Helloween is a Germanpower metal band founded in 1984 inHamburg by members of bands Iron Fist, Gentry, Second Hell and Powerfool.[2] The band has at times been called one of the most influential European heavy metal bands of the 1980s.[3] Its first lineup consisted of singer and guitaristKai Hansen, bassistMarkus Grosskopf, guitaristMichael Weikath and drummerIngo Schwichtenberg. By the time Hansen left Helloween in 1989 to formGamma Ray, the band had evolved into a five-piece, withMichael Kiske taking over as lead vocalist. Schwichtenberg and Kiske both parted ways with Helloween in 1993; Schwichtenberg died two years later as the result of suicide. Between then and 2016, there had been numerous line-up changes, leaving Grosskopf and Weikath as the only remaining original members. As a septet, their current lineup features all of the surviving members of theKeeper of the Seven Keys lineup (Hansen, Weikath, Kiske, Grosskopf), in addition to the remaining members from theKeeper of the Seven Keys: The Legacy-era (singerAndi Deris, guitaristSascha Gerstner and drummerDaniel Loble).
Since its inception, Helloween has released 16 studio albums, four live albums, three EPs and 30 singles, was honored with 14 gold and six platinum awards and has sold more than 10 million records worldwide.[4] Helloween has been referred to as the "fathers ofpower metal",[5] as well as one of the so-called "big four" of the genre's early German scene, along withGrave Digger,Rage andRunning Wild,[6] and one of the "big four" bands of the entire genre, alongsideBlind Guardian,Sabaton, andDragonForce.[7]
Helloween was formed 1984 inHamburg, West Germany. The original line-up includedKai Hansen on vocals and rhythm guitar,Michael Weikath on lead guitar,Markus Grosskopf on bass andIngo Schwichtenberg on drums. That year, the band signed withNoise Records and recorded two songs for a Noise compilation record calledDeath Metal. The compilation featured the bandsHellhammer,Running Wild and Dark Avenger. The two tracks were "Oernst of Life" by Weikath and Hansen's "Metal Invaders," a faster version of which would appear on the band's first full-length album.
Helloween recorded and released its first record in 1985, aself-titled EP containing five tracks. Also that year, the band released its first full-length album,Walls of Jericho, which helped spawn speed metal.[8] During the following concert tour, Hansen had difficulties singing and playing the guitar at the same time. Hansen's last recording as the band's lead singer was in 1986 on a vinyl EP titledJudas, which contained the song "Judas" and live versions of "Ride the Sky" and "Guardians" recorded at Gelsenkirchen. (The CD edition has the live introduction, but the songs have been replaced with studio versions and crowd noise spliced in.) Following these releases, Helloween began the search for a new vocalist.[9]
Hansen said in an interview 1999:
"We wanted to go for a lot more intricate stuff on the guitar and more technical. So it was like getting harder and harder for me without having big experience on vocals. I never had lessons or anything and I was not that fixed on the guitar yet so it was getting difficult. On the other hand we thought it would be really cool to have a real front man, a real singer. We heard Queensryche, the first album that they did, and we thought wow that would be cool to have a singer like that who could be very stable on the high soaring notes and have a lot of expression."
The band found an 18-year-old vocalist,Michael Kiske, from a local Hamburg band named Ill Prophecy. Kiske was initially uninterested in them, having heard the more thrashyWalls of Jericho, but after Weikath insisted, he attended one of their sessions and heard some songs they had composed for his voice (songs which would later be featured in their next albums), and he changed his mind.[10]
With their new lead vocalist in tow, Helloween approached record labels Noise International and RCA and proposed the release of a double-LP to introduce the line-up. This proposition was turned down.
