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Howard Cosell | |
|---|---|
.jpg) Cosell in 1980 | |
| Born | Howard William Cohen (1918-03-25)March 25, 1918 |
| Died | April 23, 1995(1995-04-23) (aged 77) New York City, U.S. |
| Alma mater | New York University |
| Occupations |
|
| Years active | 1953–1993 |
| Spouse | |
| Children | 2 |
| Military career | |
| Allegiance | United States |
| Branch | United States Army |
| Service years | 1941–1945 |
| Rank | Major |
| Unit | United States Army Transportation Corps |
| Conflicts | World War II |
Howard William Cosell (/koʊˈsɛl/; néCohen; March 25, 1918 – April 23, 1995) was an Americansports journalist, broadcaster and author. Cosell became prominent and influential during his tenure withABC Sports from 1953 until 1985.
Cosell was widely known for his blustery, confident personality.[1] Cosell said of himself, "I've been called arrogant, pompous, obnoxious, vain, cruel, verbose, a showoff. And, of course, I am."Cosell was sardonically nicknamed "Humble Howard" by fans and media critics.[2] In its obituary for Cosell,The New York Times described Cosell's effect on American sports coverage:
He entered sports broadcasting in the mid-1950s, when the predominant style was unabashed adulation, [and] offered a brassy counterpoint that was first ridiculed, then copied until it became the dominant note of sports broadcasting.[1]
He also brought an antagonistic, almostheel-like commentary, notably criticism ofTerry Bradshaw suggesting that he did not have the intelligence to win in the league.[3]
In 1993,TV Guide named Howard Cosell the all-time best sportscaster.[4]
Cosell was born inWinston-Salem, North Carolina,[1] to accountant Isidore Cohen and his wife Nellie Cohen (née Rosenthal); his parents wereJewish.[5][6] The grandson of arabbi,[7] he was raised inBrooklyn, New York City.
The name of Cosell's grandfather was changed when he entered the United States; Howard Cosell said he changed his name from "Cohen" to "Cosell" while a law student as a way to honor his father and grandfather by reverting to a version of his family's originalPolish name.[8] He attended New York University School of Law and was admitted to the bar in 1939.[9]
During World War II, Cosell served in the Army Transportation Corps from 1942 to 1945. He was honorably discharged with the rank of major.[10]
In the early 1950s, Cosell had a sports radio show which he would record early in the morning.Ned Garver recalled doing an interview with him in 1951. Cosell told Garver that the sponsor did not provide any gifts to the guests on the show, but Garver found out later that there actually were gifts and that Cosell kept them himself.[11]
Cosell represented theLittle League of New York, when in 1953, Hal Neal (president ABC Radio), then anABC Radio manager, asked him to host a show on New York flagshipWABC featuring Little League participants. The show marked the beginning of a relationship with WABC and ABC Radio that would last his entire broadcasting career.
Cosell hosted the Little League show for three years without pay, and then decided to leave law to become a full-time broadcaster. He approachedRobert Pauley, President of ABC Radio, with a proposal for a weekly show. Pauley told him the network could not afford to develop untried talent, but he would be put on the air if he would get a sponsor. To Pauley's surprise, Cosell came back with a relative's shirt company as a sponsor, and the showSpeaking of Sports was born.[12]
Cosell took his "tell it like it is" approach when he teamed with the ex–Brooklyn Dodgers pitcher "BigNumba Thirteen"Ralph Branca on WABC's pre- and post-gameradio shows of theNew York Mets in their nascent years beginning in 1962. He pulled no punches in taking members of the haplessexpansion team to task.
