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Gollum

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From Wikipedia, the free encyclopedia
Monster in Tolkien's fantasy series
This article is about the fictional character. For the animated being from Jewish folklore, seeGolem. For other uses, seeGollum (disambiguation).
"Smeagol" redirects here. For the sea slug, seeSmeagol (gastropod).

Fictional character
Gollum
The HobbitandThe Lord of the Rings character
Sculpture of Gollum catching fish atWellington Airport, New Zealand, 2013, to mark the release ofThe Hobbit: An Unexpected Journey[1]
In-universe information
Full nameSméagol
RaceHobbit (Stoor branch)
GenderMale
Book(s)

Gollum is amonster[2] with a distinctive style of speech inJ. R. R. Tolkien's fantasy world ofMiddle-earth. He was introduced in the 1937fantasy novelThe Hobbit, and became important in its sequel,The Lord of the Rings. Gollum was aStoor Hobbit[T 1][T 2] of the River-folk who lived near theGladden Fields. InThe Lord of the Rings, it is stated that he was originally known asSméagol, corrupted by theOne Ring, and later named Gollum after his habit of making "a horrible swallowing noise in his throat".[T 3]

Sméagol obtained the Ring by murdering his relativeDéagol, who found it in theRiver Anduin. Gollum called the Ring "my precious", and it extended his life far beyond natural limits. Centuries of the Ring's influence twisted Gollum's body and mind, and, by the time of the novels, he "loved and hated [the Ring], as he loved and hated himself."[T 4] Throughout the story, Gollum was torn between his lust for the Ring and his desire to be free of it.Bilbo Baggins found the Ring and took it for his own, and Gollum afterwards pursued it for the rest of his life. Gollum finally seized the Ring fromFrodo Baggins at the Cracks of Doom inMount Doom inMordor, but he fell into the fires of the volcano, where both he and the Ring were destroyed.

Commentators have described Gollum as a psychologicalshadow figure for Frodo and as an evil guide in contrast to thewizardGandalf, the good guide. They have noted, too, that Gollum is not wholly evil, and that he has a part to play in the will ofEru Iluvatar, the omnipotent god ofMiddle-earth,necessary to the destruction of the Ring. For Gollum's literary origins, scholars have compared Gollum to the shrivelled hag Gagool inRider Haggard's 1885 novelKing Solomon's Mines and to the subterraneanMorlocks inH. G. Wells's 1895 novelThe Time Machine.

Gollum was voiced byBrother Theodore inRankin-Bass's animated adaptations ofThe Hobbit andReturn of the King, and byPeter Woodthorpe inRalph Bakshi'sanimated film version and theBBC's1981 radio adaptation ofThe Lord of the Rings. He was portrayed throughmotion capture byAndy Serkis inPeter Jackson'sLord of the Rings andThe Hobbit film trilogies. The "Gollum and Sméagol" scene inThe Two Towers directly represents Gollum's split personality as a pair of entities. This has been called "perhaps the most celebrated scene in the entire film".[3]

Name

[edit]
One suggestion is that "Gollum" derives fromgolem, a being in Jewish folklore (Prague golem pictured).[4]

The Tolkien scholarDouglas A. Anderson, editor ofThe Annotated Hobbit, suggests that Tolkien derived the name "Gollum" fromOld Norsegull/goll, meaning'gold'; this has thedative formgollum, which can mean'treasure'.[4] Another suggestion is that it derives fromgolem, a being in Jewish folklore.[4]

In Appendix F ofThe Lord of the Rings,Tolkien pretends that the name "Sméagol" is a "translation" of theMiddle-earth nameTrahald (having to do with the idea of "burrowing"), and rendered with a name based onOld Englishsmygel of similar meaning.[5]

The rhyming name of his relative "Déagol" is fromOld English:dēagol, meaning'secretive, hidden'.[6] In Tolkien'sRed Book of Westmarch, the name "Déagol" is again supposedly a translation of the "original" name in the author-invented language ofWestron,Nahald.[7]

Names andetymology
Old EnglishTolkienWestronMeaning
smygelSméagolTrahaldcreeping
dēagolDéagolNahaldsecretive

Appearances

[edit]

The Hobbit

[edit]

Gollum was introduced inThe Hobbit as "a small, slimy creature" who lived on a small island in an underground lake at the roots of theMisty Mountains. He survived on cave fish, which he caught from a small boat, and smallgoblins who strayed too far from thestronghold of the Great Goblin. Over the years, his eyes adapted to the dark and became "lamp-like", shining with a sickly pale light.[T 3]

Bilbo Baggins stumbled upon Gollum's lair, having foundthe Ring in the network of goblin tunnels leading down to the lake. At his wits' end in the dark, Bilbo agreed to ariddle game with Gollum on the chance of being shown the way out of the mountains.[T 3] In the first edition ofThe Hobbit, Gollum's size is not stated.[8] Originally, he was also characterised as being less bound to the Ring than in later versions; he offered to give the Ring to Bilbo if he lost the riddle game, and he showed Bilbo the way out of the mountains after losing. To fit the concept of the ruling Ring that emerged during the writing ofThe Lord of the Rings, Tolkien revised later editions ofThe Hobbit. The version of the story given in the first edition became the lie that Bilbo made up to justify his possession of the Ring to theDwarves andGandalf.

