Hines was born in New York City, on February 14, 1946, to Alma Iola (Lawless) and Maurice Robert Hines, a dancer, musician, and actor, and grew up in theSugar Hill neighborhood ofHarlem.[1] He begantap dancing when he was two years old, and began dancing semi-professionally at age five. After that, he and his older brotherMaurice performed together, studying with choreographerHenry LeTang.
Gregory and Maurice also studied with veteran tap dancers such asHoward Sims and TheNicholas Brothers when they performed at the same venues. The brothers were known as The Hines Kids, making nightclub appearances at venues in Miami, Florida, withCab Calloway.[2] They were later known as The Hines Brothers.
When their father joined the act as a drummer, their name changed again in 1963 toHines, Hines, and Dad.[1][3]
Hines was an avid improviser of tap steps, tap sounds, and tap rhythms alike. His improvisation was like that of a drummer, doing a solo and coming up with rhythms. He also improvised the phrasing of a number of tap steps, mainly to fit the unfolding sound. A laid-back dancer, he usually wore loose-fitting pants and a tighter shirt.[4]
Although he inherited the roots of traditional black rhythmic tap, he also promoted contemporary black rhythmic tap. "He purposely obliterated the tempos," wrote tap historian Sally Sommer, "throwing down a cascade of taps like pebbles tossed across the floor. In that moment, he aligned tap with the latest free-form experiments in jazz and new music and postmodern dance."[5]
Throughout his career, Hines wanted and continued to be an advocate for tap in America. He successfully petitioned the creation ofNational Tap Dance Day in May 1989, which is now celebrated in forty cities in the United States, as well as eight other nations. He was on the board of directors of Manhattan Tap, a member of the Jazz Tap Ensemble, and a member of theAmerican Tap Dance Foundation, which was formerly called the American Tap Dance Orchestra.
In 1989, he created and hosted a PBS special calledGregory Hines' Tap Dance in America, which featured various tap dancers such asSavion Glover andBunny Briggs.[6][7][8]
In 1990, Hines visited his idol (andTap co-star)Sammy Davis Jr., who was dying ofthroat cancer and was unable to speak. After Davis died, an emotional Hines spoke at Davis' funeral of how Davis made a gesture to him, "as if passing a basketball ... and I caught it." Hines spoke of how honored he had been that Davis thought that he could carry on from where Davis left off.[9]
Through his teaching, he influenced tap dancers such asSavion Glover,Dianne Walker,Ted Levy, andJane Goldberg.[5] In an interview withThe New York Times in 1988, Hines said that everything he did was influenced by his dancing: "my singing, my acting, my lovemaking, my being a parent."[5]
Hines performed as the lead singer and musician in a rock band calledSeverance based inVenice, Los Angeles, in 1975 and 1976.Severance was one of the house bands at an original music club called Honky Hoagies Handy Hangout, otherwise known as the 4H Club.Severance released their self-titled debut album on Largo Records (a subsidiary of GNP Crescendo) in 1976.
In 1986, he sang a duet withLuther Vandross called "There's Nothing Better Than Love", which reached the No. 1 position on theBillboard R&B charts.[11] Encouraged by his first success on the chart, Hines subsequently released his self-titled debut album on Epic in 1988 with much support from Vandross. This album produced a Vandross-penned single "That Girl Wants to Dance with Me", which peaked at #6 on the R&B charts in June 1988.[12][13]
In 1981, Hines made his movie debut inMel Brooks'sHistory of the World, Part I, replacingRichard Pryor, who was originally cast in the role but sustained severe burns just days before he was due to begin shooting.[14][15]Madeline Kahn, also starring in the film, suggested to director Mel Brooks that he look into Hines for the role after they learned of Pryor's hospitalization.[15] He also appeared in thehorror filmWolfen later that year.
In an interview in 1987, Hines said that he often looked for roles written for white actors, "preferring their greater scope and dynamics." Of his role inRunning Scared, for example, he said that he enjoyed that his character had sex scenes, because "usually, the black guy has no sexuality at all."[17]
Hines' marriages to Patricia Panella and Pamela Koslow ended in divorce.[18] He had a daughter, Daria, with Panella, and a son, Zachary with Koslow.[19] For the last three years of his life, he was engaged to bodybuilderNegrita Jayde, who was based inToronto.[18]
Hines died ofliver cancer on August 9, 2003, en route to a hospital from his home in Los Angeles. He was diagnosed with the disease a year earlier, but informed only his closest friends. At the time of his death, production of the television showLittle Bill was ending. He was survived by his fiancée Jayde, children Daria and Zachary, stepdaughter Jessica, and grandson Lucian.[20]
^Tap: With Gregory Hines. New York Public Library: WNET/New York. 1989. RetrievedApril 23, 2013.
^Don Mischer Productions in association with WNET/New York ; producers, David J. Goldberg and Rhoda Grauer ; executive producer/director, Don Mischer (1989).Tap: With Gregory Hines (mixed media) (videorecording). New York, NY: WNET/New York.