Otherwise on radio, Cosell did his show,Speaking of Sports, as well as sports reports and updates for affiliated radio stations around the country; he continued his radio duties even after he became prominent on television. Cosell then became a sports anchor atWABC-TV in New York, where he served in that role from 1961 to 1974. He expanded his commentary beyond sports to a radio show,Speaking of Everything.[13]
Cosell rose to prominence in the early 1960s, covering boxerMuhammad Ali, beginning from the time he fought under hisbirth name, Cassius Clay. The two seemed to have an affinity despite their different personalities, and complemented each other in broadcasts. Cosell was one of the first sportscasters to refer to him as Muhammad Ali after he changed his name, and supported him when he refused to be inducted into the military. Cosell was also an outspoken supporter of Olympic sprintersJohn Carlos andTommie Smith, after they raised their fists in a"black power" salute during their 1968 medal ceremony in Mexico City. In a time when many sports broadcasters avoided touching social, racial, or other controversial issues, and kept a certain level of collegiality towards the sports figures they commented on, Cosell did not, and indeed built a reputation around hiscatchphrase, "I'm just telling it like it is."
Cosell's style of reporting transformedsports broadcasting in the United States. Whereas previous sportscasters had mostly been known forcolor commentary and livelyplay-by-play, Cosell had an intellectual approach. His use of analysis and context brought television sports reporting closer to "hard" news reporting. However, his distinctivestaccato voice,accent,syntax, andcadence were a form of color commentary all their own.
Cosell earned his greatest interest from the public when he backed Ali after his heavyweight title was stripped from him for refusing military service during theVietnam War. Cosell found vindication several years later when he was able to inform Ali that theUnited States Supreme Court had unanimously ruled in favor of Ali inClay v. United States.
Cosell called most of Ali's fights immediately before and after Ali's return from his three-year exile in October 1970. Those fights were broadcast on tape delay usually a week after they were transmitted on closed circuit. However, Cosell did not call two of Ali's biggest fights, theRumble in the Jungle in October 1974 and the firstAli–Joe Frazier bout in March 1971. PromoterJerry Perenchio selected actorBurt Lancaster, who had never provided color commentary for a fight, to work the bout with longtime announcerDon Dunphy and former light-heavyweight championArchie Moore. Cosell attended that fight as a spectator only. He would do avoice-over of that bout, when it was shown onABC a few days before the secondAli-Frazier bout in January 1974.
Perhaps his most famous call took place in early 1973 at thefight between heavyweight championJoe Frazier and top challengerGeorge Foreman inKingston, Jamaica. When Foreman knocked Frazier to the mat the first of six times, roughly two minutes into the first round, Cosell yelled out:
Down goes Frazier! Down goes Frazier! Down goes Frazier!
His call of Frazier's first trip to the mat became one of the most quoted phrases in American sports broadcasting history. Foreman beat Frazier by aTKO in the second round to win theWorld Heavyweight Championship.
Cosell provided blow-by-blow commentary for ABC of some of boxing's biggest matches during the 1970s and the early-1980s, includingKen Norton's upset win over Ali in 1973 and Ali's defeat ofLeon Spinks in 1978 recapturing the heavyweight title for the third time. His signaturetoupee was unceremoniously knocked off in front of live ABC cameras when a scuffle broke out after a broadcast match betweenScott LeDoux and Johnny Boudreaux. Cosell quickly retrieved his hairpiece and replaced it. During interviews in studio with Ali, the champion would tease and threaten to remove the hairpiece with Cosell playing along but never allowing it to be touched.
Ali would frequently refer to Cosell's hairpiece as a squirrel, rabbit or other wild animal. On one of these occasions, Ali quipped, "Cosell, you're a phony, and that thing on your head comes from the tail of a pony."[14]
With typical headline-generating drama, Cosell abruptly ended his broadcast association with the sport of boxing while providing coverage for ABC for the heavyweight championship bout betweenLarry Holmes andRandall "Tex" Cobb on November 26, 1982. Halfway through the bout and with Cobb absorbing a beating, Cosell stopped providing anything more than rudimentary comments about round number and the participants punctuated with occasional declarations of disgust during the 15 rounds. He declared shortly after the fight to a national television audience that he had broadcast his last professional boxing match.
Cosell also was an ABC commentator for the television broadcast of the second of the two famous 1973 "Battles of the Sexes" tennis matches, this one betweenBobby Riggs andBillie Jean King.