Instead, they recorded a single album, resulting inKeeper of the Seven Keys: Part I. The album was released by Noise Records on 23 May 1987, months after the band spent the winter of 1986 into 1987 hard at work inside Horus Sound Studio in Hannover, Germany. It consisted of songs mostly written by Hansen. Due to guitarist Michael Weikath's illness, he was recovering from a nervous breakdown, all the rhythm guitars on the album were played by Hansen. Weikath was only able to play some guitar solos and only wrote the ballad "A Tale That Wasn't Right". Weikath said in an interview: "I was pleased to still be in the band."[11]
The album received great reviews from the press and a great response from the fans. In addition, it made Helloween a benchmark to measure power metal bands.[12] The positive reception took Helloween across the ocean, as they toured the US together withGrim Reaper andArmored Saint. Their American distributor at the time, RCA, got them to record a video for the epic "Halloween", but cut it to four minutes so that the video could be played onMTV. However, after the European tour together with then-unknown American thrash metal bandOverkill, the first struggles within the band started taking shape.
Exhausted from touring, Hansen asked the band to take a short break from live performances. However, as the band was just starting to gain momentum the time to take a break was just not right. The disputes ranged from arguing about their musical direction on the future releases to extensive touring and other, mostly insignificant topics. Hansen started contemplating leaving the band.
In August 1988, Helloween releasedKeeper of the Seven Keys: Part II. This time the record featured more Weikath-penned tracks. The idea behind this was that the first album should feature tracks written by Hansen due to their similarity to the style of their debut, while the second album would feature tracks composed by Weikath which were a lot more mainstream by comparison. The album capitalized on the success of Keeper of the Seven Keys Part 1 and picks up where it left off. Success bloomed all over Europe, Asia and even the US. The album went gold in Germany, reached #108 in the US, hit the UK top 30 albums and single "Dr Stein" reached the lofty heights of #57.
Despite the vast commercial success of the Keeper's part two, the rift between the band members kept growing. They spent more time arguing about the music rather than composing it. Hansen called for a meeting and once again asked the band if they could take a break from touring.
Around the same time, the tension between the band and their record label Noise led to an argument which would later lead to a lawsuit. The band was discontent with how much they were being paid taking into account great record and merchandise sales, as well as frequent touring. Helloween also supported Iron Maiden on theirSeventh Tour of a Seventh Tour, on some dates in Europe.
In the fall of 1988, the band went on yet another European tour, now as headlining act, named "Pumpkins Fly Free Tour", which spawned their first ever live album, released the year after, titledLive in the U.K. recorded during their show in Scotland. The same record was also released asKeepers Live in Japan andI Want Out Live in the US.
MTV put the single "I Want Out" into heavy rotation. A video that was directed byStorm Thorgerson. For "I Want Out", Hansen very publicly laid out his disillusion with life as a member of Helloween at this time,[13] explaining:
"It was a statement, yeah. It wasn't just wanting out of the band, it was a general thing relating to everything that was going on: poor management, other people telling us where to be and what to do, never-ending internal discussions… I just wanted to rock."
In support of itsHeadbangers Ball show, MTV also presented theHeadbangers Ball Tour in U.S. and invited Helloween to be a part of it in 1989. However, before the start of that tour, in December 1988 Kai Hansen broke the news to the other members that he was leaving Helloween. Hansen's last show with the band was atThe Hummingbird, Birmingham, UK on 8 November 1988.
Hansen, Schwichtenberg and Kiske's departures (1989–1993)
Hansen officially left Helloween on 1 January 1989, and the band choseRoland Grapow to replace him.[14] Grapow was originally discovered in a club in Hamburg, Germany playing with his band Rampage. Helloween guitarist Michael Weikath, who kept Grapow's name in mind in the event Hansen would potentially leave.
Grapow, who was acar mechanic at the time, stated in 2017 that, if Weikath had not happened to ask him to join the band, he would have kept his job and given up on his dream of becoming a professional musician.[15] Grapow said in 2020:
"Weikath called me in August 88 with the question if I was still playing guitar, because he saw me at a Rampage show, He asked me if I'd like to join Helloween after they will finish the European tour, because Kai wanted to leave the band…so I started learning the songs and in December I was playing five songs with them at the rehearsal room. Some weeks later I was already on tour in America with them and then we went to Japan after that."[16]
The inauguralHeadbangers Ball Tour started in April 1989 with Helloween joiningSan Francisco Bay Area thrash metal bandExodus in support of headlining actAnthrax.[17] The band was slotted in the prestigious second spot, right before Anthrax's set. On the heels of this exposure to U.S. audiences, the band achieved worldwide success. Kiske reflected at the time:
"I can see why it made sense for us to get involved with MTV but I really don't think we fit this bill at all. We're playing our hardest songs every night, but we're not thrash."
