| Godzilla vs. Hedorah | |||||
|---|---|---|---|---|---|
 Theatrical release poster | |||||
| Japanese name | |||||
| Kanji | ゴジラ対ヘドラ | ||||
| |||||
| Directed by | Yoshimitsu Banno | ||||
| Written by | Yoshimitsu Banno Kaoru Mabuchi | ||||
| Produced by | Tomoyuki Tanaka | ||||
| Starring |
| ||||
| Cinematography | Yōichi Manoda [ja] | ||||
| Edited by | Yoshitami Kuroiwa | ||||
| Music by | Riichirō Manabe | ||||
Production company | |||||
| Distributed by | Toho | ||||
Release date |
| ||||
Running time | 85 minutes | ||||
| Country | Japan | ||||
| Language | Japanese | ||||
| Budget | ¥100 million[1] | ||||
| Box office | ¥290–300 million | ||||
Godzilla vs. Hedorah (Japanese:ゴジラ対ヘドラ,Hepburn:Gojira tai Hedora) is a 1971 Japanesekaiju film directed and co-written byYoshimitsu Banno, with special effects byTeruyoshi Nakano. Produced and distributed byToho Co., Ltd., it is the 11th film in theGodzilla franchise and Banno's directorial debut. The film stars Akira Yamauchi, Toshio Shiba, Hiroyuki Kawase, Keiko Mari, and Toshie Kimura, withHaruo Nakajima asGodzilla andKenpachiro Satsuma asHedorah. The film features anenvironmentalist message as symbolized by Hedorah being spawned frompollution. It was released in the United States asGodzilla vs. the Smog Monster.
ProducerTomoyuki Tanaka offered Banno the opportunity to direct aGodzilla film shortly after working together on the Mitsubishi Pavilion atExpo '70. Franchise veteransKaoru Mabuchi andIshirō Honda were tasked with assisting Banno with scripting and directing the film respectively. Tanaka was hospitalized for the majority of the production, and Banno took advantage of this to include a scene he thought Tanaka would have otherwise rejected.Principal photography took 35 days with a crew of around 50 on an estimated¥100 million budget.
Godzilla vs. Hedorah was distributed in Japan on July 24, 1971, as part of the Toho Champion Festival. It was a moderate box office success, grossing¥290–300 million, and largely ignored by Japanese critics. The few contemporary reviews of the film were generally unfavorable, with particular criticism being given to the scene where Godzilla uses his atomic breath to fly.
Godzilla vs. Hedorah is now considered acult classic and has often been described as the most "unique" film in theGodzilla franchise. Retrospective critical reviews have been mixed to positive.Roger Ebert,Adam Wingard, andNicolas Cage have hailed the film as their favorite in theGodzilla series.[2] Banno proposed numerous follow-ups until he died in 2017. Although none of his submissions have ever come to fruition, one ultimately led to the production ofGodzilla (2014), for which he served as anexecutive producer. A short based on the film premiered at Godzilla Fest 2021 in celebration of the film's 50th anniversary.
The film was followed byGodzilla vs. Gigan, released on March 12, 1972.
Hedorah, an individual of a species of amorphous extraterrestrial alien from theHorsehead Nebula, is transported to Earth by acomet. Upon arrival, it feeds on Earth'spollutants and grows into a poisonous sea monster with the ability to producesulfuric acid. After it sinks an oil tanker and attacks Dr. Toru Yano and his young son Ken, scarring the doctor, Hedorah's toxic existence is revealed to the public. Ken has visions ofGodzilla fighting the world's pollution and insists Godzilla will come to mankind's aid against Hedorah.
Hedorah metamorphoses into an amphibious form, allowing it to move onto land to feed on additional sources of pollution. As Hedorah makes its way to a power station to consume the smoke from its chimneys, it is confronted by Godzilla. Hedorah is easily overpowered by Godzilla and retreats into the ocean. However, during the fight, several pieces of Hedorah's body are flung off, which then crawl back into the sea to grow anew and allow Hedorah to become even more powerful. It returns shortly afterwards in its flying form, then assuming its full form, which demonstrates some of the strongest powers it has access to yet.
