle Pleyel in Paris. Unusually this did not involve singing but instead recitation. In the first half of the performance he recitedSergei Prokofiev's famous story,Peter and the Wolf. In the second half he told the tale of Jean de Brunhoff'sBabar the Elephant.
In 1972 Brel signed a special 30-year contract withBarclay Records. Although there were no new songs to record, Barclay persuaded him to return to the studio to re-record 11 of the better-known songs he cut forPhilips Records during the early years of his music career. The result was the albumNe me quitte pas (Don't leave me), which containedthe title track, "Marieke", "Les Flamandes" (Flemish women), "Quand on n'a que l'amour" (When you only have love), "Les Biches" (The does), "Le Moribond" (The dying man), "La Valse à mille temps" (The waltz in thousand time), and "Je ne sais pas" (I don't know). His earlier youthful energy was now lovingly harnessed by his longtime colleagues, arranger François Rauber and pianist Gerard Jouannest.[1][26]
In 1967 Brel began his film career, appearing inAndré Cayatte'sLes risques du métier (Risky business), co-starringEmmanuelle Riva, Jacques Harden, and Nadine Alari. Brel also produced the soundtrack withFrançois Rauber. The film tells the story of a teenage girl who accuses her primary schoolteacher, Jean Doucet (Brel), of trying to rape her. The police and the mayor investigate, but Doucet denies the charges. Two other students come forward to reveal more of Doucet's misconduct—one confessing to be his mistress. Doucet faces trial and hard labour if convicted. The film was released on 21 December 1967. Film critics praised Brel's performance.[27][28]
In 1968 Brel appeared in his second film,La Bande à Bonnot [fr] (The Bonnot Gang), directed by Philippe Fourastié and co-starringAnnie Girardot andBruno Cremer. Once again, Brel produced the soundtrack withFrançois Rauber. The story is set in1911 Paris. Raymond-la-science (Brel), an anarchist, is released from prison after serving a sentence for spreading agitation among his co-workers. He meets up with his friends who live together with their families in the villa of their political leader. They get involved with the notoriousBonnot Gang—gangsters who revolt against society by robbing, stealing, and killing. The film was released on 30 October 1968.[27][29]
In 1969 Brel appeared in his third film,Mon oncle Benjamin (My uncle Benjamin), directed byÉdouard Molinaro and co-starringClaude Jade andBernard Blier. He also produced the soundtrack. The film is a period piece, set in 1750 during the reign ofLouis XV. Benjamin (Brel) is a country doctor in love with the beautiful innkeeper's daughter, Manette, but she refuses his advances until he produces a marriage contract. After suffering a humiliating practical joke and being condemned to prison, Benjamin escapes with Manette, who realises she prefers happiness to a marriage contract after all. The film was released on 28 November 1969.[27][30]
In 1970 Brel appeared in his fourth feature film,Mont-Dragon [fr], directed by Jean Valère and co-starring François Prévost, Paul le Person, andCatherine Rouvel, with a screen play byRobert Margerit. The story involves a soldier, Georges Dormond (Brel), who seduces Germaine de Boismesnil and is subsequently driven out of the army by one of Germaine's friends who is a colonel. After Germaine's husband dies, Dormond returns to the widow's castle seeking revenge. After seducing Pierrette the maid, he reminds Germaine of their past love affair and arranges a meeting with the widow, during which he undresses her, humiliates her, and then leaves. The orphan Marthe, who witnesses the scene, throws herself at Gaston, the colonel's orderly, to avenge her mother. Georges ridicules their feelings and forces Germaine to reveal her attachment to Pierrette, thereby causing a scandal. The film was released on 16 December 1970.[27][31]
Jacques Brel, 1971
In 1971 Brel appeared in his fifth feature film,Franz, the first film he directed. Brel also co-wrote the screenplay withPaul Andréota and produced the soundtrack with François Rauber. The film co-starredBarbara, Danièle Evenou, Fernand Fabre, Serge Sauvions, Louis Navarre, Jacques Provins, and François Cadet. The film is about Léon (Brel) and Léonie (Barbara), who meet in a convalescent home for state employees in Blankenberge: Catherine (Danièle Evenou) is Léonie's friend. Léonie is shy and reserved while Catherine is loose and flirtatious. Most men are attracted to her vitality, but Léon is the exception. Léonie is intrigued by Léon's secretive personality. She gradually becomes attracted to his clumsy behaviour and they fall in love. The other residents, amused by this unlikely love affair, decide to obstruct their relationship, which drives Léon to suicide. The film was released on 2 February 1972, and although praised by the critics, it was not a commercial success.[1][27][32]
