"Hallucinate" was well received bymusic critics. Many complimented the song'sdance sound and the production as well as the1990s and2000s styles used in the production. The song appeared on numerous best songs of 2020 year-end lists, including ones published byThe Guardian,The Line of Best Fit andRolling Stone. Commercially, the song peaked at number 31 on theUK Singles Chart, while charting within the top 50 of charts in Hungary, Ireland, Lithuania, Scotland and Slovenia. It is certified gold in Brazil, New Zealand and the UK, as well as platinum in Poland.
"Hallucinate" was co-written bySG Lewis (pictured left) andFrances (pictured middle), whileStuart Price (pictured right) contributed to the production.
"Hallucinate" was originally written byFrances andSG Lewis, the same day in which Lewis created the instrumental for his song "Feed The Fire" (2020). They did not finish the song, but created parts of it and had rough structures of what the song could be. The duo ended up playing it for Joe Kentish, theA&R forDua Lipa's label. Kentish ended up sending the song to Lipa who, after hearing it, contacted Lewis about her admiration of it. Lipa and Lewis originally connected through Frances and they had known each other for a while as they ran in the sameLondon circles, but they never wrote together; he did a remix of her 2017 song "New Rules". The three of them then got into the studio to finish the song, which did not take very long. Lewis recalled that Lipa took the song to "another level" and that it was quite easy to finish. He also served as the song's producer. After the song was finished,Stuart Price began doing some additional production acrossFuture Nostalgia, eventually coming upon "Hallucinate", in which he added some production items.[1][2] The song was recorded at Pulse Music in Silverlake with the vocals being recorded at London's TaP Studio. Price mixed the song at Tracques[note 1] whileChris Gehringer mastered it atSterling Sound inEdgewater, New Jersey.[3]
The production consists of a loopedbass, pianissimosynthesizers,[18]hi-hats,[19] a synth bassline,[20] mercilessly scythed violins, cowbells,[21]EDMrhythms,[22] apost-disco housegroove,[23] andretrodrum beats, categorized as disco-house.[24][20][25] Lipa showcases her higher vocal register, with her vocals ranging fromF3 toD5.[5][26] She also contributes a 1990sdiva hook with husky vocals.[25][27] The lyrics evoke different sensory experiences, and describe how crazy love can make one feel.[27][28] It sees Lipa engaged in an all-consuming, addictive love and celebrating carnality and physicality as the gateway to higher ground.[15][29]
This is quite different from the other songs on the album, which all tie in together. But I just wanted this to be like a fun '90s dance track. It felt so freeing. It makes me so happy.
"Hallucinate" was released throughWarner Records on 27 March 2020 as the seventh track on Lipa's second studio album,Future Nostalgia.[32] The following month, Lipa confirmed that the album would receive another single following the release of "Break My Heart".[33] On 3 July 2020, Lipa announced that "Hallucinate" had been chosen as the next single and revealed its cover art.[34] The song was released fordigital download andstreaming on 10 July 2020 as the album's fourth single.[35] The song was promoted with a lense onSnapchat.[36] Lipa held a contest for a fan to create anInstagram filter, which was ultimately chosen and promoted on the app.[37][38] "Hallucinate" themed stickers were also promoted on the app.[39] The song received alyric video on 9 April 2020.[40]
"Hallucinate" was met with positive reviews frommusic critics.[2] Neil Z. Yeung ofAllMusic called "Hallucinate" a "rapturous out-of-body rave", whileEntertainment Weekly'sMaura Johnston labelled it "stardust-dipped".[50][51] InRolling Stone, Brittany Spanos viewed the song as a "gorgeous euphoria" while also recommending some club remixes.[52] InThe Guardian, Laura Snapes wrote that the chorus "seems to enter an interstellar dimension".[53] Of the same newspaper, Luke Holland called the chorus, "bigger than a God's tea cosy" as well as writing it "feels constructed by boffins in a hermetically sealed lab to be the most effective chrome-plated slammer it can possibly be".[19] ForPopMatters, Nick Malone stated it "flourishes" in the chorus as well as praising its hook, but criticized its baseline, writing it betrays what an obvious hit is.[54] Richard S. He ofJunkee noted its aim for early 2000s pop-disco, similar to Minogue andMoloko.[55]