At the height of their success Helloween decided to sign with then-major labelEMI Records after being urged to do so by their management company Sanctuary, who also managedIron Maiden. Their former labelNoise Records sued them for breach of contract which effectively put the band on hold. Between June 1989 and April 1992 they did not play one show. All the momentum the band had built up came to a halt.
Their first album with new guitarist GrapowPink Bubbles Go Ape was released on EMI in the spring of 1991 in Europe and Japan. In the rest of the world as well as the band's home country Germany the album was delayed until April 1992 due to the ongoing legal battle between the band's current and former labels. By that time the music landscape had changed drastically. It also did not help that Helloween moved even further away from their speed metal roots and further embrace the hard rocking side of their sound. As a result,Pink Bubbles Go Ape failed commercially and tensions started to build amongst the band members.[18]
They played their first show on their "Quick Hello Tour" in Hamburg 30 April 1992 and continued with some more dates in Europe and the band also went to Japan in the autumn of 1992.[19][20]
The follow-upChameleon was released on EMI in the summer of 1993. The very experimental album was a commercial failure. The band's diversion away from the sound that had made them famous alienated a large portion of their fanbase.
The original drummer Ingo Schwichtenberg was then fired from the band due to his deteriorating mental state.[18]
"We started to notice something was wrong with him when we were on tour, with all that road pressure" remembers Weikath."Ingo had a strange behavior... he did strange things and we noticed something was seriously wrong with him. We lived with him and we could see his changes".[21]
Grosskopf said 1996:
"It was like he had two people in his mind: the good and the evil. He told me the evil was always talking to him. It was very strong in him, he was very depressed. We decided to give him professional help, 'cause we could not help him. It was too serious."
Schwichtenberg could not be part of the band anymore until he recovered from drugs and alcohol abuse and took his medications againstschizophrenia. After a long telephone call with Weikath, in which he explained why they had made that hard and painful decision, Schwichtenberg was asked to leave Helloween.
He was replaced by session drummer Ritchie Abdel-Nabi on a temporary basis to finish theChameleon Tour. Also many of the European dates were cancelled. Helloween played in half-filled venues and their decision to focus the setlist mostly onChameleon andPink Bubbles songs did not help either.
Weikath said 1994 about Kiske and theChameleon Tour:
"During that tour we played seven concerts and cancelled the rest. Kiske said he had a throat illness, but we all thought it was panic. Your voice disappears when you are frightened or on panic. It looked like he just stayed static on stage, and when I said to him to move and give a better impression to the audience, he said that I was diminishing his authority on stage. I didn't find that fun, because he did his acts on stage, and they weren't spontaneous like before, he was just standing still to sing better, and that showed us that the songs from "Chameleon" weren't good for shows. I understand, the album could be interesting, but on the eyes of the fans we weren't able to play it live. It was like rice for us: Sticky, but not tasty!"[22]
Meanwhile, the conflicts within the rest of the band worsened and the decision was made to fire Kiske. His last performance with the band was at a Charity show atRockfabrik Ludwigsburg 22 December 1993, until he returned to the stage with Helloween 24 years later.
Kiske did not have any contact with Grosskopf and Weikath for many years. He would later release solo albums with different musical directions. In 2008, Kiske releasedPast in Different Ways; an album featuring most of his old Helloween songs, albeit rearranged and re-recorded acoustically. Commenting on Kiske's dismissal, Grosskopf later said:[23]
"People thought we were crazy for firing a singer like Kiske, but then after all those years and listening to what he's doing now I hope people will understand why we did that decision. Otherwise he would have pushed us into the direction where he is going now and we didn't want that."
