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Gilles Mora

From Wikipedia, the free encyclopedia

Gilles Mora (born 1945) is a French photography historian and critic specialising in 20th century American photography, and photographer. He has edited books onWalker Evans,Edward Weston,W. Eugene Smith,Aaron Siskind andWilliam Gedney, as well as published a book of his own photographs,Antebellum. Mora won thePrix Nadar in 2007 for the bookLa Photographie Américaine: 1958–1981: the Last Photographic Heroes.

Mora launched theFRAC regional contemporary art fund in Bordeaux and oversaw photography atÉditions du Seuil. He was artistic director ofRencontres d'Arles and is currently exhibition curator at a museum inMontpellier, where he lives. He was co-founder of the magazineLes Cahiers de la photographie and founder of the journalL'Œuvre Photographique; both of which he was editor-in-chief of.

Life and work

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Mora was born inVélines,Dordogne, southwestern France.[1]

He was for a time professor at the Ecole Normale D'agen inAgen, southwestern France.[1] In 1981, withClaude Nori [Wikidata],Bernard Plossu,Denis Roche [Wikidata] andJean-Claude Lemagny, he created the magazineLes Cahiers de la photographie.[1] He was its editor-in-chief until 1993.[2] In 1985, Mora launched theFonds régional d'art contemporain (FRAC, regional contemporary art fund) inBordeaux. In 1991, he was appointed collection director, overseeing the photography program for the publisherÉditions du Seuil,[1] where he remained until 2007.[2] In 1993, Mora founded and was editor-in-chief ofL'Œuvre Photographique, a journal of photography.[1] He was artistic director of theRencontres d'Arles photography festival from 1999 to 2001.[3][4] Since 2010 he has been exhibition curator of the People's Pavilion (Pavillon Populaire [Wikidata]) photography museum inMontpellier,[1][5] where he lives.[2]

Mora's book of his own photographs,Antebellum, was published in 2016. It contains photographs of theSoutheastern United States made over more than twenty years—Mora and his wife left France in 1972 to teach French language in public schools inLouisiana.[2] The work evokes the disappearing world of theDeep South, its title being a reference toAntebellum South.[2]

Personal life

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Mora is married to Françoise, whom he met in high school.[1]

He is a lead singer and guitarist in the rock group Frantic Rollers.[1]

Publications

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Publications of photographs by Mora

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  • Antebellum. Marcillac-Vallon, France: Lamaindonne; Austin: University of Texas Press, 2016.ISBN 978-1-4773-1184-4.

Publications edited or co-edited by Mora

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Awards

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  • 2007:Prix Nadar, forLa Photographie Américaine: 1958–1981: the Last Photographic Heroes[6]

References

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  1. ^abcdefgh"Gilles Mora, un passionné de photos à la tête du Pavillon populaire de Montpellier".LExpress.fr. 27 November 2014. Retrieved2019-12-17.
  2. ^abcde"Gilles Mora: Antebellum".Lenscratch. 16 October 2016. Retrieved2019-12-17.
  3. ^"Gilles Mora, ex-directeur artistique des Rencontres d'Arles : «Il a su imposer un style très réfléchi, en rupture»".Libération.fr. 10 September 2019. Retrieved2019-12-17.
  4. ^"Gilles Mora dans l'objectif".La Dépêche du Midi. Retrieved2019-12-17.
  5. ^"Les expos du pavillon populaire à Montpellier - Ville de Montpellier".www.montpellier.fr. Retrieved2019-12-17.
  6. ^"Gilles Mora, un passionné de photos à la tête du Pavillon populaire de Montpellier".Le Point. 27 November 2014. Retrieved2019-12-17.
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