Gorillaz are a Britishvirtual band created in 1998 by musicianDamon Albarn and artistJamie Hewlett, from London. The band primarily consists of four fictional members:2-D (vocals, keyboards), Murdoc Niccals (bass guitar), Noodle (guitar, keyboards, vocals) and Russel Hobbs (drums). Their universe is presented in media such as music videos, interviews, comic strips and short cartoons. Gorillaz's music has featured collaborations with a wide range of featured artists, with Albarn as the only permanent musical contributor.
In 2015, after over 10 years providing the voice of Russel,Remi Kabaka Jr. became a permanent music producer for the band.[8] Their fifth album,Humanz (2017) was the band's first in seven years and featured a wide array of guest artists,[9] while its follow-up,The Now Now (2018), focused musically on Albarn. In 2020, Gorillaz started theSong Machine project, a music-based web series with episodes that consisted of standalone singles and accompanying music videos featuring different guests, which culminated with their seventh studio album,Song Machine, Season One: Strange Timez (2020). The band's eighth studio album,Cracker Island (2023), met generally positive reviews as a refinement of their usual style.
Gorillaz has presented itself live in a variety of different ways throughout its history, such as hiding the touring band from the audience's view in the early years of the project, projecting animated band members on stage via computer graphics and traditional live touring featuring a fully visible live band.[10] They have won aGrammy Award, twoMTV Video Music Awards, anNME Award and fourMTV Europe Music Awards.[11] They have also been nominated for 11Brit Awards and wonBest British Group at the2018 Brit Awards.[12][13] Gorillaz have sold over 37 million equivalent albums worldwide.[14]
MusicianDamon Albarn and comic artistJamie Hewlett met in 1990 when guitaristGraham Coxon, a fan of Hewlett's work, asked him to interviewBlur, which Albarn and Coxon had recently formed.[15] The interview was published inDeadline, home of Hewlett's comic stripTank Girl. Hewlett initially thought Albarn was "arsey, a wanker". Though Hewlett became acquaintances with the band, he and Albarn often clashed, especially after Hewlett began seeing Coxon's ex-girlfriend Jane Oliver.[15] Despite this, Albarn and Hewlett started sharing a flat onWestbourne Grove in London in 1997.[16] Hewlett had recently broken up with Oliver and Albarn was at the end of his highly publicised relationship withJustine Frischmann ofElastica.[15]
The idea to create Gorillaz came about when Albarn and Hewlett were watchingMTV. Hewlett said, "If you watch MTV for too long, it's a bit like hell – there's nothing of substance there. So we got this idea for a virtual band, something that would be a comment on that."[17] Albarn said: "This was the beginning of the boy band sort of explosion... and it just felt so manufactured. And we were like, well let's make a manufactured band but make it kind of interesting."[18]
The band originally identified themselves as "Gorilla" and the first song they recorded was "Ghost Train",[19] which was later released as aB-side on their single "Rock the House". The band's visual style is thought to have evolved fromThe 16s, a rejected comic strip Hewlett conceived withTank Girl co-creatorAlan Martin.[20]
Although not released under the Gorillaz name, Albarn has said that "one of the first ever Gorillaz tunes" was Blur's 1997 single "On Your Own", which was released for their fifth studio albumBlur.[21]
From 1998 to 2000, Albarn recorded Gorillaz'self-titled debut album at his newly openedStudio 13 in London as well as at Geejam Studios in Jamaica.[22] The sessions resulted in the first Gorillaz release, the EPTomorrow Comes Today, released on 27 November 2000. This EP consisted mostly of tracks which later appeared on the album, and it also included the band's first music video for "Tomorrow Comes Today", which introduced the virtual band members for the first time.
WithGorillaz, Albarn explored genres he had not explored with Blur, such aship-hop,dub andLatin music, a process he described as liberating: "One of the reasons I began Gorillaz is I had a lot of rhythms I never thought I could use with Blur. A lot of that stuff never really seemed to manifest itself in the music we made together as Blur."[23]
Albarn began work on the album by himself, but eventually invited American hip-hop producerDan "the Automator" Nakamura. He said: "I called Dan the Automator in after I'd done more than half of it and felt it would benefit from having somebody else's focus. So I just rang him and asked whether he was interested in helping me finish it off."[23] Nakamura and Albarn had recently collaborated onDeltron 3030, the debut album by thehip-hop supergroup of the same name featuring rapperDel the Funky Homosapien and DJKid Koala, both of whom Nakamura recruited to assist in finishing Gorillaz material. Del featured on two tracks on the album, including the lead single "Clint Eastwood", while Kid Koala contributed turntables to various tracks.[22] The album featured additional collaborations withIbrahim Ferrer ofBuena Vista Social Club,Miho Hatori ofCibo Matto andTina Weymouth ofTalking Heads andTom Tom Club, representing a pattern of collaboration with a wide range of artists which later became a staple of Gorillaz.