Thousands of people across Japan are killed in Hedorah's raids. As hope fades, a party is thrown onMount Fuji to celebrate one last day of life before the country—and then, the rest of the world—succumbs to Hedorah's unstoppable power. Ken, Yukio Keuchi, Miki Fujinomiya, and the other partygoers realize that Godzilla and Hedorah have also converged on Mount Fuji for a decisive confrontation. During the battle, Godzilla is quickly outmatched by Hedorah's impressive durability and fearsome strength, losing an eye and sustaining a full thicknesschemical burn to a hand - right down to the bone - from contact with Hedorah's acidic body and blood, which corrodes anything that comes into contact with it. Finally, Godzilla is almost killed by Hedorah after the alien throws Godzilla into a pit, then attempts to drown Godzilla with a deluge of chemical sludge.
Dr. Toru and his wife Toshie have determined that drying out Hedorah's body may destroy the otherwise unkillable monster. While Godzilla and Hedorah fought, theJSDF swiftly constructed two giganticelectrodes for this purpose and switch them on in an effort to give Godzilla a chance to escape the pit and return to the fight.
Suddenly, the electrodes short out, the power cut off by Godzilla and Hedorah's violent battle. Godzilla reactivates and energizes the electrodes with its atomic breath, which dehydrates Hedorah's exterior. Hedorah's body splits open, and the alien tries to escape using its flying form, but Godzilla propels itself through the air using its atomic breath as a jet to give chase. Godzilla drags Hedorah back to the electrodes and continues to dehydrate it until Hedorah is on the brink of defeat. Godzilla tears open Hedorah's dried-out body and exposes it to the electrodes again, dehydrating pieces of Hedorah's remains until they disintegrate into dust. Godzilla returns to the ocean, but not before pausing to gaze sternly at the surviving humans. Ken bids farewell to Godzilla.
Assistant directorKōichi Kawakita makes an uncreditedcameo appearance as a bar customer.[6]
ProducerTomoyuki Tanaka offered Banno the opportunity to direct aGodzilla film shortly after working together on the Mitsubishi Pavilion atExpo '70.[7] Due to Banno's inexperience, franchise veteransKaoru Mabuchi andIshirō Honda were tasked with assisting him with scripting and directing the film respectively. Tanaka's declining health led to him being hospitilized for the majority of production, and Banno took advantage of this to include a scene where Godzilla chases Hedorah by using his atomic breath to fly, which reportedly resulted in Tanaka loathing the film and refusing to give Banno another chance to direct a Godzilla film.
Director Banno initially conceived the idea forGodzilla vs. Hedorah after seeing cities like Yokkaichi covered in black smog and the ocean filled with foam from dumped detergent and formulated the story of an alien tadpole transforming into a monster as a result of the pollution.[8]
The film marked director Banno's directorial debut; however, the budget forGodzilla vs. Hedorah was significantly lower than previousGodzilla films. Banno was only given 35 days to shoot the film and only had one team available to shoot both the drama and monster effects scenes. Veteran Godzilla directorIshirō Honda was later tasked by producerTomoyuki Tanaka to watch Banno's rough cut and provide advice.[9]
Teruyoshi Nakano provided the special effects for the film and worked alongside Banno in order to make a film that spoke about the dangers of environmental pollution in the same way theoriginalGodzilla addressed the threat of nuclear weapons.[10] Nakano and Banno often differed on how they should approach the movie with Nakano favored a tone and approach similar to the originalGodzilla, while Banno wanted to make a film more directed towards children.[10] The original script didn't feature Godzilla flying, but Banno wanted something "extraordinary" for the film. Nakano reluctantly added in the sequence, saying later in life he felt it was mistake in doing so.[10] In order to alleviate the bleak tone several comedic scenes were added by Nakano.[10]
