TheGolden Lion (Italian:Leone d'oro) is the highest prize given to a film at theVenice Film Festival. The prize was introduced in1949 by the organizing committee and is widely regarded as one of thefilm industry's most prestigious and distinguished prizes.[1][2] In1970, theGolden Lion for Lifetime Achievement was introduced, an honorary prize for people who have made an important contribution to cinema.
The prize was introduced in 1949 as the GoldenLion of Saint Mark, which was one of the best known symbols of the ancientRepublic of Venice.[3] In1954, the prize was permanently named the Golden Lion.
The first Golden Lion was awarded in 1949. Previously, the equivalent prize was theGran Premio Internazionale di Venezia(Grand International Prize of Venice), awarded in 1947 and 1948. No Golden Lions were awarded between 1969 and 1979. According to the Biennale's official website, the hiatus was a result of the 1968 Lion being given to the radically experimentalDie Artisten in der Zirkuskuppel: Ratlos; the website says that the awards "still had a statute dating back to the fascist era and could not side-step the general political climate. Sixty-eight produced a dramatic fracture with the past".[4]
Prior to 1980, only three of 21 winners were of non-European origin. Since the 1980s, the Golden Lion has been presented to a number of Asian filmmakers, particularly in comparison to the Cannes Film Festival's top prize, the Palme d'Or, which has been awarded to five Asian filmmakers since 1980. The Golden Lion, by contrast, has been awarded to ten Asians during the same time period, with two of these filmmakers winning it twice. Ang Lee won the Golden Lion twice within three years in the 2000s, once for an American film and once for a Chinese-language film.Zhang Yimou has also won twice. Other Asians to win the Golden Lion since 1980 includeJia Zhangke,Hou Hsiao-hsien,Tsai Ming-liang,Trần Anh Hùng,Takeshi Kitano,Kim Ki-duk,Jafar Panahi,Mira Nair, andLav Diaz. Russian filmmakers have won the Golden Lion several times, including since the end of the USSR.
From 1934 until 1942, the highest award of the festival was theCoppa Mussolini for Best Italian Film and Best Foreign Film. Even though other awards were attributed toNazi propaganda films, such asJud Süß (Suss, the Jew), anantisemitic production made at the behest of Nazi Propaganda MinisterJoseph Goebbels, won the festival'sGolden Crown[6][7] award in 1940.[8][9][10]
After the end of the WWII during the reestablishment of the festival,The Southerner, directed byJean Renoir, won the main prize at the 1946 edition. In 1947 and 1948, the equivalent prize for the Golden Lion was theGran Premio Internazionale di Venezia (Grand International Prize of Venice), awarded toKarel Steklý'sThe Strike in 1947 andLaurence Olivier'sHamlet in 1948.
^Even though a cinema section within the Biennale was organized with "proposals for new films", tributes, retrospectives, conventions, and some screenings.
^Even though an event integrated into the Biennale project on "cultural dissent" focused on cinema in Eastern Europe took place.
^Maestro, B. B. C. (2022-08-12)."The different types of film and TV awards".BBC Maestro. Retrieved2025-09-07.A Golden Lion is considered one of the most prestigious prizes a film can receive.
^Friedländer, Saul (2008).The years of extermination: Nazi Germany and the Jews, 1939-1945 (First Harper Perennial ed.). New York London Toronto Sydney New Delhi Auckland: Harper Perennial. p. 100.ISBN978-0-06-093048-6.
^Kahn, Lothar (1975).Insight and action: the life and work of Lion Feuchtwanger. Rutherford, N.J: Fairleigh Dickinson University Press.ISBN978-0-8386-1314-6.
^Roos, Fred (Spring 1957)."Venice Film Festival, 1956"(PDF).The Quarterly of Film Radio and Television.11 (3). University of California Press: 249.doi:10.2307/1209744.JSTOR1209744. Archived fromthe original(PDF) on March 31, 2022. RetrievedApril 5, 2020.The report began with a few sentences of praise for each of the 14 films [sic], and then selected the JapaneseHarp of Burma and the SpanishCalle Mayor as being particularly outstanding. Since the jury was unable to decide which of these two films was the superior, it had decided not to award a grand prix "St. Mark Golden Lion" this year.
^"Venice Film Fete in Quest of Glamour".The New York Times. August 28, 1979. RetrievedApril 24, 2020.Carlo Lizzani, leftist director and the festival's new president, has not so far managed to restore the "Golden Lion" awards presented at Venice until 1968