1993 would come to a close for Helloween with no singer, no drummer, and no record contract (EMI released the band from its agreement for the low sales numbers forPink Bubbles Go Ape andChameleon).
Weikath said 1994:
"Well, EMI said we didn't sell enough records for their taste. They had to pay a lot of pre-production costs and sadly we weren't able to sell enough albums for them to have their money back. The fans were disappointed. First with "Pink Bubbles Go Ape", and now with "Chameleon". We still sold 400.000 copies of "Chameleon", but we made a deal with EMI and changed our label."[22]
Grosskopf continued:
"That was a time when nobody understood each other. There was too much arguing. Someone wanted it this way, the other wanted that way. We didn't have anything to lose. The three of us sat down and decided to begin again."
First years with Andi Deris and return to the roots (1994–2000)
Helloween returned in 1994 with formerPink Cream 69 frontmanAndi Deris as their new lead vocalist andUli Kusch, formerly of Kai Hansen'sGamma Ray, on drums. The band already knew Deris from some recording sessions in Hamburg, though both Deris and new drummer Uli Kusch played on the band's next albumMaster of the Rings, which was released on 8 July 1994, they were temporary members of the band back during the recording sessions, but they eventually became permanent members of the band on 1 September 1994.[23] Deris had been approached by Weikath to join the band in 1991, but he had declined, despite being intrigued by the offer and having to deal with emerging conflicts between him and his band. In the years since, however, Kiske was fired from Helloween and the issues within Pink Cream 69 worsened. Faced with the inevitability of his firing, Deris accepted Weikath's offer during a night out with the band members.[23] With this new lineup and a new record contract with Castle Communications, Helloween released its comeback album,Master of the Rings.
8 March 1995, original drummerIngo Schwichtenberg committed suicide by jumping in front of a train in his native Hamburg. In the years since his departure from Helloween, Schwichtenberg had gotten worse from schizophrenia. 1996'sThe Time of the Oath was dedicated to his memory.
Following another world tour, a double live album calledHigh Live was released. In 1998, Helloween releasedBetter Than Raw, one of the band's heaviest albums since the full-length debut. The subsequent supporting tour was made up of stops in Europe, Japan and Brazil, but on 20 December 1998, the band visited New York and played a show at the venue Coney Island High in Manhattan, the first show for Helloween in the United States in nearly a decade.
2000 saw the release ofThe Dark Ride, a more experimental and darker album than their previous releases. It came complete with downtuned guitars and a gruffer singing style from Deris. Immediately following the tour, Helloween parted ways with guitarist Roland Grapow and drummer Uli Kusch.[23] One version of events states that Weikath, Deris and Grosskopf felt that Kusch and Grapow, in particular, were spending more time on and paying more attention to their new side-project,Masterplan (Grapow's output on Helloween albums had dropped to barely one song per album by that point); since the others believed that Kusch and Grapow were not one hundred percent dedicated to Helloween, they were dismissed.
They were replaced by guitaristSascha Gerstner (ex-Freedom Call, Neumond) and drummerMark Cross (ex-Metalium,Kingdom Come,At Vance,Firewind), culminating with the recording of another studio album, titledRabbit Don't Come Easy, in 2003. The band met Gerstner via a recommendation by producerCharlie Bauerfeind. According to Grosskopf, one day he was recording something with Freedom Call "and later on we called him up and he went to first meet Weiki because it was very important that Weiki finds a player that he can play with and also communicate and understand. [...] So we got him on the island where we recorded and let him hang out with us a little and then he decided 'Good, let's go'."[23] Later in 2012, on an interview with Metal Shock Finland's Chief Editor, Mohsen Fayyazi, Grapow stated:
I felt very secure in Helloween. In the middle of the tour I said something to Michael and Markus and I said my opinion about something. I wanted to make something the best for the band and I think they misunderstood me, like I wanted to be leader. I was telling the truth and that's how I am... It was a great time in Helloween... but I am happy when I left the band after Dark Ride because it's one of my favourite albums, it changed my life totally.
