| Help! | |
|---|---|
 Theatrical release poster | |
| Directed by | Richard Lester |
| Screenplay by | |
| Story by | Marc Behm |
| Produced by | Walter Shenson |
| Starring | |
| Cinematography | David Watkin |
| Edited by | John Victor-Smith |
| Music by |
|
Production companies |
|
| Distributed by | United Artists |
Release dates |
|
Running time | 92 minutes |
| Country | United Kingdom |
| Language | English |
| Budget | $1.5 million[1] |
| Box office | $12.1 million[2] |
Help! is a 1965 Britishmusicalcomedy-adventure film directed byRichard Lester, starringthe Beatles and featuringLeo McKern,Eleanor Bron,Victor Spinetti,John Bluthal,Roy Kinnear andPatrick Cargill. The second film starring the Beatles following Lester'sA Hard Day's Night (1964),Help! sees the group struggle to protect Ringo Starr from a sinistereastern cult and a pair of mad scientists, all of whom are obsessed with obtaining a sacrificial ring sent to him by a fan.[3] The soundtrack was released as the band'sfifth studio album under the same name.
Help! had its Royal World Premiere at theLondon Pavilion Theatre in theWest End of London on 29 July 1965 in the presence ofPrincess Margaret, Countess of Snowdon and theEarl of Snowdon. While not reviewed at the time with the same high level of admiration as their first film,Help! is now credited with influencing the development ofmusic videos.
Help! is dedicated to the memory ofElias Howe, inventor of the sewing machine.
Aneasterncult (a parody of theThuggee cult) is about to sacrifice a woman to theirgoddess,Kaili.[4][5] They notice that she is not wearing the sacrificial ring. Instead,Ringo Starr, drummer of the Beatles, has the ring, sent to him by the intended victim, who is a fan of the band. Determined to retrieve the ring and sacrifice the girl, the chief priest, Clang, several cult members, and high priestess Ahme leave for London. After failed attempts to steal the ring without Ringo noticing, they confront him in an Indian restaurant. Ringo learns that he will be the next sacrifice if he does not give up the ring. However, the ring is stuck on his finger and he cannot take it off.
The Beatles are chased around London by members of the cult. After a jeweller fails to cut the ring off, the band resorts to the bumbling efforts of Professor Foot, a mad scientist and his assistant Algernon; when his equipment has no effect on the ring, Foot decides that he must somehow acquire it. Ahme comes to the Beatles' rescue and tries to shrink Ringo's finger to get the ring off with a temporary shrinking solution, but the cult and the scientists ambush the band's home, causing Ahme to drop the syringe in Paul, temporarily shrinking him instead.
Once Paul returns to his normal size, the band runs to the Austrian Alps and narrowly escapes a trap there, thanks to Ahme, who is secretly aiding them. To stay safe, they ask for protection from Scotland Yard. They are hidden in Buckingham Palace, narrowly avoiding capture by the scientists. Later at a pub, Clang sets a trap for Ringo involving a trap door and a tiger.
Then they flee to the Bahamas, followed by the police officers, the scientists, and the cult members. After Ringo is nearly captured, the police have the other Beatles pose as him in order to ensnare the cult members. Despite their best efforts, however, the scientists catch Ringo and hide him aboard a boat where Foot intends to cut off Ringo's finger to get the ring. Ahme rescues Ringo by giving the scientists the shrinking solution in exchange. The two of them dive into the ocean to escape, but Ringo cannot swim, and they are both captured by Clang and his followers.
In the end, when Ringo is about to be sacrificed on the beach, the ring suddenly comes off. He puts the ring on Clang's finger, who is then chased by his own cult as the song "Help!" plays.