In 1971 Brel appeared in his sixth feature film,Les Assassins de l'ordre (Law breakers), directed byMarcel Carné and co-starringPaola Pitagora,Catherine Rouvel, andCharles Denner. Brel plays Bernard Level, a provincial judge, who presides over a delicate case. A man who was arrested for a minor crime died during police questioning. When Level decides to prosecute the policemen and initiates an investigation, he receives threats and intimidation from those wanting to stop the investigation. The film was released on 7 May 1971.[1][27][33]
In 1972 Brel appeared in his seventh feature film,L'aventure, c'est l'aventure (The adventure is the adventure), directed byClaude Lelouch. The story follows five crooks who decide to switch from bank robbery to political kidnapping. Among their first hostages is singer Johnny Hallyday. The film was released 4 May 1972, and became a huge box-office smash. While filmingL'aventure, c'est l'aventure on location in the Caribbean, Brel met and fell in love with a young actress and dancer by the name ofMaddly Bamy [fr;de]. Brel would spend the final years of his life with her.[1][27][34]
In 1972 Brel appeared in his eighth feature film,Le Bar de la fourche (The bar at the crossing), directed byAlain Levent and co-starringRosy Varte andIsabelle Huppert. Brel plays Vincent Van Horst, a hard-drinkingbon vivant who loves his freedom and his women. In 1916 he leaves Europe, which is torn apart by the war, and moves to Canada, intending to meet up with Maria, the only woman he ever loved. On the way to Canada, he meets a young boy who dreams about fighting in the European war. When Vincent arrives at the Bar de la Fourche, managed by Maria, he finds her looking older. He finds consolation in another woman, Annie, who looks down on him and drives Vincent and Olivier to fight a duel against each other. The film was released on 23 August 1972.[27][35]
In 1973 Brel appeared in his ninth feature film,Le Far West, his second directorial effort. The film co-starred Gabriel Jabbour, Danielle Evenou, and Arlette Lindon. The story is about Jacques, a 40-year-old citizen of Brussels, who meets the fakir Abracadabra who, before dying, gives him a special power. Jacques meets Gabriel, a generous man, who dresses up asDavy Crockett, and who follows Jacques without asking questions. The two companions and other new friends set out to conquerthe Wild West, their childhood—just asVoltaire soughtEl Dorado, and Saint-Exupéry the unknown planet. The Far West they seek cannot be found, because it is an imaginary place, a piece of happiness buried in our hearts. The film was released on 15 May 1973.[27][36]
In 1973 Brel appeared in his tenth and final feature film,L'emmerdeur (The troublemaker), directed byÉdouard Molinaro and co-starredLino Ventura,Caroline Cellier, andJean-Pierre Darras. Jacques Brel and François Rauber produced the soundtrack. The story is about a contract killer, Ralph Milan, who works for the Mafia. He is paid to kill Louis Randoni, whose testimony in various trials could harm the organisation. Ralph waits for his prey in his hotel room, but is interrupted by his comical neighbour, François Pignon (Brel). The film was released on 20 September 1973.[27][37]
By early 1973, Brel knew that he was ill. He prepared his will, leaving everything to his wife Miche. In the spring he recorded a new single, "L'Enfance" (Childhood), the proceeds of which he donated to La Fondation Perce Neige, an association set up to help disabled children. After completing his last filmL'emmerdeur, he took his daughters on a cruise. In November, he embarked on a two-month cruise across theAtlantic with five of his closest friends on the training shipLe Korrig.[1][25]
Brel devoted the final years of his life to his passion for sailing. On 28 February 1974, he purchased theAskoy II, a 19-meter (62 ft), 42-tonne steel-hulledyawl built in Belgium in 1960.[38] He began planning a three-year voyage to circumnavigate the world. In July, he set off on his world trip with Maddly Bamy and his daughter, France, aboard his new yacht. In August, while sailing around theAzores, he learned of the death of his old friend Jojo. He returned to France for his friend's funeral and stayed on to attend the September wedding of his daughter, Chantal. In October, following medical tests in theCanary Islands, Brel learned that he had a small tumour on his left lung. In November, he was rushed to a hospital inBrussels, where he underwent an operation. He was suffering from an advanced stage of lung cancer. Knowing his days were numbered, Brel issued a statement indicating that he wished to die alone in peace.[1][39]