Cross could not finish the album due tomononucleosis, completing only two tracks; the drum tracks were completed byMotörhead'sMikkey Dee.Stefan Schwarzmann, former drummer ofRunning Wild andAccept would shortly thereafter take over the drumming duties. Despite a somewhat tepid response to the album, Helloween nonetheless completed a successful world tour, highlighted by the return of classic songs such as "Starlight", "Murderer", and "Keeper of the Seven Keys" to the setlist. Additionally, the band toured the United States for the first time since 1989, playing to sold-out crowds at nearly every venue.
2005 saw yet another line-up change, following the "Rabbits on the Run" tour, as it became apparent that Helloween and Stefan Schwarzmann did not share the same musical vision. As further noted by the band, he had some trouble performing fast drum parts,[23] so he was replaced byDaniel Löble, the former drummer of German metal band Rawhead Rexx. A change in record company also followed as they signed a deal with German labelSPV. Any fears that what had now become a revolving door of band members would affect the quality of their new album were laid to rest as Helloween's new studio album, titledKeeper of the Seven Keys – The Legacy, was released on 28 October 2005 in Germany and 8 November in the US to commercial and critical acclaim. The album had a pre-release single, "Mrs. God", as well as a video for the track. The track "Light the Universe" was released as a single on 22 November, featuringCandice Night ofBlackmore's Night on guest vocals. She also appears in the video clip for that track.
In late 2006, Helloween filmed and recorded shows inSão Paulo (Brazil),Sofia (Bulgaria) and Tokyo (Japan) for their live albumKeeper of the Seven Keys – The Legacy World Tour 2005/2006. The DVD also featured extra footage of the band, as well as interviews and a road movie. This was the second Helloween live album to feature Andi Deris as frontman and third overall. It enjoyed chart success in several countries: Germany: 9 (DVD) & 58 (CD), Sweden: 9 (DVD), France: 10 (DVD)[26]Helloween has since completed their studio albumGambling with the Devil, which was released on 23 October 2007. It received many positive reviews, with most fans praising the album as being one of the best Deris-era albums. Despite being one of Helloween's heaviest albums, it is noted for featuring more keyboards. "As Long as I Fall", the first single, was released in early September and only available via download (save for Japan, where it was released on CD). The video for the song is available at their official site.[27]
Helloween teamed up withKai Hansen's current bandGamma Ray for their 2007–2008 "Hellish Rock" world tour, which started in early November 2007. Helloween were headlining andGamma Ray were labeled as the "very special guest" with most shows also having fellow German "guest"Axxis. The tour went through Europe, Asia and South America, as well as a few dates in the US. The tour is notable forKai Hansen stepping on stage with his former band fellows Weikath and Grosskopf to perform hits "I Want Out" and "Future World" in the lastencore segment of Helloween.[28] In 2008, they played the UKBloodstock festival alongside Dimmu Borgir.[29]
On 26 December 2009, Helloween released theUnarmed – Best of 25th Anniversary album in Japan. The album was released on 1 February 2010 in Europe. The album is a compilation of ten of the band's best known songs, re-recorded in different musical styles than the original recordings and by the current lineup. It features a seventeen-minute "Keepers Medley", recorded by a seventy-piece orchestra from Prague, mixing together "Halloween", "The Keeper of the Seven Keys" and "The King for a 1000 Years". There is a limited editiondigipak, including a thirty-minute "making of"-DVD with interviews and studio footage. The band's website states that the album was released on 13 April 2010 in North America via Sony & THE END RECORDS labels.[30] On 14 May 2010, it was announced on their site that they were working on a new studio album,[31] which was the fastest and heaviest effort in years.
