| Haji Piyada Mosque | |
|---|---|
آرامگاه حاجى پياده بابا | |
 The former mosque ruins in 2008 | |
| Religion | |
| Affiliation | Islam(former) |
| Ecclesiastical or organisational status | Mosque(partially destroyed) |
| Status | Closed(in ruins) |
| Location | |
| Location | NearBalkh,Balkh Province |
| Country | Afghanistan |
  Location of the mosque ruins inAfghanistan | |
 Interactive map of Haji Piyada Mosque | |
| Coordinates | 36°43′47″N66°53′7″E / 36.72972°N 66.88528°E /36.72972; 66.88528 |
| Architecture | |
| Style | Abbasid |
| Completed | c. 8th or 9th centuriesCE |
| Specifications | |
| Length | 20 m (66 ft) |
| Width | 20 m (66 ft) |
| Dome | Nine(since destroyed) |
| Shrine | One:(Haji Piyada) |
| Materials | Stucco |
TheHaji Piyada Mosque (Dari:مسجد حاجى پياده,lit. 'Mosque of the walking pilgrim') orNoh Gonbad Mosque (Dari:مسجد نُهگنبد,lit. 'Mosque of Nine Cupolas') is an historic formermosque, now in a partial ruinous state, located nearBalkh, in theBalkh province of northernAfghanistan. It is thought to be the oldest Islamic building in Afghanistan,[1] dating to the 9th century or possibly to the late 8th century.[2]
The construction of the mosque has been traditionally attributed to the 9th century, based on its similarities with theAbbasid style ofSamarra.[3][2][4][1] A more recent study by archeologist Chahryar Adle proposes that the mosque was built earlier, in 794, based on a reading of historical sources, on estimates obtained fromradiocarbon dating, and on a re-analysis of the decorative style. According to this hypothesis, the mosque was built on the orders of theBarmakid governor ofKhorasan at the time,Fazl ibn Yahya, appointed by theAbbasid caliphHarun al-Rashid.[2] According to Adle, the mosque was also built inside the precinct of a large, pre-existingBuddhist religious complex called Now-Bahar, which had been under the care of the Barmakid family for generations before this.[2]
The mosque was severely damaged by earthquakes over time, possibly as soon as the year 819.[5] All of the mosque's domes have since collapsed.[6] The site was listed on theWorld Monuments Fund's 2006 World Monuments Watch list of 100 Most Endangered Sites.[7] Prior to this, a metal roof had already been erected over the ruins of the mosque to protect it from the elements, as the structure is vulnerable to erosion.[6][8]
In 2006, based on a request from Afghan authorities,UNESCO, and the French Archaeological Delegation in Afghanistan (DAFA),the site was visited by a team of experts and a representative of theAga Khan Trust for Culture. In 2009, the conservation of the site was launched on the initiative of the Aga Khan Trust for Culture and funded byUS Embassy in Kabul, Afghanistan. Reconstruction was coordinated by several scholars from theUniversity of Florence in Italy. The first phase of work was completed in 2011. As part of the project, a larger temporary metal roof was constructed to protect the site from rain, wind and other natural disasters.[6][9]
The building measures 20 by 20 metres (66 by 66 ft).[3][5] The outside walls are of mud-brick construction. The interior is divided into ninebays, each originally covered by a dome. The columns and the arches that divide the bays are decorated in deeply carvedstucco, depicting a wide variety of designs, stylistically comparable toAbbasid decoration inMesopotamia.[10]
Pilgrims visit the tomb of saint, Haji Piyada, who was also buried there.[citation needed]
Thestucco decorations of the mosque constitute one of its most significant surviving elements, preserving deeply carved vegetal scrolls, vine-leaf motifs, and geometric interlaced pattern on the remaining columns and arches.[11] This decoration is consistent with broader assessments of the site’s early Islamic decorative language. According to Archnet, the program incorporates motifs associated with both earlyAbbasid andproto-Samanid artistic traditions.[11] Comparative studies frequently relate the stucco at Haji Piyada to that ofAbbasid Samarra, where similar abstracted vegetal and bevelled designs appear; Mobini’s analysis underscores this parallel, citing a shared progression from realism to abstractionism.[12] Boostani and colleagues further argue that the ornamentation represents a masterpiece of early Islamic architecture, reflecting patterns of artistic exchange across Central Asia in the eighth and ninth centuries.[13] Conservation reports by the Aga Khan Development Network highlight the fragility of the surviving plasterwork and emphasize its importance as rare material evidence of early Islamic stucco production in Afghanistan.[14]
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Media related toHaji Piyada at Wikimedia Commons
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