| High Voltage | ||||
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| Studio album by | ||||
| Released | 14 May 1976 (1976-05-14) | |||
| Recorded | ||||
| Studio | Albert (Sydney) | |||
| Genre | ||||
| Length | 44:23 | |||
| Label | ||||
| Producer | ||||
| AC/DC chronology | ||||
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| Alternative cover | ||||
 Original European cover | ||||
| Singles from High Voltage | ||||
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High Voltage is the first internationally released album by Australianhard rock bandAC/DC. It contains tracks compiled from their first two previous Australia-only issued albums:High Voltage andT.N.T. (both released in 1975).
Originally released on 14 May 1976 in the UK byAtlantic Records and on 28 September 1976 in the US byATCO Records,[3]High Voltage was a commercial success, selling three million units in the US alone. However, the album was initially panned by some critics upon its release, including a review byRolling Stone magazine's Billy Altman that called it an "all-time low" for the hard rock genre.[4] It was re-released in 2003 as part of theAC/DC Remasters series.
In December 1975, Atlantic Records' UK headPhil Carson signed AC/DC to a worldwide deal. The group's first two albums,High Voltage and the harder drivingT.N.T., had been hits in their native Australia – the single "It's a Long Way to the Top (If You Wanna Rock 'n' Roll)" peaked at #5 – and now plans were made for the band to tour England in 1976. The group had already recorded their next single "Jailbreak" (for which they had shot a music video) and had already begun recording their third LPDirty Deeds Done Dirt Cheap when, in April 1976, they flew out on their first British tour. The international release only included two tracks from the AustralianHigh Voltage release – "She's Got Balls" and "Little Lover" – with the rest of the songs taken fromT.N.T.[5] The band arrived in the UK in the midst of the fledglingpunk movement, spearheaded by bands like theSex Pistols and theDamned. AC/DC was never really part of the movement, but got misidentified as such by some observers, as guitaristAngus Young recalled toGuitar World's Alan Di Perna in 1993:
At that time… we were giving punk music a good name. Because that was the word they used to describe us – punk band. They'd get the wrong idea. We weren't punk, but they'd put us on the same bill as punk bands. And they sure got a shock when they started spitting at us and we spat back. We were never ones for getting slumped under a tag or filed under A, B, or C. We started as arock and roll band. That's what we play – what we do best. We never claimed to be anything else.
In 2010 Malcolm Young concurred, tellingMojo's Phil Alexander, "Punk rock was just a fashion. … It didn't change the music; it changed the fashion, and that's basically all it is." In a 1977 interview with ABC'sCountdown, Bon Scott insisted, "We're pulling bigger crowds than they are. I mean, we've got our following here. It's not new wave, it's not punk, it's just people who like our band. We honestly thought that the punk and the new wave thing might spoil it a bit for us but it hasn't at all. It was a big fad, just like anything else, a big fad for a while. … The main thing about it is it gave rock music a real kick in the guts."
"It's a Long Way to the Top (If You Wanna Rock 'n' Roll)" was edited down from an extended jam by producer George Young (older brother of guitaristMalcolm Young and Angus) and the inclusion of thebagpipes was his idea to add an extra dynamic to the track. SingerBon Scott had played in a pipe band in his teens, so George suggested he play bagpipes on the song, not realizing that Scott had been a drummer, not a piper. Regardless, Scott – who knew how to play therecorder – learned the instrument and went on to play them on stage with the band for several years. In Murray Engleheart's bookAC/DC: Maximum Rock & Roll, former manager Michael Browning states that the bagpipes became the bane of Scott's existence: "I think they probably put more pressure on him than anything I can think of! They invariably never worked. It's a hard instrument to time to guitars, because you're pumping them and they kind of kick in when the bag's full – very difficult to time to guitars." The chanting in "T.N.T." was also George Young's idea, added after he heard Angus ad-libbing the "oi" chant to himself, and suggested he record it.[6]
The production team of George Young andHarry Vanda was crucial in the development of AC/DC's sound. Vanda was a bandmate of Young's inThe Easybeats and the pair were the main songwriters of The Easybeats' later hits, including their international hit "Friday on My Mind". In the 1994 bookHighway to Hell: The Life and Times of AC/DC Legend Bon Scott, Chris Gilbey, who was the promotion man atAlbert Productions at the time, recalls to author Clinton Walker, "The great thing George and Harry taught me, as a producer, was that if you got a good rhythm track, you've got the beginnings of a record. If you don't, you've got nothing." In the same memoir Michael Browning confirms, "George and Harry's most important criterion was rhythm, the whole thing had to just feel right. If you listen to those records today, they feel good."
