Sir James Matthew Barrie, 1st Baronet,OM (/ˈbæri/; 9 May 1860 – 19 June 1937) was a Scottish novelist and playwright, best remembered as the creator ofPeter Pan. He was born and educated inScotland and then moved toLondon, where he wrote several successful novels and plays. There he met theLlewelyn Davies boys, who inspired him to write about a baby boy who has magical adventures inKensington Gardens (first included in Barrie's 1902 adult novelThe Little White Bird), then to writePeter Pan, or The Boy Who Wouldn't Grow Up, a 1904West End "fairy play" about an ageless boy and an ordinary girl namedWendy who have adventures in the fantasy setting ofNeverland.
Although he continued to write successfully,Peter Pan overshadowed his other work, and is credited with popularising the nameWendy.[1] Barrie unofficially adopted the Davies boys following the deaths of their parents. Barrie was made a baronet byGeorge V on 14 June 1913,[2] and a member of theOrder of Merit in the1922 New Year Honours.[3] Before his death, he gave the rights to the Peter Pan works toGreat Ormond Street Hospital for Children in London, which continues to benefit from them.
James Matthew Barrie was born inKirriemuir,Angus, to a conservativeCalvinist family. His father, David Barrie, was a modestly successful weaver. His mother, Margaret Ogilvy, assumed her deceased mother's household responsibilities at the age of eight. Barrie was the ninth child of ten (two of whom died before he was born), all of whom were schooled in at leastthe three Rs in preparation for possible professional careers.[4] He was a small child and drew attention to himself with storytelling.[5] He grew to only 5 ft 31⁄2 in. (161 cm) according to his 1934 passport.[6]
When James Barrie was six years old, his elder brother David (their mother's favourite) died in an ice-skating accident on the day before his 14th birthday.[7] This left his mother devastated, and Barrie tried to fill David's place in his mother's attentions, even wearing David's clothes and whistling in the manner that he did. One time, Barrie entered her room and heard her say, "Is that you?" "I thought it was the dead boy she was speaking to", wrote Barrie in his biographical account of his motherMargaret Ogilvy (1896) "and I said in a little lonely voice, 'No, it's no' him, it's just me.'" Barrie's mother found comfort in the fact that her dead son would remain a boy forever, never to grow up and leave her.[8] Eventually, Barrie and his mother entertained each other with stories of her brief childhood and books such asRobinson Crusoe, works by fellow ScotsmanWalter Scott, andThe Pilgrim's Progress.[9]
At the age of eight, Barrie was sent tothe Glasgow Academy in the care of his eldest siblings, Alexander and Mary Ann, who taught at the school. When he was 10, he returned home and continued his education at theForfar Academy. At 14, he left home forDumfries Academy, again under the watch of Alexander and Mary Ann. He became a voracious reader and was fond ofpenny dreadfuls and the works ofRobert Michael Ballantyne andJames Fenimore Cooper. AtDumfries, he and his friends spent time in the garden ofMoat Brae house, playing pirates "in a sort of Odyssey that was long afterwards to become the play ofPeter Pan".[10][11] They formed a drama club, producing his first playBandelero the Bandit, which provoked a minor controversy following a scathing moral denunciation from a clergyman on the school's governing board.[9]
Barrie knew that he wished to follow a career as an author; however, his family attempted to persuade him to choose a profession such as the ministry. With advice from Alexander, he was able to work out a compromise of attending a university, but studying literature.[12] Barrie enrolled at theUniversity of Edinburgh where he wrote drama reviews for theEdinburgh Evening Courant. He graduated and obtained an M.A. on 21 April 1882.[12]
Following a job advertisement found by his sister inThe Scotsman, he worked for a year and a half as a staff journalist on theNottingham Journal.[12] Back in Kirriemuir, he submitted a piece to theSt. James's Gazette, a London newspaper, using his mother's stories about the town where she grew up (renamed "Thrums"). The editor "liked that Scotch thing" so well that Barrie ended up writing a series of these stories.[9] They served as the basis for his first novels:Auld Licht Idylls (1888),A Window in Thrums (1889),[13] andThe Little Minister (1891).