Gorillaz was released on 26 March 2001 and was a major commercial success, debuting at No. 3 on theUK Albums Chart and No. 14 on the USBillboard 200, going on to sell over 7 million copies worldwide, powered by the success of the "Clint Eastwood" single.[24][25][26][27] The album was promoted with the singles "Clint Eastwood", "19-2000" and "Rock the House", in addition to the previously released "Tomorrow Comes Today", with each single featuring a music video directed by Hewlett starring the virtual members. Hewlett also helmed the design of the band's website, which was presented as an interactive tour of the band's fictional "Kong Studios" home and recording studio, featuring interactive games and explorative elements.[28] Following the release of the album, the band embarked on abrief tour of Europe, Japan and the United States to support the album in which a touring band featuring Albarn played completely obscured behind a giant screen on which Hewlett's accompanying visuals were projected. The virtual band member's voice actors were also present at some shows and spoke live to the audience to give the impression that the fictional band was present on stage. In later interviews, Albarn described the band's first tour as difficult due to the limitations imposed by the band playing behind a screen: "For someone who had just spent the last ten years out front being a frontman [with Blur], it was a really weird experience. And I have to say, some nights I just wanted to get a knife and just cut [the screen] and stick my head through."[29] The album was followed by the B-sides compilationG-Sides released in December 2001.
On 1 July 2002, aremix album titledLaika Come Home was released, containing most of the tracks fromGorillaz remixed in dub andreggae style by the DJ groupSpacemonkeyz.[34] On 18 November 2002, the band released the DVDPhase One: Celebrity Take Down, which contained all of the band's released visual content up to that point along with other extras.[35]
After the success of the debut album, Albarn and Hewlett briefly explored the possibility of creating a Gorillaz theatrical film, but Hewlett claimed the duo later lost interest: "We lost all interest in doing it as soon as we started meeting with studios and talking to these Hollywood executive types, we just weren't on the same page. We said, fuck it, we'll sit on the idea until we can do it ourselves, and maybe even raise the money ourselves."[36]
Albarn spent the majority of 2003 on tour with Blur in support of their newly released albumThink Tank; however, upon completion of the tour, he decided to return to Gorillaz, reuniting with Hewlett to prepare for a second album. Hewlett explained that the duo chose to continue Gorillaz to prove that the project was not "a gimmick": "If you do it again, it's no longer a gimmick, and if it works then we've proved a point."[37] The result wasDemon Days, released on 11 May 2005. The album was another major commercial success, debuting at No. 1 on the UK Albums Charts and No. 6 on the US Billboard 200, and has since gone six times platinum in the UK,[3] double platinum in the United States,[38] and triple platinum in Australia,[39] outperforming sales of the first album and becoming the band's most successful album to date.[40] The album's success was partially driven by the success of the lead single "Feel Good Inc."[41] featuring hip-hop groupDe La Soul, which toppedBillboard'sAlternative Songs chart in the U.S. for eight consecutive weeks and was featured in a commercial forApple'siPod.[42] The album was also supported by the later singles "Dare", "Dirty Harry", and thedouble A-side "Kids with Guns" / "El Mañana".
Demon Days found the band taking a darker tone, partially influenced by a train journey Albarn had taken with his family through impoverished rural China.[43] Albarn described the album as aconcept album: "The whole album kind of tells the story of the night — staying up during the night — but it's also an allegory. It's what we're living in basically, the world in a state of night."[44] Believing that the album needed "a slightly different approach" compared to the first album, Albarn enlisted American producer Brian Burton, better known by his stage nameDanger Mouse, to produce the album, whom Albarn praised as "one of the best young producers in the world" after hearing his 2004mashup albumThe Grey Album.[44] Burton felt he and Albarn had a high degree of affinity with each other, stating in an interview on the creation of the album: "We never had any arguments. We even have that finish-each-other's-sentences thing happening. There are a lot of the same influences between us, like Ennio Morricone and psychedelic pop-rock, but he has 10 years on me, so I have some catching up to do. Where he can school me on new wave and punk of the late '70s/early '80s, I can school him on a lot of hip-hop. We're very competitive and pushed each other."[45] Similar to the first album,Demon Days features collaborations with several different artists, includingBootie Brown,Shaun Ryder,Ike Turner,MF Doom (who was recording with Danger Mouse asDanger Doom at the time) andMartina Topley-Bird, among others.[46]
The band performed in silhouette during theDemon Days Live performances (pictured here withDe La Soul on stage).