According to interviews conducted withPaul McCartney,George Harrison andRingo Starr forThe Beatles Anthology, director Richard Lester was given a larger budget for this film than he had forA Hard Day's Night, thanks to the commercial success of the latter. Thus, this feature film was in colour and was shot on several overseas locations. It was also given a more extensive musical score thanA Hard Day's Night, provided by a full orchestra, and included excerpts of well known classical music:Wagner'sLohengrin, Act III prelude,Tchaikovsky's1812 Overture, the "Ode to Joy" fromBeethoven'sNinth Symphony and, during the end credits and with the Beatles' own comic vocalisations,Rossini'sBarber of Seville overture, as well as orchestral arrangements of Beatles songs, among them "A Hard Day's Night" and "She's a Woman." The original title for the film – only changed toHelp! very near to its release – wasEight Arms to Hold You.[6] As such,Capitol Records' original pressings of the "Ticket to Ride" single have the subheading:From the United Artists release "Eight Arms to Hold You."[7]
Help! was shot in London,Salisbury Plain, theAustrianAlps,New Providence Island andParadise Island in the Bahamas, andTwickenham Film Studios. Shooting commenced in the Bahamas on 23 February 1965. Starr commented inThe Beatles Anthology that they were in the Bahamas to film the hot weather scenes, and therefore had to wear light clothing even though it was winter and the weather at the time was actually cool. Tony Bramwell, the assistant to Beatles manager Brian Epstein, stated in his bookA Magical Mystery Tour that Epstein chose the Bahamas for tax reasons. According toThe Beatles Anthology, during the restaurant sequence filmed in early April, Harrison began to discoverIndian-style music, which would be a key element in future songs such as "Norwegian Wood". Filming finished on 14 April at Ailsa Avenue inTwickenham.[citation needed]
The ski scenes were shot atObertauern, a small village in Austria. One reason this location was chosen was that the stars of the film were less likely to be recognised there than at one of the larger resorts with many British tourists. The Beatles were in Obertauern for about two weeks in March 1965 along with a film crew of around 60 people. Locals served as ski stunt doubles for the Beatles, who stayed at the hotel "Edelweiss". Most of the crew were based in the hotel Marieta, where one night the Beatles gave an impromptu concert on the occasion of a director's assistant's birthday. This was the only time they ever performed in Austria.[8]
The Beatles did not particularly enjoy filmingHelp!,[9] nor were they pleased with the end product. In 1970,John Lennon said they felt like extras in their own film:
The film was out of our control. WithA Hard Day's Night, we had a lot of input, and it was semi-realistic. But withHelp!, Dick Lester didn't tell us what it was all about.
Ten years later Lennon was more charitable:
I realize, looking back, how advanced it was. It was a precursor to theBatman "Pow! Wow!" on TV – that kind of stuff. But [Lester] never explained it to us. Partly, maybe, because we hadn't spent a lot of time together betweenA Hard Day's Night andHelp!, and partly because we were smoking marijuana for breakfast during that period. Nobody could communicate with us, it was all glazed eyes and giggling all the time. In our own world. It's like doing nothing most of the time, but still having to rise at 7 am, so we became bored.[10]
A contributing factor was exhaustion attributable to their busy schedule of writing, recording and touring. Afterwards they were hesitant to begin another film project, andHelp! was their last full-length scripted theatrical film. The Beatles saw the 1968 animated filmYellow Submarine (in which their characters were voiced by actors, and they themselves made only a token appearance) as a favourable way to complete their commitment toUnited Artists for a third film. Many fans have assumed that the cartoon did not satisfy the contract, but their cameo appearance at the end was included so as to satisfy the terms of the contract requiring their personal appearances in three films. The Beatles' next filmLet It Be (1970) was not connected to the original three-picture deal.[11]
The Beatles said the film was inspired by the classicMarx Brothers filmDuck Soup;[12] it was also directly satirical of theJames Bond series of films.[13][14] At the time of the original release ofHelp!, its distributor,United Artists, also held the rights to the Bond series.[13]
The humour of the film is strongly influenced by the abstract humour ofThe Goon Show, in which the director had personal and direct experience in the conversion of the radio format to television, and personal working experience withPeter Sellers in particular.[15] Beatles recording producerGeorge Martin had also produced records for theGoon Show team. McCartney has always said that the Beatles' style of humour was taken from theGoon Show. Many of the film's concepts are derived fromGoon Shows, such as the presence of wild animals, music,fourth wall-breaking jokes and abstractions such as the closing statement that concludes the film.[citation needed]
