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Hirata Atsutane

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18th and 19th-century Japanese theologian
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Hirata Atsutane
Self-portrait by Hirata, made in 1841 at the age of 65.
Born
Ōwada Taneyuki (大和田胤行)

(1776-10-06)October 6, 1776
DiedNovember 2, 1843(1843-11-02) (aged 67)
Kubota Domain, Dewa Province, Japan
In thisJapanese name, thesurname is Hirata.

Hirata Atsutane (平田 篤胤; 6 October 1776 – 2 November 1843) was a Japanese scholar, conventionally ranked as one of theFour Great Men of Kokugaku (nativist) studies,[1] and one of the most significant 19th centurytheologians of theShintō religion. His literary name wasIbukinoya (気吹舎), and his primary assumed name wasDaigaku (大壑,Great Abyss)[1]. He also used the namesDaikaku (大角),Gentaku (玄琢), andGenzui (玄瑞). Hispersonal name wasHanbē (半兵衛).

Biography

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Early life

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Hirata was born as the fourth son of Ōwada Seihē Toshitane (大和田 清兵衛 祚胤), anObangashira (low-ranking)samurai ofKubota Domain, in what is now part of the city ofAkita in northern Japan. Little is known of his early childhood, but it appears he was impoverished and faced hostility from his step-mother. He left home in 1795, renouncing his ties to his family and to the Domain and traveled toEdo and worked as a laborer and as a servant, while pursuing opportunities to studyrangaku,geography, andastronomy. In 1800, at the age of 25, he caught the attention of Hirata Tōbē (平田藤兵衛), a scholar and instructor in theYamaga school of military strategy, formerly ofBitchū-Matsuyama Domain, who adopted him and from whom he received the family name of Hirata. Around this time, he met his future wife, the daughter of Ishibashi Tsunefusa (石橋常房), ahatamoto ofNumazu Domain, whom he married the following year. Evidently the two became romantically involved while Hirata was working as a menial servant in the Ishibashi household.[2] Taking his family name, she was known as Hirata Orise (平田織瀬). Orise died in 1812.

Hirata claimed to be a descendant ofTaira no Masakado.[3]

Development of Kokugaku studies

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Portrait of Atsutane Hirata, from an 18th century hanging scroll by an unknown author

While in Edo, Hirata was a student of theNeo-Confucianism ofYamazaki Ansai (1619–1682); however, his interests were very broad. Concerned byRussian raids and incursions into northEzo (today'sSakhalin and theKuril Islands), he studied modernDutch medicine under the surgeonYoshida Chōshuku [ja]. His studies under Yoshida included at least one human dissection.[4] He later turned towardsDaoism as found in the works of the Chinese philosopherZhuangzi. He learned about the works ofMotoori Norinaga, the founder of thekokugaku movement, in 1803, two years after Motoori's death. Hirata claimed later to have received the mantle ofkokugaku teacher in a dream directly from Motoori Norinaga, but the story is apocryphal. Originally, he published under the name ofMasuganoya (真菅乃屋), meaning "house ofsedge", but during a tour of rural shrines in 1816 he acquired an ancientstone vessel flute which he cherished dearly and changed his publishing name to Ibukinoya, or "house of breath". He became a student ofMotoori Haruniwa, and read voraciously the ancient and Chinese classics, foreign works byNicolaus Copernicus andIsaac Newton and treatises on Buddhism and Shinto. He was also a prolific writer. Representative works in the study of ancient Japanese traditions includeTama no mihashira,Koshi seibun,Kodō taii andZoku shintō taii, and the commentariesKoshichō andKoshiden. He is also noted for his studies of ancient Indian and Chinese tradition (Indo zōshi andMorokoshi taikoden), and texts dealing with the spirit world, includingSenkyō ibun andKatsugorō saisei kibun. His early workHonkyō gaihen indicates an acquaintance with Christian literature that had been authored by Jesuits in China.

Though he is traditionally ranked fourth in the lineage ofkokugaku scholars, Hirata actually represents a break with the purely scholarly urban culture characteristic of the revival of classical nativist learning, and represents a trend toward a populist message. Hirata laid particular emphasis on reaching the average man, and adapted his own style to them by employing at times the vernacular idiom. Hirata frequently expressed hostility to the Confucian and Buddhist scholars of the day, advocating instead a revival of the “ancient ways” in which theemperor was to be revered. Hirata's first published work,Kamōsho (1803) was a scathing attack on the works of Confucian philosopherDazai Shundai (1680–1747) on Buddhism, and resulted in an invitation to teach from the Yoshida family, the hereditary clan leadingYoshida Shinto.

The contents of his 1841 treatiseTenchō mukyūreki, in which he suggested that loyalty to the Emperor ought to take precedence over loyalty to one's lord (i.e. theshogun), angered the rulingTokugawa government, and he was sentenced tohouse arrest in Akita until his death in 1843.

Influence

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Part ofa series on
Conservatism in Japan

Hirata's activities eventually attracted over 500 pupils, including Okuni Takamasa and Suzuki Shigetane. Hisnationalist writings had considerable impact on thesamurai who supported theSonnō jōi movement and who fought in theBoshin War to overthrow the Tokugawa Shogunate during theMeiji Restoration.

Hirata's influence onkokugaku has recently been thought to be overestimated. While he is called one of the "four great men of kokugaku", this is a phrase he invented himself. His work more often influenced religious groups than the government in theEmpire of Japan.