The band chose to forgo traditional live touring in support ofDemon Days, instead limiting live performance during the album cycle to a five night residency in November 2005 at theManchester Opera House billed asDemon Days Live.[47] The concerts saw the band performing the album in full each night with most featured artists from the album present. Unlike the debut album's tour, the touring band was visible on stage in view of the audience but obscured by lighting in such a way that only theirsilhouettes were visible, with a screen above the band displaying Hewlett's visuals alongside each song.[48] The residency was later repeated in April 2006 at New York City'sApollo Theater and the Manchester performances were later released on DVD asDemon Days: Live at the Manchester Opera House.[49][50] As part of their promotion of the album in Latin America, the band was interviewed in September 2005 on the live-action Mexican showRebelde.[51] This episode also included the Latin American premiere of the music video for "Dare".[51]
The virtual Gorillaz members "performed" at the2005 MTV Europe Music Awards in November 2005[52] and again at the48th Annual Grammy Awards in February 2006, appearing to perform on stage viaMusion Eyeliner technology.[53] Albarn later expressed disappointment at the execution of the performance, citing the low volume level required so as to not disturb the technology: "That was tough... They started and it was so quiet cause they've got this piece of film that you've got to pull over the stage so any bass frequencies would just mess up the illusion completely."[54] At the Grammys, the band wonBest Pop Collaboration with Vocals for "Feel Good Inc.", which was also nominated forRecord of the Year.[55] Albarn and Hewlett explored the idea of producing a full "live holographic tour" featuring the virtual Gorillaz appearing on stage with Musion Eyeliner technology after the Grammys performance, but the tour was ultimately never realised due to the tremendous expense and logistical issues that would have resulted.[56]
In October 2006, the band released the bookRise of the Ogre. Presented as an autobiography of the band ostensibly written by the fictional members and expanding on the band's fictional backstory and universe, the book was actually written by official Gorillaz script writer and live drummerCass Browne and featured new artwork by Hewlett.[57] Later the same month, the band released another DVD,Phase Two: Slowboat to Hades, compiling much of the band's visual content from the album cycle. A second B-sides compilation,D-Sides was released in November 2007, featuring B-sides and remixes associated withDemon Days as well as unreleased tracks from the sessions for the album.[58][59] In 2008, the documentary filmBananaz was released. Directed by Ceri Levy, the film documents the behind-the-scenes history of the band from 2000 to 2006.[60]
Albarn and Hewlett's next project together was the operaMonkey: Journey to the West based on the classical Chinese novelJourney to the West, which premiered at the 2007Manchester International Festival. While not officially a Gorillaz project, Albarn mentioned in an interview that the project was "Gorillaz, really but we can't call it that for legal reasons".[61]
After completing work onMonkey in late 2007, Albarn and Hewlett began working on a new Gorillaz project entitledCarousel, described by Albarn as being about "the mystical aspects of Britain". Hewlett describedCarousel in a 2008 interview as "even bigger and more difficult thanMonkey... It's sort of like a film but not with one narrative story. There's many stories, told around a bigger story, set to music, and done in live action, animation, all different styles. Originally it was a film but now we think it's a film and it's a stage thing as well. Damon's written around 70 songs for it, and I've got great plans for the visuals."[62] TheCarousel concept was eventually dropped with Albarn and Hewlett's work evolving into the third Gorillaz studio album,Plastic Beach.[63]
Drawing upon environmentalist themes,Plastic Beach was inspired by the idea of a "secret floating island deep in the South Pacific... made up of the detritus, debris and washed up remnants of humanity" inspired bymarine pollution such as plastic that Albarn had found in a beach near one of his homes inDevon as well as theGreat Pacific Garbage Patch.[64] Unlike previous Gorillaz albums, Albarn made the decision to producePlastic Beach by himself, with no co-producer.[65] The album was recorded throughout 2008 and 2009 in London, New York City andSyria although production of the album was briefly interrupted so that Albarn could join Blur for a reunion tour in the summer of 2009, with Albarn explaining "there's no way you can do that and that [Blur and Gorillaz] at the same time."[63]Plastic Beach saw Gorillaz move into a moreelectronic pop sound, with Albarn describing the album as "the most pop record I've ever made" and saying that he took special care to make the album's lyrics and melodies clear and focused compared to previous albums.[63]Plastic Beach also featured the largest cast of collaborators featured yet on a Gorillaz album, fulfilling Albarn's goal of "work[ing] with an incredibly eclectic, surprising cast of people"[63] including artists such asSnoop Dogg,Mos Def,Bobby Womack,Little Dragon,Lou Reed andGruff Rhys among others, and also included orchestral contributions fromSinfonia Viva and theSyrian National Orchestra for Arabic Music.[65] Albarn explained the expanded roster of featured artists represented his and Hewlett's new vision of Gorillaz as a project, explaining in a July 2008 interview that "Gorillaz now to us is not like four animated characters any more – it's more like an organisation of people doing new projects... That's my ideal model."[66]
The 2010 live shows supportingPlastic Beach saw the touring band performing in full view of the audience for the first time.