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Among the original working titles for the film wereBeatles Phase II andBeatles Two, before Starr suggestedEight Arms to Hold You,[16] which was announced as the official title in mid-March 1965.[17][18][19] The latter title was printed on the cover artwork of the single "Ticket to Ride" as from the upcoming film.[20][21][22] Because of this, the phrase has been used as a title for an album byVeruca Salt, and for songs byGoon Squad forthe Goonies movie, and by the Brittles, a Beatles-pastiche band.[citation needed]
By mid-April 1965, the press was already announcing the film would be retitled.[23][24] In an interview, Starr said "We wanted to useStop the World, We Want to Get On, but I believe thatBrando's doing that," though it may have been said in sarcasm.[24] ProducerWalter Shenson also suggested the titleThe Day the Clowns Collapsed.[16]Help! was settled on as the film's title later in April, after neither Lennon nor McCartney were able to compose a good title song from its previous name.[16] Lennon then wrote the song "Help!" that same night. The official title was announced on 14 April. Aside fromEight Arms to Hold You, this title won over suggestions from Harrison (Who's Been Sleeping in My Porridge) and United Artists producerWalter Shenson (The Day the Clowns Collapsed).[25] The Beatles had also suggestedHigh-Heeled Knickers, a play on the title ofTommy Tucker's 1964 hit song "High-Heeled Sneakers".[26]
The photographerMichael Peto was commissioned in 1965 to take still photographs during the making of the film; these became known for their candid and expressive quality. During the digitisation of the Michael Peto Collection, which was held by Archive Services,University of Dundee, in 2002, 500 previously unpublished photographs of the Beatles taken during the making ofHelp! were reported to have been uncovered.[27]Now These Days are Gone, a limited edition volume of Peto's photographs focusing on the Beatles images was produced in 2006 with deluxe editions of the book signed byRichard Lester. An exhibition of the photographs to mark the book's launch was held at Hoopers Gallery, Clerkenwell, in January 2006.[28] Another exhibition of the photographs was held at the University of Dundee in 2007 as part of the university's 40th anniversary celebrations, with the exhibition then moving to the National Conservation Centre,Liverpool.[29] In 2011, the photographs were exhibited in Dundee, as part of the Scottish Beatles Weekend, and at the Proud Gallery inCamden.[30]
The songs played during the film are:
The seven main songs formed the first side of the British release of theHelp! album. The second side consisted of other new Beatles songs recorded at the same time or shortly afterwards. The US album, released by Capitol Records, includes the seven film tracks along with instrumental soundtrack songs orchestrated by Ken Thorne. In addition, the USHelp! opens with a hidden track stylised as a satirical "James Bond Theme" before the title track. Early pressings of the US version of the album1962–1966 include this hidden track banded as "Help!", and later pressings, when the UK catalogue was made the official and only catalogue of Beatles albums, omit it. The end credits are played over Rossini's "The Barber of Seville".
Upon its release, reviews forHelp! were mixed. TheDaily Express's reviewer found Lester's direction "a joy to watch" and called the Beatles "the closest thing tothe Marx Brothers since the Marx Brothers". By contrast, theDaily Mirror, Britain's best-selling newspaper at the time, saidHelp! relied too heavily on "the likeable vacant grin of John Lennon, the smooth charm of Paul, the long-haired good looks of George, and the darkly villainous looks of the Long-Nosed One [Ringo Starr]", and that these qualities were insufficient to carry a film.[26] In his contemporary review inThe New York Times, film criticBosley Crowther stated: "It's a fiasco of farcical whimseys that are thrown together in this film – a clutter of mechanical gimmicks and madcap chases ... Funny? Exciting? Different? Well, there's nothing inHelp! to compare with that wild ballet of the Beatles racing across a playground inA Hard Day's Night, nothing as wistful as the ramble of Ringo around London all alone ... The boys themselves are exuberant and uninhibited in their own genial way. They just become awfully redundant and – dare I say it? – dull."[31]
On review aggregator websiteRotten Tomatoes,Help! holds an approval rating of 86% based on 28 reviews, with an average rating of 7.2/10. The website's critics consensus reads: "Help! finds the Fab Four displaying their infectious charm and humor in an enjoyably madcap adventure."[32] OnMetacritic, it has a weighted average score of 58 out of 100, based on eight critics, indicating "mixed or average reviews".[33]
In a retrospective review,Leslie Halliwell describes the film as an "exhausting attempt to outdoA Hard Day's Night in lunatic frenzy, which goes to show that some talents work best on low budgets. The humour is a frantic cross betweenHellzapoppin',The Goons,Goofy,Mr. Magoo and the shade ofMonty Python to come. It looks good but becomes too tiresome to entertain."[34]