The stories depicted the "Auld Lichts", a strict religious sect to which his grandfather had once belonged.[14] Modern literary criticism of these early works has been unfavourable, tending to disparage them as sentimental and nostalgic depictions of a parochial Scotland, far from the realities of the industrialised 19th century, seen as characteristic of what became known as theKailyard School.[15] Despite, or perhaps because of, this, they were popular enough at the time to establish Barrie as a successful writer.[14] Following that success, he publishedBetter Dead (1888) privately and at his own expense, but it failed to sell.[16] His two "Tommy" novels,Sentimental Tommy (1896) andTommy and Grizel (1900), were about a boy and young man who clings to childish fantasy, with an unhappy ending. The English novelistGeorge Gissing read the former in November 1896 and wrote that he "thoroughly dislike[d it]".[17]
Some of Barrie's novels
Meanwhile, Barrie's attention turned increasingly to works for the theatre, beginning with a biography ofRichard Savage, written by Barrie andH. B. Marriott Watson; it was performed only once and critically panned. He immediately followed this withIbsen's Ghost, orToole Up-to-Date (1891), aparody ofHenrik Ibsen's dramasHedda Gabler andGhosts.[14]Ghosts had been unlicensed in the UK until 1914,[18] but had created a sensation at the time from a single "club" performance.
The production ofIbsen's Ghost atToole's Theatre in London was seen byWilliam Archer, the translator of Ibsen's works into English. Apparently comfortable with the parody, he enjoyed the humour of the play and recommended it to others. Barrie's third playWalker, London (1892) resulted in his being introduced to a young actress named Mary Ansell. He proposed to her and they were married on 9 July 1894. Barrie bought her aSaint Bernard puppy, Porthos, who played a part in the 1902 novelThe Little White Bird. He used Ansell's first name for many characters in his novels.[14] Barrie also authoredJane Annie, acomic opera forRichard D'Oyly Carte (1893), which failed; he persuadedArthur Conan Doyle to revise and finish it for him.
In 1901 and 1902, he had back-to-back successes;Quality Street was about a respectable, responsibleold maid who poses as her own flirtatious niece to try to win the attention of a former suitor returned from the war.The Admirable Crichton was a critically acclaimed social commentary with elaborate staging about an aristocratic family and their household servants whose social order is inverted after they are shipwrecked on a desert island.Max Beerbohm thought it "quite the best thing that has happened, in my time, to the British theatre".[19]
The character of "Peter Pan" first appeared inThe Little White Bird. The novel was published in the UK byHodder & Stoughton in 1902 and serialised in the US in the same year inScribner's Magazine.[20] Barrie's more famous and enduring workPeter Pan, or The Boy Who Wouldn't Grow Up had its first stage performance on 27 December 1904 at theWest End’sDuke of York's Theatre.[21] The tradition of having a woman play the title role started because at the time children were not allowed to act on stage, and smaller women were considered more believable in the role of a young boy. This play introduced audiences to the name "Wendy"; it was inspired by a young girl namedMargaret Henley who called Barrie "Friendy", but could not pronounce herRs very well.[22] TheBloomsbury scenes show the societal constraints of late Victorian and Edwardian middle class domestic reality, contrasted withNeverland, a world where morality is ambivalent.
