The village of Hadda, seen fromTapa Shotor in 1976. | |
| Coordinates | 34°21′42″N70°28′15″E / 34.361685°N 70.470752°E /34.361685; 70.470752 |
|---|---|
| Type | Group of Buddhist monasteries |
| History | |
| Founded | 1st century BCE |
| Abandoned | 9th century CE |
Haḍḍa (Pashto:هډه) is aGreco-Buddhist archeological site located ten kilometers south of the city ofJalalabad, in theNangarhar Province of easternAfghanistan.
Hadda is said to have been almost entirely destroyed in the fighting during the civil war in Afghanistan. In early 1980, three independent sources reported that a 2nd century B.C. Buddha statue and other antiquities were destroyed in a museum at Hadda.[1]
Some 23,000 Greco-Buddhist sculptures, both clay and plaster, were excavated in Hadda during the 1930s and the 1970s. The findings combine elements ofBuddhism andHellenism in an almost perfect Hellenistic style.
Although the style of the artifacts is typical of the late Hellenistic 2nd or 1st century BCE, the Hadda sculptures are usually dated (although with some uncertainty), to the 1st century CE or later (i.e. one or two centuries afterward). This discrepancy might be explained by a preservation of late Hellenistic styles for a few centuries in this part of the world. However it is possible that the artifacts actually were produced in the late Hellenistic period.
Given the antiquity of these sculptures and a technical refinement indicative of artists fully conversant with all the aspects of Greek sculpture, it has been suggested that Greek communities were directly involved in these realizations, and that "the area might be the cradle of incipient Buddhist sculpture inIndo-Greek style".[2]
The style of many of the works at Hadda is highly Hellenistic, and can be compared to sculptures found at theTemple of Apollo in Bassae, Greece.
Thetoponym Hadda has its origins inSanskrit haḍḍa n. m., "a bone", or, an unrecorded *haḍḍaka, adj., "(place) of bones". The former - if not a fossilized form - would have given rise to a Haḍḍ in the subsequent vernaculars of northern India (and in theOld Indic loans in modern Pashto). The latter would have given rise to the formHaḍḍa naturally and would well reflect the belief that Hadda housed a bone-relic of Buddha. The term haḍḍa is found as a loan inPashto haḍḍ, n., id. and may reflect the linguistic influence of the original pre-Islamic population of the area.
It is believed the oldest surviving Buddhist manuscripts-indeed the oldest surviving Indian manuscripts of any kind-were recovered around Hadda. Probably dating from around the 1st century CE, they were written on bark inGandhari using theKharoṣṭhī script, and were unearthed in a clay pot bearing an inscription in the same language and script. They are part of the long-lost canon of theSarvastivadin Sect that dominatedGandhara and was instrumental in Buddhism's spread into central and east Asia via theSilk Road. The manuscripts are now in the possession of theBritish Library.

Tapa Shotor was a largeSarvastivadin Buddhist monastery.[4][5] According to archaeologistRaymond Allchin, the site of Tapa Shotor suggests that theGreco-Buddhist art ofGandhara descended directly from the art of HellenisticBactria, as seen inAi-Khanoum.[6]
The earliest structures at Tapa Shotor (labelled "Tapa Shotor I" by archaeologists) date to theIndo-Scythian kingAzes II (35-12 BCE).[7]
A sculptural group excavated at the Hadda site ofTapa-i-Shotor representsBuddha surrounded by perfectly HellenisticHerakles andTyche holding acornucopia.[8] The only adaptation of the Greek iconography is that Herakles holds the thunderbolt ofVajrapani rather than his usual club.
According toTarzi, Tapa Shotor, with clay sculptures dated to the 2nd century CE, represents the "missing link" between theHellenistic art of Bactria, and the later stucco sculptures found at Hadda, usually dated to the 3rd-4th century CE.[9] The scultptures of Tapa Shortor are also contemporary with many of the early Buddhist sculptures found inGandhara.[9]
The Chakhil-i-Ghoundi monastery is dated to the 4th-5th century CE. It is built around theChakhil-i-Ghoundi Stupa, a smalllimestonestupa. Most of the remains of the stupa were gathered in 1928 by the archeological mission of FrenchmanJules Barthoux of theFrench Archaeological Delegation in Afghanistan, and have been preserved and reconstituted through a collaboration with theTokyo National Museum. They are today on display at theMusée Guimet inParis. It is usually dated to the 2nd-3rd century CE.
The decoration of the stupa provides an interesting case ofGreco-Buddhist art, combiningHellenistic andIndian artistic elements. The reconstitution consists of several parts, the decorated stupa base, the canopy, and various decorative elements.
TheTapa Kalan monastery is dated to the 4th-5th century CE. It was excavated byJules Barthoux.[13]
One of its most famous artifact is an attendant to the Buddha who display manifest Hellenistic styles, the "Genie au Fleur", today in Paris at theGuimet Museum.[14]
TheBagh-Gai monastery is generally dated to the 3rd-4th century CE.[16] Bagh-Gai has many small stupas with decorated niches.[17]
TheTapa-i Kafariha Monastery is generally dated to the 3rd-4th century CE. It was excavated in 1926–27 by an expedition led byJules Barthoux as part of the French Archaeological Delegation to Afghanistan.
This large stupa is about 200 meters to the northeast of the modern city of Hadda. Masson called it "Tope Kalān" (Hadda 10), Barthoux "Borj-i Kafarihā", and it is now designated as "Tapa Tope Kalān".[20]
The stupa at Tope Kalan contained deposits of over 200 mainly silver coins, dating to the 4th-5th century CE. The coins included Sasanian issues ofVarhran IV (388–399 CE),Yazdagird II (438–457 CE) andPeroz I (457/9–84 CE). There were also five Roman goldsolidi:Theodosius II (408–50 CE),Marcianus (450–457 CE) andLeo I (457–474 CE). Many coins were also Hunnic imitations of Sasanian coins with the addition of theAlkhontamgha, and 14Alkhon coins with rulers showing of their characteristic elongated skulls. All these coins point to a mid-late 5th century date for the stupa.[21]
{{cite journal}}:Cite journal requires|journal= (help){{cite journal}}:Cite journal requires|journal= (help){{cite journal}}:Cite journal requires|journal= (help){{cite journal}}:Cite journal requires|journal= (help)