In the new version, Gollum pretended that he would show Bilbo the way out if he lost the riddle-game, but he actually planned to use the Ring to kill and eat him. Discovering the Ring missing, he suddenly realised the answer to Bilbo's last riddle – "What have I got in my pocket?" – and flew into a rage. Bilbo inadvertently discovered the Ring's power of invisibility as he fled, allowing him to follow Gollum undetected to a back entrance of the caves. Gollum was convinced that Bilbo knew the way out all along, and hoped to intercept him near the entrance, lest the goblins apprehend Bilbo and find the Ring. Bilbo at first thought to kill Gollum in order to escape, but was overcome with pity, and so merely leaped over him. As Bilbo escaped, Gollum cried out, "Thief, Thief, Thief! Baggins! We hates it, we hates it, we hates it forever!"[T 3]

The Lord of the Rings

[edit]

Gollum's real name was Sméagol, and he had once been a member of the secluded branch of the early StoorishHobbits. He spent the early years of his life with his extended family under amatriarch, his grandmother. On Sméagol's birthday, he and his relative Déagol went fishing in theGladden Fields. There, Déagol found the Ring in the riverbed after being pulled into the water by a fish. Sméagol fell immediately under the Ring's influence and demanded it as a birthday present; when Déagol refused, Sméagol strangled him.[T 2][T 4]

Sméagol later used the Ring for thieving, spying and antagonising his friends and relatives, who nicknamed him "Gollum" for the swallowing noise he made in his throat, until his grandmother disowned him. He wandered in the wilderness for a few years until he finally retreated to a deep cavern in theMisty Mountains. The Ring's malignant influence twisted his body and mind, and prolonged his life well beyond its natural limits.[T 4]

Gollum left his cave in pursuit of Bilbo a few years after losing the Ring, eventually reaching Dale by theLonely Mountain and learning of Bilbo's return to theShire. However, he was then drawn away from Bilbo's trail and towardsMordor. There he met the monstrous spiderShelob and became her spy, worshipping her and bringing her food. He was eventually captured by Sauron's forces and tortured, revealing to Sauron the names of "Baggins" and "the Shire". His testimony alerted Sauron to the existence and significance of hobbits in general and the Baggins family in particular. He was freed, but was soon caught byAragorn and placed in the care of theWood Elves ofMirkwood. Gandalf interrogated him about the Ring. He escaped from them (with the help of Sauron'sOrcs) and descended intoMoria.[T 4]

Gollum began following theFellowship of the Ring in Moria, but was noticed byFrodo Baggins, Gandalf, and Aragorn. He trailed the Fellowship to the edge ofLothlórien. He picked up their trail again as they left,[T 5] following them all the way toRauros, then pursued Frodo andSamwise Gamgee across theEmyn Muil when they struck out on their own towards Mordor.[T 6]

Frodo and Sam confronted Gollum in the Emyn Muil; Gollum nearly strangled Sam, but Frodo subdued him with his Elvish sword,Sting, which had once belonged toBilbo. Sam tied an Elvish rope around Gollum's ankle as a leash, but the mere touch of the rope pained him. Taking pity on the wretched creature, just as Bilbo once had, Frodo made Gollum swear to help them. Agreeing to the oath, Gollum swore by the Ring itself, and Frodo released him.[T 6] The unlikely company, guided by Gollum, made their way to theBlack Gate, the main entrance to Mordor. Frodo's kindness brought out Gollum's better nature, and he made at least some effort to keep his promise. Sam, however, despised Gollum upon sight, and often warned Frodo of the creature's deception and slipperiness.[T 7]

When they reached the Black Gate and found it well-guarded, Gollum offered to lead them toward an alternative entrance into Mordor. Along the way, Frodo and Sam were seized byFaramir, and Gollum slipped away uncaught (but not unseen) and followed them.[T 8] When Frodo allowed Faramir to briefly take Gollum prisoner in order to spare his life, Gollum felt betrayed, and began plotting against his new "master". Faramir found out that Gollum was taking them to the pass ofCirith Ungol, an entrance to Mordor through theEphel Dúath mountains. He warned Frodo and Sam of the evil of that place, as well as the treachery he sensed in Gollum.[T 9]

Frodo, Sam, and Gollum left Faramir and climbed the stairs to Cirith Ungol. Gollum slipped away and visited Shelob, planning to feed the hobbits to her and then get the Ring for himself when she was done. When he returned, he found the hobbits asleep, and the sight of Frodo sleeping nearly moved Gollum to repent. However, Sam woke up and spoke harshly to him, and the opportunity for redemption was lost.[T 10]

Gollum followed through with his plan and led Frodo and Sam intoShelob's Lair. There, Frodo was stung by Shelob, taken prisoner by Orcs, and hauled to the Tower of Cirith Ungol.[T 11] Sam rescued Frodo from theTower of Cirith Ungol and, dressed in scavengedOrc-armour, the two made their way across theplateau of Gorgoroth toMount Doom. When Frodo and Sam had almost reached their destination, Gollum attacked them, but Frodo threw him down. Sam faced Gollum on his own, letting Frodo continue up the mountain to finish their mission. Like Bilbo and Frodo before him, Sam spared Gollum's life out of pity, turned his back on the creature, and followed Frodo.[T 12]

Moments later, Frodo stood on the edge of the Crack of Doom, but claimed the Ring for himself and put it on. Gollum struck, struggled with the invisible Frodo, bit off Frodo's finger, and seized the Ring. Gloating over his "prize" and dancing madly, he stepped over the edge and fell into the Crack of Doom, taking the Ring with him with a last cry of "Precious!" Thus, the Ring was destroyed and Sauron defeated. Sam cursed Gollum after his death, but Frodo urged his friend to forgive him, as without him the quest would have failed.[T 13]

Characteristics

[edit]
A very large Gollum inTove Jansson's illustration for the 1962Swedish translation ofThe Hobbit, before Tolkien stated that the monster was small[9]
Further information:Tolkien's monsters

In the first edition ofThe Hobbit, Tolkien made no reference to Gollum's size, leadingillustrators such asTove Jansson to portray him as very large.[9] Tolkien realised the omission, and added in later editions that Gollum was "a small slimy creature."[T 3]The Two Towers characterises him as slightly larger than Sam;[T 11] and later, comparing him to Shelob, one of the Orcs describes him as "rather like a spider himself, or perhaps like a starved frog."[T 14]

