Not to be confused with the later poetPseudo-Oppian, who wrote didactic poetry on hunting. For the hill Rome, seeOppian Hill.
Oppian (Ancient Greek:Ὀππιανός,Oppianós;Latin:Oppianus), also known asOppian of Anazarbus,of Corycus, orof Cilicia, was a 2nd-centuryGreco-Romanpoet during the reign of theemperorsMarcus Aurelius andCommodus, who composed theHalieutica, a five-book didactic epic on fishing.
Oppian states that he is from 'the city of Hermes' and the 'city at the promontory of Sarpedon'.[1] This has been supplemented by information from the biographies attached to medieval manuscripts, which state that his birthplace was Caesarea (now known asAnazarbus) or Corycus inCilicia,[2] orCorycus according to theSuda. All these cities were in theRoman province ofCilicia, in what is now southern Turkey.
A later didactic poem onhunting, theCynegetica (Κυνηγετικά,Kynēgetiká), was also attributed to Oppian. For that reason, its anonymous poet is generally referred to asPseudo-Oppian or Oppian of Apamea.[3] Furthermore, a didactic poem onbird catching,Ixeutica (Ἰξευτικά,Ixeutiká), which now only survives in a proseparaphrase, was also attributed to Oppian in the manuscript tradition. TheIxeutica is now thought to describe a work composed by the Dionysus whom theSuda mention as the author of a treatise on rocks (Λιθιακά,Lithiaká). A likely explanation for the attribution of all these works to Oppian is that the three didactic poems on hunting, fishing, and fowling were at some point circulated as a complementary trio.[4]
According to the anonymous biographies attached to the Byzantine manuscripts of theHalieutica, Oppian's father, having incurred the displeasure of a colleague ofMarcus Aurelius namedLucius Verus by neglecting to pay his respects to him when he visited Rome, was banished toMalta. Oppian, who had accompanied his father into exile, returned after the death of Verus(AD 169) and presented his poems to Marcus Aurelius, who was so pleased with them that he gave the author a piece of gold for each line, took him into favour, and pardoned his father. Oppian subsequently returned to his native country but died of the plague shortly afterwards at the early age of thirty. His contemporaries erected a statue in his honour, with an inscription which is still extant, containing a lament for his premature death and a eulogy of his precocious genius.[5]
TheHalieutica consists of five books, which can be divided into two parts: books 1-2 describe the behaviour of fish and other marine animals, books 3-5 contain various fishing techniques. The content of theHalieutica is not sufficient to serve as a practical guide for fishing. Instead, the humans and animals described in the work often seem to provide examples of good and bad behaviour. The fish in theHalieutica are depicted in an anthropomorphic fashion, as their behaviour is generally motivated by emotions such as hate, love, greed, jealousy and friendship. The fish are also very frequently the subject ofHomeric similes. In many cases, Oppian reverses the Homeric technique: whereHomer compares epic heroes with animals, the actions of animals in theHalieutica are often compared to all types of human behaviour.[6]
The content of theHalieutica is as follows:
Book 1: after the introduction and dedication of the work toMarcus Aurelius, the first half of the work contains a catalogue of marine animal species, sorted by their habitat (Hal. 1.80-445). The second half describes their reproductive behaviour (Hal. 1.446-797).
Book 2: this book describes the 'battles' of fish, how predators catch their prey and techniques that fish use to avoid capture by other fish.
Book 3: the book starts with a description of the preparations for fishing (Hal. 3.29-91). It then describes how fish escape fishermen (Hal. 3.92-168). The main portion of the book contains various techniques to capture fish through their gluttony (Hal. 3.169-528), followed by a list of fish that can be caught due to their aggression and ends withtuna fishing (Hal. 3.529-648).
Book 4: the main theme of this book is fishing through manipulating the love and lust of fish (Hal. 4.1-449). The remainder of the book describes, among other things, frightening fish (Hal. 4.502-634) and fishing with poison (Hal. 4.647-693).
Book 5: in many ways the grand finale of theHalieutica, as it teaches you how to catch the largest animals of the sea, includingwhales,sharks, anddolphins. The work is concluded by a section on the fatal outcome ofsponge diving. (Hal. 5.612-680)
Editio Princeps, with Latin translation by Laurentius Lippius,Aldine edition, Venice, 1517;
Oppianus. Poetae alieuticon, sive de piscibus, libri quinq[ue] e graeco traducti ad Antonium Imperatorem [.], authore Laurentio Lippio Collensi, interprete librorum quinq[ue] Oppiani. C. Plinii Secundi naturalis historiae libri duo [.] de naturis piscipium, in altero vero de medicinis ex aquatilibus sive piscibus. Pauli item Iovii de piscibus liber unus [.], first Johannes Caesarius edition, Strasbourg, Jacob Cammerlander, 1534;
Oppiani de Venatione libri IV.,Parisiis apud Vascosanum, 1549;
Oppiani Anazerbei de Piscatu Libri V., de Venatione libri IV,Parisiis, 1555, apud Turnebum;
Oppiani Poetae Cilicis de Venatione lib. IV., de Piscatu lib. V., cum interpretatione latina, comment. et indice rerum......studio et opera Conradi Rittershusii, Lugduni Bat., 1597;
Poetae graec. veteres carmina heroici scriptores qui exstant omnes, apposita est e regione latina interpretatio......cura et recensione Iac. Lectii, Aureliae Allobrog., 1606;
Oppiani poetae Cilicis De venatione libri IV et De piscatione libri V. cum paraphrasi graeca librorum de aucupio, graece et latine, curavit Joh. Gottlob Schneider (1776);
^The most comprehensive study that proves that theCynegetica is not by Oppian is Martínez, S. and Silva, T. 2003. 'Opiano, ¿un poeta o dos?',L'Antiquité Classique 72, 219-230
^Keydell, R. 1937.Oppianos (2), in: von Pauly, A.F. et al. (eds),Paulys Realencyclopädie der classischen Altertumswissenschaft. Stuttgart, vol. 18, 703-708, p.703-704; James, A.W. 1970.Studies in the Language of Oppian of Cilicia, Amsterdam, p. 2
^See for instance Kneebone, E. 2008. "'ΤΟΣΣ' ΕΔΑΗΝ: The Poetics of Knowledge in Oppian'sHalieutica",Ramus 37.1-2, 32-59; Bartley, A.N. 2003.Stories from the Mountains, Stories from the Sea. The Digressions and Similes of Oppian’s Halieutica and the Cynegetica. Göttingen; Effe, B. 1977.Dichtung und Lehre. Untersuchungen zur Typologie des antiken Lehrgedichts. München, p. 137-153
Poetae bucolici et didactici. Theocritus, Bion, Moschus, Nicander, Oppianus, Marcellus de piscibus, poeta de herbis, C. Fr. Ameis, F. S. Lehrs (ed.), Parisiis, editore Ambrosio Firmin Didot, 1862,pp. 1-126.
Scholia in Theocritum. Scholia et paraphrases in Nicandrum et Oppianum, Fr. Dübner, U. Cats Bussemaker (ed.), Parisiis, editore Ambrosio Firmin Didot, 1849,pp. 243-449.
One or more of the preceding sentences incorporates text from a publication now in thepublic domain: Chisholm, Hugh, ed. (1911). "Oppian".Encyclopædia Britannica. Vol. 20 (11th ed.). Cambridge University Press. p. 140.