AC/DC's second albumT.N.T. was a breakthrough for the band composition-wise and sound-wise, containing more of the twin-guitar assault that the band would become famous for, and this may explain why only two songs were included from theglam rock – leaning 1975 debut. "She's Got Balls" (about Scott's ex-wife Irene) was the first song that Scott and the Young brothers put together, while "Little Lover" had been a song Malcolm had been tinkering with since he was about 14 and had been originally titled "Front Row Fantasies" (Scott claimed to have written the song about Angus).[6] "Can I Sit Next to You Girl" predated Scott's involvement in the band, having been recorded as a single with former vocalistDave Evans; it features a different arrangement and slightly different lyrics from the original version. It also runs almost a minute longer. In 1993, Angus Young shared the origins of the title track with Vic Garbarini ofGuitar For the Practicing Musician: "I remember sitting home one night before going into the studio and playing around with some chords, and I suddenly thought, let's try playing...A...C...D...C. Sounded good. And then I thought AC/DC...power..."High Voltage"! I sang the chorus part to my brother in the studio and he thought it sounded great." Lyrically, the LP features Bon Scott chronicling both the good and the bad about the rock and roll lifestyle, warning aspiring musicians that "it's harder than it looks" ("It's a Long Way to the Top") but also defiantly telling the moral majority to "stick your moral standards 'cause it's all a dirty lie" ("Rock 'n' Roll Singer"). In 1994 biographer Clifton Walker observed that Scott was "virtually encapsulating his entire life" in both songs. The lyrics of "The Jack" (sometimes titled "(She's Got) The Jack") were developed by Scott who was inspired by a letter Malcolm Young received during a tour ofAdelaide. The letter, from a woman inMelbourne, implied that Malcolm had given her avenereal disease, although he claims that when he got tested, he was clean. Scott's original lyrics were far more explicit than those heard on the album, which he deliberately toned down in case the song got played on radio. The bravado-driven "Live Wire", which was also sexually suggestive, would be the band's show-opener for several years.
The international release ofHigh Voltage also had two differentalbum covers from the original: one featured a picture ofAngus Young as he appeared on the cover of the German single for "It's a Long Way to the Top (If You Wanna Rock 'n' Roll)". An alternative cover was used on the international version's European release.[7] Most editions of the international album have a version of "It's a Long Way to the Top" that is shorter than the original album version. The full length version is 5:10, while the edited version shortens the last chorus causing the track to fade out early at 5:01. Vinyl editions of the international album contain the edited version. The 1994 remastered CD onAtco Records replaced the edited version of the track with the full length version. The 2003 remastered CD onEpic Records reverted it back to the edited version.
The track "T.N.T." is used inTony Hawk's Pro Skater 4.
The High Voltage Arc in the seventh part ofJoJo's Bizarre Adventure:Steel Ball Run byHirohiko Araki is a reference to this album and song.