Released on 3 March 2010,Plastic Beach debuted at No. 2 on both the UK Albums Chart and the USBillboard 200 chart, the band's highest placing debut chart position. The album was supported by the lead single "Stylo" featuring Mos Def and Bobby Womack released in January 2010 and the later singles "On Melancholy Hill" and "Rhinestone Eyes". To promote the album, the band embarked on theEscape to Plastic Beach Tour, the band's first world tour and also their first live performances in which the touring band performed fully in view of the audience on stage with no visual obstructions. The tour, which featured many of the collaborative artists fromPlastic Beach and saw the touring band wearing naval attire, was later described by Albarn as having been extremely costly to produce, with the band barely breaking even on the shows, saying "I loved doing it, but economically it was a fucking disaster."[67] The tour was preceded by headline performances at several international music festivals, including theCoachella andGlastonbury festivals. On 21 November 2010, while still on tour, the band released the non-album single "Doncamatic" featuring British singerDaley.[68]
During the North American leg of the Escape to Plastic Beach tour in the fall of 2010, Albarn continued recording Gorillaz songs entirely on hisiPad. The recordings were later released as the albumThe Fall, first released digitally on Christmas Day 2010 and later given a physical release on 19 April 2011.[69][70]The Fall is also co-produced byStephen Sedgwick, the mixer engineer of the band.[71] Albarn said the album served as a diary of the American leg of the tour, explaining that the tracks were presented exactly as they were on the day they were written and recorded with no additional production or overdubs: "I literally made it on the road. I didn't write it before, I didn't prepare it. I just did it day by day as a kind of diary of my experience in America. If I left it until the New Year to release it then the cynics out there would say, 'Oh well, it's been tampered with', but if I put it out now they'd know that I haven't done anything because I've been on tour ever since."[72] The band later released a "Gorillaz edition" of theKorg iElectribe music production app for iPad, featuring many of the same samples and sounds used by Albarn to createThe Fall.[73][74]
On 23 February 2012, Gorillaz released "DoYaThing", a single to promote a Gorillaz-branded collection ofConverse shoes which were released shortly after. The song was a part of Converse's "Three Artists, One Song" project, with the two additional collaborators beingJames Murphy ofLCD Soundsystem andAndré 3000 ofOutkast. Two different edits of the song were released: a four-and-a-half minute radio edit released on Converse's website and the full 13-minute version of the song released on the Gorillaz website. Hewlett returned to direct the single's music video, featuring fictionalized animated versions of Murphy and André interacting with the Gorillaz' virtual members.[75] The song received positive reviews from critics, with particular praise given to André 3000's contributions to the track.[76][77]
In April 2012, Albarn toldThe Guardian that he and Hewlett had fallen out and that future Gorillaz projects were "unlikely".[78] Tension between the two had been building, partly due to a belief held by Hewlett that his contributions to Gorillaz were being minimised. Speaking toThe Guardian in April 2017, Hewlett explained: "Damon had half the Clash on stage, and Bobby Womack and Mos Def and De La Soul, and fucking Hypnotic Brass Ensemble and Bashy and everyone else. It was the greatest band ever. And the screen on stage behind them seemed to get smaller every day. I'd say, 'Have we got a new screen?' and the tour manager was like, 'No, it's the same screen.' Because it seemed to me like it was getting smaller."[79] Albarn gave his side of the story in a separate interview, saying "I think we were at a cross purposes somewhat on that last record [Plastic Beach], which is a shame. It was one of those things, the music and the videos weren't working as well together, but I felt we'd made a really good record and I was into it."[78] On 25 April 2012, in an interview with Metro, Albarn was more optimistic about Gorillaz' future, saying that once he had worked out his differences with Hewlett, he was sure that they would make another record.[80] In June 2013, Hewlett confirmed that he and Albarn planned to someday continue Gorillaz and record a follow-up album toPlastic Beach, saying "We'll come back to it when the time is right."[81][82]
Following the release ofDoYaThing and the publicization of Albarn and Hewlett's fall-out in 2012, Gorillaz entered a multiyear hiatus. During the hiatus, Albarn released a solo album,Everyday Robots, scored stage productions and continued to record and tour with Blur, while Hewlett held art exhibitions and attempted to create a film project which was ultimately never realized.[83] While on tour in support ofEveryday Robots in 2014, Albarn signaled openness to returning to Gorillaz, tellingThe National Post that he "wouldn't mind having another stab at a Gorillaz record".[84] Two months later he reported that he had "been writing quite a lot of songs on the road for Gorillaz".[85] and at the end of 2014 confirmed in an interview withThe Sydney Morning Herald that he was planning to record another Gorillaz album.[86] Speaking about his relationship with Hewlett, Albarn said that the pair's well-publicised fall-out had helped their relationship in the long term.[87] Hewlett described the moment when he and Albarn agreed to continue Gorillaz at an afterparty after one of Albarn's solo shows in 2014: "We'd had a bit to drink, and he said, 'Do you want to do another one?' And I said, 'Do you?' and he said, 'Do you?' And I said, 'Yeah, sure.' I started work on it straight away, learning to draw the characters again. I played around by myself for eight months while he was performing with Blur in 2015."[88]
American hip-hop and house producerthe Twilite Tone co-produced the band's fifth albumHumanz.
