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Goregrind

From Wikipedia, the free encyclopedia
Fusion genre of grindcore and death metal

Goregrind
Stylistic origins
Cultural originsLate 1980s, England and United States
Typical instruments
Regional scenes
Netherlands,United States,Spain,Czech Republic,Sweden,Poland,Japan
Other topics

Goregrind is a fusion genre ofgrindcore anddeath metal.[1] British bandCarcass are commonly credited for the emergence of the genre with their first two albumsReek of Putrefaction andSymphonies of Sickness,[2] along withRepulsion andImpetigo with their debut albumsHorrified andUltimo Mondo Cannibale.[3] Goregrind is recognizable by its heavily edited,pitch-shifted vocals, abrasive musicianship rooted in grindcore, and lyrical emphasis on gore, death,pathology, and rape.

History

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Despite the early impact of albums such asRepulsion'sHorrified andImpetigo'sUltimo Mondo Cannibale, the origins of the genre lie with British bandCarcass,[4] who began their career in the late 1980s. In theirReek of Putrefaction era, Carcass usedpitch shifters, medical imagery and several visceral associations—all of which would become synonymous with goregrind.

Characteristics

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According to Matthew Harvey,

Gore-Grind(sic) music is characterized by its preoccupation with pitch-shifted or extremely low vocals, use of gore and forensic pathology as its exclusive subject matter, and often very fast tempos. Gore-Grind bands also have the refreshing tendency not to take themselves or their lyrics too seriously. This is evidenced by ... the often intricate and disgusting yet undeniably cartoonish splatter drawings that adorn many Gore-Grind album sleeves.[1]

Zero Tolerance described goregrind as being defined by "detuned guitars,blasting drums (sometimes with a high-tuned, clanging 'biscuit tin' snare drum sound), sickening lyrics and often heavily processed/distorted vocals."[5] Goregrind bands commonly use extremely low orpitch-shifted vocals.[6] The lyrics' subject matter often features violent themes includinggore,forensic pathology, death, and rape. Lyrics sometimes have a clear tongue-in-cheekZ-gradehorror-movie feel and are not expected to be taken seriously.[1] Cyjan, former drummer for Polish goregrind bandDead Infection, commented, "Musically, there's no real difference between grindcore and goregrind, but lyrically, whereas the first is socially and politically concerned, goregrind, as the name implies, deals with everything related to blood,pathological aspects or accidents with fatal results."[3] Jon Weiderhorn ofLoudwire states: "Goregrind knows no limits and the lyrics are filled with depictions of brutal misogyny, torture and horrific murder and infestations many find offensive and repellant. Those with weak stomachs should steer clear of the horrors within."[7]

Offshoot genres

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Pornogrind

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Main article:Pornogrind

Pornogrind (also known as porngrind or pornogore) is amicrogenre, which is similar and related to goregrind, that deals with sexual andpornographic themes, hence the name.[8][9] Notable bands includeGut andCock and Ball Torture.[1][5][10]

See also

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References

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  1. ^abcdPurcell, Natalie J. (2003).Death Metal Music: The Passion and Politics of a Subculture. McFarland. pp. 23–24.ISBN 0-7864-1585-1. Retrieved28 November 2007.
  2. ^Rivadavia, Eduardo."The Best Metal Albums from 40 Subgenres".Loudwire.
  3. ^abBadin, Olivier (2009). "Goregrind".Terrorizer, 181, p.41.
  4. ^Widener, Matthew.Carcass Clones. Archived fromthe original on 16 January 2008. Retrieved27 February 2009.{{cite book}}:|work= ignored (help)
  5. ^ab"Grind Prix" (2005).Zero Tolerance #004, p. 46.
  6. ^Stosuy, Brandon (6 August 2008)."Show No Mercy". Pitchfork. Archived fromthe original on 28 August 2008. Retrieved14 October 2008.
  7. ^Wiederhorn, Jon WiederhornJon (6 October 2023)."The Most Disgusting Metal Lyrics of All Time".Loudwire. Retrieved26 July 2025.
  8. ^Anderson, Vicki."Running the musical gauntlet".The Press. Retrieved16 June 2009.
  9. ^Hess, Amanda."Brick and Mordor: A record store heavy on the metal spins its last gloom and doom".Washington City Paper. Retrieved16 June 2009.
  10. ^Mincemoyer, John. "Gore International" (2002).Terrorizer #98, pp. 19–20.
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