The album sleeve was used as a prop in a first season episode ofThe Cosby Show, titled "The Younger Woman". In the story, the fictional musician named with the album is "Clyde", and is described on the album cover as "sticking his tongue out," which is an accurate description of Angus Young's actual expression on the cover, although the album and band's names in the upper left corner are both stylistically covered up.
| Review scores | |
|---|---|
| Source | Rating |
| AllMusic |   [8] |
| Blender |  [9] |
| The Encyclopedia of Popular Music | [10] |
| The Great Rock Discography | 8/10[11] |
| Sputnikmusic | [12] |
| Rolling Stone | [13] |
| Spin Alternative Record Guide | 4/10[14] |
| "Subjective Sounds" | Favourable[15] |
| backseatmafia | Favourable[16] |
| Louder | [17] |
The album received mixed reviews when it was released in the United States.Billboard listed it in its "Recommended LPs" column, calling it a cross betweenLed Zeppelin and theSensational Alex Harvey Band. However, the album was trashed by Billy Altman in his infamous review forRolling Stone: "Those concerned with the future of hard rock may take solace in knowing that with the release of the first U.S. album by these Australian gross-out champions, the genre has hit its all-time low. Lead singer Bon Scott spits out his vocals with a truly annoying aggression which, I suppose, is the only way to do it when all you seem to care about is being a star so that you can get laid every night. Stupidity bothers me. Calculated stupidity offends me." Initially they had given the album two stars, but in recent years have warmed up to it and given it three stars out of five, (which means in their terms, "Good: a record of average worth, but one that might possess considerable appeal for fans of a particular style.")[18]
Retrospective reviews have been more positive.AllMusic's review byStephen Thomas Erlewine praisedAngus Young's "monster riffs" which appear to be easy but give the music its strength and this allows Scott to be "somebody who never hid the notion that lurking behind the door are some bad, dangerous things, but they're also fun, too."[8]Classic Rock magazine meanwhile praises the albums' production as well as the unique usage of bagpipes in a rock song and the quality of Bon's lyricism, hailing it overall as "An international debut to savour."[19] and Ultimate Classic Rock praises it in a combined rating ofT.N.T. and this international album calling it their coming-of-age album and stating "the core musical signature that would carry and sustain the band’s amazing career rise was set right here."[19]
All tracks are written byAngus Young,Malcolm Young andBon Scott except where noted.
| No. | Title | Length |
|---|---|---|
| 1. | "It's a Long Way to the Top (If You Wanna Rock 'n' Roll)" | 5:12 |
| 2. | "Rock 'n' Roll Singer" | 5:04 |
| 3. | "The Jack" | 5:53 |
| 4. | "Live Wire" | 5:50 |
| No. | Title | Writer(s) | Length |
|---|---|---|---|
| 5. | "T.N.T." | 3:35 | |
| 6. | "Can I Sit Next to You Girl" |
| 4:12 |
| 7. | "Little Lover" | 5:40 | |
| 8. | "She's Got Balls" | 4:52 | |
| 9. | "High Voltage" | 4:04 | |
| Total length: | 44:23 | ||
Notes
AC/DC
Additional personnel
Production
| Chart (1981–1982) | Peak position |
|---|---|
| USBillboard 200[22] | 146 |
| Chart (2015) | Peak position |
|---|---|
| Australian Albums (ARIA)[23] | 13 |
| Spanish Albums (PROMUSICAE)[24] | 90 |
| Swedish Albums (Sverigetopplistan)[25] | 58 |
| Swiss Albums (Schweizer Hitparade)[26] | 67 |
| Chart (2024) | Peak position |
|---|---|
| German Albums (Offizielle Top 100)[27] | 12 |
| Swiss Albums (Schweizer Hitparade)[28] | 18 |
| UK Rock & Metal Albums (OCC)[29] | 10 |
| Region | Certification | Certified units/sales |
|---|---|---|
| Canada (Music Canada)[30] | 2× Platinum | 200,000‡ |
| Denmark (IFPI Danmark)[31] | Gold | 10,000‡ |
| France (SNEP)[32] | Gold | 100,000* |
| Germany (BVMI)[33] | Platinum | 500,000^ |
| Italy (FIMI)[34] | Platinum | 50,000‡ |
| Spain (PROMUSICAE)[35] | Gold | 50,000^ |
| Switzerland (IFPI Switzerland)[36] | Platinum | 50,000^ |
| United Kingdom (BPI)[37] | Gold | 100,000* |
| United States (RIAA)[38] | 4× Platinum | 4,000,000‡ |
* Sales figures based on certification alone. | ||