In January 1975, after 27 days at sea, theAskoy II anchored in theFort-de-France Bay. From February to July, Brel cruised around theWest Indies before going through thePanama Canal. In November, theAskoy II reachedAtuona Bay at Hiva-Oa in theMarquesas Islands archipelago after spending 59 days crossing the Pacific Ocean.[39] Jacques and Maddly decided to live in the Marquesas Islands, living on theAskoy II off the island of Hiva-Oa.[1]
In 1976, Brel returned to Brussels twice for medical examinations. Against the advice of his doctors, he returned to the Marquesas, where the tropical climate was particularly unsuitable for his lungs.[1] In June, after selling theAskoy II, he rented a small house inAtuona on the island of Hiva-Oa. In July, he renewed his pilot's licence and took advanced flying lessons with his friend Michel Gauthier. He purchased a twin-engine plane, which he namedJojo in memory of his lost friend. This enabled him to travel more easily from Hiva-Oa toTahiti. He also used the private plane to transport food and other supplies to the inhabitants of the neighbouring islands.[1]
In 1977, Brel decided to record one final album. Despite his recent years away from the continent, his legend lived on in Europe and his records still sold millions of copies each year. In August, Brel returned to Paris and moved into a small hotel. He had quit smoking and, despite his poor health, was enthusiastic about working again with his faithful collaborators François Rauber and Gérard Jouannest. In September and October, Brel recorded 12 of the 17 new songs he had written in the Marquesas. The result was his final album,Les Marquises, which included "Jaures", "Vieillir" (To grow old), "Le Bon Dieu" (The good Lord), "Orly", "Voir un Ami pleurer" (To see a friend in tears), "Jojo", and "Les Marquises". The new album was released on 17 November and was received as an historic national event in France. At Brel's request, Barclay did not run a huge promotional campaign for the album, and still, by word of mouth alone, over a million fans placed advance orders. The day the album was released, Jacques and Maddly returned to their home in the Marquesas Islands. One song, "Les F..." caused controversy due to its stingy satire ofFlemish nationalism.[1][39]
From January to June 1978, Jacques and Maddly lived quietly at their home on Atuona Bay on Hiva-Oa. In July, after his health began to fail, Brel was flown back to France and rushed to a hospital inNeuilly-sur-Seine, where doctors discovered a cancerous tumour. He remained in the hospital for six weeks and then spent the rest of the summer inSouthern France. On 7 October, he was rushed to hospital Avicenne inBobigny near Paris. He died of apulmonary embolism at 4.10 am on 9 October 1978 at the age of 49. On 12 October, his body was flown back to the Marquesas Islands, where he was buried inCalvary Cemetery in Atuona on the southern side of Hiva-Oa,French Polynesia—a few yards away from the grave of artistPaul Gauguin.[1] His widow Miche died on 31 March 2020 at the age of 93.[40]
In the Francophone world, Brel left an enduring influence on music and culture. Further afield his influence has been somewhat tempered by differences in language, though he has influenced many artists globally. International artists (listed alphabetically below by last name) who have covered his songs include:
Liesbeth List and Brel, with her gold record with Dutch-language Jacques Brel songs (1971)
Brel occasionally included parts of his songs inDutch, one of the three official languages of Belgium, as in "Marieke". He also recorded eight other Dutch versions of songs, such as "Mijn vlakke land" ("Le plat pays"), "Laat me niet alleen" ("Ne me quitte pas"), "Rosa", "De Burgerij" ("Les Bourgeois"), and "De Nuttelozen van de Nacht" ("Les paumés du petit matin"). Brel also recorded two obscure singles in Dutch, "De apen" ("Les Singes") and "Men vergeet niets" ("On n'oublie rien"), which were included in the 16-CD box setBoîte à bonbons by Barclay. So far unreleased is the song "Als men niets dan liefde heeft" ("Quand on n'a que l'amour").[43] "Marieke" was translated by Brel himself.[44][45] Since his own command of Dutch was poor, most of Brel's later Dutch interpretations were translated byErnst van Altena, with Brel's cooperation, and are generally considered to be relatively true to the original French and poetic. "De Apen" was translated by Eric Franssen. "Men vergeet niets" was translated by well known Flemish artist Will Ferdy. Popular singers from the Netherlands singing Brel's songs in Dutch have beenLiesbeth List,Jan Mesdag andJeroen Willems.