Recording sessions for the band's fifth studio album,Humanz, began in late 2015 and continued through 2016, taking place in London, New York City, Paris and Jamaica.[89][90] Albarn enlisted American hip-hop and house producer Anthony Khan, known by his stage namethe Twilite Tone, to co-produce the album. Albarn chose Khan from a list of possible producers compiled byParlophone, the band's record label after Albarn and Khan spoke via Skype.Humanz was also co-produced byRemi Kabaka Jr., a friend of Albarn's who had worked with him in the non-profit musical organizationAfrica Express and also has been the voice actor for the Gorillaz virtual band member Russel Hobbs since 2000.[89][90] In conceptualizing the album, Albarn and Khan envisionedHumanz as being the soundtrack for "a party for the end of the world", with Albarn specifically imagining a future in whichDonald Trump won the2016 U.S. presidential election as context for the album's narrative (Trump becoming president was still considered an unlikely event at the time of recording), explaining "Let's use that as a kind of dark fantasy for this record, let's imagine the night Donald Trump wins the election and how we're all going to feel that night."[91] Khan stated that "The idea of Donald Trump being president allowed us to create a narrative together. I suggested that the album should be about joy, pain and urgency. That was to be our state of mind before we even touched a keyboard or anMPC. Especially in American music, dare I say black music, there's a way of communicating joy that at the same time allows you to feel the struggle the person has been through. And the urgency is there because something needs to be done. So that was the mantra. I wanted to blend Damon, a Briton, with the joy and pain and struggle that African-American music can express."[89]Humanz again featured a large cast of featured artists, includingPopcaan,Vince Staples,DRAM,Jehnny Beth,Pusha T,Peven Everett,Danny Brown,Grace Jones andMavis Staples, among others. The first track from the album released publicly was "Hallelujah Money" featuringBenjamin Clementine, released on 20 January 2017 with an accompanying video featuring Clementine. While not an official single, Albarn explained that the band chose to release the track on the day of Trump'sinauguration because "It was meant to be something sung at the imaginary inauguration of Donald Trump, which turned out to be the real inauguration of Donald Trump, so we released it because we had imagined that happening and it did happen."[92]
Gorillaz (with Albarn to the left) on stage at theBrixton Academy in London, June 2017
Humanz was released on 28 April 2017, the band's first new studio album in 7 years. Featuring a "modern-sounding urban hip-hop/R&B sensibility",[89] the album debuted at #2 on both the UK Album charts and the USBillboard 200.Humanz received generally positive reviews from critics, although received some criticism from fans and critics for what was perceived as a diminished presence from Albarn in contrast to the abundance of featured artists.[93][94] The album was released in both standard and deluxe editions, with the deluxe edition featuring an additional 6 bonus tracks and was promoted by the lead single "Saturnz Barz" featuring Popcaan and the later single "Strobelite" featuring Peven Everett. The Hewlett-directed music video for "Saturnz Barz" made use of YouTube's360-degree video format and reportedly cost $800,000 to create.[95]
The band embarked on theHumanz Tour to support the album from the summer of 2017 to early 2018. Like the band's previous tour, the Humanz Tour featured the touring band in full view of the audience with a large screen behind them displaying Hewlett-created visuals and featured several of the different collaborative artists from the band's history. The tour was preceded by a handful of European warm-up shows, including the first Demon Dayz Festival held on 10 June 2017 at theDreamland Margate theme park, a Gorillaz curated music festival which was later repeated in Los Angeles in October 2018. On 8 June 2017 the band released the non-album single "Sleeping Powder" with an accompanying music video and on 3 November 2017 a "Super Deluxe" version ofHumanz, featuring an additional 14 unreleased tracks from the album's sessions, including alternative versions of previously released songs as well as the single "Garage Palace" featuringLittle Simz.