During Cosell's tenure as a sportscaster, he frequently clashed with longtimeNew York Daily News sports columnistDick Young, who rarely missed an opportunity to denigrate the broadcaster in print as an "ass", a "shill", or most often, "Howie the Fraud". Young would sometimes stand near Cosell and shout profanities so that the audio he was taping for his radio show would be unusable. Writing about Cosell, sportswriterJimmy Cannon sniped, "This is a guy who changed his name, put on a toupee and tried to convince the world that he tells it like it is."[15] He further added, "If Howard Cosell were a sport, he'd beroller derby."[16]
Cosell, according to longtimeABCracecasterChris Economaki, "had an enormous and monumental ego, and may have been the most pompous man I've ever met". Cosell ripped Economaki for a miscue in an interview withCale Yarborough for ABC "(and he) never let me forget that". At an ABC Christmas party Economaki's wife asked to be introduced to Cosell and Chris said, "'Howard, for some inexplicable reason my wife wants to meet you...' and it (ticked) him off to no end. He really took it personally."[17]
In1970,ABC executive producer for sportsRoone Arledge hired Cosell to be acommentator forMonday Night Football (MNF), the first time in 15 years thatAmerican football was broadcast weekly in prime time. Cosell was accompanied most of the time by ex-football playersFrank Gifford and"Dandy" Don Meredith.
Cosell was openly contemptuous of ex-athletes appointed to prominent sportscasting roles solely on account of their playing fame. He regularly clashed on-air with Meredith, whose laid-back style was in sharp contrast to Cosell's more critical approach to the games.
The Cosell-Meredith-Gifford dynamic helped makeMonday Night Football a success; it frequently was the number one rated program in the weeklyNielsen ratings. The inimitable style of the group (mostly with Cosell, both loved and hated by the public) distinguishedMonday Night Football as a distinct spectacle, and ushered in an era of more colorful broadcasters and24/7 TV sports coverage.[18]
It was during hisMNF run that Cosell coined a phrase that came to be so identified with football that other announcers and spectators—notablyChris Berman—began to repeat it. An ordinary kickoff return began with Cosell giving commentary about a player's difficult life. It became extraordinary when he suddenly observed, in his trademark staccato rhythm, "He could ... go all ... the way!"
Cosell has been credited for popularizing the term "nachos" during his time in theMNF booth.[19]
During the first half of the September 5, 1983,Monday Night Football game between theDallas Cowboys andWashington Redskins, Cosell's commentary on wide receiverAlvin Garrett included "That little monkey gets loose doesn't he?" Cosell's references to Garrett as a "little monkey," ignited a racial controversy that laid the groundwork for Cosell's departure fromMNF at the end of the 1983 season. The Rev.Joseph Lowery, then-president of theSouthern Christian Leadership Conference, denounced Cosell's comment as racist and demanded a public apology. Despite supportive statements byJesse Jackson, Muhammad Ali, and Alvin Garrett himself, the fallout contributed to Cosell's decision to leaveMonday Night Football following the 1983 season.
"I liked Howard Cosell," Garrett said. "I didn't feel that it was a demeaning statement."[20] Cosell explained that Garrett's small stature, and not his race, was the basis for his comment, citing the fact that he had used the term to describe his own grandchildren. Among other evidence to support Cosell's claim is video footage of a1972 preseason game between theNew York Giants and theKansas City Chiefs that features Cosell referring to athleteMike Adamle, a 5-foot, 8-inch, 195-pound European American, as a "little monkey."
Along withMonday Night Football, Cosell worked the Olympics forABC. He played a key role on ABC's coverage of thePalestinian terror groupBlack September'smass murder of Israeli athletes inMunich at the1972 Summer Olympics; providing reports directly from theOlympic Village (his image can be seen and voice heard inSteven Spielberg'sfilm about the terror attack).
