| Hackers | |
|---|---|
 Theatrical release poster | |
| Directed by | Iain Softley |
| Written by | Rafael Moreu |
| Produced by |
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| Starring | |
| Cinematography | Andrzej Sekuła |
| Edited by |
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| Music by | Simon Boswell |
Production company | |
| Distributed by |
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Release date |
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Running time | 105 minutes |
| Country | United States |
| Language | English |
| Budget | $20 million[1] |
| Box office | $7.5 million[2] |
Hackers is a 1995 Americancrime thriller film directed byIain Softley and starringJonny Lee Miller,Angelina Jolie,Jesse Bradford,Matthew Lillard,Laurence Mason,Renoly Santiago,Lorraine Bracco, andFisher Stevens. The film follows a group of high schoolhackers and their involvement in an attempted theft. Made in the mid-1990s when theInternet was just starting to become popular among the general public, it reflects the ideals laid out in theHacker Manifesto quoted in the film: "This is our world now... the world of the electron and the switch... We exist without skin color, without nationality, without religious bias... and you call us criminals... Yes, I am a criminal. My crime is that of curiosity."
The film received mixed reviews from critics, and underperformed at the box office upon release, but has gone on to achievecult classic status.[3][4][5]
On August 10, 1988, 11-year-old Dade "Zero Cool" Murphy is barred from owning or operating computers andtouch-tone telephones, until his 18th birthday, after his family is finedUS$45,000 (equivalent to $120,000 in 2024) for his crashing of 1,507 computer systems, causing a seven-point drop in theNew York Stock Exchange.
Seven years later, on his 18th birthday, Dade’s barring is lifted, and he hacks into a local television station. He changes the broadcast from a white supremacist "America First" infomercial to an episode ofThe Outer Limits. Another hacker (handle "Acid Burn") counters Dade's attack. Dade identifies himself as "Crash Override". Dade is eventually kicked out of the TV station by Acid Burn.
At school, Dade becomes part of a group of hackers: Ramon "The Phantom Phreak" Sanchez, Emmanuel "Cereal Killer" Goldstein, Paul "Lord Nikon" Cook (named for hisphotographic memory), Joey Pardella (a novice hacker without an alias and the youngest member) and Kate "Acid Burn" Libby – the hacker who kicked him out of the TV station earlier.
Joey, out to prove his skills, breaks into a "Gibson"supercomputer owned by the Ellingson Mineral Corporation. While he is downloading agarbage file as proof of his feat, his mother disconnects his computer, leaving him with a fragmented file.However, his intrusion has been noticed and brought to the attention of computer security officer Eugene "The Plague" Belford, a former hacker. Plague realizes the garbage file being downloaded is aworm he himself inserted to defraud Ellingson. Claiming the file is the code to the "Da Vinci"computer virus that will capsize the company's oil tanker fleet, and pretending the hackers are to blame, he enlists theUS Secret Service to recover the file. In fact, Plague had inserted the "Da Vinci" virus as ared herring to cover for his worm.
Joey is arrested and his computer searched, but he had hidden the disk containing the file. Dade and Kate make a bet, with Dade choosing a date with Kate should he win, and Kate having Dade "be her slave" if she prevails. The hacking duel is to harass Secret Service Agent Richard Gill who was involved in Joey's arrest. After various hacks including canceling Gill's credit cards, creating a personal ad in his name, fabricating a criminal record, and changing his payroll status to "deceased", the duel remains a tie.
Released on bail, Joey reveals the disk to Phreak who is arrested the next day and informs Kate the disk is hidden in a bathroom at school. Kate and Cereal Killer ask for Dade's help which he refuses as he has a record. He copies the disk so they have un-tampered evidence. Determining that Dade did not hack into Ellingson, Plague sends him a powerful laptop with a request that he join him. He later threatens to have Dade's mother incarcerated with a manufactured criminal record. At this, Dade agrees to deliver a copy of the disk.
Kate, Lord Nikon, Cereal Killer, and Dade learn that the code is a worm designed tosteal $25 million (equivalent to $51.6 million in 2024) from Ellingson transactions, and that the Da Vinci virus is set to capsize theoil tanker fleet the next day to provide cover and distract from the worm. Dade confesses that he gave Plague a copy of the disk and reveals his hacking history as "Zero Cool".
Dade and Kate seek out Razor and Blade, producers ofHack the Planet, a hacker-themed TV show. Lord Nikon and Cereal Killer learn that warrants for their arrest are to be executed at 9 a.m. the next day.
The next morning, Dade, Kate, Nikon and Cereal roller-blade fromWashington Square Park, evading theSecret Service by hacking the traffic lights. Meeting up with Joey atGrand Central Terminal they use payphones andacoustic couplers to hack the Gibson. At first, their attempts are easily rebuffed by Plague, who calls Dade to taunt him. Razor and Blade have contacted hackers around the world, who lend their support and distract Plague long enough for Joey to download the file.