Albarn continued recording while on the road during the Humanz Tour, and mentioned in an interview withQ Magazine in September 2017 that he was planning on releasing the material as a future Gorillaz album. Comparing the production of the album toThe Fall, which was also recorded while the band was on tour, Albarn mentioned that "It will be a more complete record thanThe Fall, but hopefully have that spontaneity."[96] Albarn signaled his desire to complete and release the album quickly, adding that "I really like the idea of making new music and playing it live almost simultaneously" and "If we're going to do more Gorillaz we don't want to wait seven years because, y'know, we're getting on a bit now.[96] During a September 2017 concert in Seattle, the band debuted a new song "Ode to Idaho", which was later included on the album as "Idaho". During the performance, Albarn stated it had been written in the days prior.[97]
During a break in the Humanz Tour in February 2018, Albarn returned to London where he worked with producerJames Ford, known for his work withArctic Monkeys andFlorence and the Machine, and Kabaka Jr. to finish the newly written material, resulting in the band's sixth studio album,The Now Now, released on 29 June 2018. Featuring "simple, mostly upbeat songs" and 1980snew wave influences,[98] the album was noted for its distinctly small list of featured artists compared to previous Gorillaz work, with only two tracks featuring any outside artists (the album's lead single "Humility" featuringGeorge Benson and "Hollywood" featuring Snoop Dogg andJamie Principle). Albarn mentioned that the few numbers of featured artists was partially due to the album's quick production, which in turn was a result of Albarn wanting to finish the album before the band's touring schedule resumed: "We've been very lucky to be offered all the festivals this year on the back of the last record [Humanz]... but I didn't want to do that unless I had something new to work with, so the only option was to make another record really quickly and not have lots of guests on it, because that takes a long time to organize; just do it all myself, really."[99] Albarn also explained that withThe Now Now he sought to make a Gorillaz album "where I'm just singing for once" and that the album is "pretty much just me singing, very sort of in the world of2-D."[100]
In the fictional Gorillaz storyline, the band introducedAce fromCartoon Network's animated seriesThe Powerpuff Girls as a temporary bassist of the band duringThe Now Now album cycle, filling in for the imprisoned Murdoc Niccals.[101] Explaining the crossover in an interview with the BBC, Albarn said "We were massive fans ofThe Powerpuff Girls when they came out, the energy of that cartoon was really cool, and we kind of know the creator of it (Craig McCracken). It was a very organic thing."[102]
The band's remaining 2018 live dates were billed asThe Now Now Tour to support the album, and included a performance in Tokyo on 22 June 2018 billed as "The Now Now World Premiere" in which the band played the full album live for the first and only time, a performance which was later broadcast byBoiler Room.[103] On 16 December 2019, the documentaryGorillaz: Reject False Icons was screened worldwide on a one-day theatrical release. Filmed and directed by Hewlett's son Denholm, the documentary showcases a behind-the-scenes look at the production ofHumanz andThe Now Now as well as the album's associated tours.[104][105] One week after the film's theatrical release, a "Director's Cut" version of the film featuring additional footage was released on the official Gorillaz YouTube channel in three parts. In the credits forReject False Icons, Kabaka Jr. was listed as an official member of the band (labeled as "A&R/Producer") alongside Albarn and Hewlett for the first time.[106][107][108]
On 29 January 2020, the band announced its new projectSong Machine. Eschewing the typical album format of releasing music, Song Machine is instead a web series that sees the band releasing one new song a month as "episodes" to the series, with 11 episodes releasing to comprise the first "season".[109][110] Elaborating on the idea behindSong Machine in a radio interview shortly after the announcement of the project, Albarn explained that "We no longer kind of see ourselves as constrained to making albums. We can now make episodes and seasons."[111] Each episode features previously unannounced guest musicians on new Gorillaz material, with the first being "Momentary Bliss", which was released on 31 January and features both British rapperSlowthai and theKent-based punk rock duoSlaves.[112] Upon the premiere of "Momentary Bliss", Albarn revealed that the group had been in the studio withSchoolboy Q andSampa the Great among others, although he did say that these songs were likely to be saved for future episodes ofSong Machine.[113] The group also teased a possible collaboration with Australian bandTame Impala onInstagram.[114]
On 27 February, the band released the second episode ofSong Machine entitled "Désolé". The song features Malian singerFatoumata Diawara.[115] The third episode, "Aries", released on 9 April and featuredPeter Hook andGeorgia.[116] The fourth track "How Far?" featuringTony Allen andSkepta was released 2 May. This song was released without an accompanying music video as a tribute to Allen, who died on 30 April.[117] On 26 May, Gorillaz announced the release of a new book titledGorillaz Almanac. The book comes in three editions: standard, deluxe and super deluxe, all of which were set to release on 23 October but has since been delayed to 22 December[needs update] with a physical release of season one ofSong Machine included with each copy.[118] On 9 June, the band released "Friday 13th", the fourth episode ofSong Machine. The track features French-British rapperOctavian.[119] On 20 July, the band released "Pac-Man", the fifth episode ofSong Machine, in honour ofPac-Man's 40th anniversary.[120] The track features American rapperSchoolboy Q.[121]
On 9 September, the band released "Strange Timez", the sixth episode ofSong Machine. The track featuresRobert Smith, fromthe Cure. Gorillaz also announced the title and tracklist forSong Machine, Season One: Strange Timez, released on 23 October 2020, featuring further guest appearances fromElton John,6lack,JPEGMafia,Kano, Roxani Arias,Moonchild Sanelly andChai, among others.[122] On 1 October, the band released "The Pink Phantom", the seventh episode ofSong Machine. The track features Elton John and American R&B recording artist 6lack.[123] Before the release ofSong Machine, Season One: Strange Timez, Gorillaz started a radio show onApple Music calledSong Machine Radio where each virtual character has a turn to invite special guests and play some of their favourite tunes. A few days ahead of the release ofSong Machine, Season One: Strange Timez, Albarn revealed that he had written a song for the project's second season.[124]
On 5 November, the band released "The Valley of the Pagans", the eighth episode ofSong Machine. The track features American singerBeck. The music video is somewhat notorious for being the first major studio production filmed inGrand Theft Auto V. The video ends with a reference to previous album,Plastic Beach.[125] For unknown reasons, the music video on the official Gorillaz YouTube channel was set to private just a few days after its initial premiere. On 9 March 2021, Gorillaz uploaded an alternative version of the music video to their official YouTube channel, which does not feature any gameplay fromGrand Theft Auto V.[126] On 24 December, the band released "The Lost Chord", the ninth and final episode of the first season ofSong Machine. The track features British musicianLeee John.
