 | This article has multiple issues. Please helpimprove it or discuss these issues on thetalk page.(Learn how and when to remove these messages) (Learn how and when to remove this message)
|
Hermann Burger (10 July 1942 – 28 February 1989) was aSwisspoet,novelist andessayist. In his creative works Burger often focused on society's lonely outsiders and, increasingly, the inevitability of death. His virtuosity in applying literary styles and use of thoroughresearch are significant features of many of his publications.
Hermann Burger was born in 1942 inMenziken, Switzerland; his father worked for an insurance company. He enrolled at theETH Zurich in 1962 and began studying architecture, but switched to German literature and art history in 1964. The publication of the poetry collection "Rauchsignale" ("Smoke Signals") in 1967 marked the beginning of his literary career, followed by the prose collectionBork in 1970. For the next couple of years Burger focused on his career in literary studies, writing histhesis onPaul Celan and hishabilitation treatise on contemporarySwiss literature. He taught at universities inZürich,Bern andFribourg and worked as a literary editor for theAargauer Tagblatt. His academic experience is reflected in the loosely autobiographical novel "Die künstliche Mutter" ("The Artificial Mother") which won him theConrad-Ferdinand-Meyer-Preis in 1980. It was dedicated to his wife and its first edition has the dedication"Für Anne Marie".
Burger's first major novel "Schilten. Schulbericht zuhanden der Inspektorenkonferenz" ("Schilten. School Report for the Attention of the Inspectors' Conference") was published in 1976 and made into a movie by Swiss film director Beat Kuert in 1979. It is about a teacher who has to tell the conference of inspectors about the development of his pupils, but speaks about death cult, graveyards and burials in a very detailed way. Archetypes of this novels areFranz Kafka andThomas Bernhard. Burger mixes reality and fiction, and the more one reads about him, the more one finds out, that Burger writes about himself, his own suffering.
He won theIngeborg Bachmann Prize in 1985 for his story "Die Wasserfallfinsternis von Badgastein" ("The Waterfall-Eclipse of Badgastein"). 1988, a changing of publishers fromS. Fischer toSuhrkamp took place in a spectacular way.
The novelBrenner (in two volumes, four were planned), shows a protagonist wrapped in cigar smoke, who tells his life - Burger himself was a cigar smoker and descendant of cigar producers. Volume 1 has 25 chapters, like a cigar box contains 25 cigars. Each chapter's name contains the name of a famous cigar brand. The second chapter announces the author's suicide intention: a red Ferrari is bought, because saving money no longer makes sense. It is about the divorce and the grief about having no contact to his two kids. Burger's last lessor was emeritus historianJean Rudolf von Salis (= "Jérôme von Castelmur-Bondo" in the novel). The last months of Burger's life and a review on his 46 years are described detailed in thisroman a clef, he describes all coining persons.
Burger's depressive and desperate moods grew with his literary acclaim, leading him to write the "Tractatus logico-suicidalis" (1988), a collection ofaphorisms advocatingsuicide. The 1046 aphorisms are about the sentence"Gegeben ist der Tod, bitte finden Sie die Lebensursache heraus." (Death is given, please find the cause of life.) The title remembersLudwig Wittgenstein'sTractatus Logico-Philosophicus. The book about suicide was viewed by the critics with sarcasm, and the seriousness of his suicide plans were not recognized. On 28 February 1989 he committed suicide inBrunegg by taking an overdose of sleeping pills. Not until Burger's death did the critics see similarities toJean Améry and his bookOn Suicide: A Discourse on Voluntary Death, which Burger knew.
Burger's early promoterMarcel Reich-Ranicki, literature critic, wrote on 3 March 1989, few days after his death, in an obituary:
Hermann Burger was an artist who gave everything of himself, never held back. He was a man with a great longing for happiness. German literature has lost one of its most inventive literary artists.[1]
His work—mainly prose—was coined by very precise investigation. He e.g. has sworn the magic oath because he wanted to write about a magician (inDiabelli). The oath created a fascinating new challenge for him: Describing Diabelli's tricks without breaking the oath.
Burger was very faithful in linguistic matters, too. When he was young and wanted to build his style of writing, he did copy passages out of literature (e.g. byThomas Mann) and filled their syntax with new content. The protagonists of his novels and narrations try to describe the situation of their lives in a way that is linguistically virtuosic and in love with details. Those protagonists mostly are diseased and the receiver of their texts is very often a higher authority, e.g. the "Inspektorenkonferenz" (inspector's conference) in "Schilten" (1976).
Hermann Burger's literary estate is archived in theSwiss Literary Archives in Bern.
Hermann Burger war ein Artist, der immer aufs Ganze ging, der sich nicht geschont hat. Er war ein Mensch mit einer grossen Sehnsucht nach dem Glück. Die deutsche Literatur hat einen ihrer originellsten Sprachkünstler verloren.