After crashing the Gibson, Dade and company are arrested. Dade cryptically informs Cereal Killer that he's tossed the disk in a trash can. As Dade and Kate are being interrogated, Razor and Blade jam television signals and broadcast live video of Cereal Killer revealing the plot and Plague's complicity. Plague is arrested onboard a flight by Gill while attempting to flee to Japan. Their names cleared, Dade and Kate begin a relationship.
In addition, Darren Lee and Peter Y. Kim appear as Razor and Blade, respectively, while singerMarc Anthony plays Secret Service Agent Ray.
The screenplay, written byRafael Moreu, is highly inspired by thehacker andcyberpunk subcultures.[6] He saw the film as more than just about computer hacking but something much larger: "In fact, to call hackers a counterculture makes it sound like they're a transitory thing; I think they're the next step in human evolution."[7] He had been interested in hacking since the early 1980s. After the crackdown in the United States during 1989 and 1990, he decided to write a script about the subculture. For research, Moreu went to a meeting organized by the New York–based hacker magazine2600: The Hacker Quarterly. There, he met Phiber Optik, a.k.a.Mark Abene, a 22-year-old hacker who spent most of 1994 in prison on hacking charges.[7] Moreu also hung out with other young hackers being harassed by the government and began to figure out how it would translate into a film. He remembered, "One guy was talking about how he'd done some really interesting stuff with a laptop and payphones and that cracked it for me, because it made it cinematic".[7] Moreu named the film's Ellingson Mineral Corporation for his father-in-law, Chet Ellingson, who had bought Moreu his first computer.[8] The character Eugene Belford uses Babbage as a pseudonym at the end of the film, a reference toCharles Babbage, an inventor of an early form of the computer. The fictional computer mainframe named the "Gibson" is a homage to cyberpunk authorWilliam Gibson and originator of the term "cyberspace", first in his 1982 short story "Burning Chrome" and later in his 1984 bookNeuromancer.
The novelization of the movie written byDavid Bischoff, based uponRafael Moreu's screenplay, came out on July 11, 1995, two months before the film's release.[9]
The cast spent three weeks getting to know each other and learning how to type and rollerblade. They studied computers and met with actual computer hackers, includingTristan Louis,Kevin Mitnick, andNicholas Jarecki. Jarecki served as a technical consultant and credits his experience onHackers as inspiring his later career as the screenwriter and director.[10][11] Actor Jonny Lee Miller even attended a hackers’ convention.[12]
According to Fisher Stevens,Quentin Tarantino was considered for the role of The Plague.[13]
The school scenes were filmed inStuyvesant High School and the surrounding areas in theTriBeCa,Battery Park City, andEast Village neighborhoods of Manhattan in November 1994. In several exterior scenes, the viewer can see theWorld Financial Center. Many scenes included real school seniors as extras.[5][14]
The interior scenes for the Cyberdelia nightclub were filmed at the disusedBrentford Public Baths,[15] on the outskirts ofLondon. Producer Ralph Winter noted, "We never knew why, but the pool was designated a historic landmark, so great care had to be taken not to damage anything and to return it to its original state."[16] The exterior set was filmed in downtownManhattan.
The scenes for Ellingson Mineral Corporation were filmed on a soundstage, but the establishing shots of the company's headquarters usedOne Liberty Plaza and took inspiration from that building to create the hardware behind "The Kernel". In the final shot of the building, Softley digitally added a swimming pool on the rooftop of the building. Additionally, establishing shots of theWorld Trade Center andEmpire State Building were used to occasionally give the viewer a visual reminder of the city the film was set in.
Softley did not useCGI for any of the sequences in cyberspace. He said they used "more-conventional methods ofmotion control, animation, models, androtoscoping to create a real, three-dimensional world, because...computer graphics alone can sometimes lend a more flat, sterile image."[6] Video game developerPsygnosis created the CGI for theWipeoutarcade game sequence.[17]
Shortly after the filming ended, Jonny Lee Miller and Angelina Jolie were married.[18] They separated after a year and divorced in 1999, and remain good friends.[19]
MGM/UA set up a website forHackers that soon afterwards was allegedly hacked by a group called the "Internet Liberation Front". A photograph of the film's stars Angelina Jolie and Jonny Lee Miller was doodled upon, and the words "this is going to be an entertaining fun promotional site for a movie," were replaced with "this is going to be a lame, cheesy promotional site for a movie!" The studio maintained the site during the theatrical run of the movie in its altered form.[6][20][21]
The movie poster shows Acid Burn and Crash Override with various words and ASCII symbols superimposed on their faces,[22] with the words:
The text references the main characters in the film, the most commonly used passwords, and the type of user who specializes in telecommunication hacking.
