| If You Don't Stop It... You'll Go Blind!!! | |
|---|---|
 Theatrical release poster | |
| Directed by | Keefe Brasselle I. Robert Levy |
| Written by | Mike Callie |
| Produced by | Mike Callie I. Robert Levy |
| Starring | George Spencer Patrick Wright Jane Kellem Keefe Brasselle |
| Cinematography | John Dirlam |
| Edited by | Gene Ranney |
| Music by | Bob Jung |
Production company | Callie-Levy Productions[1] |
| Distributed by | Topar Films |
Release date |
|
Running time | 80 minutes |
| Country | United States |
| Language | English |
If You Don't Stop It... You'll Go Blind!!! is a 1975 Americancomedy film directed byKeefe Brasselle and I. Robert Levy.[2]
The film was followed two years later by the sequelCan I Do It... 'Til I Need Glasses?
The World Society of Sexual Arts and Sciences holds its annual meeting to select the year's winners of the World Sex awards. The selection committee views film clips of the various contestants (a series of sex-themed comedy sketches). At the final awards show, the golden "dildies" are presented to the winners andKeefe Brasselle sings and dances with showgirls.
Vincent Canby ofThe New York Times panned the film as "a collection of witless blackout sketches dealing with infidelity, wedding nights, impotence and masturbation, played by a small cast of not very talented actors."[3]Gene Siskel of theChicago Tribune, reviewing its first Chicago engagement in 1980, gave the film zero stars out of four and called it a "sleazy, unfunny sex comedy," admitting that "I lasted 30 minutes before walking out."[4] He selected it for a "Dog of the Week" segment onPBS'Sneak Previews.[5] Colin Phalow ofThe Monthly Film Bulletin wrote: "A tasteless revue of dramatised graffiti, dirty one-liners and 'after-dinner' jokes. Showman Keefe Brasselle co-directs with an embarrassing, misplaced nostalgia for the stale techniques of the weekly comedy hour he hosted on American TV in the late Sixties; the 'big band' score, cramped camerawork, run-on skits, creaking song and dance routines and corny opticals certainly hasn't improved with age."[6]
Despite the scathing reviews, the film proved very successful with undiscriminating college audiences, and earned more than four million dollars at midnight shows across America.
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