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Gisela of Swabia

From Wikipedia, the free encyclopedia
Holy Roman Empress from 1027 to 1039

Gisela of Swabia
Empress Gisela entering a church
Empress of the Holy Roman Empire
Tenure1027–1039
Coronation26 March 1027
St. Peter's Basilica,Rome
Coronation21 September 1024
Cologne Cathedral
Bornc. 990
Died15 February 1043 (aged 52–53)
Imperial Palace ofGoslar,Saxony
Burial
SpouseBrun I, Count of Brunswick
Ernest I, Duke of Swabia
Conrad II, Holy Roman Emperor
Issue
more...
Liudolf, Margrave of Frisia
Ernest II, Duke of Swabia
Herman IV, Duke of Swabia
Henry III, Holy Roman Emperor
Matilda of Franconia
HouseConradines
FatherHerman II, Duke of Swabia
MotherGerberga of Burgundy

Gisela of Swabia (c. 990 – 15 February 1043),[1] wasqueen of Germany from 1024 to 1039 andempress of the Holy Roman Empire from 1027 to 1039 by her third marriage withEmperor Conrad II. She was the mother ofEmperor Henry III. She was regent of Swabia for her minor son DukeErnest II of Swabia in 1015, although it seems at that time her husband Conrad was the one who held the reins of government, leading to the enmity between stepfather and stepson.[2]

She was an active empress, exemplifying a tradition in which, up to the period of theHohenstaufens, as theconsors regni (ruling partner to the king or emperor), the queen and empress held a substantive role in the government, often intervening in the drafting of documents or even issuing documents in her own name.[3][4] She reigned as regent for her absent husband in 1037.

Early life

[edit]

Gisela was the daughter of DukeHerman II of Swabia andGerberga of Burgundy, daughter of KingConrad the Peaceful.[5] Both her parents were descendants ofCharlemagne.[6] According to a plate found when her tomb was unearthed, she was born on 11 November 999, but that date cannot be reconciled with the records of her marriages.[1]

Gisela first married theSaxon countBrun I of Brunswick, about 1002.[6] Upon Brun's death, her second marriage was c. 1012 with theBabenberg scionErnest,[6] who had been enfeoffed with theDuchy of Swabia by KingHenry II of Germany at the death of Gisela's brother, DukeHerman III and aimed at legitimising himself as his heir. After Ernest's early death in 1015, Gisela became regent for their minor son DukeErnest II of Swabia.

Queen and empress

[edit]
Hair of Conrad and Gisela, preserved in theSpeyer Cathedral. The strand of blond hair belongs to Gisela.

Gisela's third marriage, which took place before January 1017, was toConrad II, who was electedking of Germany in 1024 and becameemperor of the Holy Roman Empire in 1027.[6] According toThietmar of Merseburg, ArchbishopAribo of Mainz refused to crown her as queen because Gisela and Conrad were too closely related, the couple both descending from KingHenry the Fowler.[1] She was instead crowned and anointed thirteen days after Conrad's coronation by ArchbishopPilgrim of Cologne. TheLiber Generationum (a text about generations from the Creation to Jesus Christ) was read—a ritual of great importance, symbolizing the birth of a new dynasty.[7][8] For the same reason, Henry II replaced her as her son's regent withPoppo of Trier, which became the source of conflict between Conrad and Henry.[9]

Gisela played an active part in politics, attendingImperial councils. Also, she participated in several synods of the church. She took care of her sisterMatilda's daughtersSophie andBeatrice,[10] who later ruledBar andTuscany, respectively.

In 1027, she mediated between Conrad and KingRudolph III of Burgundy, her uncle, leading to a peace agreement in Mutten, nearBasel. Rudolph recognized her husband's right of succession inBurgundy.[11]

She tried to mediate between Conrad and her sonErnest II, Duke of Swabia, who repeatedly rebelled against his stepfather. All her efforts broke down though, when in 1030, Ernest refused to act against his friend and vassal Werner of Kyburg and impose peace. She had to give up and swear a public oath not to take revenge should any measure be taken against her son, who had received animperial ban. In the end, Ernest lost his life fighting against Count Manegold, who was charged by Bishop Warmann of Constance (the guardian ofHermann, her younger son who had become the new duke by then) to reestablish the peace breached by Ernest, Werner and their men.[2][12][13]

In 1032, she interceded successfully on the behalf of KingMieszko II Lambert, who regained the favour of Conrad.[14]

Gisela's epitaph in Speyer Cathedral

She was a long-time donor and patron of theSpeyer Cathedral, paying close attention to the development of her family's memorial culture there.[15]

After Conrad's death in 1039, she and her son Henry III led the mourning progression.[16]

During the 1030s, she played an important role as the patron of the new church reform movement. In 1037, she ruled as regent on behalf of Conrad who returned to Italy to deal with a new crisis.[17]

The empress died ofdysentery at theImperial Palace of Goslar in 1043.[1][18] She is interred in the grotto ofSpeyer Cathedral, Germany along with several emperors and other members of the imperial family.