Help!'s pop art style influenced the1966–68Batman TV series and the direction of the contemporary advertising industry. Although Lester's depiction of Indian culture was largely negative andstereotypical, the film's focus onKali and other Hindu themes anticipated thecounterculture's fascination with Indian philosophy and music.[35] In his book1965: The Year Modern Britain Was Born, cultural commentator Christopher Bray viewsHelp! as "one of the central surrealist texts" of the 1960s, and the film that best captures the "magical weirdness" of London before the commercialisation that accompanied its international recognition as the world's "Swinging City".[36]
Ronnie D. Lankford ofAllMovie describesHelp! as a "forerunner to music videos", adding: "Lester seemed to find the right tone forHelp!, creating an enjoyable portrait of the Beatles and never allowing the film to take itself too seriously. His style would later be co-opted byBob Rafelson forthe Monkees'television series in the '60s and has continued to influence rock musicals like 1998'sSpice World".[37][clarification needed]Tony Sokol, writing forDen of Geek in 2017, praised the film's use of in-jokes, the music, and Leo McKern's comedic performance, and noted the film's influence on directorSpike Lee, Bob Rafelson andThe Monkees TV series, andMTV music videos.[38]
Help's depiction of the cult of Kaili worshippers has been characterised as racist. Sokol wrote that the film "is aging well, though the basic premise ofHelp! is kind of passive aggressively racist. The Beatles are trying to save Ringo from a stereotype of a Thuggee cult from the mystic east, east of Suez, which wants to sacrifice the beatkeeper to the baleful goddess Kaili to the tune of inaccessible incantations. Latin, the producers understand, but not this Eastern stuff."[38] Randall Colburn ofConsequence described the depiction of the cult as "racist and cartoony", and opined that "Their garish, out-sized presence threatens to eclipse the dry wit that made the Beatles so appealing inA Hard Day's Night. But they also give the film a foot in absurdist comedy, creating an atmosphere that feels unstable and spontaneous. Their silliness also makes them a natural fit for the film's myriad musical numbers."[39] Author Stephen Glynn draws a connection between the film's racial elements and its satirisation of the James Bond films, the latter of which academic Tony Bennett suggests contain racial undertones in their depiction ofBritish imperialist ideology.[13]
Anovelisation entitledThe Beatles in Help! was written by Al Hine and published byDell in 1965.
A sequence featuringFrankie Howerd andWendy Richard was filmed but left out of final editing owing to its length. However, the sequence was left in the film novelisation.
LikeA Hard Day's Night,Help! was originally distributed theatrically byUnited Artists – the company handled distribution from 1965 to the end of 1980. In January 1981, rights to the film reverted from UA to producer Walter Shenson, and the film was withdrawn from circulation.
Help! was released several times in different video formats byMPI Home Video andThe Criterion Collection. A version was released in February 1987 in VHS and Beta through MPI, along with a reissue ofA Hard Day's Night the very same day, and was followed by a special-edition release on 31 October 1995. MPI also issued a CLV laserdisc in 1995 and two releases on DVD, the first as a single DVD release on 12 November 1997 and the second as part ofThe Beatles DVD Collector's Set on 8 August 2000.
LaserDisc releases include a Criterion CAV laserdisc and a Voyager CLV laserdisc in 1987, each of which had three pressings. The first pressings had noUPC on the gatefold covers while the other two had the UPC either as a sticker or printed directly on the jacket.
The film's transfer on the CAV laserdiscs was done correctly so that no blending of frames occurs and thus movements are not blurry. The supplemental section, which, with few exceptions, has never been available on any other home video release, contains the following:
In June 2007, a version ofHelp!, sub-titled in Korean, became available on Amazon.com. However, by July 2007, all home video versions of the film were pulled from the market because of rights issues involving Apple Corps – now the full rights holders to the film. The rights issues were eventually resolved and Apple Corps/EMI/Capitol released a new double DVD version with a fully restored image and newly remixed in 2.0 stereo and5.1surround sound of the film. This came in standard 2xDVD packaging and 2xDVD deluxe edition box set on 30 October 2007 in the UK and 6 November 2007 in America.[40] This latest release contains new featurettes, three trailers (one of which is in Spanish), and the aforementioned radio ads carried over from the Criterion LaserDisc issue. The film was released on Blu-ray format in June 2013 byUniversal Music, now the owners of EMI/Capitol Records, using the 2007 restoration.[41]
| Region | Certification | Certified units/sales |
|---|---|---|
| Australia (ARIA)[42] | Gold | 7,500^ |
| Canada (Music Canada)[43] | 8× Platinum | 80,000^ |
| United States (RIAA)[44] | 5× Platinum | 500,000^ |
^ Shipments figures based on certification alone. | ||
Ringo: 'The storyline toHelp! was written around me and the theme of the ring, and of course, Kaili.'
At the beginning of the film, a group of Eastern mystics led by the high priest Clang (Leo McKern) are about to sacrifice a young woman to their goddess, Kaili.
| International | |
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| National | |