Kenpachiro Satsuma, the actor who played Hedorah, was struck withappendicitis shortly after production as he was giving a publicity interview to a newspaper while only loosely wearing the heavy Hedorah costume. He had to be rushed off to surgery. During theappendectomy, Satsuma learned thatpainkillers had no effect on him.[11]
DirectorYoshimitsu Banno was going to make a sequel to this film, but it was scrapped due to the fact that Tomoyuki Tanaka reportedly hatedGodzilla vs. Hedorah, so he fired Yoshimitsu Banno.[12] The next film was going to be calledGodzilla vs. Redmoon, but this was scrapped and later becameDaigoro vs. Goliath[citation needed], then they planned a new film calledGodzilla vs. The Space Monsters: Earth Defensive Directive, but this was also scrapped and then becameThe Return of King Ghidorah, which was also scrapped, after which they ultimately madeGodzilla vs. Gigan.[citation needed]
The film also includesanimated sequences, which were intended to convey the environmental message.[13]
Godzilla vs. Hedorah features a relatively uncelebrated cast, as requested by Banno.[7]
Godzilla vs. Hedorah was a moderate box office success in Japan, where it grossed¥290–300 million.[14][15][16] In 2019, to celebrate the lives of Banno and Nakajima (both of whom died in 2017), it was the 22 film screened as part of theNational Film Archive of Japan's "In Memory of Film Figures We Lost in 2017-2018" event.[17]
The film was released in February 1972 byAmerican International Pictures under the titleGodzilla vs. the Smog Monster. There were several small alterations: dialogue was dubbed into English byTitan Productions,[18][19] several shots with Japanese text were replaced with English or textless equivalents, additional sound effects andFoley were added to some scenes, and the song "Save the Earth" (based on "Give Back the Sun!", a song in the original Japanese version of the film) was added. This version was rated 'G' by the MPAA, and the same version was given an 'A' certificate by the BBFC for its UK theatrical release in 1975.[20]
The AIP version has been replaced in the North American home video and television markets (including Sony's DVD and Kraken Releasing's DVD and Blu-ray) byToho's international version, titledGodzilla vs. Hedorah. This version features the original English dub produced in Hong Kong and by extension lacks the English-language song "Save the Earth". This version was first broadcast in the United States by theSci-Fi Channel on January 20, 1996.[21]
The film was released onVHS byOrion Pictures in 1989 and onDVD bySony Pictures Home Entertainment on October 19, 2004. The film received another DVD release and aBlu-ray release byKraken Releasing on May 6, 2014.[22][23] A video transfer ofGodzilla vs. The Smog Monster was released in Canada on DVD packaged withGodzilla vs. Megalon by Digital Disc.[24] In 2019, the Japanese version was included in a Blu-ray box set released by the Criterion Collection, which included all 15 films from the franchise'sShōwa era.[25]
In 2021, Toho premiered a4K remaster of the film on theNippon Classic Movie Channel, along with seven other Godzilla films also remastered in 4K. The film wasdownscaled to 2K for broadcast.[26] UHD and bluray discs of this remaster are scheduled for release in Japan on December 20, 2023.
According to Banno, Japanese critics generally ignoredGodzilla vs. Hedorah, but those who did review it unanimously panned it, with the exception of theYomiuri Shimbun.[7] Nakano described initial responses as polarized, with divisive notices from newspapers and mixed reviews from magazines.[27] Later publications noted how reviewers conflicted about the scene where Godzilla uses his atomic breath to fly, although Nakano claimed that it was praised in the United States.