Appearance and personality

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Gisela was known for "her most becoming appearance".[19][20]Gisela's tomb in Speyer was opened in 1900 and her mummified body was found to be 172 cm (5 ft 8 in) tall, with long blond hair.[21]

Gisela was ambitious, intelligent and energetic. As "necessary companion" (necessaria comes) to her husband, she often acted authoritative and decisive in his small circle of advisors.[22] Unlike Conrad, she was educated, thus he often entrusted her with affairs of the Church.[23]

Marriages and children

[edit]

Privately, the imperial pair's relationship was also considered harmonious,[22] although it is hard to know whether they loved each other or not. Wolfram suggests possible use of birth control, because they had no more children after they reached the age of 35. It seems there were troubles between the couple and their sonHenry III. Henry at times criticized Conrad, and after Conrad's death, in a bitter quarrel, Gisela told Henry (now the only child she had left) that he would die before her.[24]

Huschner opines that she must have loved Conrad, with whom she shared what was probably the best years of her life, ruling together at the top. The young Henry's education and development were also in accordance with her wishes. After Conrad's death, she tried to continue her previous role together with Henry III (because Henry's wife,Gunhilda of Denmark, had died), but the new emperor was vehemently against this idea, which led to conflicts between mother and son. Before 1041, she still frequented the court. After this year though, she retired toGoslar.[25][26]

Conrad II brought back to his wife Gisela the corpse of her son Herman (Conrad II. bringt seiner Frau Gisela die Leiche ihres Sohnes Hermann zurück,Wilhelm Zimmermann'sIllustrirte geschichte des deutschen volkes, 1875)

Gisela andBrun I, Count of Brunswick had:[27]

  • Liudolf, Margrave of Frisia (c. 1003 – 24 January 1038)
  • Daughter (c. 1004 – ?), married Count Thiemo II of Formbach
  • Gisela (c. 1005 – c. 1052), married Count Berthold of Sangerhausen

Gisela andErnest I, Duke of Swabia had:[27]

Gisela andConrad II, Holy Roman Emperor had:[28]

Cultural depictions

[edit]
See also the categoriesCultural depictions of Holy Roman Empresses andCultural depictions of Holy Roman Emperors

In Germany, new studies and exhibitions on Gisela, once almost forgotten together with her husband and their family, have arisen together with the recent interest in the Salians as well as imperial women[30][31][32] Gisela is often depicted as an ambitious, intelligent and strong-minded woman who nevertheless, was also a loyal partner to her husband, with whom she formed a harmonious team, instead of pursuing "one's own politics".[15]

Historiography

[edit]
Gisela of Swabia on a panel painting. Detail from the Babenberg Family Tree painting at the Klosterneuburg Monastery Museum

The chroniclerWipo of Burgundy praised Gisela as embodying both feminine and manly qualities, as well as piety and political abilities both innate and nurtured by experience. According to Wipo, she attained her coronation thanks to her "manly probity", which won the support of the princes, the people and the emperor. She was also esteemed above all other imperial advisors.[33][34]

Gisela's intercession shows the central role of herself as well as imperial consorts in general in the government. Among 191 (out of 248 diplomata, thus representing 78 percent) in which intercessors appeared, she intervened in 155 cases (85 percent), many of which together with her son, the future Henry III. Gisela was the sole intercessor in 33 diplomata. Of these, 12 of the last 14 times (issued after the couple's stay inVerona) were for Italian recipients.[35]