The Hobbit states that Gollum had pockets, in which he kept a tooth-sharpening-rock, goblin teeth, wet shells, and a scrap of bat wing;[T 3] it describes him as having a thin face, "big round pale eyes", and being "as dark as darkness".[T 3] InThe Two Towers,rangers of Ithilien wonder if he is a tailless black squirrel.[T 9] According to Sam inThe Fellowship of the Ring, he had "paddle-feet, like a swan's almost, only they seemed bigger" when Gollum was following their boat by paddling a log down theRiver Anduin.[T 5] In a manuscript written to guide illustrators to the appearance of his characters, Tolkien explained that Gollum had pale skin, but wore dark clothes and was often seen in poor light.[10]

InThe Fellowship of the Ring,Aragorn states that "his malice is great and gives him a strength hardly to be believed in one so lean and withered."[T 15]InThe Two Towers, Gollum's grip is described as "soft, but horribly strong" as he wrestles with Sam.[T 6]

Personality

[edit]
Further information:Mental illness in Middle-earth
Gollum by Frederic Bennet, 2014 (detail)

Sam notes that Gollum has two distinct personalities: the sinister "Stinker" and the submissive "Slinker", with a green glint in his eyes showcasing the change between them. In "The Passage of the Marshes" chapter, Sam overhears a debate between the two, with the nefarious "Stinker" ultimately coming out on top.[T 16] However, as shown in "The Stairs of Cirith Ungol" chapter, Gollum often oscillates between good and evil. When Gollum stumbles upon Frodo and Sam outside of Shelob's Lair, he is briefly overcome and nearly repents, but this is ultimately ruined by Sam's skeptical remarks.[T 10] Tolkien describes this as the story's most tragic moment, and he claims "Sam failed to note the complete change in Gollum's tone and aspect. Gollum's repentance was blighted, Frodo's pity was wasted, and Shelob's Lair became inevitable."[T 17]

Tolkien describes Gollum's personality after he had been captured by Frodo and Sam:[T 6]

For that moment a change, which lasted for some time, came over him. He spoke with less hissing and whining, and he spoke to his companions direct, not to his precious self. He would cringe and flinch, if they stepped near him or made any sudden movement, and he avoided the touch of their elven-cloaks; but he was friendly, and indeed pitifully anxious to please. He would cackle with laughter and caper if any jest was made, or even if Frodo spoke kindly to him, and weep if Frodo rebuked him.[T 6]

Gollum hates everythingElf-made. InThe Two Towers, Sam bound Gollum's neck with Elven rope, which caused Gollum excruciating pain by its mere presence.[T 6] He was unable or unwilling to eat thelembas bread Sam and Frodo carried with them, and rejects cooked rabbit in favour of raw meat or fish.[T 8][T 9]

Speech

[edit]
"My Precious" redirects here. For other uses, seeMy Precious (disambiguation).
See also:Translating The Lord of the Rings § Challenges to translation

Gollum speaks in an idiosyncratic manner, indeed in anidiolect,[11] oftenreferring to himself in the third person, and frequently talks to himself. InThe Hobbit, he always refers to himself as "my precious".[T 3] When not referring to himself in the third person, he sometimesspeaks of himself in the plural as "we", hinting at his alter ego. The rare occasions when he actually says "I" are interpreted by Frodo as an indication that Sméagol's better self has the upper hand. Gollum also uses his own versions of words similar to the original words. He usuallyadds -es to the end of a plural, resulting in words such as "hobbitses" instead of hobbits or "birdses" instead of birds. When forming the present tense of verbs, he frequently extends the third person singular ending -s to other persons and numbers, resulting in constructions like "wehates it" (by analogy with "he hates it"). Gollum's speech emphasisessibilants, often drawing them out.[T 18]

Age

[edit]

Through the influence of the Ring, Gollum's life was extended far beyond that of other members of his clan. An average hobbit lifespan is over 100 years, but a span of 556 years separates Gollum's finding of the Ring and its destruction, by which time he was almost 600 years old.[T 4]

Analysis

[edit]
The story of Sméagol's murder of Déagol echoes the Biblical story ofCain and Abel.[2]Cain Kills Abel byHugo Vogel, 1922

Sméagol and Déagol

[edit]

Cain, Abel, and Grendel

[edit]
Further information:Beowulf in Middle-earth

Commentators including the theologianRalph C. Wood,[12] and the critics Brent Nelson,[2] Kathleen Gilligan,[13] and Susan and Woody Wendling[14] have remarked that Sméagol's murder of Déagol echoesCain's killing of Abel inGenesis (4:1-18). Cain is jealous of his brother Abel; Sméagol is jealous of the shiny gold ring that his friend Déagol has found. Nelson observes that the names of the friends are similar, hinting that at least figuratively they are "brothers". Cain is guilty of Abel's murder, and ends up as a restless wanderer, never finding peace; Sméagol likewise is disowned and exiled by his family, and "wandered in loneliness".[T 4] Nelson, describing Gollum as a "famous monster",[2] notes that Tolkien was a famed scholar of theOld English poemBeowulf, which he acknowledged wasa major source of his own fiction;[2][T 19] and that theBeowulf poet calls the monsterGrendel one of the sons of Cain. Among the many parallels between Gollum and Grendel are their affinity for water, their isolation from society, and their bestial description.[13][2] The Wendlings add that just as Beowulf confronts three monsters, starting with Grendel, inThe Hobbit Bilbo confronts three, starting with Gollum; and again inThe Lord of the Rings, Gollum is one of the three monsters that Frodo encounters.[14]

The Tolkien scholarVerlyn Flieger suggests that Gollum isTolkien's central monster-figure, likening him to both Grendel andtheBeowulf dragon, "the twisted, broken, outcast hobbit whose manlike shape and dragonlike greed combine both theBeowulf kinds of monster in one figure".[15]

Wagner'sDer Ring des Nibelungen

[edit]
Further information:Tolkien and the Norse
The shrunken gold-obsessedMime, described as a Gollum-like figure,[16] cowers behind the celebratingSiegfried inWagner'sDer Ring des Nibelungen. Illustration byArthur Rackham, 1911

