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Hatful of Hollow
Compilation album by the Smiths
Released	2 November 1984
Recorded	1983–1984
Genre	Alternative rock jangle pop indie pop post-punk
Length	56:11
Label	Rough Trade
Producer	John Porter The Smiths Roger Pusey Dale "Buffin" Griffin
The Smiths chronology
The Smiths (1984) Hatful of Hollow (1984) Meat Is Murder (1985)
Singles from Hatful of Hollow
"Heaven Knows I'm Miserable Now" Released: 21 May 1984 "William, It Was Really Nothing" Released: 20 August 1984 "How Soon Is Now?" Released: 28 January 1985

Professional ratings

Review scores
Source	Rating
AllMusic	[1]
Blender	[2]
Chicago Tribune	[3]
Pitchfork	10/10[4]
Q	[5]
Record Mirror	[6]
The Rolling Stone Album Guide	[7]
Select	5/5[8]
Sounds	[9]
Uncut	[10]

Hatful of Hollow is acompilation album by the Englishrock bandthe Smiths, released on 2 November 1984 in the United Kingdom, byRough Trade Records.^[11] The album features tracks fromBBC Radio 1 sessions, their first single "Hand in Glove" (a different mix of which had been included on the band's debut album released earlier in the year) and two new singles and theirB-sides. It was eventually released in the United States on 9 November 1993 bySire Records, which had initially declined to release the album in the country. Sire instead releasedLouder Than Bombs in the US in 1987, which is effectively a hybrid ofHatful of Hollow and a subsequent UK compilation albumThe World Won't Listen, along with additional songs that do not appear on either.

Hatful of Hollow reached No. 7 on theUK Albums Chart, remaining on the chart for 46 weeks.^[12] In 2000,Q magazine placed the album at No. 44 on its list of the "100 Greatest British Albums Ever".

The album consists mainly of songs recorded over severalBBC Radio 1 sessions in 1983. Tracks shown in bold were included on the album.^[13]

1. ForJohn Peel on 18 May 1983 (broadcast 1 June): "What Difference Does It Make?", "Miserable Lie", "Reel Around the Fountain", "Handsome Devil" (all four songs were later released as thePeel Sessions EP)^[14]
2. ForDavid Jensen on 26 June 1983 (broadcast 4 July): "These Things Take Time", "You've Got Everything Now", "Wonderful Woman"
3. For Jensen on 25 August 1983 (broadcast 5 September): "Accept Yourself", "I Don't Owe You Anything", "Pretty Girls Make Graves", "Reel Around the Fountain"
4. For Peel on 14 September 1983 (broadcast 21 September): "This Charming Man", "Back to the Old House", "This Night Has Opened My Eyes", "Still Ill"^[14]

When first broadcast, these radio sessions featured songs which were otherwise unavailable, with the exception of "Handsome Devil", a version of which had already appeared as the B-side to the "Hand in Glove" single.^[15] All were subsequently re-recorded for singles or for the band'sdebut album the following year. "This Night Has Opened My Eyes" was recorded in the studio in June 1984,^{[citation needed]} but the only version ever released was the September Peel session.^[13]

"This Charming Man" was specifically written for the band's second Peel session.^[14][15] It was an attempt byJohnny Marr to emulate both the work of labelmatesAztec Camera andthe Supremes' "You Can't Hurry Love".^[15]

Hatful of Hollow also features the band's debut single "Hand in Glove", as well as their two most recentsingles prior to the album's release, "Heaven Knows I'm Miserable Now" and "William, It Was Really Nothing", along with their respectiveB-sides, "Girl Afraid", "How Soon Is Now?" and "Please Please Please Let Me Get What I Want".^[13]

"How Soon Is Now?" would receive a separate single release in 1985 in both the UK and the US. It reached No. 24 in the British charts, but failed to chart in the US.Morrissey and Marr lamented the lack of chart success of what they considered their strongest song thus far.

The radio session versions of songs differ from other studio recordings. Some of the major differences include:

• "What Difference Does It Make?" is played in a higherkey than the version onThe Smiths.^[13]

• "These Things Take Time" is less streamlined than the version on the "What Difference Does It Make?" 12-inch single.^[13]

• "This Charming Man" lacks the guitar intro that would later appear on the single release.^[13] The rhythm and beat features more of aMotown influence, and the song lacks the sudden dramatic pauses of the later studio version.^[15]

• "Still Ill" opens and closes with a harmonica solo, played by Marr, and is slightly slower than the version onThe Smiths.^[13]

• "You've Got Everything Now" is more raw than the version onThe Smiths and also does not feature any of the latter's keyboard parts.^[13]

• "Back to the Old House" is anacoustic performance, featuring just Morrissey and Marr, as opposed to the full band version on the "What Differences Does It Make?" single.^[13]

• "Reel Around the Fountain" lacks the keyboard parts played byPaul Carrack that are present on the album version ofThe Smiths.^[13] Michael Hann ofThe Guardian opined that the Peel version is "a grave and stately thing, with Marr's spectral and sparse guitar-playing draped over the song like gauze," adding that that the later version onThe Smiths was transformed into a "conventionalcountry-pop song", and that the bassline was changed.^[15]

In addition, the original single version of "Hand in Glove" is included, as opposed to the remixed version byJohn Porter that appears onThe Smiths. It features afade-in and fade-out and more prominent bass from Andy Rourke.^[13]

The cover was photographed by Gilles Decroix and features model Fabrice Colette, adorned with a tattoo inspired by a drawing byJean Cocteau.^[16] The photograph was taken from a July 1983 special edition of the French newspaperLibération.^{[17][better source needed]} In 1987, the album cover was redesigned and the photograph was cropped, which removed the tattoo.^[16]

Additionally, the old cover had a large sky-blue frame with the legends "The Smiths" and "Hatful of Hollow" above and striking through the picture. Editions after 1987 feature the cropped version with the text superimposed, although the 2011 vinyl re-issue reinstated the original sleeve.

"THE IMPOTENCE OF ERNEST" is etched into therunout groove of side A. As well as being apun onOscar Wilde'sThe Importance of Being Earnest, it is an allusion to theimpotence thatErnest Hemingway suffered in his final years. "Ian (EIRE)", etched on side B, refers to Marr's younger brother.

Track source information adapted fromDig!.^[13]

Credits adapted from LP liner notes,^[18] except where otherwise noted.

The Smiths

• Morrissey – voice
• Johnny Marr – guitars,harmonica,mandolins;slide guitar on "How Soon Is Now?"^[19]
• Andy Rourke – the bass guitar
• Mike Joyce – the drums;tambourine^[20]

Additional musicians

• John Porter – electronic percussion on "How Soon Is Now?"^[21]

Technical

• Roger Pusey – producer (2, 4, 6, 8, 10, 14, 15)
• Dale Griffin – producer (3, 11)
• John Porter – producer (1, 5, 9, 12, 13, 16)
• The Smiths – producers (7)
• Morrissey – sleeve
• Caryn Gough – layout
• Martin Colley – engineer (3, 11)^[22]
• Mike Robinson – engineer (12)^[22]
• Gilles Decroix – cover photographer^[16]
• Fabrice Colette – cover model^[16]

• List of 1980s albums considered the best

• The Smiths compilation albums
• Peel Sessions recordings
• B-side compilation albums
• 1984 live albums
• 1984 compilation albums
• Rough Trade Records compilation albums
• Rough Trade Records live albums
• Sire Records compilation albums
• Albums produced by Dale Griffin
• Albums produced by Roger Pusey
• Sire Records live albums
• The Smiths live albums

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