George Bernard Shaw described the play as "ostensibly a holiday entertainment for children but really a play for grown-up people", suggesting deeper social metaphors at work inPeter Pan. In 1907, it was parodied by H. G. Pélissier andThe Follies at theApollo Theatre onShaftesbury Avenue in a sketch entitledBaffles or the Peterpan-tomime. This parody was in fact reviewed by Barrie himself in a magazine calledSphere as being "funny in little bits", although he also concluded thatThe Follies were "one of the funniest things now to be seen in London."[23]
Barrie had a long string of successes on the stage afterPeter Pan, many of which discuss social concerns, as Barrie continued to integrate his work and his beliefs.The Twelve Pound Look (1910) concerns a wife leaving her 'typical' husband once she can gain an independent income. Other plays, such asMary Rose (1920) andDear Brutus (1917), revisit the idea of the ageless child and parallel worlds. Barrie was involved in the 1909 and 1911 attempts to challenge the censorship of the theatre by theLord Chamberlain, along with a number of other playwrights.[24]
In 1911, Barrie developed thePeter Pan play into the novelPeter and Wendy. In April 1929, Barrie gave thecopyright of the Peter Pan works toGreat Ormond Street Hospital, a leading children's hospital in London. Thecurrent status of the copyright is somewhat complex. His final play wasThe Boy David (1936), which dramatised the Biblical story of KingSaul and the youngDavid. Like the role of Peter Pan, that of David was played by a woman,Elisabeth Bergner, for whom Barrie wrote the play.[25]
Barrie moved in literary circles and had many famous friends in addition to his professional collaborators. NovelistGeorge Meredith was an early socialpatron. He had a long correspondence with fellow ScotRobert Louis Stevenson, who lived inSamoa at the time. Stevenson invited Barrie to visit him, but the two never met.[26][27] He was also friends with fellow Scots writerS. R. Crockett.George Bernard Shaw was his neighbour in London for several years, and once participated in a Western that Barrie scripted and filmed.H. G. Wells was a friend of many years, and tried to intervene when Barrie's marriage fell apart. Barrie metThomas Hardy throughHugh Clifford while he was staying in London.[27] He was friends withNobel prize winnerJohn Galsworthy.[28]
Barrie remained tied to his Scottish roots and visited his hometown ofKirriemuir regularly with his wards. When choosing his first personal secretary, Barrie choseE. V. Lucas's wife, Elizabeth Lucas, who had Scottish roots through her American parentage.[29] After Elizabeth Lucas moved to Paris, France, Barrie choseCynthia Asquith as his personal secretary.
Authors v Artists cricket match in London, May 1903. Barrie, who joined the newly formedAuthors Cricket Club in 1891, is seated in the front row, 3rd from right.
Barrie befriended Africa explorerJoseph Thomson and Antarctica explorerRobert Falcon Scott.[33] He wasgodfather to Scott's sonPeter,[34] and was one of the seven people to whom Scott wrote letters in the final hours of his life during his expedition to theSouth Pole, asking Barrie to take care of his wifeKathleen and son Peter. Barrie was so proud of the letter that he carried it around for the rest of his life.[35]
In 1896, his agent Addison Bright persuaded him to meet with Broadway producerCharles Frohman, who became his financial backer and a close friend, as well.[36] Frohman was responsible for producing the debut ofPeter Pan in both England and the US, as well as other productions of Barrie's plays. He famously declined a lifeboat seat when theRMSLusitania was sunk by a GermanU-boat in the North Atlantic. ActressRita Jolivet stood with Frohman, George Vernon and Captain Alick Scott at the end of Lusitania's sinking, but she survived the sinking and recalled Frohman paraphrasingPeter Pan: 'Why fear death? It is the most beautiful adventure that life gives us.'[37] Barrie had himself sailed on one of theLusitania's final Atlantic crossings in September 1914, during which rumours circulated amongst the passengers that the liner was to be transferred to the British Admiralty for troopship duties on arrival in New York.[38]