English versions of Jacques Brel songs have been recorded by a wide variety of artists.Rod McKuen was one of the first American artists to discover and translate Brel's songs. CanadianTerry Jacks' version of "Seasons in the Sun" (based on Brel's "Le Moribond") became a global pop hit in 1974, topping the charts internationally. "Seasons in the Sun" has seen its own renditions recorded by artists ranging fromthe Beach Boys toNirvana. McKuen and Brel formed a close friendship. McKuen later wrote, "When news of Jacques' death came, I stayed locked in my bedroom and drank for a week."[46]
During the 1960s, other English translations emerged on the folk music scene, including "The Dove" ("La colombe"), an anti-war lament recorded both byJoan Baez andJudy Collins. This was the only translation of a Brel song written byAlasdair Clayre, an Oxford-educated Englishman who had a brief career as a singer-songwriter before becoming an author, academic, and sometime producer of BBC documentaries.[44][45]
In 1968 an American experimental musicalJacques Brel Is Alive and Well and Living in Paris made its debut. Consisting of 25 songs, the revue was performed by four vocalists, two males and two females. Jacques Brel contributed most of the music and French lyrics. English translations were provided byEric Blau andMort Shuman, aBrill Building songwriter responsible for such hits as "This Magic Moment", "Viva Las Vegas", "A Teenager in Love", and others. The production enjoyed considerable international success, and has since played throughout the world in various productions.[44][45]
Scott Walker's first three solo albums, titledScott,Scott 2, andScott 3, released between 1967 and 1969, each contains three of the Blau–Shuman translations. The songs on the first of these, and Walker's single release of "Jackie", were the earliest releases of the Blau-Shuman translations. Several of the original songs on these albums, and on the laterScott 4, can be seen as heavily influenced by Brel. The compilationScott Walker Sings Jacques Brel contains all the Brel material that Walker covered on record. Walker also performed five Brel songs on his television series.[44][45]
In the 1970s,David Bowie began singing Brel's "Amsterdam" at a BBC session withJohn Peel and Evilan Tom. This version was released as theB-side to "Sorrow" in 1973, and was released as a bonus track on the 1990 reissue ofPin Ups.Dave Van Ronk also recorded this song, earlier, onVan Ronk. Bowie also sang "My Death" during his Ziggy Stardust period. This popular concert piece was never recorded in the studio. It appears on two of David Bowie's live albums:Live Santa Monica '72 andZiggy Stardust - The Motion Picture. A similar version of this song was also recorded byShow of Hands.[44][45]
In the early 1980s, a second Brel revue,Encore Brel, was produced in Canada, a performance of which was aired on CBC Radio. In addition to Alasdair Clayre's "The Dove", the revue used mostly Brel's later songs, including "Friend, Don't Let Me See You Cry" ("Voir un Ami pleurer") and "To Grow Old" ("Vieillir").[44][45]
In 1986Momus and more recentlyBarb Jungr recorded new English translations of "Ne me quitte pas" which are much nearer to the original. Jungr used a translation titled "Don't leave me now" byDes de Moor. Momus translated and recorded "Don't Leave Me" because he was dissatisfied with the dominant English translations to date. "People always sing the versions by Rod McKuen, which are highly sentimentalised, or the versions by Mort Shuman which are better but still really Americanised. To me the strength of Brel is that he doesn't come from the American tradition of songwriting, it's a strongly European thing."[47]
In 1989,Marc Almond, who had performed Brel songs on his early albums withMarc and the Mambas, released his successfulJacques, an album composed solely of Jacques Brel songs. In 1991 he released "Jacky", which became a successful hit single. During his concerts, Almond nearly always plays at least one Brel song.[44][45]
In the 1990s, Brel's widow said that Arnold Johnston, a professor atWestern Michigan University, translated Brel's work more accurately than Blau and Shuman, and eventually gave Dr. Johnston exclusive rights to translate Brel's work into English. Dr. Johnston recorded the albumI'm Here!, a collection of twenty songs, using a grant from the university. In 1991, the American band Vambo Marble Eye recorded a version of "Next" for their albumTwo Trick Pony, 18 years after an English-language version of the song by theSensational Alex Harvey Band in 1973, from theirNext album.[44][45]
Actor / singerPeter Straker debuted his tribute show to Brel in 1997 at the Edinburgh Fringe, and subsequently in a new version at the King's Head Theatre, London in 2004. In 2013 Straker released both a studio album and live DVD under the titlePeter Straker's Brel.