InThe Daily Telegraph,Neil McCormick said that even though "Hallucinate" is a "minor track", it keeps up "the melody and movement with a spirit of sensual fun that would makeKylie Minogue weak with envy".[56] ForThe Line of Best Fit, Chris Taylor viewed the song as a "blissful early '00s club floor-filler, the kind that gets limbs and sweat flying everywhere with abandon".[14] In a positive review fromIdolator, Mike Nied called it a "glory" and a "balls-to-the-wall delight bound to send your heart rate skyrocketing". He concluded by calling the chorus "stutter-riddled" and "a sing-along moment".[17] Courteney Larocca ofInsider wrote that it transports one to a "'80s jazzercise class or an underground rave", while Callie Ahlgrim of the same website praised how it hooks the listener in and labelled it "pop perfection".[27]musicOMH's Nick Smith praised "Hallucinate" for having listeners on "the '90s dancefloor".[57]
Uproxx's Caitlin White categorized the song's aesthetic as "neon-tinted" while Alex Abad-Santos ofVox called it a "starship laser-beam spectacle".[58][59]Crack Magazine writer Michael Cragg thought it is equally as incredible as "Don't Start Now" and categorized its sound as aDaft Punk remix of a single fromMadonna'sConfessions on a Dance Floor (2005) era.[60] Writing forWonderland, Bailey Slater noted that the song has that "blissfulbeach pop clubbiness of the best 2000's pop".[61] In a mixed review fromUnder the Radar, Conrad Duncan stated "Hallucinate" does a "faithful impression of 2000s disco-house", but criticized it, writing "it might as well have been written as radio fodder for 2004".[62] InSlant Magazine, Sal Cinquemani called it the most "bald-faced gesture" onFuture Nostalgia, and wrote it would be a highlight on a "lesser album" but stating it feels "generic" being "sandwiched" between "Pretty Please" and "Love Again".[63]
"Hallucinate" placed on numerous best songs of 2020 year-end lists.The Line of Best Fit and the Indian edition ofRolling Stone hailed it as 2020's second best song.[64][65] The song placed at number three on a year-end list published byDIY and number eight onCrack Magazine's year-end list.[66][67]The Quietus ranked the song at number 24.[68] InThe Guardian, the song was ranked as the 15th best song of 2020, and the song placed on lists published by the publication's writers Marcus Barnes and Alim Kheraj.[9][69] It additionally placed on an unrankedGlamour year-end list.[70]
Upon the release ofFuture Nostalgia, "Hallucinate" found success throughout Europe as an album track, charting at number 92 in Greece,[71] 28 in Hungary,[72] 99 in Italy,[73] 35 in Lithuania,[74] 89 in Portugal,[75] 67 in Slovakia,[76] and 73 in Spain.[77] It additionally entered the UKOfficial Audio Streaming Chart at number 48, theUK Singles Downloads Chart at number 82 and theNZ Hot Singles Chart at number 7.[78][79][80] In the United Kingdom, "Hallucinate" was the most streamed album track from the album upon its release.[81] Following its single release, "Hallucinate" debuted at number 65 on theUK Singles Chart issue dated 24 July 2020.[82] In its ninth week, the song reached a peak of number 31 and lasted for a total of twelve weeks on the chart.[83] In October 2024, the song was awarded a platinum certification by theBritish Phonographic Industry (BPI) for 600,000 track-equivalent unit sales in the United Kingdom.[84]
OnBillboard'sGlobal Excluding U.S chart, "Hallucinate" debuted at number 159 in the chart's first week, 19 September 2020, and lasted for three weeks.[85] The song also spent three weeks on theEuro Digital Song Sales, peaking at number 16.[86] In July 2020, it re-entered the NZ Hot Singles chart to reach a new peak of number 5 and later,Recorded Music NZ (RMNZ) awarded the song a platinum certification for track-equivalent unit sales of 30,000 units in the country.[87][88] The song reached number 40 and seven respectively on theIrish Singles Chart andScottish Singles Chart.[89][90] In Croatia and Slovenia, the song reached respective peaks of 11 and 31.[91][92] On theDutch Single Top 100, the song debuted at number 55 on the chart issue dated 1 August 2020. The song spent ten weeks on the chart, reaching its peak of number 55 in its third week.[93] It also reached number 20 on theDutch Top 40 chart.[94] "Hallucinate" received gold and platinum certifications fromPro-Música Brasil and thePolish Society of the Phonographic Industry (ZPAV), respectively, for track-equivalent sales of 20,000 units in Brazil and Poland.[95][96]
