 | |
| Abbreviation | ICOM |
|---|---|
| Formation | 1946; 79 years ago (1946) |
| Type | Non-governmental organization |
| Purpose | Conservation, continuation and communication to society of the world's natural andcultural heritage |
| Location |
|
| Coordinates | 48°50′44″N2°18′23″E / 48.8455°N 2.3063°E /48.8455; 2.3063 |
| Website | icom |
TheInternational Council of Museums (ICOM) is anon-governmental organisation dedicated to museums, maintaining formal relations withUNESCO[1][2] and having a consultative status with theUnited Nations Economic and Social Council. Founded in 1946, ICOM also partners with entities such as theWorld Intellectual Property Organization,[3][4]Interpol,[5] and theWorld Customs Organization in order to carry out its international public service missions, which include fighting illicit traffic in cultural goods and promoting risk management and emergency preparedness to protect world cultural heritage in the event of natural or man-made disasters. ICOM members receive a card providing free or reduced-rate entry to many museums worldwide.[6]
ICOM traces it roots back to the defunct International Museums Office (OIM (Office international des musées)), created in 1926 by theLeague of Nations. An agency of the League'sInternational Commission on Intellectual Cooperation, like many of the League's initiatives the OIM was dissolved following WWII, and its activities later assumed by ICOM.[7]
ICOM adopted itsICOM Code of Ethics for Museums[8] in 1986, a reference tool that sets standards of excellence to which all members of the organisation must adhere. The ICOM Code of Ethics for Museums, translated into 39 languages and revised in 2004,[9] establishes values and principles shared by ICOM and the international museum community. These standards of self-regulation by museums include basic principles for museum governance, the acquisition and disposal of collections, and rules for professional conduct.
A decision was reached in 2019 following the 25th General Conference of ICOM that the Code should be reviewed and revised if necessary. The review process is ongoing and is coordinated by the ICOM Standing Committee for Ethics (ETHCOM), a dedicated ICOM body which handles ethical issues relating to museums.[9]
Since 2000, ICOM has published its Red Lists to combat theillicit traffic in cultural goods which causes significant damage to heritage, particularly in regions of the world wherecultural property is most susceptible to theft and looting. Supporting the fight against illicit traffic in cultural goods is among ICOM's highest priorities,[10] and the Red Lists raise awareness on smuggling and illicit trade in cultural objects. TheICOM Red Lists are tools designed to help police and customs officials, heritage professionals, and art and antiquities dealers to identify the types of objects that are most susceptible to illicit trafficking.[citation needed]
As of 2025, ICOM has publishedRed Lists for many different countries and regions:[citation needed]
Red Lists are not lists of stolen objects, but are awareness-raising tools to identify categories of cultural objects subject to theft and traffic. They help individuals, organisations and authorities, such as police or customs officials, identify objects at risk and prevent them from being illegally sold or exported. The cultural goods depicted on the lists are inventoried objects within the collections of recognised institutions. They serve to illustrate the categories of cultural goods most vulnerable to illicit traffic.[11]
ICOM publishes the Red Lists with the scientific collaboration of national and international experts and the support of dedicated sponsors, to cover the most vulnerable areas of the world in terms of illicit trafficking of cultural objects. The lists are published in different languages according to the context of each list. Among other successes, these tools have contributed to the identification, recovery and restitution of thousands of cultural objects from Iraq, Afghanistan and Mali.[11]
ICOM is committed to providing cultural institutions with the necessary support and risk prevention tools when faced with conflict situations ornatural disasters. Through its Disaster Relief for Museums Task Force (DRTF), its Museums Emergency Programme (MEP) and its active role in theBlue Shield,[12] ICOM assists museums worldwide by mobilising its resources quickly and efficiently to provide support in both the prevention and the aftermath of disaster situations.
TheGetty Conservation Institute andICCROM (International Centre for the Study of the Preservation and Restoration of Cultural Property) took part in this programme and helped develop training tools for MEP. ICOM's action programme offers a long-term global response that strengthens theBlue Shield dynamism.[citation needed]
Every year since 1977, ICOM has organisedInternational Museum Day, a worldwide event held around 18 May.[13] From America and Oceania to Europe, Asia and Africa, International Museum Day aims to increase public awareness of the role of museums in developing society.
ICOM operates 32 international committees on a range of museum specialties,[14] who conduct advanced research in their respective fields for the benefit of the museum community.
ICOM comprises also 118 national committees that ensure that the interests of the organisation are managed in their respective countries. The national committees represent their members within ICOM and they contribute to the implementation of the organisation's programmes.
The ICOM General Conference is held every three years and gathers museum professionals from several countries. The first meeting was held in Paris in 1948. In recent years, General Conferences have been held inSeoul in 2004 (the first meeting inAsia), inVienna in 2007, and inShanghai in 2010. This 22nd General Conference in Shanghai followed theWorld Expo where the ICOM's Pavilion was inaugurated and named "Museums, Heart of the City".[20] The General Conference was held inRio de Janeiro in 2013, inMilan in 2016, inKyoto in 2019, inPrague in 2022.Dubai is to welcomethe27th ICOM General Conference dedicated to"The Future of Museums in Rapidly Changing Communities" on11-17 November 2025.[citation needed][21]
The current ICOM President isEmma Nardi. She succeededAlberto Garlandini.[22] The current Director General is Medea Ekner, who replaced Peter Keller.[23] Previous Directors General wereAnne-Catherine Robert-Hauglustaine (2014–2016) and Hanna Pennock (2013–2014).
| No. | Period | Name | Country |
|---|---|---|---|
| 1 | 1946–1953 | Chauncey Hamlin |  United States |
| 2 | 1953–1959 | Georges Salles |  France |
| 3 | 1959–1965 | Philip Hendy |  United Kingdom |
| 4 | 1965–1971 | Arthur van Schendel |  Netherlands |
| 5 | 1971–1977 | Jan Jelínek |  Czechoslovakia |
| 6 | 1977–1983 | Hubert Landais | France |
| 7 | 1983–1989 | Geoffrey Lewis | United Kingdom |
| 8 | 1989–1992 | Alpha Oumar Konaré |  Mali |
| 9 | 1992–1998 | Saroj Ghose |  India |
| 10 | 1998–2004 | Jacques Perot | France |
| 11 | 2004–2010 | Alissandra Cummins |  Barbados |
| 12 | 2010–2016 | Hans-Martin Hinz |  Germany |
| 13 | 2016–2020 | Suay Aksoy |  Turkey |
| 14 | 2020–2022 | Alberto Garlandini |  Italy |
| 15 | 2022– | Emma Nardi | Italy |
CIDOC, ICOM's International Committee for Documentation, provides the museum community with standards and advice on museum documentation.[24]
The CIDOC Conceptual Reference Model (CRM), formalised as the official international standardISO 21127, is used to map cultural heritage information to a common and extensible semantic framework. This "semantic glue" can be used to connect between different sources of cultural heritage information published by museums, libraries and archives.[25]
The committee was founded byIvan Illich in 1961 inCuernavaca, Mexico.[26]
ICOM was the first international organisation to participate in theVirtual Library museums pages (VLmp) online museums directory in the 1990s.[27] It was also instrumental in the creation of the ".museum"top-level domain (TLD) for museums online[28] through theMuseum Domain Management Association (MuseDoma).[29]
The International Association of Transport and Communication Museums (IATM) is a world-wide membership organisation ofmuseums which collect, interpret and make public material and information abouttransport and/orcommunication.[citation needed]