In the1976 Summer Games in Montreal, and the1984 games in Los Angeles, Cosell was the main voice for boxing.Sugar Ray Leonard won the gold medal in his light welterweight class at Montreal, beginning his meteoric rise to a world professional title three years later. Cosell became close to Leonard, during this period, announcing many of his fights.[21]
Cosell was widely attributed with saying the famous phrase "the Bronx is burning". Cosell is credited with saying this during Game 2 of the1977 World Series, which took place inYankee Stadium on October 12, 1977. For a couple of years, fires had routinely erupted in the South Bronx, mostly because owners of low-value properties would burn their own real estate forinsurance money. During the bottom of the first inning, an ABC aerial camera panned a few blocks from Yankee Stadium to a building on fire. The scene became a defining image of New York City in the 1970s. Cosell supposedly stated, "There it is, ladies and gentlemen. The Bronx is burning."[22] This was later picked up by Republican presidential candidateRonald Reagan, who then made a special trip to the Bronx, to illustrate the failures of politicians to address the issues in that part of New York City.
In 2005, author Jonathan Mahler publishedLadies and Gentlemen, The Bronx Is Burning, a book about New York in 1977, and credited Cosell with the title quote during the aerial coverage of the fire.ESPN produced a 2007mini-series based on the bookThe Bronx Is Burning. Cosell's comment seemed to have captured the widespread view that New York City was in a state of decline.
The truth was discovered after Major League Baseball published a complete DVD set of all of the games of the 1977 World Series. Coverage of the fire began withKeith Jackson's comments regarding the enormity of the blaze, while Cosell added thatPresident Jimmy Carter had visited that area just days before. At the top of the second inning, the fire was once again shown from a helicopter-mounted camera, and Cosell commented that theNew York Fire Department had a hard job to do in the Bronx as there were always numerous fires. In the bottom of the second, Cosell informed the audience that it was an abandoned building that was burning and no lives were in danger. There was no further comment on the fire, and Cosell appears to have never said, "The Bronx is burning" (at least not on camera) during Game 2.[22]
Mahler's confusion could have arisen from a 1974 documentary entitledThe Bronx Is Burning; it is likely Mahler confused the documentary with his recollection of Cosell's comments when writing his book.[23]
On the night of December 8, 1980, during aMonday Night Football game between theMiami Dolphins and theNew England Patriots, Cosell shocked the television audience by interrupting his regular commentary duties to deliver a news bulletin on the murder ofJohn Lennon in the midst of a live broadcast. Word had been passed to Cosell and Frank Gifford byRoone Arledge, who was president of ABC's news and sports divisions at the time, near the end of the game.
Cosell was initially apprehensive about announcing Lennon's death. Off the air, Cosell conferred with Gifford and others, saying: "Fellas, I just don't know, I'd like your opinion. I can't see this game situation allowing for that news flash, can you?" Gifford replied, "Absolutely. I can see it." Gifford later told Cosell, "Don't hang on it. It's a tragic moment and this is going to shake up the whole world."
On air, Gifford prefaced the announcement saying, "And I don't care what's on the line, Howard, you have got to say what we know in the booth." Cosell then replied:[24]
Yes, we have to say it. Remember this is just a football game, no matter who wins or loses. An unspeakable tragedy confirmed to us byABC News in New York City: John Lennon, outside of his apartment building on the West Side of New York City—the most famous, perhaps, of all ofthe Beatles—shot twice in the back, rushed toRoosevelt Hospital, dead on arrival. Hard to go back to the game after that newsflash, which, in duty bound, we have to take.
Lennon had been shot four times and had not been pronounced dead on arrival, but the facts of the shooting were not clear at the time of the announcement. Lennon once appeared onMonday Night Football, during the December 9, 1974, telecast of a 23–17Washington Redskins win over theLos Angeles Rams, and was interviewed for a short breakaway segment by Cosell.