After choosing "Hallucinate" asFuture Nostalgia's fourth single, Lipa approached production companyThe Mill, an animation studioTitmouse, Inc. and director Lisha Tan with a 2D animated music video idea for the song, inspired by the 1970s disco heyday, with "the wacky characters, different rooms, diverse color palettes and a sense of never knowing which direction the psychedelic journey will take you on." Tan then took the treatment began looking at iconic photos from the disco aesthetic of the 1970s and Studio 54, compiling references and inspirations from the debauched behavior and crazy costumes everyone was wearing. They also were inspired by psychedelic themes, creating "dream" and "nightmare" sequences and imagining what would go in them. Tan additionally based much of the video on the track's lyrics, where she listened to the song at least 20 times to absorb the meaning. To be authentic, they used details from Lipa's real life, where in the dream sequence, Lipa is seen in a flower field as well as dancing alongside her pygmy goat pets; In the nightmare sequence, she sees her biggest fear, clowns.[97][98]
The project was created during lockdowns due to theCOVID-19 pandemic, with teams working inLondon,Los Angeles, andParis.[97] They did virtual sessions where they brainstormed ideas and worked together in "one seamless digital room". Tan gave the design team a general brief and parameters and let them embrace bringing the character to life. They reviewed sketches and collaborated by tweaking specific elements. The team also spent much time discussing how the sequences would work with Tan's rough sketches and style frames and split up into teams for each "act" of the video. The teams were in constant communication, asking questions and using video chats. Lipa's choreographerCharm La'Donna also helped by filming dance moves, mannerisms and reference poses from her home to infuse accuracy into Lipa's character. Sound effects were also added to the track, using 360 reality audio.[97][98][99] On 21 April 2020, Lipa confirmed that she was working on themusic video forFuture Nostalgia's fourth single.[33] She announced the release of the music video on 8 July 2020. The visual premiered viaYouTube on 10 July 2020.[7]
I wanted the video to feel, as a viewer, like you are on a rollercoaster with a sense of constant forward-motion. There is the tingle of anticipation in the beginning, then multiple ups and downs, before you burst out at the end, triumphant!
— Director Lisha Tan discussing the video's intentions.[97]
The video opens with an animated Lipa inhaling stars in the sky. It then cuts to her performing in a black and white club, for a crowd of early 20th-century style cartoon characters with big eyes and bulbous shapes.[100][101] She wears a white bodysuit and tall go-go boots of the same colour.[102] Her backup podium dancers include muscular men and raunchy women, who have stars for heads.[103] Lipa is then offered a flower from a character in the crowd with a heart-shaped head. After smelling it, rainbows start spiraling in her eyes, and then she is taken on a psychedelic trip.[100][101]
The adventure begins with neon-rainbow doors opening to gloved hands waving jazz hands towards Lipa walking down a hallway and dancing, before her image duplicates.[102] She is then seen dancing with wide-eyed cartoon unicorns, vegetables, rainbows, ice cream cones and bunnies as well as on a disco floor in several colourful settings.[100][104][105][106] Love potions are also seen pouring heart swirls around Lipa's face. After landing in a flower field, Lipa is sucked into the underground to eventually be scared by clowns and skeletons before she is sucked into the skeleton's mouth where she begins to cry.[100] After breaking free from the skeleton, she is seen flying through the cosmos like a superhero, dancing on a giant disco ball and flying with dolphins, with the video ending with Lipa entering into an interstellar portal and awakening from her trip.[98]
Studio 54 andAlice in Wonderland together. You smell the flower or you drink the little magic potion bottle and you start hallucinating. You go from good trip to bad trip to good trip again.