Anonymous Society, Based On The Music Of Jacques Brel ran in 2000 in theLyric Hammersmith, directed by Andrew Wale.[48]
Belgian-German singer Dieter Kaiser has translated 30 of Brel's songs and has gathered them in a booklet with over 100 other French chansons in German. Kaiser also issued a CD in German and a CD in French with various chansons of Brel.Klaus Hoffmann is another important German interpreter of Brel's songs, as is the Austrian actorMichael Heltau, who was asked by Brel himself to record his songs, using the translation ofWerner Schneyder.[44][45]
Other language versions of Jacques Brel songs have been recorded by a wide variety of artists throughout the world. The most frequently recorded song in other languages is "Ne me quitte pas" (Don't leave me), with at least 1400 different recorded versions in 52 different languages.[42][49] Most English versions use the freely translated "If You Go Away" by Rod McKuen, sung byFrank Sinatra andBarbra Streisand.Marlene Dietrich recorded the German version "Bitte geh' nicht fort" in 1963. At least 26 songs by Brel were translated to Hebrew (according to the Shironet website), and many of these translated versions were recorded by prominent singers, among them the famousYossi Banai. Paris-based Colombian salsa singer Yuri Buenaventura performed the Spanish version, "No me dejes mas". Slovak chanteuseHana Hegerová made the Czech version "Lásko prokletá" one of the pillars of her repertoire. Russian rock groupMumiy Troll recorded the Russian version, "Когда ты уйдёшь".[44][45] Slovenian actor and songwriterJure Ivanušič released the CDSrce v kovčku with his 16 authorial translations of Brel's songs into Slovenian in 2011. Armenian poetSlavik Chiloyan, who met Brel in Yerevan in 1968, translated a number of Brel's songs into Armenian.[50] In 1968 singer Salome recorded the Catalan version "No em deixis mai".[51] In 1970 Patty Pravo published the Italian version, "Non andare via", as a single, Gino Paoli had published the same version in 1962 as the B-side of his "Devi sapere" single. In 1968, English starMatt Monro and Mexican singer Angelica Maria recorded Spanish versions titled "No me dejes." In 2012,Mashrou' Leila, an indie band from Lebanon sang "ما تتركني هيك - ne me quitte pas". They performed the cover-version at Paleo Festival Nyon – (Chapiteau / Switzerland) in 2012.
Brel's recordings have been released in many different permutations, in different countries and in different formats, and are sometimes known by different titles. This discography is restricted to Brel's original albums, as collected and reissued on 23 September 2003 in the sixteen-CDbox set of his workBoîte à bonbons, plus the additional albumChansons ou versions inédites de jeunesse, which was released for the first time as part of this box set. To mark the 25th anniversary of Brel's death, Barclay Records issuedComme quand on était beau (2003), a 3-volume DVD collection of Brel interviews and live performances as well as the compilation albumInfiniment (2004). Both releases include five previously unpublished songs that Brel wrote in 1977: "La Cathédrale", "L'Amour est mort", "Mai 40", "Avec élégance", and "Sans exigences".[52]
Patricia Lavila sings "Je n'ai jamais vu Jacques Brel chanter" in 1975, a song which refers to some of the author's songs and regrets that he left the stage so early.
In 1976,Pierre Perret recorded "Ma nouvelle adresse", a song about Brel's departure for Polynesia.
"Les vocalises de Brel", a tribute song byNicolas Peyrac in 1977 that evokes the song "Amsterdam".
French singer Mannick sang "Brel" in 1979 on her album Je suis Ève, paying tribute to the singer who had died a few months earlier.
"Gauguin (Lettre à Jacques Brel)", a song written and recorded byBarbara in 1990. This song evokes her memories of Brel and the famous painterPaul Gauguin, Jacques Brel's grave neighbour in Atuona in the Marquesas Islands.
The bandStarflam recorded a song Ce Plat Pays II in 1998.
Lucio Bukowski sings "Ode au grand Jacques" in 2011, a track from his EP Lucio Milkowski, using the titles of several Brel songs to create his own text.