His secretary from 1917,Cynthia Asquith, was the daughter-in-law ofH. H. Asquith, British Prime Minister from 1908 to 1916.[39] In the 1930s, Barrie met and told stories to the young daughters of theDuke of York, the futureQueen Elizabeth II andPrincess Margaret.[39] After meeting him, the three-year-old Princess Margaret announced, "He is my greatest friend and I am his greatest friend".[27]
Barrie became acquainted with actressMary Ansell in 1891, when he asked his friendJerome K. Jerome for a pretty actress to play a role in his playWalker, London. The two became friends, and she helped his family to care for him when he fell very ill in 1893 and 1894.[9] They married in Kirriemuir on 9 July 1894,[40] shortly after Barrie recovered, and Mary retired from the stage. The wedding was a small ceremony in his parents' home, in the Scottish tradition.[41] The relationship was reportedly unconsummated, and the couple had no children.[42]
In 1895, the Barries bought a house on Gloucester Road, in South Kensington.[43] Barrie would take long walks in nearby Kensington Gardens, and in 1900 the couple moved into a house directly overlooking the gardens at 100Bayswater Road. Mary had a flair for interior design and set about transforming the ground floor, creating two large reception rooms with painted panelling and adding fashionable features, such as a conservatory.[44] In the same year, Mary found Black Lake Cottage atFarnham inSurrey, which became the couple's "bolt hole" where Barrie could entertain his cricketing friends and the Llewelyn Davies family.[45]
Beginning in mid-1908, Mary had an affair withGilbert Cannan (who was twenty years younger than she[46] and an associate of Barrie in his anti-censorship activities), including a visit together to Black Lake Cottage, known only to the house staff. When Barrie learned of the affair in July 1909, he demanded that she end it, but she refused. To avoid the scandal of divorce, he offered a legal separation if she would agree not to see Cannan any more, but she still refused. Barrie sued for divorce on the grounds of infidelity; the divorce was granted in October 1909.[47][48] Knowing how painful the divorce was for him, some of Barrie's friends wrote to a number of newspaper editors asking them not to publish the story. In the event, only three newspapers did.[49][50] Barrie continued to support Mary financially even after she married Cannan, by giving her an annual allowance, which was handed over at a private dinner held on her and Barrie's wedding anniversary.[46]
Barrie became acquainted with the family in 1897, meeting George and Jack (and baby Peter) with their nurse (nanny) Mary Hodgson in London'sKensington Gardens. He lived nearby and often walked his Saint Bernard dog Porthos in the park. He entertained the boys regularly with his ability to wiggle his ears and eyebrows, and with his stories.[52] He did not meet Sylvia until a chance encounter at a dinner party in December. She told Barrie that Peter had been named after the title character in her father's novel,Peter Ibbetson.[53]
Barrie became a regular visitor at the Davies household and a common companion to Sylvia and her boys, despite the fact that both he and she were married to other people.[6] In 1901, he invited the Davies family to Black Lake Cottage, where he produced an album of captioned photographs of the boys acting out a pirate adventure, entitledThe Boy Castaways of Black Lake Island. Barrie had two copies made, one of which he gave to Arthur, who misplaced it on a train.[54] The only surviving copy is held at the Beinecke Rare Book and Manuscript Library at Yale University.[55]
The character of Peter Pan was invented to entertain George and Jack. Barrie would say, to amuse them, that their little brother Peter could fly. He claimed that babies were birds before they were born; parents put bars on nursery windows to keep the little ones from flying away. This grew into a tale of a baby boy who did fly away.[56]
Barrie’s Saint Bernard dog Porthos in 1899