Softley said that he wanted the film's music to be dreamlike and reflect the aspects of data and technology being shown on screen. He compiled tracks from various artists, while taking suggestions from assistant Gala Wright and music supervisor Bob Last.[23]
The music soundtrack combineselectronica, pulsatingtribal rhythms andtechno/house music of early hardcore groups likeProdigy,Underworld andOrbital; it was released in 3 separate volumes over three years. The first volume was composed entirely of music featured in the film (with the exception ofCarl Cox's "Phoebus Apollo"), while the second and third are a mix of music "inspired by the film" as well as music actually in the film. The most featured song in the movie is "Voodoo People" byThe Prodigy.
Most of the music in the film, including much of the techno and electronic music, was composed and performed by UK film composer Simon Boswell.
| No. | Title | Artist(s) | Length |
|---|---|---|---|
| 1. | "Original Bedroom Rockers" | Kruder & Dorfmeister | 6:07 |
| 2. | "Cowgirl" | Underworld | 8:56 |
| 3. | "Voodoo People" | The Prodigy | 4:08 |
| 4. | "Open Up" | Leftfield (featuringJohn Lydon) | 6:54 |
| 5. | "Phoebus Apollo" | Carl Cox | 3:40 |
| 6. | "The Joker" | Josh Abrahams | 5:01 |
| 7. | "Halcyon + On + On" | Orbital | 9:29 |
| 8. | "Communicate" (Headquake Hazy Cloud Mix) | Plastico | 6:25 |
| 9. | "One Love" | The Prodigy | 3:54 |
| 10. | "Connected" | Stereo MC's | 4:01 |
| 11. | "Eyes, Lips, Body" (Mekon Vocal Mix) | Ramshackle | 5:21 |
| 12. | "Good Grief" | Urban Dance Squad | 4:31 |
| 13. | "Richest Junkie Still Alive" (Sank Remix) | Machines of Loving Grace | 4:12 |
| 14. | "Heaven Knows" | Squeeze | 4:35 |
| No. | Title | Artist(s) | Length |
|---|---|---|---|
| 1. | "Firestarter" (Empirion Mix) | The Prodigy | 7:49 |
| 2. | "Toxygene" | The Orb | 5:17 |
| 3. | "Little Wonder" (Danny Saber Dance Mix) | David Bowie | 5:30 |
| 4. | "Fire" | Scooter | 3:31 |
| 5. | "Narcotic Influence 2" | Empirion | 5:55 |
| 6. | "Remember" | BT | 8:00 |
| 7. | "Go" | Moby | 3:59 |
| 8. | "Inspection (Check One)" | Leftfield | 6:29 |
| 9. | "Cherry Pie" | Underworld | 8:19 |
| 10. | "To Be Loved" (Disco Citizens R+D Edit) | Luce Drayton | 3:48 |
| 11. | "Speed Freak" (Moby Remix) | Orbital | 5:41 |
| 12. | "Get Ready to Bounce" (Radio Attack) | Brooklyn Bounce | 3:34 |
| 13. | "Offshore" (Disco Citizens Edit) | Chicane | 3:09 |
| 14. | "Original" | Leftfield | 6:24 |
| No. | Title | Artist(s) | Length |
|---|---|---|---|
| 1. | "Why Can't It Stop" | Moby | 5:52 |
| 2. | "Godspeed" (BT Edit Mix) | BT | 5:34 |
| 3. | "Absurd" (Whitewash Mix) | Fluke | 5:59 |
| 4. | "Quiet Then" | Cloak | 4:21 |
| 5. | "I Am Fresh" | Monkey Mafia | 4:51 |
| 6. | "Phuture 2000" (Radio Edit) | Carl Cox | 3:49 |
| 7. | "An Fhomhair" | Orbital | 6:58 |
| 8. | "Fashion" (Ian Pooley Mix) | Phunky Data | 7:13 |
| 9. | "Psychopath" (Leftfield Mix) | John Lydon | 4:21 |
| 10. | "Stop & Panic" | Cirrus | 7:18 |
| 11. | "Strong in Love" | Chicane | 7:49 |
| 12. | "Hack the Planet" | Brooklyn Bounce | 4:17 |
| 13. | "Diskette" | Simon Boswell | 2:05 |
| 14. | "Launch DiVinci" | Simon Boswell | 2:59 |
In 2020, to celebrate the 25th anniversary of the film, the soundtrack was released for the first time on vinyl, in a 2-disc set.[24] A new soundtrack album byVarèse Sarabande was also released.[25]
Songs featured in the film but not appearing on any soundtracks:
The film was released September 15, 1995. It opened in 1,812 theaters and earned $3.2 million in its opening weekend, finishing in 4th place.[26] The film ended its run with a domestic box office gross of $7.5 million.[27]
OnRotten Tomatoes, the film has an approval rating of 34% based on reviews from 47 critics. The website's consensus states "Hackers has a certain stylish appeal, but its slick visuals and appealing young cast can't compensate for a clichéd and disappointingly uninspired story."[28] OnMetacritic, the film has a score of 46 out of 100 based on reviews from 14 critics, indicating "mixed or average" reviews.[29] Audiences surveyed byCinemaScore gave the film a grade B on scale of A to F.[30]