Jamie McGregor, writing inMythlore, compares Sméagol's murder of Déagol toFafner's murder of his brotherFasolt inRichard Wagner'sDer Ring des Nibelungen. He notes that Tolkien denied any comparison of his Ring with Wagner's, and that this was accepted by his biographerHumphrey Carpenter.[16] All the same, McGregor notes that Arthur Morgan identified evident parallels, starting withAlberich's curse: there is only one ring; it is cursed; it gives limitless power; owning it brings only misery, and it consumes its owner, who becomes its slave; its owner is called the Lord; owning it is living death.[17]

McGregor further compares Déagol's delight in the ring with theRhinemaidens' innocent rejoicing in their gold: "And behold! when he washed the mud away, there in his hand lay a beautiful golden ring; and it shone and glittered in the sun, so that his heart was glad".[T 4] He draws a parallel between Sméagol's asking for the Ring with Fafner's; Déagol refuses, saying "I'm going to keep it", just as Fasolt says "I hold it: it belongs to me"; Sméagol derisively says "Oh, are you indeed, my love", and strangles him, turning by degrees into the wretched creature Gollum, while Fafner sourly says "Hold it fast in case it falls" and clubs Fasolt to death, becoming by degrees a treasure-fixated dragon.[16][T 4]

Much later, Bilbo blunders into Gollum's cave and finds the Ring by accident; he holds off Gollum with his sword, and escapes by winning a peaceful battle, a riddle contest;Siegfried is led byMime to the dragon's den, kills Fafner to save himself from being eaten; and takes the ring as a bird's voice suggests it. Alberich had cursed the "thief" who took the ring; Gollum curses Bilbo for taking his Ring. On the other hand, McGregor writes, Siegfried is a hero, Bilbo, ananti-hero; and the shrunken Mime is the most Gollum-like character in Wagner's Ring Cycle.[16][T 3]

Psychological pairings

[edit]
Further information:Character pairing in The Lord of the Rings

A variety of commentators have suggested that Gollum constitutes a "shadow figure" for Frodo, as his darkalter ego ("other self") according toCarl Jung's theory of psychologicalindividuation. Some have identified many such "pairings", such asDenethor as a shadow forThéoden,Boromir forAragorn,Saruman forGandalf,Ted Sandyman for Sam Gamgee, theBarrow-wight forTom Bombadil, andShelob forGaladriel, but the Gollum/Frodo pairing is by far the most widely accepted.[18]

The Tolkien scholar Charles W. Nelson described Gollum as an evil guide, contrasted with Gandalf, the good guide (likeVirgil inDante'sInferno) inThe Lord of the Rings. He notes, too, that both Gollum and Gandalf are servants of The One,Eru Ilúvatar, in the struggle against the forces of darkness, and "ironically" all of them, good and bad, are necessary to the success of the quest.[19]

Playing a part in a cosmic game

[edit]
Further information:Christianity in Middle-earth § Moral conflict

David Callaway, writing inMythlore, notes that Tolkien, a devoutRoman Catholic, had madeMiddle-earth a place where good and evil are in conflict under an omnipotent god, Eru Ilúvatar: in other words, "hiscosmology isChristian".[20] Callaway describes Gollum as fitting into this framework as a being not wholly evil, able to make moral choices.[20]

TheEpiscopal priestFleming Rutledge writes that at theCouncil of Elrond, Frodo angrily resists the notion that Gollum was a Hobbit like himself. She adds that Gandalf describes the tale of Gollum's enslavement to the Ring as "a sad story" rather than as Frodo's description of him, "loathsome". Gandalf says that Gollum "had nowill left in the matter", and could not get rid of the Ring; instead, "the Ring itself .. decided things".[T 15] Rutledge comments that the sad story has happened to everybody, trapped, as Christians believe, in "Sin and Death", and states that[21]

The genuinely revolting Gollum is central not only to the surface narrative, ... but also to the underlying theological drama.[21]

Eru makes use of every being's choices for good: Callaway gives as example the way thatGríma Wormtongue's angry throwing of thepalantír, a crystal ball-like stone of seeing, enablesPippin Took to look in the stone and reveal himself toSauron; in turn, Sauron jumps to a wrong conclusion about the stone and the hobbit, which assists the Fellowship in completing their quest, destroying the One Ring. Similarly, Callaway argues, Gollum "is being partly manipulated by Eru in this cosmic chess game"[20] citing Gandalf's remark that Gollum "has some part to play yet, for good or ill".[20] Indeed, Gollum'salter ego, Sméagol, struggles to be good, speaks the truth when questioned by Frodo, and guides them through theDead Marshes. In short, as Tolkien writes, Gollum is "not altogether wicked".[20] Finally, at the end of the quest inside Mount Doom, Gollum takes the Ring from Frodo, and causes it to be destroyed, completing the quest successfully at the moment that Frodo had announced that he would keep the Ring. Callaway calls this "the ultimate heroic self-sacrifice", arguing that Gollum acted "consciously" using "the good fraction in his mind finally overpowering the Ring's evil".[20]

Degenerate

[edit]
Gollum may derive from the "shrunken" Gagool inRider Haggard'sKing Solomon's Mines. 1888 illustration byWalter Paget[22]
Further information:King Solomon's Mines

The English literature scholars William N. Rogers II and Michael R. Underwood compare Gollum to the similarly named[22] evil and ancient hag Gagool inRider Haggard's 1885 novelKing Solomon's Mines; Tolkien acknowledged Haggard, especially his novelShe, as a major influence. They note that Haggard's tales share many motifs with Tolkien'sThe Hobbit, including a non-heroic narrator who turns out to be brave and capable in a crisis; a group of male characters on a quest; dangers in caves; a goal of treasure; and return to a happy countryside. Gollum and Gagool both have a monstrous character, Gagool being described as

a withered-up monkey [that] crept on all fours ... a most extraordinary and weird countenance. It was (apparently) that of a woman of great age, so shrunken that in size it was no larger than that of a year-old child, and was made up of a collection of deep yellow wrinkles ... a pair of large black eyes, still full of fire and intelligence, which gleamed and played under the snow-white eyebrows, and the projecting parchment-coloured skull, like jewels in acharnel-house. As for the skull itself, it was perfectly bare, and yellow in hue, while its wrinkled scalp moved and contracted like the hood of acobra." —King Solomon's Mines, 1885[22]

