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Giulio Cogni

From Wikipedia, the free encyclopedia
Italian writer, racial theorist, music composer and music critic
Giulio Cogni
Born(1908-01-10)January 10, 1908
DiedNovember 15, 1983(1983-11-15) (aged 75)
Occupationwriter, racial theorist, music composer, music critic
NationalityItalian
PeriodItalian Fascism
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Fascism

Giulio Cogni (January 10, 1908 – November 15, 1983) was an Italian writer, racial theorist, music composer and music critic.

Life

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Giulio Cogni taught psychology and musical esthetics at theConservatorio Luigi Cherubini. He published articles in the publications, includingIl Mattino,Il Messaggero,La Sicilia andGazzetta del Sud.

Cogni was also an Italian racial theorist and member of theNational Fascist Party of Italy.[1] Cogni publishedIl Razzismo (1936) and sent it toDuceBenito Mussolini to review, initially Mussolini was not impressed with the work, however Cogni's ideas later entered into the official Fascist racial policy several years later.[1] Mussolini appointed him to the editorial board ofLa Difesa della Razza, a recist magazine initiated in 1938.[2] However, Cogni was removed from the post when he protested Mussolini and other leading fascist figures claiming that they had been using his views without making a reference to him.[2]

In 1941 Giulio Cogni went toWeimar inNazi Germany, where he metcollaborating European writers and joined theEuropäische Schriftstellervereinigung (European Writers' League), which was founded byJoseph Goebbels.[3]

Literature by Cogni

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  • Saggio sull’Amore come nuovo principio d’immortalità, Bocca, Torino (1933)
  • Il Razzismo (1936)
  • Lo Spirito Assoluto, La Nuova Italia, Firenze (1937)
  • I valori della stirpe italiana, Bocca, Torino (1937)
  • Il Segreto del Genio, Vallecchi, Firenze (1941)
  • Le forze segrete della musica, Ticci, Siena (1942)
  • Agape Sacre, Ausonia, Siena (1948)
  • Agape Eterna, Maia, Siena (1952)
  • Che cosa è la musica, Curci, Milano (1956)
  • Marco Polo (1959), (ballet)
  • Una notte nel bosco (1960), (ballet]
  • Wagner e Beethoven, Sansoni, Firenze (1960)
  • Livret d'opéraTre sogni per Marina parAlberto Soresina
  • Io sono te, Meschina, Milano (1970)
  • Fra il suo teatro rappresentato: Empedocle (1951)
  • I miracoli di Santa Caterina (1952)
  • Il fantasma dell’Orto Botanico (1961)
  • Bhagavadgita, il canto del beato (1980)

References

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  1. ^abAaron Gillette. (2002).Racial Theories in Fascist Italy. London, England, UK; New York, New York, USA: Routledge, p. 60.
  2. ^abAaron Gillette (Winter 2002). "Guido Landra and the Office of Racial Studies in Fascist Italy".Holocaust and Genocide Studies.16 (3): 361.doi:10.1093/hgs/16.3.357.
  3. ^Frank-Rutger Hausmann. (2004)."Dichte, Dichter, tage nicht!" - Die Europäische Schriftsteller-Vereinigung in Weimar 1941-1948ISBN 3-465-03295-0
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