| Idaya Kovil | |
|---|---|
 Poster | |
| Directed by | Mani Ratnam |
| Screenplay by | M. G. Vallabhan |
| Story by | R. Selvaraj |
| Produced by | Kovaithambi |
| Starring | Mohan Radha Ambika |
| Cinematography | Raja Rajan |
| Edited by | B. Lenin V. T. Vijayan |
| Music by | Ilaiyaraaja |
Production company | |
Release date |
|
Running time | 160 minutes[1] |
| Country | India |
| Language | Tamil |
Idaya Kovil (transl. Temple of the Heart) is a 1985 IndianTamil-language film directed byMani Ratnam, starringMohan,Ambika,Radha andGoundamani. The score and soundtrack were composed byIlaiyaraaja which went on to become huge hits. The film, released on 14 September 1985,[2] did well at the box office.[3]
Suriya, a college girl, wishes to get popular singer Shankar to sing in her college festival. Initial attempts to meet Shankar prove futile as he is a recluse. Nonetheless, she breaks into his home to meet him but is shocked to discover him in an inebriated state. She makes efforts to make him sober and come to the festival. It works as Shankar performs at the festival. Over time, as they become friends, Shankar stops drinking and Suriya falls in love with him but he has a dark past which is then revealed.
Before becoming famous, Shankar grew up in a village where he used to sing in the festivals. He loved a woman named Gauri and, with encouragement from her, wishes to become a famous singer and leaves forMadras. He soon gets an opportunity to sing for a radio program but unknown to him, Gauri arrived at Madras on the same day. Without Shankar to receive her at the bus stop, she gets lost in the city when trying to find Shankar and is chased by a group of thugs and finds refuge in a temple, where she commits suicide. At the same time Shankar sings for the program and later finds her body in the temple. This incident drives Shankar into an alcoholic recluse.
Meanwhile, Suriya's parents arrange for her to be married to her friend. Although Suriya wants to marry Shankar, he refuses stating that his only true love is Gauri even though he cares about her. On the day of the wedding, just before the ceremony, Suriya collapses and dies, having consumed poison prior to the marriage.
The film ends as Shankar looks over the graves of both Gauri and Suriya.
ProducerKovaithambi ofMotherland Pictures had the dates ofRadha andAmbika, as well as a story ready for a potential film. He sent over the narration of his story in an audio cassette toMani Ratnam, who he wanted to direct the script. Ratnam was then busy finishing work onPagal Nilavu (1985) and initially turned down the opportunity to direct the film. Kovaithambi subsequently called up the managers of Radha and Ambika and postponed their schedules, and stated that he would wait for Ratnam to finish work onPagal Nilavu and was adamant that Ratnam should direct his script.[5]
After finishing his other film, Ratnam returned and narrated a script titledDivya, which later went on to becomeMouna Ragam (1986), to Kovaithambi, but he refused and insisted that Ratnam worked on his original script with Radha and Ambika. Ratnam initially wrote a screenplay for the film, inspired from the American filmLimelight (1952), with the plot being narrated from the perspective of a star. Kovaithambi was unimpressed with the idea and demanded that Ratnam concentrate only on the technical work of the film. The producer also insisted on inserting a comedy track written by Veerapan featuringGoundamani into the film.[5] Ratnam wantedP. C. Sreeram to be the cinematographer, but that position instead went to Raja Rajan.[6] While shooting a scene where Radha rides a horse, the horse galloped and Radha got hurt after falling down.[7]
Despite the film's commercial success,[8] Ratnam told film criticBaradwaj Rangan that the filming process had made him "miserable", and that he understood that the reason he came into cinema was not to make films likeIdaya Kovil, and was adamant to not make any more commercial compromises to his films.[5] Irked by Ratnam's remarks onIdaya Kovil, Kovaithambi expressed regret for providing Ratnam an opportunity. He said Ratnam spent the amount equivalent to making three films while makingIdaya Kovil.[9]
The music was composed byIlaiyaraaja.[10][11] Ratnam said the song "Naan Paadum Mouna Raagam" was his homage to the 1957Hindi filmPyaasa and the inspiration for the title ofMouna Ragam came from the song.[12] The song was written byVairamuthu, in his first collaboration with Ratnam.[13] "Idhayam Oru Kovil" is Ilaiyaraaja's debut as a lyricist.[14] He dedicated the song to his wife Jeeva, and it was written in such a way that her name would be repeated throughout the song.[15]
| No. | Title | Lyrics | Singer(s) | Length |
|---|---|---|---|---|
| 1. | "Idhayam Oru Kovil" (solo) | Ilaiyaraaja | Ilaiyaraaja | |
| 2. | "Yaar Veettil" | Mu. Metha | S. P. Balasubrahmanyam | 4:41 |
| 3. | "Kootathilae" | Muthulingam | S. P. Balasubrahmanyam | 4:29 |
| 4. | "Paattu Thalaivan" | Na. Kamarasan | S. P. Balasubrahmanyam,S. Janaki | 4:43 |
| 5. | "Naan Paadum Mouna Raagam" | Vairamuthu | S. P. Balasubrahmanyam | 4:23 |
| 6. | "Vaanuyarntha" | Pavalar Varadharasan | S. P. Balasubrahmanyam | 5:14 |
| 7. | "Idhayam Oru Kovil" (duet) | Ilaiyaraaja | S. P. Balasubrahmanyam, S. Janaki | |
| 8. | "Oororama" | Vaali | Ilaiyaraaja,K. S. Chithra | 4:51 |
| Total length: | 28:21 | |||
The film was dubbed into Telugu asAnuraga Sangamam with lyrics written by Gopi
| No. | Title | Singer(s) | Length |
|---|---|---|---|
| 1. | "Hrudayam Oka Gudi" | S. P. Balasubrahmanyam | |
| 2. | "Sommu Chusuko" | Randhi Ramesh,Vani Jayaram | |
| 3. | "Naa Badha Mounaragam" | S. P. Balasubrahmanyam | |
| 4. | "Korukunna Koyilamma" | S. P. Balasubrahmanyam,S. Janaki | |
| 5. | "Navvindi Roja" | S. P. Balasubrahmanyam | |
| 6. | "Madhuvulolike Patta" | S. P. Balasubrahmanyam,S. P. Sailaja | |
| 7. | "Naagamalli Thotaku" | S. P. Balasubrahmanyam,S. Janaki | |
| 8. | "Hrudhayam oka Gudi" (sad) | S. P. Balasubrahmanyam |
The magazineKalki's critic appreciated the film for the cinematography and music.[16] Balumani ofAnna praised the acting, cinematography, music and direction.[17]
