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Jácara

From Wikipedia, the free encyclopedia
Santiago de Murcia

Jácaras are Spanish songs which are accompanied with instruments and are performed during theentr'acte of a theatrical performance and also as an accompaniment to many types of dance.

Etymology

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There are different explanations for the origin of the term. Corominas (1954) gives the origin as an Arabic word forchess,[1] other sources give the origin as Arabic for bellowing or making someone angry.[2]

Texts

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The form may be textless, as in the compositions ofSantiago de Murcia.

The words of a secularjácara are often about a prankster and his adventures and frequently use vulgar language. DramatistsCalderón de la Barca,Francisco de Quevedo cultivated the genre.

During the late baroque the jácara could also be set to a semi-sacred vernacular text, such asAl arma, al arma valientes for 8 voices for SaintIgnatius of Loyola composed by the chapelmaster ofSucre Cathedral, Bolivia,Juan de Araujo.[3]

Sources

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Citations
  1. ^Christmas music from baroque México - Page 37 Robert Murrell Stevenson - 1974 "In his Diccionario critico etimologico de la lengua castellana (Madrid: Editorial Gredos, 1954), H, 1023, Joan Corominas derived "jacara = xacara" from "xaque. " English "check" comes from the same Arabic root as does "xaque." "
  2. ^The three secular plays of Sor Juana Inés de la Cruz: a critical study - Page 124 Guillermo Schmidhuber de la Mora, Sister Juana Inés de la Cruz, Olga Martha Peña Doria - 2000 "The Turdion, a Gallicism for tordion, from tordre (to twist), is a type of very graceful dance from the Spanish school; the Jacara comes from the Arabic yakkara (to make someone furious, to irritate someone); it is a joyous, ..."
  3. ^Tess Knighton, Álvaro Torrente -Devotional music in the Iberian world, 1450-1800: 2007 - "During his long tenure (1680- 1712) as chapelmaster at La Plata cathedral, Juan de Araujo wrote a Jácara a 8 for Saint Ignatius of Loyola, AI arma, al arma valientes
Bibliography
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