Huschner opines that although she never had the chance to bear sole responsibility for the highest decisions in the government, Gisela had a significant share in royal-imperial rule and greatly contributed to the consolidation of central government, thus shaping the new dynasty. Asimperatrix augusta andconsors regni, she was considered co-ruler by her contemporaries (although in documents, the latter title was only used sporadically, and almost exclusively in diplomata granted to Italians—the reason for this rare use was that the previous empress,Cunigunde of Luxembourg, had failed to assert herself in the Chancellery of her husband,Henry II. Zey comments that this also shows how this title is a useful measure for gauging the influence of a queen in the government).[15][25][36] Huschner rates her success as mediator between Conrad and Rudolph III highly, but points out that in 1033, Conrad's claim on Burgundian throne and the resulting campaign were based on imperial law (as Conrad was the successor ofEmperor Henry II) rather than the inheritance right of Gisela, who did not appear in Burgundy.[37]

She was very supportive of her relatives. Her kinsman, ArchbishopBardo of Mainz for example owed his career to her patronage.[38] She never hesitated to choose Conrad above everyone else, including family, though.[39]

While her role in religious matters was essential, Wolfram writes that it would be wrong to assume that Conrad neglected ecclesiastical affairs leaving Gisela as the sole originator of policies, because the medieval government was not a modern one "with Gisela functioning as the medieval equivalent of a politically appointed cabinet minister for religion and education aided by a state secretary—in this case, Poppo of Stavelot—drawn from the career civil service". Wolfram opines that the majority of Gisela's and Conrad's appointees were excellent people by intellectual standard.[40][41]

Zey remarks that the role of empresses and queens as intercessors and petitioners had already been well established under theOttonians; however, the number of times Gisela played these roles surpassed all other empresses and queens during the Middle Age. Moreover, her role as mediator between Conrad and his opponents both inside and outside the Empire was remarkable. Her power in ecclesiastical politics showed in the fact that she could appoint personally related candidates to the offices of bishop.[36]

Legends

[edit]
  • There are a lot of stories told about her marriages (the men she married all had the potential to become German kings and in the end, Conrad did) and the death of the second husband Ernest (the first husband, Brun, also died an unnatural death being killed by Milo, Count of Ammensleben, in his own home). Ernest died while hunting in suspicious circumstances, being killed by an arrow of one of his retainers. He forgave his killer and supposedly warned Gisela (he was said to have the ability to predict the future) about her next marriage. There are also two accounts saying that Conrad kidnapped Gisela. Historians do not dismiss this out of hand. Wolfram says that this was possible, because Conrad might have worried that theemperor would again arrange a marriage that contradicted the Worms line's interests for Gisela, like he had done in 1512. According to Wolfram though, the two accounts undermined their own credibility by adding fanciful or inaccurate details. Secondly, Thietmar of Merseburg only criticized the marriage on the ground of close kinship rather than any violent conduct, while elsewhere he recounted such a violent kidnapping involving his own family.[42]
  • It is told that Gisela's and Conrad's first son, also named Conrad, died in Limburg (either killed when hunting or falling from the rock), so Gisela persuaded Conrad to convert the ancestral resident into holy ground. This was why on 12 July 1030, they placed the foundation stone for theLimburg Abbey, and then proceeded on horseback to theSpeyer, where at noon they placed the first stone of theSpeyer Cathedral.[43][44]

Depictions in arts

[edit]

Contemporary arts

[edit]
See also:Cultural depictions of Conrad II, Holy Roman Emperor § Depictions in arts;Golden Gospels of Henry III;Speyer Cathedral; andLimburg Abbey

See also:Große Adler-/Pfauenfibel Mainz [de]

Burial crown of Gisela. The inscription reads: GISLE IMPERATRIX
Some jewels from the Mainz treasure
Fibula with eagle or peacock, from the Mainz treasure
Conrad and Gisela in front of Christ in theGolden Gospels of Henry III. Cod. Vitrinas 17, El Escorial, Real Biblioteca

In 1880, a treasure of golden jewellery of 25 pieces was discovered by building workers. In 1913, Otto von Falke published this discovery and attributed it to Gisela. Since then, it has often been called "Gisela's jewels" or "Gisela's treasure". According to theFrankfurter Rundschau, the treasure is considered "the most important testimony of medieval gold jewellery". There are a lot of debates about the dates, the true origin place of the treasure and the owner though. It is generally agreed that the pieces come from different eras. In a 2017 exhibitionHessisches Landesmuseum Darmstadt, it was argued that the jewels were found in a field nearWiesbaden, with some pieces being nineteenth-century forgeries created to persuade EmperorWilhelm II to buy them for an excessive price. Mechthild Schulze-Dörrlamm refutes these theories, claiming that the treasure is genuine and the place where they were found is Mainz, but opines that the treasure, with most of the pieces created in the eleventh century, should be associated withAgnes of Poitou, Gisela's daughter-in-law. Charles T. Little from theMetropolitan Museum of Art, relying on the date identified as late tenth century by Hiltrud Westermann-Angerhausen and Hermann Fillitz as well as Byzantine influence, linked the treasure toTheophanu.[45][46][47][48] Peter Lasko suggests a date ofLate Carolingian. The most notable piece was thefibula with the eagle (or peacock) shape. Its authenticity has never been doubted, but the latest investigations have also failed to establish a clear date. Birgit Heide opines that the date was either much earlier than the assumed date of the second half of the ninth century (thus Late Carolingian), or between 975 and 1025.[49][50]