Rogers and Underwood note that Gagool rejoices in "blood and death".[22] Like Gollum, she is human-like but distorted to a parody; she is shrunken and extremely old; her large eyes and speech are distinctive; and she is wholly materialistic, with a "terrible greediness and self-referencing" and "the insatiable claims of the naked ego".[22] They mention also the cultural background of the late 19th century, combiningeconomic recession, fear of moral decline and degeneration leading indeed toeugenics, and a "for-the-momenthedonism" in the face of these concerns. They comment that Gagool can be seen as a "worst-case" embodiment of suchVictorian era fears.[22]

Dale Nelson, writing in theJ. R. R. Tolkien Encyclopedia, suggests that Gollum may derive fromH. G. Wells'sMorlocks in his 1895 novelThe Time Machine. They have "dull white" skin with a "bleached look", "strange large grayish-red eyes" with "a capacity for reflecting light", and run in a low posture somewhere close to all fours, looking like "a human spider", through having lived for generations underground in darkness.[23]

Tom Birkett, writing inA Companion to J. R. R. Tolkien, likens Gollum toHreiðmarr's son in theVölsunga saga, who took the shape of anotter to catch fish; in the myth, the gods pay a ring as ransom when they kill the otter. Birkett comments on the resemblance to Gollum of "this semi-aquatic creature, greedily devouring fish in a mountain pool".[24]

A 2004 paper in theBritish Medical Journal by supervised students atUniversity College London noted that over 1300 websites had discussed possible diagnoses forGollum's apparent mental illness, and argued that Gollum meets seven of the nine diagnostic criteria forschizoid personality disorder.[25]

Adaptations

[edit]

Animations

[edit]
Gollum does nothing inGene Deitch's 1967 shortThe Hobbit except sit in his boat.[26]

Gollum's first known screen adaptation is inGene Deitch's 1967 short filmThe Hobbit, where his role is reduced from the action described in the novel to appearing in a single scene which depicts him sitting in his boat.[26]

A somewhat froglike Gollum inRankin/Bass's animated 1977The Hobbit[27]

In the 1977Rankin/Bass adaptation ofThe Hobbit and its 1980The Return of the King, Gollum was voiced byBrother Theodore.[28] He appeared somewhat froglike.[27]

Gollum inRalph Bakshi's animated 1978 version ofThe Lord of the Rings[29]

InRalph Bakshi's 1978 animated film adaptation ofThe Lord of the Rings, as in the1981 BBC radio dramatisation, Gollum was voiced byPeter Woodthorpe.[30][31] Austin Gilkeson, writing onTOR.com, called the prologue with the "snaring and transformation of Gollum" "beautifully rendered as black shadows cast against a red canvas" like ashadow play or a medievaltapestry come to life, with a mix of animation, painted backgrounds, androtoscoping.[29]

Television plays

[edit]
A green-clad Gollum with something like a cabbage leaf on his head, in Leningrad Television's 1991Khraniteli[32]

In theSoviet-era television filmСказочное путешествие мистера Бильбо Бэггинса, Хоббита (The Fairytale Journey of Mr. Bilbo Baggins, The Hobbit) of 1985, a green-faced Gollum is portrayed byIgor Dmitriev.[33]

A different Russian Gollum was played by Viktor Smirnov inLeningrad Television's two-part 1991 TV playKhraniteli, rediscovered in 2021.[34]Variety reported that "he's speaking Russian, sports orange eye-shadow and has what appears to be bright green cabbage leaves pasted to his head."[32]

Kari Väänänen portrayed Gollum (Finnish:Klonkku) in the 1993 live-action television miniseriesHobitit [The hobbits] produced and broadcast by the Finnish networkYle.[35]

Jackson's feature films

[edit]
Further information:Peter Jackson's interpretation of The Lord of the Rings

Andy Serkis, motion capture, and CGI

[edit]
Gollum was voiced and performed byAndy Serkis inPeter Jackson's live-action version ofThe Lord of the Rings, usingmotion capture.[36]

InPeter Jackson'sThe Lord of the Rings film trilogy, Gollum is aCGI character voiced and performed by the actorAndy Serkis. He is smaller than Frodo or Sam, but has considerable strength and agility. Barely glimpsed inThe Fellowship of the Ring (2001), he becomes a central character inThe Two Towers (2002) andThe Return of the King (2003). The CGI character was built around Serkis's facial features, voice, and acting choices, and is depicted naked but for a loincloth. Serkis based the iconic "gollum" throat noise on the sound of his cat coughing up hairballs.[37] Using a digital puppet created byJason Schleifer andBay Raitt atWeta Digital, animators created Gollum's performance using a mixture ofmotion capture data recorded from Serkis and the traditional animation process ofkey frame, along with the laborious process of digitallyrotoscoping Serkis's image and replacing it with the digital Gollum's in a technique coinedrotoanimation.[36] Daniel Timmons admired the motion-capture, stating that it brilliantly animated Gollum.[38] Susan Booker said that Gollum "came to life for viewers" through Serkis's acting and Jackson's "electronic wizardry".[39]David Bratman however wrote "How much greater Sméagol's agony is in the book, how much more moving and better-written than the films", arguing that Tolkien's account of Gollum's being "in two minds about his role" is more appropriate than what he considers Jackson's unsophisticated dialogue, with its thrice-repeated "Leave now and never come back".[40]

InThe Return of the King, Serkis himself appears in aflashback scene as Sméagol before his degeneration into Gollum. This scene, originally forThe Two Towers, was held back to allow audiences to become familiar with Gollum and so relate better to the original Sméagol. The decision meant that Raitt and Jamie Beswarick had to redesign Gollum's face for the second and third films to resemble Serkis' more closely.[41] Serkis again played Gollum in the 2012 prequelThe Hobbit: An Unexpected Journey.[42]