Among Hirata's more enduring contributions to Japanese thought was to remind all Japanese that they were descended from thekami, not only the Imperial family and certain aristocratic families. As he put it, "this, our glorious land, is the land in which the kami have their origin, and we are one and all descendants of the kami. For this reason, if we go back from the parents who gave us life and being, beyond the grandparents and great-grandparents, and consider the ancestors of ancient times, then the original ancestors of those must necessarily have been the kami."[5]

A poem by Atsutane, collected byTsunoda Tadayuki in Ibukinoya kashū (氣吹廼舎歌集), was included in the 1942Aikoku Hyakunin Isshu [ja].

Spread the righteous path across the countless countries of the endless blue sea
青海原潮の八百重の八十国につぎてひろめよこの正道を

Hirata Atsutane's grave

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Hirata Atsutane's grave

Hirata died at his home in Nakakame-cho, Akita in 1843, and as per the provisions of his will, was buried on a hillside in the city.39°43′43″N140°08′14″E / 39.72863931°N 140.1372221°E /39.72863931; 140.1372221 The tombstone is a natural stone simply inscribed with his name, surrounded by a stone fence and a stonetorii gate are placed at the entrance. The tomb was designated aNational Historic Site of Japan in 1934.[6]

Selected works

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  • Chishima no shiranami (千島の白波,White Waves ofChishima)[2]
  • Honkyō gaihen (本教外篇,Outer Chapters of Our Doctrine)
  • Kodō taii (古道大意,General Introduction to the Path of Antiquity)
  • Tama no mihashira (霊能真柱,True Pillar of the Spirit)
  • Tamadasuki (玉襷,The PreciousTasuki)
  • Zoku shintō taii (俗神道大意,General Introduction to Folk Shintō)
  • Koshichō (古史徴,Index to Ancient History)
  • Koshiden (古史伝,Commentary on Ancient History)
  • Shizu no iwaya (志都能石屋,The Quiet Cave)
  • Shutsujō shōgo (出定笑語,Laughing Discourse upon Emerging from Meditation)[3]
  • Indo zōshi (印度蔵志,Collection of Truth About India)
  • Morokoshi taikoden (唐土太古傳,Transmission of Ancient Chinese History)
  • Senkyō ibun (仙境異聞,Strange Tales from the Land of the Immortals)
  • Katsugorō saisei kibun (勝五郎再生記聞,Account of Katsugorō's Rebirth)
  • Reihō gogaku shinkeizu (霊宝五嶽真形図,Accurate Diagram of the Five Peaks)
  • Saiseki gairon (西籍慨論,Reprobation of Western Scholarship)
  • Tenchūki (天柱記,Record of the Pillar of Heaven)
  • Kamōsho (呵妄書,Rebuke of Insolent Writings)
  • Kokon yōmikō (古今妖魅考,Investigation of Paranormal Phenomena of the Past and Present)
  • Tenchō mukyūreki (天朝無窮暦,Calendar of the Immortal Imperial Court)
  • A commentary on theInō mononokeroku (稲生物怪録,Account of the Haunting of Inō) of 1749.

Notes

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1.^ The name was inspired by a passge from theZhuangzi. Although the term is today generally translated as "ocean", its use in classical Chinese literature with which Hirata had intimate familiarity included a more general meaning of vast profundity and was used metaphorically with regard toqi andits source. "Zhun Mang (諄芒), on his way to the ocean, met with Yuan Feng on the shore of the eastern sea, and was asked by him where he was going. 'I am going,' he replied, 'to the ocean;' and the other again asked, 'What for?' Zhun Mang said, 'Such is the nature of the ocean (大壑, dàhè) that the waters which flow into it can never fill it, nor those which flow from it exhaust it. I will enjoy myself, rambling by it.'"
2.^ A treatise on national defense advocating a military buildup on Sakhalin and throughout the Kuriles to counter Russian expansion intoNortheast Asia.[7]
3.^ This text's name is a pun on the strongly anti-ShintoTominaga Nakamoto's 1745Shutsujō gogo [ja], or "Discourse upon Emerging from Meditation".

See also

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References

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  1. ^"Hirata Atsutane (1776-1843) is best known as the fourth Great Man ofkokugaku." Hansen, Wilburn. "Dancing as if Possessed: A Coming Out Party in Edo Spirit Society."Japanese Journal of Religious Studies (2010): pp 275-294, of which page 277, footnote 3.
  2. ^"2004 Hirata Atsutane Exhibition".National Museum of Japanese History. Retrieved10 January 2022.
  3. ^Fujiwara, Gideon (May 15, 2021).From Country to Nation: Ethnographic Studies, Kokugaku, and Spirits in Nineteenth-Century Japan (1st ed.). Cornell University Press.ISBN 978-1501753930.
  4. ^Miyachi, Masato (August 2012).Bakumatsu ishin henkakushi, Volume 1 (1st ed.). Iwanami Shoten.ISBN 9784000244688.
  5. ^Earl, David Margarey, Emperor and Nation in Japan, Political Thinkers of the Tokugawa Period, University of Washington Press, 1964, p. 80
  6. ^"平田篤胤墓" (in Japanese).Agency for Cultural Affairs.
  7. ^Hansen, Wilburn (2008).When Tengu Talk: Hirata Atsutane's Ethnography of the Other World. University of Hawai‘i Press.ISBN 9780824832094.

Further reading

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External links

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