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Hicks Lokey

From Wikipedia, the free encyclopedia
American animator

William "Hicks" Lokey (April 5, 1904 – November 4, 1990) was an Americananimator. He is best known for his work atFleischer Studios.

Lokey was born inAlabama. He spent his early years in the animation industry atVan Beuren Studios,[1] animatingAesop's Film Fables during the 1920s.[2] Starting in 1934, he worked as an animator for Fleischer Studios. One of his first works there was theBetty Boop shortThere's Something About a Soldier.[3]

He was one of the senior animators who took part in the1937 Fleischer Studios strike, hoping to negotiate wages and working hours withMax andDave Fleischer.[4] However, after the Fleischers threatened to reduce Lokey's and others pay, Lokey opted to return to work.[5] After leaving Fleischers in 1938,[2] Lokey joined theWalter Lantz Studio, where he worked until 1939.[6]

Lokey was hired byWalt Disney Productions the following year, where he provided character animation for the "Pink Elephants on Parade" segment inDumbo[7][2] and "The Dance of the Hours" inFantasia.[8][9] Lokey left the Disney studio in 1941 after joining several animators in theDisney animators' strike.[10] In the meantime, Lokey decided to go join theMetro-Goldwyn-Mayer cartoon studio for some uncredited work on their cartoons. The notable shorts he animated on wereTex Avery'sSlap Happy Lion andThe Cat That Hated People, as well as theTom and Jerry short,The Zoot Cat.

After a stint at Paul Fennell, he found employment atHanna-Barbera in 1959, where he would remain for nearly thirty years. Lokey continued to animate, working on the television seriesGoober and the Ghost Chasers[11] andThe New Shmoo[12] and the feature filmThe Man Called Flintstone (1966).[13] Lokey retired in 1986.

In 1990 Lokey received theWinsor McCay Award for his lifetime of work in the field of animation.[14] Lokey died inLos Angeles on November 4, 1990.

References

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  1. ^Koszarski, Richard (August 27, 2008).Hollywood on the Hudson: Film and Television in New York from Griffith to Sarnoff.Rutgers University Press. p. 317.ISBN 9780813545523.
  2. ^abcLanger, Mark (1990)."Regionalism in Disney Animation: Pink Elephants and Dumbo".Film History. Vol. 4, no. 4. pp. 305–321.JSTOR 3815059.
  3. ^Willis, Donald C. (1997).Horror and Science Fiction Films IV.Scarecrow Press. p. 504.ISBN 9780810830554.
  4. ^Pointer, Ray (January 10, 2017).The Art and Inventions of Max Fleischer: American Animation Pioneer.McFarland & Company. p. 162.ISBN 9781476663678.
  5. ^Sito, Tom (October 6, 2006).Drawing the Line: The Untold Story of the Animation Unions from Bosko to Bart Simpson.University Press of Kentucky. p. 76.ISBN 9780813138367.
  6. ^Adamson, Joe (1985).The Walter Lantz Story: With Woody Woodpecker and Friends.G. P. Putnam's Sons. p. 245.ISBN 9780399130960.
  7. ^Shull, Michael E.; Wilt, David E. (May 23, 2014).Doing Their Bit: Wartime American Animated Short Films, 1939–1945 (2nd ed.).McFarland & Company. p. 26.ISBN 9780786481699.
  8. ^Beck, Jerry (October 28, 2005).The Animated Movie Guide.Chicago Review Press. p. 76.ISBN 9781569762226.
  9. ^Lötscher, Christine; Schrackmann, Petra; Tomkowiak, Ingrid; von Holzen, Aleta-Amirée (2014).Transitions and Dissolving Boundaries in the Fantastic.LIT Verlag. p. 15.ISBN 9783643801852.
  10. ^Sito, Tom (July 19, 2005)."The Disney Strike of 1941: How It Changed Animation & Comics".Animation World Network. RetrievedDecember 10, 2022.
  11. ^Burt, Richard (2007).Shakespeares After Shakespeare: An Encyclopedia of the Bard in Mass Media and Popular Culture. Vol. 2.Greenwood Press. p. 605.
  12. ^Browning, John Edgar; Picart, Caroline Joan (January 10, 2014).Dracula in Visual Media: Film, Television, Comic Book and Electronic Game Appearances, 1921-2010.McFarland & Company. p. 133.ISBN 9780786462018.
  13. ^Lentz, Harris M. (2001).Science Fiction, Horror & Fantasy Film and Television Credits: Filmography.McFarland & Company. p. 1299.
  14. ^"Winsor McCay Award".Annie Awards. Archived fromthe original on July 12, 2015. RetrievedDecember 10, 2022.

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