Helloween released their thirteenth studio album,7 Sinners, on 31 October 2010 in Europe and 3 November 2010 in the US. Before its physical release, the band made it available worldwide for streaming via their Myspace page. The name of the album alludes to the seven deadly sins. According to Andi Deris, the album goes straight to the point: "After an acoustic album, we needed definitely something that shows the people without any question that this is a metal album."[32] The band toured to promote the new album withStratovarius andPink Cream 69 as their guests.[33][34] On 5 April 2011, via the band's website, it was announced that7 Sinners was awarded 'Gold status' in the Czech Republic.[35]
In June 2012, Helloween entered the studio to begin recording their fourteenth album,Straight Out of Hell, which was released on 18 January 2013.[36] They then went on tour around the world with Gamma Ray again.[37]
In September, Helloween played at Rock in Rio 2013 with former memberKai Hansen as a special guest.[38] In October 2014, the band announced a new album for a May 2015 release. It was produced byCharlie Bauerfeind at Mi Sueño Studio onTenerife and marked their return to theNuclear Blast label with which they releasedThe Dark Ride andRabbit Don't Come Easy.[39]
On 26 February 2015, the band revealed the name and the cover artwork of the album,My God-Given Right, released on 29 May 2015. The artwork was created byMartin Häusler.[40][41]In June 2015, it was discovered that the band members were working on a book, released as "Hellbook".[42] Grosskopf stated that it is "a kind of history book with lots of pictures".[43][44][45]
In November 2016, it was announced that former membersKai Hansen andMichael Kiske were re-joining the band for a world tour titled the Pumpkins United World Tour, that would start on 19 October 2017 inMonterrey, Mexico, and conclude the following year.[46]
"Kai said something like, 'Michael, if we don't ever do anything again under the name of Helloween, we're just idiots.' [...] and I just said, 'You know what, Kai? I'm open.'"
Although Hansen had been occasionally appearing as a guest on Helloween shows for a few years, Kiske had been particularly reluctant in interviews to the idea of performing with Helloween again due to bad blood with Markus Grosskopf and especially Michael Weikath, dating from when he was fired from the band in 1993; this started to change in 2013, when he ran into Weikath at theSweden Rock Festival.[49] He stated in 2017: "The first thing [Weikath] said was, 'What have I done that you can't forgive me?' That was the first line he said to me. And I realized that I had forgiven somehow a long time ago without noticing. That's how it all started". It was Hansen, who had been his bandmate as a part ofUnisonic since 2011, who ultimately convinced him in 2014.[47][48] Other popular former membersRoland Grapow andUli Kusch were not asked to re-join, with Grosskopf stating "it would be too many people".[50]
This new line-up released an original song, "Pumpkins United", on 13 October 2017, as a free download (with avinyl release on 8 December), on which Deris, Hansen and Kiske all share lead vocals.[51] The Pumpkins United World Tour started inMonterrey, Mexico on 19 October 2017. The first show saw both Deris and Kiske performing songs from their respective Helloween albums and sing duets together, while Hansen performed lead vocals for amedley of songs fromWalls of Jericho. The show also included a tribute to the late original Helloween drummerIngo Schwichtenberg.[52]
However, Kiske started suffering health issues related to his voice shortly before starting the tour, to the point where after the first two shows in Mexico, his involvement for the next dates was unsure.[52][53] He was cleared to perform by doctors in time for the next show inSan José, Costa Rica on 23 October, although his illness forced the band to temporally remove a few songs from their setlist, and to have Deris, Hansen and Gerstner support him more vocally.[54][55][52] After accusations from fans of Kiske usinglip sync on the more vocally demanding parts of some songs, Kai Hansen confirmed that Kiske had indeed partially used taped vocals, but only for the tour's opening show in Monterrey, and because the band feared they would have to cancel the show, as Kiske felt unsure he would be able to perform at all due to his illness.[52] Kiske stated in 2021 that "it was the hardest tour that I ever did because I caught a freakin’ virus somewhere in South America and I couldn’t get rid of it. Like, after four weeks, like the middle of the tour, I was only able with huge glasses of red wine and painkillers to go on stage because my immune system was going nuts."[56] With regards to the taped vocals Kiske explained in a 2021 interview "I never did anything like that, and I will never do that again…When you do a playback, you've gotta be doing the same thing as on the recording, and I was, like, holding the microphone to the audience and my voice was coming through the P.A. and stuff like that…I didn't have a choice. The other choice was to cancel the show, and the band didn't wanna cancel the show."[57] On 28–29 October 2017, the band recorded their concerts inSão Paulo, Brazil for a future live album and DVD.[58][59]