ABC had obtained this scoop as a result of the coincidence of an ABC employee, Alan Weiss, being at the same emergency room where the critically wounded Lennon was brought that night.[25] This unwittingly violated a request to the hospital by Lennon's wife,Yoko Ono, to delay reporting his death until she could tell their son,Sean, herself. Sean, age 5, was not watching television at the time as it was near midnight, and Ono was able to break the news to him.[26] NBC beat ABC to the punch, however, interruptingThe Tonight Show just minutes before Cosell's announcement with a "breaking news" segment.[27]
In the fall of1981, Cosell debuted a serious investigative 30-minute magazine show,ABC SportsBeat on ABC's weekend schedule. He made news and covered topics that were not part of general sports coverage - including the first story about drugs in professional sports (the story of formerMinnesota VikingCarl Eller'scocaine use), an in-depth look at how NFL owners negotiated tax breaks and incentives for building new stadiums, and together withArthur Ashe, an investigation into apartheid and sports. Thoughratings were low, Cosell and his staff earned threeEmmy Awards for excellence in reporting, and broke new ground in sports journalism.[28] At the time,ABC SportsBeat was the first and only regularly scheduled network program devoted solely to sports journalism.
To produce this pioneering program, Cosell recruited a number of employees from outside the ranks of those that produced games, who he felt might be too invested in the success of the athletes and leagues to look at the hard news. He brought in Michael Marley, then a sportswriter forThe Washington Post; Lawrie Mifflin, a writer forThe New York Times; and a 20-year-old researcher who quickly rose to an associate producer, Alexis Denny. As a sophomore atYale, Ms. Denny had been a student in a seminar that Cosell taught on the "Business of Big-Time Sports in America", and was selected by the Director ofMonday Night Football to join their production crew. She took her junior year off to join Cosell's staff atABC Headquarters in New York City, and produced many segments, including in 1983 a half-hour special report previewing the1984 Olympic Games in Los Angeles.[29] Despite the games being one of ABC's biggest investments, with a record-breaking $225 million rights fee at the time,[30] the 30-minute documentary-style program produced by Denny showed many sides of the questions about the viability of the games themselves—from concerns about traffic, pollution and terrorism, to a look at how the sponsorship deals were structured.
In his 1985 autobiography, Cosell reflected on his highly diverse work, and concluded that theSportsBeat series had been his favorite.[21]
Cosell's colorful personality and distinctive voice were featured to fine comedic effect in several sports-themed episodes of theABC TV seriesThe Odd Couple. His feuds with New York CitysportswriterOscar Madison (Jack Klugman) mirrored the real life feuds he had with some of New York's leading sportswriters. He also appeared in theWoody Allen filmsBananas,Sleeper andBroadway Danny Rose. Such was his celebrity that while he never appeared on the show, Cosell's name was frequently used as an all-purpose answer on the popular 1970s game showMatch Game. Cosell also had a cameo appearance in the 1988 movieJohnny Be Good featuringRobert Downey Jr.,Anthony Michael Hall andUma Thurman. His particular speech pattern was also imitated by one of the characters in the filmBetter Off Dead.
Cosell's national fame was further boosted in fall 1975 whenSaturday Night Live with Howard Cosell aired on Saturday evenings onABC. This was an hour-long variety show, broadcast live from theEd Sullivan Theater in New York City and hosted by Cosell, which is not to be confused with the NBC seriesSaturday Night Live (which coincidentally also premiered in 1975 under its original title ofNBC's Saturday Night, to avoid confusion with Cosell's show). Despite bringing several unknown comedians, such asBilly Crystal,Christopher Guest, and futureSNL starBill Murray to national prominence and showcasing the American TV debut of theBay City Rollers (who later had a hit song by the name of "Saturday Night"), Cosell's show was canceled after three months; the NBC show was officially renamedSaturday Night Live for the succeeding season and has retained the name ever since. Cosell later hosted the 1984–85season finale ofSaturday Night Live.