TheGolden Gospels of Henry III, commissioned by Henry III, honours himself as well as his mother. An image showing Gisela and Conrad before Christ (fol. 2v) is noted. The couple is depicted as ruling partners, both with crowns, receiving divine blessings and associated with divine figures through adornment, and the colours of their clothing matched (these characteristics are also applied inthe portrayal of Henry III and Agnes of Poitou. The tears of Conrad are shown, reminding of a previous argument between father and son, in which Conrad is said to have wept and collapsed (Henry III considered his behaviour justified, and this image seems to show this too).[51][52]

Later depictions

[edit]
Sculpture
[edit]
Salian statues in Speyer (Conrad and Gisela on the left)
  • In Speyer, there are a group of statues representing the Salians (Gisela, Conrad II, Henry III,Henry IV,Henry V and secondary figures, created around 1930–1940 byLudwig Cauer (sculptor, born 1866 inBad Kreuznach, died 1947 in Bad Kreuznach) and commissioned byWilhelm Frick, Reich Minister of the Interior.

There are also statues of Conrad, Gisela, Henry III, Henry IV andBertha in the Kaiser-Halle of the cathedral, erected in the nineteenth century.[53]

Prose
[edit]
  • Gottlob Heinrich Heinse (1766–1853) wrote the two-volumeIda von Schwaben. Enkelin der Kaiserin Gisela about Ida von Elsdorf, here Ernest II's daughter.[54] Ida was a possible granddaughter to Gisela through Ernest or throughLiudolf, Margrave of Frisia.[55][56]
  • Die Herrin der Kathedrale is a 2013 novel by Claudia and Nadja Beinert about Uta von Naumburg, who was educated in the Gernrode convent before becoming alady-in-waiting to Empress Gisela, who became her role model as a strong woman. She had to leave the imperial couple to marry Ekkehard von Meißen, whom she did not love. Despite this, she found consolation in a platonic relationship with her brother-in-law Hermann and their common project to build a cathedral in Naumburg.[57]
Theater
[edit]
Ernest II, Gisela and Conrad II in Ingelheim. Engraving byWilhelm Camphausen (MeisterDrucke-467217)[58]
  • In 1818,August von Kotzebue wrote the four-actGisela. The main characters included Gisela, her husband Conrad the Older, andConrad the Younger.[59]
  • The 1818trauerspielErnst, Herzog von Schwaben, written byLudwig Uhland is the first work exploring Gisela's inner conflict between motherly love towards Ernest and her roles as Conrad's wife and ruler.[60][61]
  • In 1867,Albert Dulk published the six-actKonrad der Zweite, which describes the story of Conrad, Gisela, her sons Ernest and Henry, Ernest's wife Agnes.[62]

Commemoration

[edit]

Gisela is one of the five empresses (together withAdelaide of Italy,Theophanu,Cunigunde of Luxembourg andAgnes of Poitou), presented asSäulen der Macht (pillars of power), commemorated by the city ofIngelheim am Rhein. There are six stelae at the Heidesheim Gate (Heidesheimer Tor) displaying their lives and work. All five empresses once stayed at theKaiserpfalz (imperial residence) in Ingelheim.[63][64]