Wizard magazine rated Serkis's Gollum as 62nd of the 100 greatest villains in visual media.[43] Serkis as Gollum was 13th onEmpire magazine's "100 Greatest Movie Characters of all Time".[44]

The "Gollum and Sméagol" scene

[edit]

The start of the "Gollum and Sméagol" scene[3][45]
SpeakerDialogueNotes
GollumWe wants it. We needs it. Must have the precious. They stole it from us. Sneaky little Hobbitses. Wicked. Tricksy. False.Distant shot; cut to closer shot, still of Gollum
SméagolNo. Not master.Camera arcs round to Gollum's other side, with "milder 'Sméagol' expression"
GollumYes, precious. False. They will cheat you, hurt you, lie!Camera arcs back, again without a cut
SméagolMaster's my friend.Firstshot/reverse shot cut; 18 more follow

In the "Gollum and Sméagol" scene (number 29) inThe Two Towers, Gollum's split personality is directly represented as a pair of entities. The screenwritersFran Walsh andPhilippa Boyens shaped it as an argument between the childlike "Sméagol" and the evil "Gollum". The film scholarKristin Thompson called it "perhaps the most celebrated scene in the entire film", commenting that it "[drew] gasps from audience members ... at the first cut to Sméagol as an apparently separate character facing himself as Gollum."[3] She comments that the "subtle combination of framing, camera movement, editing, and character glances" requires frame-by-frame analysis to understand in full how Walsh's direction of the scene (to Jackson's instructions) manages "to suggest the conflict between Gollum's two sides".[3] The Tolkien scholarTom Shippey describes Jackson's treatment of Gollum as "masterful all through" and the arguing with himself scene as "especially good and original".[46]

The scene uses the long-establishedshot/reverse shot convention for film dialogue between two people, switching between them, with a three-quarter view of each character, one looking to the left, one to the right. What is new is the technique's application to a single character.[3] Thompson notes however that the scene introduces Gollum and Sméagol by "arcing" continuously from Gollum to Sméagol and back again, rather than bycutting. The argument then proceeds with nineteen shot/reverse shots. Thompson comments that "this scene's ability to make us apparently see two characters arguing with each other when only one is actually present creates an eerie, even astonishing moment that transcends the presentation in the book".[3]

Fan film

[edit]

Gollum is the eponymous character inThe Hunt for Gollum, an independently produced 2009 prequel to the Jackson films directed byChris Bouchard. Bouchard's CGI Gollum, voiced by Gareth Brough,[47] looks much like the Gollum of the Jackson films.[48]

Other media

[edit]

Serkis and Gollum appeared on the2003 MTV Movie Awards, when Gollum won "Best Virtual Performance" and went on to deliver an obscenity-laden acceptance speech in character, so well received that it won theHugo Award for Best Dramatic Presentation, Short Form.[49]

In Canada, Gollum was portrayed byMichael Therriault in the three-hour stage production ofThe Lord of the Rings, which opened in 2006 inToronto.[50] He won aDora Award for the performance.[51]

Gollum appears in a 1989 three-part comic book adaptation ofThe Hobbit, scripted byChuck Dixon and Sean Deming and illustrated by David Wenzel.[52]

The Lord of the Rings: Gollum, a video game centred on Gollum, was released in 2023, forMicrosoft Windows,PlayStation 4,PlayStation 5,Xbox One, andXbox Series X/S, byDaedalic Entertainment.[53]

Cultural references

[edit]

The rock bandLed Zeppelin mention Gollum and Mordor in their 1969 song "Ramble On", with the lyrics "Twas in the darkest depths of Mordor / I met a girl so fair / But Gollum, and the evil one crept up / And slipped away with her".[54]

See also

[edit]

References

[edit]

Primary

[edit]
  1. ^Tolkien 1980, Part Three, IV. "The Hunt for the Ring", p 353, note 9
  2. ^abCarpenter 2023, #214 to A. C. Nunn, c. late 1958-early 1959 "remigration of the Stoors ... Deagol-Smeagol incident"
  3. ^abcdefghiTolkien 1937, ch. 5 "Riddles in the Dark"
  4. ^abcdefghTolkien 1954a, book 1, ch. 2 "The Shadow of the Past"
  5. ^abTolkien 1954a, book 2, ch. 9 "The Great River"
  6. ^abcdefTolkien 1954, book 4, ch. 1 "The Taming of Sméagol"
  7. ^Tolkien 1954, book 4, ch. 3, "The Black Gate is Closed"
  8. ^abTolkien 1954, book 4, ch. 4, "Of Herbs and Stewed Rabbit"
  9. ^abcTolkien 1954, book 4, ch. 6, "The Forbidden Pool"
  10. ^abTolkien 1954, book 4, ch. 8, "The Stairs of Cirith Ungol"
  11. ^abTolkien 1954, book 4, ch. 9, "Shelob's Lair"
  12. ^Tolkien 1955, book 6, ch. 3, "Mount Doom"
  13. ^Tolkien 1955, book 6, ch. 4, "The Field of Cormallen"
  14. ^Tolkien 1954, book 4, ch. 10, "The Choices of Master Samwise"
  15. ^abTolkien 1954a, book 2, ch. 2 "The Council of Elrond"
  16. ^Tolkien 1954, book 4, ch. 2 "The Passage of the Marshes"
  17. ^Carpenter 2023, #246 to E. Elgar, September 1963
  18. ^Tolkien 1955, Appendix F: II, "On Translation"
  19. ^Carpenter 2023, #25 to the editor ofThe Observer, February 1938, stating "Beowulf is among my most valued sources; though it was not consciously present to the mind in the process of writing"