Cosell was the announcer ofFrank Sinatra's 1974 ABC television specialSinatra – The Main Event.[31]
Cosell appeared alongsideMuhammad Ali, Frank Sinatra,Richie Havens, and others on a 1976 spoken word novelty record,The Adventures of Ali and His Gang vs. Mr. Tooth Decay.[32]
Beginning in 1976, Cosell hosted a long-running series of specials known asBattle of the Network Stars. The two-hour specials pitted celebrities from each of the three broadcast networks against each other in various athletic competitions, includingrelay races,swimming relays,tug of war, anobstacle course, and adunk tank. Some of the specials also featured other events, such as golf,kayak racing, three-on-threetouch football, orFrisbee. Cosell conducted short interviews with the participants between events, and was seen laughing, joking, and clearly enjoying himself throughout each show. Of Cosell, the program's supervising producer Bill Garnet said in an interview, "Cosell loved doing the show . . . He used to say, 'I'm the biggest star out here. They all want to be around me!' But he loved doing the show."[33] ActorLeVar Burton, who participated in 1977 and 1978, spoke warmly of having interacted with Cosell, describing his experience as "...a great joy and one of my fondest memories. It's like being heckled byDon Rickles, you know? Having Cosell insult you or even just mention your name was theHoly Grail for me."[33] Cosell hosted all but one of the nineteen specials, including the final episode which aired in 1988.
In 1977, he received the Golden Plate Award of theAmerican Academy of Achievement.[34][35]
Cosell denounced professionalboxing during the broadcast of a November 26, 1982,WBCheavyweight championship bout between titleholderLarry Holmes and a clearly outmatchedRandall "Tex" Cobb at theAstrodome. The fight was held two weeks after thefatal fight betweenRay Mancini andKim Duk-koo, when Kim died shortly after the fight. Cosell famously asked therhetorical question, "I wonder if that referee [Steve Crosson] understands that he is constructing an advertisement for the abolition of the very sport that he's a part of?"[36] Cosell, horrified over the brutality of the one-sided fight, said that if the referee did not stop the fight he would never broadcast a professional fight again.[21]
Major boxing reforms were later implemented, the most important of which allows referees to stop clearly one-sided fights early in order to protect the health of the fighters. In amateur boxing, one-sided fights would be automatically stopped if one fighter had a score considerably higher than his opponent. Hitherto, only the ring physician had the authority to halt a bout. Another change was the reduction of championship bouts from fifteen rounds to twelve rounds by theWBC. (The fatal blows to Kim were in rounds thirteen and fourteen.) TheWBA quickly followed suit, and theIBF did so in 1988. Cosell did not cut off ties with theUnited States Amateur Boxing Federation. His 1984 broadcasts of the Olympic Trials, box-offs, and the1984 Summer Olympics boxing tournament, all of which were at the amateur level with much shorter fights, were his last professional calls of the sport.
After Cosell's memoirI Never Played the Game, which, among other things, chronicled his disenchantment with fellow ABC commentators, was published in September 1985, Cosell was taken off scheduled announcing duties for that year'sWorld Series and was dismissed byABC television shortly thereafter. Cosell's book was seen by many as a bitter "hate rant" against those who had offended him.TV Guide published excerpts of his memoirs and reported that they had never had as many viewers' responses and they were overwhelmingly negative towards Cosell. The magazine reported some of the "printable" ones saying things such as "Will Rogers never met Howard Cosell".
InI Never Played the Game, Cosell popularized the word "jockocracy" (originally coined by authorRobert Lipsyte), describing how athletes were given announcing jobs that they had not earned. Coincidentally, he was replaced for the 1985 World Series broadcast byTim McCarver, himself a former baseball player, to joinAl Michaels andJim Palmer. (The title of the book is adouble entendre, meaning that Cosell never actually played the game of football or any other professional sport he broadcast, as well as implying that he never played the "game" ofcorporate politics.) Cosell is notably absent from thePro Football Hall of Fame.[37][38] However, he was recently nominated as a semifinalist for the class of 2025 for the bronze bust and gold jacket.
In his later years, Cosell briefly hosted his own television talk show,Speaking of Everything, authored his last book (What's Wrong With Sports), and continued to appear on radio and television, becoming more outspoken about his criticisms of sports in general.