— Lipa explaining the visual's plot and concept.[107]
Gil Kaufman ofBillboard labelled the music video "trippy" and "spaced-out", while also calling its settings "the weirdest club you've ever seen" and "a bizarro world".[108] Of the same magazine, Jason Lipshutz praised Tan's directing and Lipa's delivery while also comparing the atmosphere to Studio 54.[109] Jon Blistein ofRolling Stone called it "delirious" and "wild".[100] ForEntertainment Tonight, Corey Atad called the video "trippy", while also comparing it to 1930s cartoons andBetty Boop.[110]DIY called Lipa's character "badass".[111]Entertainment Weekly's Nick Romano compared the characters to cartoons from the 1930s and 1940s while also writing Lipa "transforms into the spiritual descendant of Betty Boop".[104] Wongo Okon ofUproxx wrote it is "styled after early cartoons from a century ago" and called the storyline "colorful" and "psychedelic".[101] InNME, Rhian Daly noted the video's inspirations from Studio 54 aesthetic and the iconic era cartoons.[105] Marni Zipper ofRadio.com called it "eccentric", "beautiful", "glittery" and "animated glory".[112]
ForNylon, Claire Valentine wrote about the storyline stating it is a "strange dancefloor trip inside of her mind".[106] Emily Gosling ofCreative Boom labelled the video "colourful" and "feel-good".[103] ForV, Dante Silva called the video "anachronistic" and its point "nonsensical".[113] InThe Face, Erica Russell thought Lipa's character was "like a cross between Betty Boop andJessica Rabbit" that "bounces around a psychedelic fantasy world populated by retro, rubber hoseFleischer-style cartoons" with a "colorfulCuphead-meets-Cool World aesthetic". She went on to note that it deviates from Lipa's typical "sultry, choreography-focused music video style" and "offers a fresh product for fans to consume" while also allowing Lipa to "display her playful and energetic personality through a colorful, physics-defying cartoon magnifying glass".[114] The music video for "Hallucinate" won animation, general video at the 2021Webby Awards.[115]
Avertical video for "Hallucinate" was released 10 July 2020. It was produced byBlink Ink with executive production by Josef Byrne.[116] The video was created by Connor Campbell and Harry Butt, a first time collaboration between the two, who created the visual in five days.[117][118] Campbell, a motion designer and art director, and Butt, a graphic designer, had been wanting to work together on something since the beginning of 2020. The project started with the words "90s rave", and they were given a week to finish. The two immediately attempted to come up with some classictropes such as lasers, strobe lights, and dancers. They also considered rave flyers and vivid 1990s-era clothing.[119]
Campbell and Butt worked from opposite sides of the United Kingdom due to lockdown procedures associated with theCOVID-19 pandemic; Campbell worked in the countryside, where he ran into trouble not having the best internet connection. The two did many email introductions andZoom meetings as there was a lot to consider and a lot of people to keep in the loop. Much conversation went into the visual's dancing figure as they did not want "overly-sexualized skinny 3D characters" because they did not want to mess with peoples mental health issues with body image. Due to their lack of time to make it, many of their designed typographic lockups were removed so they could swiftly move onto their next aspect of work, such as motion tests and quick experiments. Campbell described the video as a true fusion of his and Butt's skillsets.[119]
English singerDeclan McKenna covered "Hallucinate" in BBC Radio 1's Live Lounge.[120] He stripped back the song, playing an acoustic guitar, and being accompanied by a piano and electric guitar. His delivery combined tender sentiments and lustful vocal bursts.[121] DJ Ben Howell remixed the song with theBBC news theme, which caught the eye of both Lipa andBBC Radio 1 DJGreg James.[122] The remix ended up winning Remix of the Year at the 2020 BBC Radio 1 Lockdown Awards.[123] A remix byPaul Woolford was released on 24 July 2020, and a week later on 31 July,Tensnake's remix was released.[124][125]
Lipa andthe Blessed Madonna'sDJ Mix-crafted remix albumClub Future Nostalgia includes Woolford's extended remix and a remix byMr Fingers titled "deep stripped", released 28 August 2020,[126] with the original Mr Fingers remix being released 11 September 2020.[127] The DJ Mix version Woolford's remix samples "The Sun Can't Compare", performed by Larry Heard presents Mr. White, while the DJ Mix version of Mr Fingers' remix contains elements of "Another Man", written by Butch Ingram, and samples "Another Man" performed byBarbara Mason and "Hollaback Girl", performed byGwen Stefani.[128] He started creating the remix by adding some club-style concepts to Lipa's vocals,[129] with the final version including gurgling bassline, slinky synths, and West End disco beats.[130][131] A skeletalambient track,[132][129] he reduces Lipa vocals down to a whisper and incorporates elements of 1990s house and contemporarydance-pop.[131][133]Matt Colton mastered Mr Fingers' remix atMetropolis Studios in London while Woolford's remix was mastered at StarDelta by Lewis Hopkin.[128]
^ab"ČNS IFPI" (in Slovak). Hitparáda – Singles Digital Top 100 Oficiálna. IFPI Czech Republic.Note: Select 14. týden 2020 in the date selector. Retrieved 15 April 2020.
^"ČNS IFPI" (in Slovak). Hitparáda – Radio Top 100 Oficiálna. IFPI Czech Republic.Note: Select 40. týden 2020 in the date selector. Retrieved 30 October 2020.
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