Grandmaster Flash | |
|---|---|
.jpg) Grandmaster Flash performing in 2014 | |
| Background information | |
| Born | Joseph Robert Saddler[1] (1958-01-01)January 1, 1958 (age 67) |
| Origin | The Bronx,New York City, U.S. |
| Genres | |
| Occupations |
|
| Years active | 1978–present |
| Labels | |
| Formerly of | Grandmaster Flash and the Furious Five |
Spouses | |
| Website | grandmasterflash |
Joseph Robert Saddler (born January 1, 1958), known by his stage nameGrandmaster Flash, is a Barbadian-American DJ. He created a DJ technique called the Quick Mix Theory.[3][4] This technique serviced the break-dancer and the rapper by elongating the drum breaks through the use of duplicate copies of vinyl. This technique gave birth to cutting and scratching. It also gave rappers better music with a seamless elongated bed of beats to speak on.[5] He also invented theslipmat.[6]
He is the founder and creator ofGrandmaster Flash and the Furious Five, the first rap group to be inducted into theRock and Roll Hall of Fame in 2007.[7][8] In 2019 he became the first hip hop artist to be honoured with thePolar Music Prize.[9] On May 21, 2022, he acquired an honorary doctorate in Fine Arts fromBuffalo State University. On June 1, 2023, he was awarded an honorary doctorate in music fromLehman College in the Bronx, NY. On August 4, 2023, Saddler was issued a proclamation from the city of New York stating that August 4 is Grandmaster Flash Day.[citation needed]
Saddler's family immigrated to the United States fromBarbados. He was raised inthe Bronx, New York City, where he attendedSamuel Gompers High School, a public vocational school. There, he learned how to repair electronic equipment.[8] Saddler's parents played an important role in his interest in music. His father was a fan of Caribbean and African American recordings.[10]
During his childhood, Joseph Saddler was fascinated by his father's record collection. In an interview, he reflected: "My father was a very heavy record collector.... I used to open his closets and just watch all the records he had. I used to get into trouble for touching his records, but I'd go right back and bother them."[10] Saddler's early interest in DJing came from this fascination with his father's record collection as well as his mother's desire for him to educate himself in electronics.[11] After high school, he became involved in the earliest New York DJ scene, attending parties set up by early luminaries likeDJ Kool Herc and Disco King Mario.
Saddler's uncleSandy Saddler was afeatherweight boxing champion.
Grandmaster Flash observed the styles of the smooth transitions of a disco DJ versus the non-fluid non-BPM-matched transitions of early DJing. He chose to complete his studies with the former. Grandmaster Flash came up with a fingertip-to-vinyl and crossfader technique called the Quick Mix Theory. In doing this, he figured out a mathematical way to cut, paste, repeat, and extend a very minuscule piece of an existing composition.[5] This innovation took place in two places in the Bronx. The first location was his parents' house, 2730 Dewey Ave in the Throggs Neck Projects of the Bronx. The completion of the Quick Mix Theory was done at 927 Fox Street in the Hunts Point Area of the Bronx.
The Quick Mix Theory gave birth to techniques such as cutting, scratching, and transforming.
In addition to Grandmaster Flash's on-time BPM-perfected technique, additional items were needed to pull this off. These items were felt and wax paper.[12] The combination of these two materials cut into the size of a record and placed on the turntable (at that time referred to as a "wafer") allowed the record to move fluidly. The end result of that was the creation of what we today call the slipmat.[6] Another item that played a key role in the successful implementation of the quick mix theory is the needle/stylus.
He realized that the stylus came in two classes: elliptical, which sounded better but would not stay in the groove, and spherical. The spherical needle, although making the song sound worse, would stay inside the groove. This, in turn, allowed Flash to turn the vinyl counterclockwise to re-arrive at the top of the break.[12]
Grandmaster Flash played parties and collaborated with rappers such asKurtis Blow andLovebug Starski. In the late 1970s, he formed his own group. The original lineup consisted of Cowboy (Keef Cowboy),Melle Mel (Melvin Glover), andKidd Creole (Nathaniel Glover), and the ensemble went by the name "Grandmaster Flash & the 3 MCs". Cowboy created the termhip hop.[14][15] He created the term while teasing a friend who had just joined the U.S. Army, byscat singing the words "hip/hop/hip/hop" in a way that mimicked therhythmic cadence of soldiers marching.[14][15][16] Cowboy later worked the "hip hop" cadence into a part of his stage performance.[14][15][17]
Mel was the first rapper to call himself "MC" (Master of Ceremony). Two other rappers briefly joined, but they were replaced more permanently by Rahiem (Guy Todd Williams, previously in theFunky Four) and Scorpio (Eddie Morris, a.k.a. Mr. Ness) to make Grandmaster Flash and the Furious Five. Quickly gaining recognition for their skillful raps, Grandmaster Flash and the Furious Five pioneered MCing and freestyle battles. Some of the staple phrases in MCing have their origins in the early shows and recordings of the group. In 1978, the new group began performing regularly at Disco Fever in the Bronx, one of the first times a hip-hop group was given a weekly gig at a well-known venue.[18]
Grandmaster Flash and the Furious Five were signed to Bobby Robinson'sEnjoy Records and in 1979 released their first single, "Superrappin'".