Critics praised the film for its stylish visuals but criticized its unconvincing look at hackers and their subculture.Roger Ebert gave the film three out of four stars and wrote, "The movie is smart and entertaining, then, as long as you don't take the computer stuff very seriously. I didn't. I took it approximately as seriously as thearcheology inIndiana Jones".[31] On the showSiskel & Ebert, Ebert gave the film thumbs up whileGene Siskel gave the film thumbs down, saying, "I didn't find the characters that interesting and I really didn't like the villain in this piece. I thought Fisher Stevens was not very threatening... The writing is so arch."[32]
Peter Stack of theSan Francisco Chronicle, wrote "Want a believable plot or acting? Forget it. But if you just want knockout images, unabashed eye candy and a riveting look at a complex world that seems both real and fake at the same time,Hackers is one of the most intriguing movies of the year."[33]USA Today gave the film three out of four stars and Mike Clark wrote, "When a movie's premise repels all rational analysis, speed is the make-or-break component. To its credit,Hackers recalls the pumped-up energy ofPump Up the Volume, as well as its casting prowess."[34] In his review for theToronto Star, Peter Goddard wrote, "Hackers joy-rides down the same back streetsMarlon Brando did inThe Wild One, orBruce Springsteen does inBorn To Run. It gives all the classic kicks of the classic B-flicks, with more action than brains, cool hair and hot clothes, and all the latest tech revved to the max."[35]Chicago Reader critic Jonathan Rosenbaum noted that, "Without being any sort of miracle, this is an engaging and lively exploitation fantasy-thriller about computer hackers, anarchistic in spirit, that succeeds at just about everythingThe Net failed to—especially in representing computer operations with some visual flair."[36]
TheLos Angeles Times's David Kronke wrote, "imagination of Rafael Moreu, making his feature screenwriting debut, and director Iain Softley...piles on the attitude and stylized visuals, no one will notice just how empty and uninvolving the story really is."[37] In his review forThe Washington Post,Hal Hinson wrote, "As its stars, Miller and Jolie seem just as one-dimensional—except that, in their case, the effect is intentional."[38]Entertainment Weekly gave the film a "D" rating andOwen Gleiberman wrote, "the movie buys in to the computer-kid-as-elite-rebel mystique currently being peddled by magazines likeWired."[39]
AlthoughHackers was a box-office disappointment, grossing approximately US$7.5 million against an estimated US$20 million budget,[40] the film went on to develop a strong cult following.
Within hacker culture, the film is celebrated for its flamboyant depiction of cyberpunk aesthetics, its electronic-heavy soundtrack, and its tongue-in-cheek approach to the subject matter. In a retrospective feature, several information security professionals described it as "possibly the single greatest hacker film known to hackerkind," praising its style, humor, and its enduring quotability.[41]
The film’s dialogue, including lines such as "Hack the planet!" and "Mess with the best, die like the rest," has become iconic among fans, often chanted during midnight screenings and fan gatherings.[42] Its visual style of rollerblading characters in cyber-goth attire, neon-lit cityscapes, and stylized computer graphics continues to influence nostalgic depictions of 1990s hacker culture.[43]
Hackers was released by MGM onVHS andLaserDisc in 1996, and onDVD on August 25, 1998, as a Region 1 widescreen DVD. The Region 2 DVD was released in 2001; it allowed selection between PAL and 16:9 Widescreen, with Dolby Digital.[44] On October 25, 2005, it was released in UMD format, playable on the Sony PSP.[45]
Shout! Factory released a 20th anniversaryBlu-ray on August 18, 2015.[46] Blu-ray.com gave the film a 4/5 for both video and audio.[47]DVDTalk.com noted the Blu-ray only includes aDTS-HD Master Audio stereo audio track, while the packaging lists a5.1 mix as an option, and the previous DVD release includes a 5.1 mix.[48] Shout! Factory released anUltra HD Blu-ray collector's edition on August 22, 2023, which includes a DTS-HD Master Audio 5.1 track.[49]
In a September 2020 interview forCollider to commemorate the 25th anniversary of the film, Softley said that there were active discussions regarding a sequel.[50][51]
The author was a freshman at Stuyvesant in 1995. Then Angelina Jolie, Jonny Lee Miller, and the cult film's crew showed up.
Yeah – we're still friends