Arthur Llewelyn Davies died in 1907, and "Uncle Jim" became even more involved with the Davies family, providing financial support to them. (His income fromPeter Pan and other works was easily adequate to provide for their living expenses and education.)[57] Following Sylvia's death in 1910, Barrie claimed that they had recently been engaged to be married.[58] Her will indicated nothing to that effect but specified her wish for "J. M. B." to be trustee and guardian to the boys, along with her mother Emma, her brotherGuy du Maurier and Arthur's brother Compton. It expressed her confidence in Barrie as the boys' caretaker and her wish for "the boys to treat him (& their uncles) with absolute confidence & straightforwardness & to talk to him about everything."[59] When copying the will informally for Sylvia's family a few months later, Barrie inserted himself elsewhere: Sylvia had written that she would like Mary Hodgson, the boys' nurse, to continue taking care of them, and for "Jenny" (referring to Hodgson's sister) to come and help her; Barrie instead wrote, "Jimmy" (Sylvia's nickname for him).[60] Barrie and Hodgson did not get along well but served together as surrogate parents until the boys were grown.[61]
Barrie also had friendships with other children, both before he met the Davies boys and after they had grown up, and there has since been unsubstantiated speculation that Barrie was apaedophile.[62][63] One source for the speculation is a scene in the novelThe Little White Bird, in which the protagonist helps a small boy undress for bed, and at the boy's request they sleep in the same bed.[64] However, there is no evidence that Barrie had sexual contact with children, nor that he was suspected of it at the time. Nico, the youngest of the brothers, denied as an adult that Barrie ever behaved inappropriately. "I don't believe that Uncle Jim ever experienced what one might call 'a stirring in the undergrowth' for anyone—man, woman, or child", he stated.[65] "He was an innocent—which is why he could write Peter Pan."[66] His relationships with the surviving Davies boys continued well beyond their childhood and adolescence.
ThePeter Pan statue in Kensington Gardens, erected secretly overnight forMay Morning in 1912, was supposed to be modelled upon old photographs of Michael dressed as the character. However, the sculptor,Sir George Frampton, used a different child as a model, leaving Barrie disappointed with the result. "It doesn't show the devil in Peter", he said.[67]
Barrie suffered bereavements with the boys, losing the two to whom he was closest in their early twenties. George was killed in action in 1915, in theFirst World War.[68] Michael, with whom Barrie corresponded daily while at boarding school and university, drowned in 1921, with his friend, Rupert Buxton,[69] at a known danger spot atSandford Lock nearOxford, one month short of his 21st birthday.[70] Some years after Barrie's death, Peter compiled hisMorgue from family letters and papers, interpolated with his own informed comments on his family and their relationship with Barrie.Peter died in 1960 by throwing himself in front of an Underground train at Sloane Square station.
Barrie died ofpneumonia at a nursing home in Manchester Street,Marylebone on 19 June 1937.[71] He was buried at Kirriemuir next to his parents and two of his siblings.[72] His birthplace at 9 Brechin Road is maintained as a museum by theNational Trust for Scotland.[73]
His will also left £500 to the Bower Free Church inCaithness to mark the memory of Rev James Winter who was to have married Barrie's sister in June 1892 but was killed in a fall from his horse in May 1892. Barrie had several connections to theFree Church of Scotland, including his maternal uncle Rev David Ogilvy (1822–1904), who was minister of Dalziel Church inMotherwell.[74] James and his brother William Winter (also a Free Church minister) were both born inCortachy the sons of Rev William Winter. Cortachy is just west ofKirriemuir and the Winters seem closely connected to the Ogilvy family.[75]
Chaney, Lisa (2006).Hide-and-Seek with Angels: A Life of J. M. Barrie. Arrow.ISBN978-0-09-945323-9.
Dudgeon, Piers (2009).Captivated: J. M. Barrie, the du Mauriers & the Dark Side of Neverland. Vintage Books.ISBN978-0-09-952045-0.
Telfer, Kevin (2010).Peter Pan's First XI: The Extraordinary Story of J. M. Barrie's Cricket Team. Sceptre.ISBN978-0-340-91945-3.
Ridley, Rosalind (2016).Peter Pan and the Mind of J. M. Barrie: An Exploration of Cognition and Consciousness. Cambridge Scholars Publishing.ISBN978-1-4438-9107-3.
Dudgeon, Piers (2016).J. M. Barrie and the Boy Who Inspired Him. Thomas Dunne Books.ISBN978-1-250-08779-9.
