Heroic bloodshed is a genre invented byHong Kong action cinema revolving around stylized action sequences and dramatic themes, such as brotherhood, duty, honour, redemption, andviolence that has become a popular genre used by different directors worldwide.[1][2] The termheroic bloodshed was coined by editor Rick Baker in the magazineEastern Heroes[3] in the late 1980s, specifically referring to the styles of directorsJohn Woo andRingo Lam. Baker defined the genre as "a Hong Kong action film that features a lot ofgun play andgangsters rather thankung fu. Lots of blood. Lots of action."[4] Heroic bloodshed films often featuregun fu action sequences.
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Protagonists in these films are often good-willed criminals, typicallyTriad members,hit men, or thieves with a strict code of ethics, which in some cases leads to the betrayal of their employers and the saving of many intended victims. The police officer with a conscience, who cannot be corrupted in any way, is also common, and is usually modeled after thehardboiled detective. Loyalty, family and brotherhood are the most typical themes of the genre. Heroic bloodshed films generally have a strong emotional angle, not only between, but during action sequences.
Pistols andsubmachine guns are frequently utilized by the heroes due to the light weight they provide, enabling their wielders to move more quickly. They are frequentlydual wielded. The heroes are extremely agile and implement rolls, dives, slides, and falls while they duel, making for a graceful,ballet-like performance in the midst of gunfire.
Heroic bloodshed films often end on a downbeat or tragic note with the main heroes either dead, arrested by the police, or severely incapacitated.
John Woo's breakthrough filmA Better Tomorrow (1986) largely set the template for the heroic bloodshed genre.[5] In turn,A Better Tomorrow was a reimagining of plot elements from two earlier Hong Kong crime films: Lung Kong'sThe Story of a Discharged Prisoner (1967) and theShaw Brothers Studio filmThe Brothers (1979), the latter a remake of the hit Indiancrime drama filmDeewaar (1975) written bySalim–Javed.[6]
Woo has also been a major influence in its continued popularity and evolution in his following works, namelyA Better Tomorrow 2 (1987),The Killer (1989) andHard Boiled (1992).[7]
The heroic bloodshed genre had a considerable impact onworld cinema, especiallyHollywood.[8] The action, style, tropes and mannerisms established in 1980s Hong Kong heroic bloodshed films were later widely adopted by American cinema in the 1990s, reshaping the way action films were made in the Western world.[6] Lam'sCity on Fire (1987) inspiredQuentin Tarantino'sReservoir Dogs (1992);[9] Tarantino was an admirer of the genre.[10]The Killer also heavily influencedLuc Besson'sLéon: The Professional (1994) fromFrance.[8] Eventually, John Woo himself introduced his brand of heroic bloodshed in the United States. By the end of the 20th century, Woo's style of cinema had become firmly established in Hollywood.[11]