Secondary

[edit]
  1. ^Child, Ben."Hobbit release marked with giant Gollum sculpture at Wellington airport".The Guardian. Retrieved19 June 2020.
  2. ^abcdefNelson, Brent (2008)."Cain-Leviathan Typology in Gollum and Grendel".Extrapolation.49 (3). Liverpool, England:University of Liverpool: 466.doi:10.3828/extr.2008.49.3.8.
  3. ^abcdefThompson, Kristin (2011)."Gollum Talks to Himself: Problems and Solutions in Peter Jackson'sThe Lord of the Rings". In Bogstad, Janice M.; Kaveny, Philip E. (eds.).Picturing Tolkien: Essays on Peter Jackson's The Lord of the Rings Film Trilogy.McFarland & Company. pp. 25–45.ISBN 978-0-7864-8473-7.Archived from the original on 13 July 2021. Retrieved23 August 2020.
  4. ^abcWendling, Woody (29 May 2008)."The Riddle of Gollum: Was Tolkien Inspired by Old Norse Gold, the Jewish Golem, and the Christian Gospel?".Volume 6: A Collection of Essays Presented at the Sixth Frances White Ewbank Colloquium on C.S. Lewis & Friends. Article 23.Archived from the original on 29 November 2020. Retrieved16 October 2023.
  5. ^Bosworth & Toller 1972, "smygel"
  6. ^Bosworth, Joseph;Toller, T. Northcote (1972) [1898]. "Deogol".An Anglo-Saxon Dictionary. Oxfordshire, England:Clarendon Press.ISBN 978-0-19-863101-9.
  7. ^Tyler, J. E. A. (1977).The New Tolkien Companion. New York City:St. Martin's Press.ISBN 978-0-380-46904-8.
  8. ^Scoville, Chester N. (2007)."Scholarship and Critical Assessment". InDrout, Michael D. C. (ed.).Hobbit, The.The J. R. R. Tolkien Encyclopedia. Oxfordshire, England:Taylor & Francis. p. 278.ISBN 978-0-4159-6942-0.
  9. ^abHolownia, Olga (31 December 2014)."'Hell, what a chance to have a go at the classics': Tove Jansson's take on Alice's Adventures in Wonderland, The Hunting of the Snark, and The Hobbit".Barnboken - Journal of Children's Literature Research.37.doi:10.14811/clr.v37i0.191.It could be argued, however, that large Groke-like Gollum, mountain-tall trolls, impish goblins and tribal wargs dancing against the backdrop of white snaky flames – all of the scary creatures which unlike the dwarves are placed in the centre of the frames – resonate with the rest of the illustrations that aim to evoke a sense of terror.
  10. ^Hammond & Scull 2005, p. 447.
  11. ^Parra López, Guillermo; Bartoll Teixidor, Eduard (2019). "El tesoro lingüístico de Gollum. El uso del idiolecto en la caracterización de la identidad de los personajes de ficción y su traducción para el doblaje".MonTI. Monografías de Traducción e Interpretación (4):343–370.doi:10.6035/MonTI.2019.ne4.12.hdl:10234/184489.
  12. ^Wood, Ralph C. (2003).The Gospel According to Tolkien. Louisville, Kentucky:Westminster John Knox Press. p. 55.ISBN 978-0-664-23466-9.
  13. ^abGilligan, Kathleen E. (2011)."Temptation and the Ring in J. R. R. Tolkien's The Fellowship of the Ring".Inquiry: An Interdisciplinary Journal of Philosophy.3 (5). Abingdon, England:Routledge: 1.
  14. ^abWendling, Susan; Wendling, Woody (2012)."A Speculative Meditation on Tolkien's Sources for the Character Gollum".Inklings Forever: Published Colloquium Proceedings 1997-2016.8 (1). Article 28.
  15. ^Flieger, Verlyn (2004). "Frodo and Aragorn: The Concept of the Hero". In Zimbardo, Rose A.; Isaacs, Neil D. (eds.).Understanding the Lord of the Rings: The Best of Tolkien Criticism. Boston, Massachusetts:Houghton Mifflin. pp. 122–145.ISBN 978-0-61842-251-7.
  16. ^abcdMcGregor, Jamie (2011)."Two Rings to Rule Them All: A Comparative Study of Tolkien and Wagner".Mythlore.29 (3/4 Spring/Summer). East Lansing, Michigan:Mythopoeic Society:133–153, Article 10.
  17. ^Morgan, Arthur (1992). "Medieval, Victorian and Modern: Tolkien, Wagner and The Ring". In Gray, Rosemary (ed.).A Tribute to J. R. R. Tolkien. Pretoria:UNISA Medieval Association. pp. 16–28.
  18. ^Honegger, Thomas (2019)."More Light than Shadow?".Tolkien: Light and Shadow. Kipple Officina Libraria. pp. 151–154.ISBN 978-88-321-7907-1.
  19. ^Nelson, Charles W. (2002). "From Gollum to Gandalf: The Guide Figures in J. R. R. Tolkien's "Lord of the Rings"".Journal of the Fantastic in the Arts.13 (1):47–61.JSTOR 43308562.
  20. ^abcdefCallaway, David (1984)."Gollum: A Misunderstood Hero".Mythlore.10 (3).
  21. ^abRutledge, Fleming (2004).The Battle for Middle-earth: Tolkien's Divine Design in The Lord of the Rings. Grand Rapids, Michigan:William B. Eerdmans Publishing Company. pp. 57–59 "Gollum and the Bondage of the Will".ISBN 978-0-80282-497-4.
  22. ^abcdefRogers, William N. II; Underwood, Michael R. (2000)."Gagool and Gollum: Exemplars of Degeneration inKing Solomon's Mines andThe Hobbit". In Sir George Clark (ed.).J. R. R. Tolkien and His Literary Resonances: Views of Middle-earth. Westport, Connecticut:Greenwood Publishing Group. pp. 121–132.ISBN 978-0-313-30845-1.
  23. ^Nelson, Dale (2013) [2007]. "Literary Influences, Nineteenth and Twentieth Centuries". InDrout, Michael D. C. (ed.).J. R. R. Tolkien Encyclopedia: Scholarship and Critical Assessment. Abingdon, England:Routledge. pp. 366–377.ISBN 978-0-415-86511-1.