In 1993, Cosell was inducted into theInternational Jewish Sports Hall of Fame.[39] A year later, in 1994, he was inducted into theTelevision Hall of Fame. He was also the 1995 recipient of theArthur Ashe Courage Award. After his wife of 46 years, Mary Edith Abrams Cosell (known as "Emmy") died from a heart attack in 1990, Cosell largely withdrew from the public eye and his health began failing. A longtime smoker, he was diagnosed with lung cancer in 1991, and had surgery to remove a canceroustumor in his chest. He also had several minor strokes, and was diagnosed withheart disease,kidney disease andParkinson's.
Cosell died at theHospital for Joint Diseases in Manhattan on April 23, 1995, of acardiac embolism at the age of 77.[1] He is buried at Westhampton Cemetery,Westhampton, New York.
Cosell was placed as number one onDavid J. Halberstam's list of "Top 50 All Time Network Television Sports Announcers" onYahoo! Sports in January 2009.[40] The sports complex at theHebrew University inJerusalem was named for Cosell.[41] In 2010, Cosell was posthumously inducted into the Observer's Category in theInternational Boxing Hall of Fame.[42]
InWoody Allen's 1973 comedySleeper, Allen's character Miles Monroe, who has been revived after 200 years incryogenic suspension, is shown an excerpt of anABC Wide World of Sports broadcast in which Cosell talks about Muhammad Ali. One of the scientists who has revived Miles, unsure of what the video means, says that the theory is that watching Cosell was a form of punishment for crimes committed against the state 200 years in the past. Miles Monroe agrees. "Yes, that's exactly what that was."[43]
In the 1985 filmBetter Off Dead, one of the two Asian-American teenage brothers who regularly challengedJohn Cusack's character to a street race is said to have learned English from listening to Cosell.[44] The bandBen Folds Five have a song titled "Boxing" from 1995, which was written as a fictional monolog fromMuhammad Ali to Cosell.[45]
In the 1995 song "My Mind Went Blank", Cosell is used as a metaphor by Point Blank for a person who spreads other people's business around.[tone]
InMichael Mann's 2001 filmAli, Cosell is played byJon Voight, who earned anAcademy Award nomination for his performance. In the 2002 television filmMonday Night Mayhem, Cosell was played byJohn Turturro.[46]
Cosell's daughter, Hilary Cosell, was a producer of NBC SportsWorld, and was one of the first women sports producers. She was also the senior producer of her father's show,Speaking of Everything with Howard Cosell, an assistant producer of ABC News 20/20, and received four Emmy Award nominations.[47]
Cosell's nephewGreg Cosell is a senior producer atNFL Films.[48] Cosell's grandson Colin Cosell was named public address announcer (along withMarysol Castro) atCiti Field, home of theNew York Mets, in 2018. Colin Cosell intended to honor his grandfather by enunciating Mets' third basemanTodd Frazier's last name the same way Cosell did with Joe Frazier's name in his famous "Down Goes Frazier!" call.[49]
| Year | Title | Role | Notes |
|---|---|---|---|
| 1971 | Bananas | Himself | |
| 1971 | Nanny and the Professor | Miles Taylor | Episode: "Sunday's Hero" |
| 1971 | The Partridge Family | Himself | Episode: "What Happened To Moby Dick?" |
| 1972 | Fol-de-Rol | The Storyteller | TV movie |
| 1972-1975 | The Odd Couple | Himself | 2 episodes |
| 1973 | The World's Greatest Athlete | Announcer | |
| 1973 | Sleeper | Himself in archival footage | |
| 1976 | Two-Minute Warning | Himself | |
| 1983 | The Fall Guy | Commentator | Voice, Episode: "Win One for the Gipper???" |
| 1984 | Broadway Danny Rose | Himself | |
| 1986 | Tall Tales & Legends | Ernie | Episode: "Cassie and the Bats" |
| 1988 | Johnny Be Good | Himself |
Howard Cosell, who delighted and infuriated listeners during a 30-year career as the nation's best-known and most outspoken sports broadcaster, died yesterday at the Hospital for Joint Diseases in Manhattan. He was 77. ...
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