References

[edit]
  1. ^abcdAppelt, Heinrich (1964)."Gisela".Neue Deutsche Biographie (in German). Vol. 6. Berlin: Duncker & Humblot. pp. 413–414. (full text online).
  2. ^ab"Gisela".Säulen der Macht Ingelheim (in German). Retrieved10 October 2022.
  3. ^Goetz, Hans-Werner (1993).Life in the Middle Ages: From the Seventh to the Thirteenth Century. University of Notre Dame Press. p. 44.ISBN 978-0-268-01300-4. Retrieved11 October 2022.
  4. ^Tanner, Heather J. (9 January 2019).Medieval Elite Women and the Exercise of Power, 1100–1400: Moving beyond the Exceptionalist Debate. Springer. pp. 180, 181.ISBN 978-3-030-01346-2. Retrieved11 October 2022.
  5. ^Wolfram 2010, p. 31-32.
  6. ^abcdWolfram 2010, p. 32.
  7. ^Wolfram, Herwig (2003). "Konrad II.(1024–1039)". In Schneidmüller, Bernd; Weinfurter, Stefan (eds.).Die deutschen Herrscher des Mittelalters: historische Portraits von Heinrich I. bis Maximilian I. (919–1519) (in German). C.H.Beck. p. 124.ISBN 978-3-406-50958-2. Retrieved10 October 2022.
  8. ^Wolfram 2010, p. 159.
  9. ^Bresslau, Harry (1879). "Gisela".Allgemeine Deutsche Biographie (in German). Vol. 9. Leipzig: Duncker & Humblot. pp. 193–195.
  10. ^Kagay & Villalon 2003, p. 358.
  11. ^Wolfram 2010, p. 83,116.
  12. ^Wolfram 2010, p. 82,83.
  13. ^Reuter, Timothy (2 November 2006).Medieval Polities and Modern Mentalities. Cambridge University Press. p. 375.ISBN 978-1-139-45954-9. Retrieved10 October 2022.
  14. ^Wolfram 2010, p. 220.
  15. ^abc"Die Frauen der Salier: Kaiserinnen Gisela von Schwaben und Agnes von Poitou".Mein Weg ins Museum (in German). 30 March 2021. Retrieved10 October 2022.
  16. ^Wolfram 2010, p. 346.
  17. ^Whaley, Joachim (14 June 2018).The Holy Roman Empire: A Very Short Introduction. Oxford University Press. p. 69.ISBN 978-0-19-106564-4. Retrieved10 October 2022.
  18. ^Wolfram 2010, p. 38.
  19. ^Tanner 2019, p. 180.
  20. ^Kester, John G. (2002).In Three Millennia: The Zwicky, Pfeiffer, Leuzinger, Elmer, and Allied Families of Switzerland and Wisconsin with Lines of Carolingian Descent. New Elm Press. p. 404.ISBN 978-0-9660956-3-0. Retrieved11 October 2022.
  21. ^Wolfram 2010, p. 37.
  22. ^ab"Kaiserin Gisela".Stadt Speyer (in German). Retrieved11 October 2022.
  23. ^Fried, Johannes (2000)."Rezension: Sachbuch: Keine vollsaftige Angelegenheit".FAZ.NET (in German). Retrieved11 October 2022.
  24. ^Wolfram, Herwig (9 March 2016). "Chapter 4: Conrad II (990–1039), the first medieval emperor of three kingdoms". In Halfond, Gregory I. (ed.).The Medieval Way of War: Studies in Medieval Military History in Honor of Bernard S. Bachrach. Routledge. p. 97.ISBN 978-1-317-02418-7.
  25. ^abHuschner 1990, pp. 132, 133.
  26. ^Zey 2008, pp. 52, 53.
  27. ^abWolfram 2010, p. 33.
  28. ^Bernhardt, John W. (2002).Itinerant Kingship & Monasteries in Early Medieval Germany, c. 936–1075. Cambridge University Press. p. 311.
  29. ^Nash 2017, p. 36.
  30. ^Mos, Katharina De (17 December 2019)."Aus dem Archiv: Faszination Mittelalter: Die Kaiser kommen".Volksfreund (in German).
  31. ^Schug, Markus."Landesmuseum Mainz: Sieben Kurfürsten und ein König im Relief".FAZ.NET (in German). Retrieved12 October 2022.
  32. ^Fried 2000.
  33. ^Bagge, Sverre (1 January 2002).Kings, Politics, and the Right Order of the World in German Historiography: C. 950–1150. BRILL. pp. 220, 221.ISBN 978-90-04-12468-4. Retrieved20 September 2022.
  34. ^Tanner 2019, p. 181.
  35. ^Gilsdorf, Sean J. (6 March 2014).The Favor of Friends: Intercession and Aristocratic Politics in Carolingian and Ottonian Europe. BRILL. p. 116,176.ISBN 978-90-04-26459-5. Retrieved20 September 2022.