On 26 March 2021, the band celebrated its debut album's 20th anniversary with oncoming reissues of their catalog and teases ofnon-fungible tokens;[127] due to its impact on climate change, the latter was met with criticism by various sources and fans—some noting that the act contradicts the environmental themes ofPlastic Beach. No non-fungible tokens have since released.[128] The band also announced a boxset, theG Collection, containing six of their studio albums—excludingThe Fall—forRecord Store Day.[129] On 10 August 2021, Gorillaz debuted three new songs, "Meanwhile" (featuring British rapper Jelani Blackman), "Jimmy Jimmy" (featuring British rapperAJ Tracey), and "Déjà Vu" (featuring Jamaican-British singer Alicaì Harley), during a free concert atThe O2 Arena in London, England exclusively forNational Health Service employees and their families. They then performed them again at the subsequent concert open to the public the next day (both of which served as the first live audience concerts of theSong Machine Tour).[130] These three songs were announced to be tracks from a new EP entitledMeanwhile, with the cover originally published onTikTok.[131]
On 17 September 2021, Albarn revealed that he had recorded a new Gorillaz song withBad Bunny while inJamaica, and, at the time, said it would be the first single for a new album, influenced by Latin America, releasing in 2022.[132] The concept for the album would later change, with the song being announced at a later date. On 31 August 2022, the name of this song was revealed to be "Tormenta".[133]
In November 2021, Albarn announced that an animated film based on the band was in the works atNetflix, but by February 2023, it had been cancelled.[134]
Throughout 2022, Gorillaz went on a world tour in South America, Europe, Australia, and North America, where they debuted new material.[135][136] In June 2022, the band began teasing the release of new material, with promotional displays and websites surfacing encouraging fans to sign up to be a part of "The Last Cult". The band released a new single (regularly performed on tour) called "Cracker Island", featuringThundercat and produced withGreg Kurstin, on 22 June,[137] with the music video being released on 28 July.[138] Their scheduled performance at the firstSplendour in the Grass festival inQueensland, Australia on 22 July was cancelled owing to torrential rain.[139] In July 2022, they played at theAdelaide Entertainment Centre as part ofIlluminate Adelaide, supported by Moonchild Sanelly.[140] In August 2022, the band performed the new song "New Gold" (featuringTame Impala andBootie Brown) at All Points East in London,[141] and released it as their second single for their eighth studio album, announced on the same day to be titledCracker Island (released on 24 February 2023).[142] The album, produced with Kurstin, also features appearances fromStevie Nicks, Bad Bunny, Beck, and Adeleye Omotayo.[143] On 4 November, the band released the third single fromCracker Island, "Baby Queen" (previously released on theFIFA 23 soundtrack).[144][145] On 8 December, the band released the album's fourth single, "Skinny Ape", alongside the announcement of two virtual shows inTimes Square andPiccadilly Circus on 17 and 18 December, respectively.[146] On 27 January 2023, the album's fifth single, "Silent Running" featuring Adeleye Omotayo, was released, with a music video following on 8 February.[147][148] The album received mostly positive reviews, withStephen Thomas Erlewine describing it as "less an exploration of new sonic territory so much as it is a reaffirmation of [Albarn's] strengths" with "a clean, efficient energy".[149][150]
On 27 February 2023, a deluxe version ofCracker Island was released with five bonus tracks. Previous collaborators Del the Funky Homosapien and De La Soul appeared on the deluxe version, as well as Brazilian artistMC Bin Laden.[151] The album was nominated forBest Alternative Music Album for the66th Annual Grammy Awards in 2024.[152]
To celebrate their 25th anniversary, Gorillaz released a video on January 29, 2025 titledNOSTALGIAZ featuring clips from their music videos set to "Orchestral Intro" fromPlastic Beach.[153]
Stuart Harold "2-D" Pot provides the lead vocals and plays the keyboard for the band. 2-D's singing voice is provided by Blur frontmanDamon Albarn on Gorillaz' recordings and performances; his speaking voice was provided by actor Nelson De Freitas in various Gorillaz direct-to-video projects such asPhase One: Celebrity Take Down andPhase Two: Slowboat to Hades. In 2017,Kevin Bishop was cast as the new speaking voice of 2-D.[162] He was created by Albarn andJamie Hewlett in 1998. Most of 2-D's recordings were made with amegaphone part due to his verybass voice, confirmed Hewlett.