Barrie was the only person to receive the Freedom of Kirriemuir in a ceremony on 7 June 1930 inKirriemuir Town Hall where he was presented with a silver casket containing the freedom scroll. The casket was made by silversmiths Brook & Son in Edinburgh in 1929 and is decorated with images of sites in Kirriemuir which held significant memories for Barrie: Kirriemuir Townhouse, Strathview, Window in Thrums, the statue of Peter Pan in Kensington Gardens and the Barrie Cricket Pavilion. The casket is on display in the Kirrimuir Gateway to the Glens Museum in theKirriemuir Town House.[78]
Coat of arms of J. M. Barrie
Crest
An open book amid reeds all Proper.
Escutcheon
Barry of six Argent and Gules in chief a lion passant guardant counterchanged and issuant from the base reeds Proper.
^Coustillas, Pierre ed. London and the Life of Literature in Late Victorian England: the Diary of George Gissing, Novelist. Brighton: Harvester Press, 1978, p.427.
^Dominic Shellard, et al.The Lord Chamberlain Regrets, 2004, British Library, pp. 77–79.
^Winn, Christopher (2005).I Never Knew That About England. Ebury Press. p. 4.ISBN9780091902070.
^Binns, Anthony; Pélissier, Jaudy (2022).The funniest man in London: the life and times of H.G. Pélissier (1874-1913): forgotten satirist and composer, founder of "The follies". Pett, East Sussex: Edgerton Publishing Services.ISBN978-0-9933203-8-5.
^Ellis, Frederick D.,The Tragedy of the Lusitania (National Publishing Company, 1915), pp. 38–39; Preston, Diana,Lusitania, An Epic Tragedy (Walker & Company, 2002), p. 204;New York Tribune, "Frohman Calm; Not Concerned About Death, Welcomed It as Beautiful Adventure, He Told Friends at End", 11 May 1915, p. 3; Marcosson, Isaac Frederick, & Daniel Frohman,Charles Frohman: Manager and Man (John Lane, The Bodley Head, 1916), p. 387; Frohman, Charles,The Lusitania Resource
^Stogdon, Catalina (17 May 2006)."Round the houses: Peter Pan".The Telegraph. Telegraph Media Group Limited.Archived from the original on 11 January 2022. Retrieved14 May 2015.
^Law, Cally (10 May 2015)."Return to Neverland".The Sunday Times. Times Newspapers Limited. Archived fromthe original on 18 May 2015. Retrieved14 May 2015.
^"JM Barrie". Surrey Monocle. 10 January 2007. Archived fromthe original on 7 March 2009. Retrieved22 July 2009. Retrieved from Internet Archive 27 December 2013.
^"J.M. Barrie Seeks Divorce from Wife".New York Times. 7 October 1909. Retrieved17 April 2010.The name of James M. Barrie, the playwright, figures as a petitioner in the list of divorce cases set down for trial at the next session of the law courts here.
^"Andrew Birkin on J. M. Barrie". Jmbarrie.co.uk. 5 April 1960. Archived fromthe original on 22 July 2011. Retrieved8 May 2010. Retrieved from Internet Archive 27 December 2013.
Craig, Cairns (1980),Fearful Selves: Character, Community and the Scottish Imagination, inCencrastus No. 4, Winter 1980-81, pp. 29 – 32,ISSN0264-0856
Pick, J.B. (1993), "Fear of the Dark: J.M. Barrie (1860-1937)", inThe Great Shadow House: Essays on the Metaphysical Tradition in Scottish Fiction, Polygon, Edinburgh, pp. 53 – 58,ISBN9780748661169
Shaw, Michael (ed.) (2020),A Friendship in Letters: Robert Louis Stevenson & J.M. Barrie, Sandstone Press, InvernessISBN978-1-913207-02-1
JMbarrie.co.uk site authorised byGreat Ormond Street Hospital, edited by Andrew Birkin, includes database of original photographs, letters, documents and audio interviews conducted by Birkin in 1975–76
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