  36. ^abZey 2008, p. 53.
  37. ^Huschner 1990, pp. 128.
  38. ^Gilsdorf 2014.
  39. ^Huschner 1990, pp. 120.
  40. ^Wolfram 2016, p. 98.
  41. ^Wolfram 2010, p. 315.
  42. ^Wolfram 2010, pp. 34, 35.
  43. ^Cook, Joel (1904).Switzerland, Picturesque and Descriptive. H. T. Coates & Company. p. 219. Retrieved11 October 2022.
  44. ^Dallas, Eneas Sweetland (1863).Once a Week. Bradbury and Evans. p. 111. Retrieved11 October 2022.
  45. ^Schulze-Dörrlamm, M. (2018)."News from the Mainz Gold Treasure of the 11th Century – The exposure of an "art crime story from the German empire" which was none".Archaologisches Korrespondenzblatt.48 (1):133–151.
  46. ^Schulze-Dörrlamm, Mechthild (2015). "The Mainz treasure with the jewels of Empress Agnes.". In Callebaut, D.; van Cuyck, H. (eds.).The Legacy of Charlemagne 814–2014. Catalogue of the exhibition of the European Commission at Ename 2014. Provincial Government of East Flanders. p. 170. Retrieved11 October 2022.
  47. ^Kabel, Claudia."Rätsel um den Schatz der Kaiserin".www.fr.de (in German). Retrieved11 October 2022.
  48. ^Landesmuseum Mainz."Große Adlerfibel".
  49. ^Heide, Birgit (2017). "Große Adler-/Pfauenfibel". In Jülich, Theo; Lambacher, Lothar; Siebert, Kristine (eds.).Der Mainzer Goldschmuck: ein Kunstkrimi aus der deutschen Kaiserzeit (in German). Schnell + Steiner. p. 131.ISBN 978-3-7954-3286-7. Retrieved11 October 2022.
  50. ^Lasko, Peter (1 January 1994).Ars Sacra New Edition: Second Edition. Yale University Press. p. 57.ISBN 978-0-300-06048-5. Retrieved11 October 2022.
  51. ^Tanner 2019, p. 186.
  52. ^Ehlers, Caspar (2018)."Hoffnung des Kaiserreiches und Erschütterung des Vaters. Vater und Sohn im Reisekönigtum des frühen salischen Kaisertum"(PDF).Heinrich III. Dynastie – Region – Europa:9–38. Retrieved11 October 2022.
  53. ^Baedeker (Firm), Karl (1911).The Rhine: Including the Black Forest & the Vosges; Handbook for Travellers. K. Baedeker. p. 472. Retrieved8 June 2022.
  54. ^Heinse, Gottlob Heinrich (1791).Ida von Schwaben. Enkelin der Kaiserin Gisela (in German). Haas. Retrieved22 August 2022.
  55. ^Zeller, Otto (1977).IBZ (kombinierte Folge). F. Dietrich. p. 1547. Retrieved11 October 2022.
  56. ^Maeck, Gerda (2001).Die Weltchronik des Albert von Stade: ein Zeitzeugnis des Mittelalters ; Studien zur Geschichtsschreibung Alberts von Stade (in German). Lehrte. p. 274. Retrieved11 October 2022.
  57. ^Beinert, Claudia; Beinert, Nadja (November 2013).Die Herrin der Kathedrale (in German). Droemer Knaur.ISBN 978-3-426-51404-7.
  58. ^Corvin, Otto von (1882).Illustrierte Weltgeschichte für das Volk: Geschichte des Mittelalters, von L. F. Dieffenbach und andere (in German). Otto Spamer. p. 501. Retrieved12 October 2022.
  59. ^Kotzebue, August von (1818).Gisela: ein Schauspiel in 4 Akten ... (in German). Kummer.
  60. ^Uhland, Ludwig.Ernst, Herzog Von Schwaben, Trauerspiel in Fung Aufzugen. CUP Archive. Retrieved22 August 2022.
  61. ^Huschner 1990, pp. 127.
  62. ^Dulk, Albert Friedrich Benno (1867).Konrad der Zweite: Historisches Schauspiel in sechs Handlungen (in German). F. A. Brockhaus. Retrieved22 August 2022.
  63. ^"Aktuelles".ingelheim.de (in German). Retrieved12 October 2022.
  64. ^"Kaiserinnen".Säulen der Macht Ingelheim (in German). Retrieved12 October 2022.

Bibliography and further reading

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Gisela of Swabia
Born: 11 November 989 or 990 Died: 14 February 1043
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