In 1980 they signed to Sugar Hill Records and began touring and releasing numerous singles. The seminal "The Adventures of Grandmaster Flash on the Wheels of Steel", released in 1981, is a 7-minute solo showcase of Grandmaster Flash's virtuosic turntable skills, combining elements ofBlondie's "Rapture", Michael Viner's Incredible Bongo Band's "Apache", Queen's "Another One Bites the Dust", Chic's "Good Times", and the group's own "Freedom". It is also the first documented appearance of scratching on a record. That year, the group opened forThe Clash and were poorly received by an audience unaccustomed to the new style.[19]The group's most significant hit was theelectro rap song "The Message" (1982), which was produced by in-house Sugar Hill producer Clifton "Jiggs" Chase and featured session musician Duke Bootee. Unlike earlier rap tunes, "The Message" featured a grim narrative about inner city violence, drugs, and poverty.[20] In 2002, it was one of 50 recordings chosen by the Library of Congress to be added to the National Recording Registry, the first hip hop recording to receive this honor. Critics praised the song's social awareness, calling the chorus "a slow chant seething with desperation and fury."[21]
Other than Melle Mel, no members of the group actually appear in the song. Rahiem lip-synced Duke Bootee's vocal in the music video. The same year, Grandmaster Flash appeared in the movie "Wild Style" and sued Sugar Hill over the non-payment of royalties. Tensions mounted as "The Message" gained in popularity, eventually leading to a rupture between Melle Mel and Grandmaster Flash. Soon the group disintegrated entirely. Grandmaster Flash, Kidd Creole, and Rahiem left Sugar Hill, signed withElektra Records, and continued on as simply "Grandmaster Flash", while Melle Mel and the others continued on as "Grandmaster Melle Mel & the Furious Five".
Grandmaster Flash was also interviewed in the 1986 cult documentaryBig Fun in the Big Town.[22]
Although frequently credited on the records, Grandmaster Flash does not actually appear on "The Message", "Freedom", or many of the other Furious Five songs.[13] Although Grandmaster Flash provided the central element of the group's sound when performing live (in addition to giving the group its name), there was little room for his turntablism in early singles driven by the grooves of live session musicians. Grandmaster Flash and the Furious Five reformed in 1987 for a charity concert, and in 1988 they released a new album. The group reunited again in 1994, although Cowboy died in 1989.
In 1999, Grandmaster Flash recorded withDJ Tomekk andFlavor Flav the single "1, 2, 3, ... Rhymes Galore". The single stayed for 17 weeks in the TOP ten of the German charts.[23]
In 2008, he released a memoir,The Adventures of Grandmaster Flash: My Life, My Beats,[24] in which he talks about the origins of his fascination with scratching records and creating new beats. From a young age, Flash talks about how he would sneak into his father's record room to watch the record player spin, and then get punished for touching the records. He found inspiration even from things not associated with music. The spokes of his bicycle caused an interest in how record players create music just by rotating a grooved disc. Flash continued to experiment by taking apart any machine he could get his hands on to figure out how it worked. His early work shows the innovative ways in which his artistic abilities led to what is considered the first evolution of hip hop culture.[24]
He hosted a weekly show onSirius Satellite Radio (Friday Night Fire with Grandmaster Flash) and was presented with the BET "I Am Hip Hop Icon" award in 2006.[25]
Grandmaster Flash and the Furious Five were the first hip-hop/rap group inducted into the Rock & Roll Hall of Fame on March 12, 2007, byJay-Z.[7] In 2008, he remixed the single "Into the Galaxy" by the Australian group,Midnight Juggernauts.[4]
It has been said that "his pioneering mixing skills transformed the turntable into a true 'instrument', and his ability to get a crowd moving has made his DJ sets legendary."[26]
Grandmaster Flash appears in the video gameDJ Hero as a playable character along with original mixes created for the game.[27]
_(3336272277)_(cropped).jpg)
In December 2011, Grandmaster Flash was reported to be at work on his 12th album.[28]
Aired in 2016, theNetflix original seriesThe Get Down features a version of Grandmaster Flash that is played byMamoudou Athie.[29] The series takes place in 1977 New York City and follows the genesis of theDJing,B-boying, graffiti, and emceeing, the four element cultures of hip-hop. After the premiere ofThe Get Down, Netflix premieredHip-Hop Evolution, a music documentary discussing the history of hip hop in which Grandmaster Flash talks about the evolution of his art.
In 2023, Grandmaster Flash competed inseason nine ofThe Masked Singer as "Polar Bear". He was eliminated on "New York Night". As part of his encore, some DJ equipment was brought out so that Grandmaster Flash can scratch along toChic's "Good Times".
| Album information |
|---|
The Message
|
Greatest Messages
|
They Said It Couldn't Be Done
|
The Source
|
Ba-Dop-Boom-Bang
|
On the Strength
|
Salsoul Jam 2000
|
Flash Is Back
|
The Official Adventures of Grandmaster Flash
|
Essential Mix: Classic Edition
|
The Bridge (Concept of a Culture)
|
Grammys
Global Spin Awards
RIAA
Honorary Doctorates Degree
![[icon]](/mt/?noimg=&dark=on&url=https%3a%2f%2fen.wikipedia.org%2fwiki%2fFile%3aWiki_letter_w_cropped.svg) | This sectionneeds expansion. You can help byadding to it.(May 2024) |
| Year | Title | Role | Notes |
|---|---|---|---|
| 2001 | Scratch | Himself | (archive footage) (as Grand Master Flash) |
| International | |
|---|---|
| National | |
| Artists | |
| People | |
| Other | |