| Indochine | |
|---|---|
 French theatrical release poster | |
| Directed by | Régis Wargnier |
| Written by | Érik Orsenna Louis Gardel Catherine Cohen Régis Wargnier |
| Produced by | Eric Heumann Jean Labadie |
| Starring | Catherine Deneuve Vincent Pérez Linh Dan Pham Jean Yanne |
| Cinematography | François Catonné |
| Edited by | Agnès Schwab Geneviève Winding |
| Music by | Patrick Doyle |
Production companies | |
| Distributed by | BAC Films |
Release date |
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Running time | 159 minutes |
| Country | France |
| Languages | French Vietnamese |
| Box office | $29.6 million[1] |
Indochine (French pronunciation:[ɛ̃dɔʃin]) is a 1992 Frenchperiod drama film set in colonialFrench Indochina from the 1930s to the 1950s. It is the story of Éliane Devries, a French plantation owner, and of her adoptedVietnamese daughter, Camille, set against the backdrop of the risingVietnamese nationalist movement. The screenplay was written by novelistÉrik Orsenna, screenwritersLouis Gardel and Catherine Cohen, and directorRégis Wargnier. The film starsCatherine Deneuve,Vincent Pérez,Linh Dan Pham,Jean Yanne andDominique Blanc. The film won theAcademy Award for Best Foreign Language Film at the65th Academy Awards, and Deneuve was nominated forBest Actress.[2]
In 1930, Éliane Devries, a woman born to French parents in colonialIndochina, runs her and her widowed father'srubber plantation with indentured laborers. She is the adoptive mother of Camille, a teenaged girl whose birth parents were friends of Éliane's and members of theNguyễn dynasty.
Éliane meets youngFrench Navy lieutenant Jean-Baptiste Le Guen when they bid on the same painting at anauction. He challenges her publicly and, days later, turns up at her plantation searching for a boy whosesampan he set ablaze on suspicion ofopium smuggling. Éliane and Jean-Baptiste begin an affair.
Camille meets Jean-Baptiste by chance when, one day, he rescues her from a prisoner escape attempt. She falls in love with him. After learning of this, Éliane uses her connections with high-ranking Navy officials to get Jean-Baptiste transferred toHaiphong. He confronts Éliane about this during a Christmas party, and in the ensuing argument, slaps her in front of his fellow officers. For this, he is sent toDragon Islet (Hòn Rồng), a remote French military base in northern Indochina.
Éliane allows Camille to become engaged to Thanh, a pro-Communist Vietnamese boy expelled as a student from France because of his support for the 1930Yên Bái mutiny. A sympathetic Thanh allows Camille to search for Jean-Baptiste up north. Traveling on foot, Camille reaches Dragon Islet and is imprisoned along with a Vietnamese family she travels with and other laborers. After seeing French officers torture and murder her traveling companions, she attacks an officer and shoots him in the struggle. Jean-Baptiste defies his superiors to protect Camille in the ensuing firefight, and the two flee.
After spending days adrift in theGulf of Tonkin, Camille and Jean-Baptiste reach land and are taken in by a Communist theater troupe, who offers them refuge in a secluded valley. Months later, Camille is pregnant with Jean-Baptiste's child, but they must vacate the valley out of safety. Thanh, now a high-ranking Communist operative, arranges for the troupe to smuggle the lovers into China.
Camille and Jean-Baptiste's story becomes a legend intuồng performances by Vietnamese actors. When the couple nears the Chinese border, Jean-Baptiste takes his newborn son, Étienne, tobaptize him in a river while Camille sleeps. After christening Étienne, Jean-Baptiste is ambushed by French soldiers. Camille evades capture and escapes with the troupe, while Jean-Baptiste is remanded to aSaigon jail and Étienne is handed over to Éliane.
After days in prison, Jean-Baptiste agrees to talk if he can first see Étienne. The Navy, which has authority over the case, plans to court-martial Jean-Baptiste inBrest, France to avoid the public outcry that would arise from a trial in Indochina. Jean-Baptiste is allowed a 24-hour visitation with Étienne before being taken to France. He goes to see Éliane, who lets him stay with Étienne at her Saigon residence for the night.
The next day, Éliane finds Jean-Baptiste dead in his bed with a gunshot to his temple, a gun in hand, and an unharmed Étienne. Outraged, Éliane suspects that the police murdered him, but learns that the Communists may have done it to silence Jean-Baptiste. The death is eventually ruled a suicide. Camille is captured and sent toPoulo-Condor – a high-security prison where visitors are not permitted. After five years, thePopular Front comes to power and releases all political prisoners, including Camille. Éliane reunites with Camille, who declines to return to her mother and son, choosing instead tofight for Vietnam's independence with the Communists. Taking Étienne with her, Éliane sells her plantation and leaves Indochina.
In 1954, Éliane and a grown Étienne visitSwitzerland, where Camille is aVietnamese Communist Party delegate to theGeneva Conference. Looking for Camille, Étienne goes to the negotiators' hotel, which is so crowded that he is not sure how she can find or recognize him. He tells Éliane that he sees her as his mother. The next day, French Indochina becomes independent from France andVietnam is partitioned intoNorth andSouth Vietnam.
The film was shot mainly inImperial City, Hue, Ha Long (Ha Long Bay) andNinh Binh (Phát Diệm Cathedral) in Vietnam.[3]Butterworth in Malaysia was used as a substitute forSaigon, and Éliane Devries' "Lang-Sai" plantation house was actuallyCrag Hotel in Penang, Malaysia.[4] Some parts were filmed inCheong Fatt Tze Mansion, in George Town, Penang.[5] Principal photography began on 8 April 1991 and concluded on 22 August 1991.[citation needed]
The film received a total of 3,198,663 cinema-goers in France, making it the 6th most attended film of the year.[6] The film also grossed $5,603,158 in North America.[7]
Onreview aggregator websiteRotten Tomatoes,Indochine holds an approval rating of 75%, based on 20 reviews, and an average rating of 6.4/10.[8]
Critics' reviews praised the film's photography and scenery, while citing issues with the plot and character development.Roger Ebert wrote the film "intends to be the French 'Gone with the Wind,' a story of romance and separation, told against the backdrop of a ruinous war". He continued "'Indochine' is an ambitious, gorgeous missed opportunity – too slow, too long, too composed. It is not a successful film, and yet there is so much good in it that perhaps it's worth seeing anyway…The beauty, the photography, the impact of the scenes shot on location in Vietnam, are all striking.“[9]
Rita Kempley ofThe Washington Post found the transformation of Camille from a naive, pampered innocent to Communist revolutionary to be a compelling plot line, but noted, "The trouble is we never see the fragile teenager undergo this surprising metamorphosis. DirectorRegis Wargnier seems far more interested in what the white folks are doing back on the plantation". She commented further, "Wargnier, who learned his craft at the elbow ofClaude Chabrol, does expose the geographic splendors of Southeast Asia as well as the common sense of its people, whose sly observations lend 'Indochine' both energy and levity".[10]
Of the film's metaphorical mother-daughter relationship between Éliane and her adopted Vietnamese daughter Camille, Nick Davis said “Indochine's allegorical intentions actually play much better than the specific dramas enacted among its characters", adding "While Eliane-as-Establishment, Jean-Baptiste-as-Rebellious-Lower-Class-Youth, and Camille-as-Uneasy Cultural Mixture seem to follow the historical pattern of France's relationship with Indochina, their interactions only make sense to the extent they are interpreted as solely symbolic figures".[11]
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