About a potential studio album under the Pumpkins United line-up, Deris stated in March 2018: "We certainly have lots and lots of talks [about it]. This summer, if the chemistry goes on like this, then everything is possible. After recording that particular "Pumpkins United" song, we realized that it's easy working together. [...] Yeah, it was no problem at all, as if we would have worked together for decades already. So, I could see an upcoming album for the future. If the chemistry stays the way it is now, I definitely would say 99 percent yes, we're going for it."[60] When they were interviewed together in June, Weikath stated: "We don't really feel like starting with it because it's going to be a lot of work and it's going to take a lot of time and right now, we are kind of comfy with what we are doing, so to say. So, we are not lying. It's very easy to say; we are just too lazy to get started with that". Hansenstated "There's a lot of ideas in the room for what we do next and so on. But, nothing is kind of decided. Nothing is ripe for the decision. We leave that open, kind of."[61]
On 21 August 2018, the band announced that, at the request of their labelNuclear Blast, the Pumpkins United line-up would perdure after 2018, and that a live CD and DVD for the Pumpkins United World Tour would be released in early 2019, followed by a new studio album to be recorded later that year for a planned 2020 release, with Weikath, Hansen and Deris acting as a "songwriting trio"; this will be their first studio album to feature Hansen sinceKeeper of the Seven Keys: Part II in 1988 and the first with Kiske sinceChameleon in 1993.[62] The Pumpkins United World Tour concluded on 22 December 2018 inHamburg.[63]
On 4 October 2019, Helloween performed at the 2019 edition ofRock in Rio[64] and on the same day the live DVD/Blu-rayUnited Alive and the live albumUnited Alive in Madrid, both recorded during the Pumpkins United World Tour, were released. The first comprises recordings of the band's performances inMadridWiZink Centre (2017), atWacken Open Air (2018) and inSão Paulo (2017) and the second is a recording of the full performance in Madrid, with songs recorded in shows inPrague,São Paulo,Wacken andSantiago acting as bonus tracks.[65]
On 26 November 2019, the band published a video in which they shared that they had begun recording their next album inHamburg and that they were planning to resume touring in late 2020.[66] On 1 June 2020, Helloween confirmed that they had postponed their fall European tour to the spring of 2021, due to theCOVID-19 pandemic. The band also announced that they had "decided to shift the release" of their new album to early next year; with six years betweenMy God-Given Right and the new album, this marks the longest time between two Helloween studio albums, as the band had never previously spent more than three years without releasing a new studio album.[67] On 25 March 2021, Helloween releases in Japan their new book, an encyclopedia calledSeven Keys United Memorial: Complete Collection of Helloween.[68]
In March 2021, it was announced that the band's first album with the Pumpkins United line-up would be titledHelloween, and it was released on 18 June 2021.[69][62][67][70] The album topped German charts and also reached number one in sales in other countries.[71][72] Following the success of this album, the band launched a comic book and a line of collectibleaction figures inspired by the bands' cover artwork and lyrical lore.[73] As of March 2023, according to Kiske, Helloween has begun working on new material for their next album.[74] In May 2023, it was announced that Helloween would be inducted into the Metal Hall of Fame.[75] On November 22, 2023, Helloween announced plans to take the next few months off in order to focus on the making of their next studio album.[76]
On February 15, 2024, it was announced that the band had signed withReigning Phoenix Music (RPM) and would be releasing their upcoming new album in 2025.[77]
On November 1, 2024, Helloween announced a new live double album calledLive at Budokan, which was released on December 13, 2024. The album features the recording of the band's September 16, 2023 performance atTokyo’s legendaryNippon Budokan.[78]
^Garza, Janiss (8 April 1989)."The Heavy Metals"(PDF).Cash Box. Vol. 52, no. 39. New York City, New York: Cash Box Publications. p. 13. Retrieved10 December 2023.