Noodle provides the lead guitar and keyboards, as well as some occasional vocals for the band.[163] Like all other band members of Gorillaz, she was created in 1998 byDamon Albarn andJamie Hewlett. Originally from Japan, Noodle has been voiced byHaruka Kuroda,[164][156]Miho Hatori ofCibo Matto,[165][166] andHaruka Abe.[167] Noodle was originally conceptualised by co-creatorJamie Hewlett as a 17-year-old girl named Paula Cracker, but co-creatorDamon Albarn noted that the character was too similar to the characters that Hewlett is typically known for drawing, and recommended that he attempt to create "something different". Taking Albarn's advice, Hewlett designed an illustration of a 10-year-old Japanese girl named Noodle who is a martial arts expert.[168] In October 2016, Noodle became the global ambassador forJaguar Racing, appearing in a short commercial advertising the company.[169]
Russel Hobbs was originally conceptualized byJamie Hewlett andDamon Albarn in 1998 as ametafictional representation of thehip hop aspects of Gorillaz, embodying the spirit of the bands' collaborations with various rappers over the years.[164] He is referenced in the lyrics to theGorillaz track "Clint Eastwood". He was originally inspired by Hewlett's love for hip hop artists likeIce Cube[170] (the cousin of rapperDel the Funky Homosapien, who raps on "Clint Eastwood" and "Rock The House" as Del the Ghost Rapper).[171] Russel's speaking voice is provided by percussionist and DJRemi Kabaka Jr., who has been an actual percussionist and producer for Gorillaz sinceHumanz in 2017.[8][89] Russel's fictional backstory of being possessed by the spirits of dead musicians is what originally inspired the usage of collaborators and guests on Gorillaz' albums.[172][173]
Additional members includesAce, aPowerpuff Girls character from theGangreen Gang, agreen-skinned gang making part of this universe, and the bassist recording with the band onThe Now Now (2018) and Murdoc's substitute, while the latter was arrested in prison until he returns with the band 1 year later.Cyborg Noodle, Noodle's substitute on guitar and a robotic version of herself, while the latter was lost somewhere inJapan. Cyborg Noodle's appearance is only used for thePlastic Beach phase.Del tha Ghost Rapper, a fictionalized version of real-life rapperDel tha Funkee Homosapien, Russel's spirit, and the band's current rapper from 1998 to 2001, until he was back in 2023 during the sessions ofCracker Island, andPaula Cracker, the band's earlier guitarist and 2-D's former girlfriend, when the band was namedGorilla, until Noodle's arrival on guitar.
^Murdoc was briefly in hiatus from the band in 2018 during the course ofThe Now Now due to being in jail, leading toAce becoming his temporary replacement.[154]
^Lanham, Tom (August 2002)."Answer Me".CMJ New Music Monthly. p. 8.Archived from the original on 10 October 2023. Retrieved2 October 2023.Sneering at Blur leader Damon Albarn's recent Gorillaz tour, where the spinoff group performed behind a program of projected cartoons, Oasis ...
^Wehner, Cyclone (April 2017)."Gorillaz – 'Humanz'".Music Feeds.Archived from the original on 21 April 2022. Retrieved19 November 2017.
^"48th Annual GRAMMY Awards". National Academy of Recording Arts and Sciences. 28 November 2017.Archived from the original on 21 March 2019. Retrieved23 October 2020.
^Albarn, Damon (31 May 2018)."Why Damon Albarn Shunned A Collaboration With Prince" (Interview). Interviewed byGordon Smart. London: Radio X.Archived from the original on 31 July 2018. Retrieved11 June 2018.We've been very lucky to be offered all the festivals this year on the back of the last record ... but I didn't want to do that unless I had something new to work with, so the only option was to make another record really quickly and not have lots of guests on it, because that takes a long time to organise; just do it all myself, really.
^de Caunes, Antoine (15 November 2017).Jamie Hewlett (Radio). franceinter: France Inter. Event occurs at 41:20.Archived from the original on 9 November 2020. Retrieved13 October 2020.