  24. ^Birkett, Tom. "Old Norse", inLee 2020, pp. 254 and 257 note 12
  25. ^Bashir, Nadia; Ahmed, Nadia; Singh, Anushka; Tang, Yen Zhi; Young, Maria; Abba, Amina; Sampson, Elizabeth L. (2004)."A precious case from Middle Earth".British Medical Journal.329 (7480):1435–1436.doi:10.1136/bmj.329.7480.1435.PMC 535969.PMID 15604176.
  26. ^ab"The Hobbit 1967".Suggap. January 1967. Retrieved1 February 2021.
  27. ^abGilkeson, Austin (24 April 2019)."Middle-earth's Weirdest Movie: Rankin-Bass' Animated The Return of the King". Tor.com. Retrieved7 May 2020.
  28. ^"Brother Theodore".Behind the Voice Actors. Retrieved20 April 2020.
  29. ^abGilkeson, Austin (13 November 2018)."Ralph Bakshi's The Lord of the Rings Brought Tolkien from the Counterculture to the Big Screen".TOR.com. Retrieved17 June 2021.
  30. ^"Peter Woodthorpe".Behind the Voice Actors. Retrieved20 April 2020.
  31. ^Pearse, Edward (15 January 2009)."The Lord of the Rings, Episode 2". Radio Riel. Archived fromthe original on 15 January 2020.
  32. ^abDavis, Rebecca (2021)."Inside the Soviet 'Lord of the Rings': Cast Details Their Epic TV Movie, Uncovered After 30 Years". Variety.Archived from the original on 12 May 2021. Retrieved13 June 2021.
  33. ^Gilsdorf, Ethan (9 January 2013)."A Very Weird Russian Hobbit from 1985".Wired. Retrieved13 April 2020.
  34. ^Vasilieva, Anna (31 March 2021).""Хранители" и "Властелин Колец": кто исполнил роли в культовых экранизациях РФ и США" ["Keepers" and "The Lord of the Rings": who played the roles in the cult film adaptations of the Russian Federation and the USA] (in Russian). 5 TV. Retrieved6 April 2021.
  35. ^Kajava, Jukka (29 March 1993)."Tolkienin taruista on tehty tv-sarja: Hobitien ilme syntyi jo Ryhmäteatterin Suomenlinnan tulkinnassa" [Tolkien's tales have been turned into a TV series: The Hobbits have been brought to live in the Ryhmäteatteri theatre].Helsingin Sanomat (in Finnish). Helsinki, Finland:Sanoma.(subscription required)
  36. ^abThe Lord of the Rings: The Two Towers – Special Extended DVD Edition, The Appendices Part Three: The Journey Continues (DVD).New Line Cinema. 2002.
  37. ^Serkis, Andy (2003).Gollum: How We Made Movie Magic. London:HarperCollins. p. 4.ISBN 0-618-39104-5.
  38. ^Timmons, Daniel (2013) [2007]. "Jackson, Peter". InDrout, Michael D. C. (ed.).The J. R. R. Tolkien Encyclopedia.Routledge. pp. 119–127.ISBN 978-0-415-86511-1.
  39. ^Booker, Susan (2005). "Tales Around the Internet Campfire". InCroft, Janet Brennan (ed.).Tolkien on Film: Essays on Peter Jackson's 'The Lord of the Rings'.Mythopoeic Press. pp. 259–282.ISBN 978-1887726092.
  40. ^Bratman, David (2005). "Summa Jacksonica: A Reply to Defenses of Peter Jackson's 'The Lord of the Rings' films, after St. Thomas Aquinas". InCroft, Janet Brennan (ed.).Tolkien on Film: Essays on Peter Jackson's 'The Lord of the Rings'.Mythopoeic Press. pp. 27–62.ISBN 978-1887726092.
  41. ^Lewis, Justin (2012).Andy Serkis - The Man Behind the Mask. John Blake. p. 110.ISBN 978-1-78219-089-9.
  42. ^Truitt, Brian (18 March 2013)."Andy Serkis plays dual roles for 'The Hobbit'".USA Today. Retrieved20 April 2020.
  43. ^Wizard magazine, issue 177, 31 May 2006
  44. ^"13. Gollum".Bauer Media Group. Retrieved4 December 2010.
  45. ^Galia, Elril."The Two Towers Extended Edition Movie Script: Scene 29 ~ Gollum and Smeagol".Age of the Ring. Retrieved31 July 2024.
  46. ^Shippey 2005, p. 422
  47. ^"The Hunt for Gollum, kortfilm fra 2009".FilmFront. Retrieved19 July 2020.
  48. ^Wired Staff (May 2009)."Review: Lord of the Rings Fan Film The Hunt for Gollum is an Impressive Achievement". Wired. Retrieved20 April 2020.
  49. ^"2004 Hugo Awards". The Hugo Awards. Archived fromthe original on 7 May 2011. Retrieved10 April 2014.
  50. ^Spencer, Charles (20 June 2007)."Lord of the Rings doomed to epic defeat".The Daily Telegraph.Archived from the original on 11 January 2022.Only Michael Therriault's charismatically creepy and athletic Gollum, and James Loye and Peter Howe who make a touching double act as Frodo Baggins and Sam Gamgee, come to persuasive life.
  51. ^"Doras". Toronto Alliance for the Performing Arts. 2008. Archived fromthe original on 2 December 2008.
  52. ^"AboutThe Hobbit (Graphic Novel)". Penguin Random House. Retrieved13 April 2020.a destiny that waits in the dark caverns beneath the Misty Mountains, where a twisted creature known as Gollum jealously guards a precious magic ring.
  53. ^Romano, Sal (23 March 2023)."The Lord of the Rings: Gollum launches May 25 for PS5, Xbox Series, PS4, Xbox One, and PC, later for Switch". Gematsu. Retrieved23 March 2023.
  54. ^Meyer, Stephen C.; Yri, Kirsten (2020).The Oxford Handbook of Music and Medievalism.Oxford University Press. p. 732.ISBN 978-0-19-065844-1.

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