In July 1972,Vincent Canby ofThe New York Times described the film as the "most blatant of all of the pollution pictures".[28] He felt viewers would not be inclined to protest against pollution after watching the movie, and opposed this notation.[29] Alan Cookman of theEvening Sentinel called the film a "curious—and curiously fascinating—Japanese import [that] is more of a tongue-in-cheek effort than you might imagine", venturing that six-to-twelve-year-olds would likely enjoy it most.[30] He added that, "With wide screen, good colour and effects which include occasional lapses into animation and splitscreen, it is technically quite impressive. Twenty years ago I would have lapped it up."[30]
The film was featured in the 1978 bookThe Fifty Worst Films of All Time by Harry Medved with Randy Dreyfuss.[7] The book quoted a few Western reviews of the film, includingLeonard Maltin calling it "dubbed and daffy"; theSan Francisco Chronicle panning it; andThe Monster Times saying it was "one of the worst monster films ever; an idiotic kiddie show!"[31]
Godzilla vs. Hedorah has received mixed—mostly positive—retrospective reviews. On thereview aggregator websiteRotten Tomatoes, 67% of 15 critics' reviews are positive, with an average rating of 5.5/10.[32]
In 1998, a reviewer forStomp Tokyo wrote that the film has "many obvious, crippling flaws" but praised the monster action, and commended the lack of reliance on stock footage and the effort put into the animated segments.[33] In 2004,Stuart Galbraith IV, writing forDVD Talk, stated that the film "earns points for trying something new, to break away from what was fast becoming a tired formula. The film isn't as entertaining asGodzilla vs. Gigan orGodzilla vs. Mechagodzilla, but it is more original and daring, and ... fans will want to pick [it] up."[34]
In their 2018 bookJapan's Green Monsters, Sean Rhoads and Brooke McCorkle offer an ecocritical assessment ofGodzilla vs. Hedorah. The scholars argue that viewingGodzilla vs. Hedorah through three lenses—those being Japanese environmental history, the monster movie genre, and the historical trends that crippled the Japanese film industry—provides a new understanding of the film and Banno's intentions. Rhoads and McCorkle specifically counter prior poor reviews of the film like those proffered by Medved and Galbraith, and argue thatGodzilla vs. Hedorah possesses deeper environmental appeals than the obvious ones present on the film's surface.[35]
Roger Ebert of theChicago Sun-Times, in his review panningGodzilla 1985, citedGodzilla vs. Hedorah as his favoriteGodzilla movie.[36]
In a December 1996 interview withCinefantastique, Nakano, the effects artist for the film, stated his thoughts onGodzilla vs. Hedorah:
"Looking back, the movie seems kind of cruel and heavy handed. I was trying to show the serious threat of pollution with scenes of Godzilla's eyes being burned and people dying. I guess I became uncomfortable with it even while we were filming, that’s why we added the comical scenes."[10]
After director Yoshimitsu Banno finished directingGodzilla vs. Hedorah, he began work on creating another installment in theGodzilla series. Like his firstGodzilla movie, Banno had wanted the next film to have a strong message against pollution. The initial idea was that a mutant starfish-like monster battles Godzilla. However, he scrapped this idea and wrote what was going to beGodzilla vs. Hedorah 2. In it, Godzilla was to fight another Hedorah, this time in Africa. Due to Tomoyuki Tanaka's reaction to Banno's firstGodzilla film, this was never realized.
Banno spent several years trying to acquire funding for a 40-minute IMAX 3DGodzilla film starring a new version of Hedorah called Deathla. The project was tentatively titledGodzilla 3D: To The Max. The project was eventually scrapped but several members of the production team, including Banno, would work on the 2014Godzilla. In November 2013, Banno stated that he still hoped to make a sequel toGodzilla vs. Hedorah, but died in 2017.[37] He also served as an executive producer ofGodzilla: King of the Monsters (2019) andGodzilla vs. Kong (2021), both of which were released after his death.
Yoshimitsu Banno was so pleased withGodzilla vs. Hedorah that he started writing anotherGodzilla film. Banno began preparing a script forGodzilla vs. Hedorah 2. However, Tomoyuki Tanaka, who was hospitalized during the production ofGodzilla vs. Hedorah, was extremely dissatisfied with the final product and went as far as to tell Banno that he had "ruined Godzilla."[citation needed] Tanaka prevented Banno from directing another Toho film afterwards and demoted him from director to producer on several upcoming films.[citation needed]
According to Banno though, from later interviews conducted with him,Godzilla vs. Hedorah 2 was actually still being worked on after he was removed from the project. Whether the film was going to keep its Africa setting at this stage is not known. The project was eventually scrapped and three more proposed projects would be introduced that following year before finally settling onGodzilla vs. Gigan (1972). In a 2014 interview, Banno stated that he read a Godzilla film history book from the US and that he was surprised to read that the next film would take place in Africa and that Tanaka had said that he had banned him from his director position.[38]
A single remnant of Banno's intentions to produce a sequel exists in the finished film. At the end of the film, acliffhanger sequence features an illustration of Hedorah's tadpole form, followed by a black screen with red text stating "And yet another one?", suggesting that Banno was in the process of preparing, or had already prepared a sequel premise for approval.[35]