Since 2000, the Jacques Brel Festival - created to allow young artists to make a name for themselves - has been held at the Edwige-Feuillère theatre inVesoul, the town's tribute to the song of the same name.
In October 2008, the tribute musical De Bruxelles aux Marquises, retracing Brel's life through more than thirty songs, was presented in Brussels by the troupe Baltema.
In March and April 2009, after some thirty performances throughout France, the Chœurs de France took to the stage at the Zénith in Paris with La Grande Symphonie de Brel with four hundred singers and ten musicians on stage. In June 2009, the show was performed at the Arena in Geneva.
Every year, the Festival des Rencontres Brel is held inSaint-Pierre-de-Chartreuse (Isère), where Jacques Brel is said to have written the song "Le Plat Pays".
Grateful for the famous song "Vesoul", the city ofVesoul paid tribute to Jacques Brel by giving his name to a college located in the Montmarin district in 1968.
In 1979, the town ofLe Touquet-Paris-Plage in France honoured the poet by naming a municipal square after him.
Fondation Brel, a foundation in Brussels dedicated to the work and life of Jacque Brel, founded in 1981.[54]
In 1982, theJacques Brel station on line 5 of the Brussels metro was inaugurated.
AEuroCity train for the Paris - Dortmund connection, Jacques Brel, was opened in 1993.
A bronze statue of Brel by Chantal de La Chauvinière-Riant, from 1995, is installed in the city centre ofSaint-Amand-Montrond, subprefecture ofCher.
The city ofVerviers (Belgium) honours the poet by naming a quay of theVesdre river after him.
In 2008, on the occasion of the commemoration of the thirtieth anniversary of his death, the Hiva Oa airfield in the Marquesas was officially renamed Hiva Oa - Jacques-Brel airfield. A monument to Brel has been erected on a lookout point on the airport road.
A bronze bust created by French sculptor Jean-Paul Lesbre was inaugurated at the Marquesas in 2008.
As a gesture of recognition for the song "Vesoul" composed by Brel, on 8 September 2016, a bronze Brel statue made by the sculptor Frédéric Lanoir was placed in the hall of theEdwige-Feuillère theater ofVesoul, France.
Jacques Brel un homme au large de l'espoir by Christian Petit, Dominique Arban and Pierre Barlatier in 1982, Imprimerie Paillart, 224 p. (French)ISBN978-2853140218
Grand Jacques, le roman de Jacques Brel by Marc Robine in 1998, Anne Carrière, 671p. (French)ISBN978-2843370663
Jacques Brel : chansons, poèmes, textes illustrés by Gabriel Lefebvre in 2001, La Renaissance du livre, 160p. (French)ISBN978-2804605629
Brel, l'imagination de l'impossible by Patrick Baton in 2003, La Renaissance du livre, 224p. (French)ISBN978-2804005092
Brassens, Brel, Ferré - Trois voix pour chanter l'amour by Michel J. Cuny and Françoise Petitdemange in 2003, Paroles Vives, 280p. (French)ISBN978-2905974082
Jacques Brel by Jean Clouzet and Angela Clouzet in 2003, Complexe, 288p. (French)ISBN978-2232122378
Le Roman de Jacques Brel by Marc Robine in 2003, Complexe, 701p. (French)ISBN978-2253150831
Jacques Brel, À s'offrir en partage by Gabriel Lefebvre in 2005, Complexe, 133p. (French)ISBN978-2804800680
Jacques Brel: Leven en Liefde by René Seghers in 2003, Tirion Algemeen, 256 p. (Dutch)ISBN978-9043905121
Jacques Brel / Ne me quitte pas / Laat me niet alleen (80 songs with Duych lyrics by different translators) in 2004, Nijgh & Van Ditmar, 368 p. (Dutch)ISBN9038803257
Jacques Brel: De Definitieve Biografie by René Seghers in 2012, Tirion/Houtekiet, 512p. (Dutch)ISBN978-9089242297
Brel, de Belg. Een verhaal van liefde en onbegrip by Thijs Delrue in 2018, Borgerhoff & Lamberigts, 232 p. (Dutch)ISBN978-9089318886
Jacques Brel. Una canción desesperada by Luis García Gil in 2009, Milenio Publicaciones, 246 p. (Spanish)ISBN978-8497433044
Brel – Der Mann, der eine Insel war by Jens Rosteck in 2016, Mare, 240 p. (German)ISBN978-3866482395
.jpg)
.JPG)
.jpg)
