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Gilbert Benjamin Atencio

From Wikipedia, the free encyclopedia
Pueblo-American painter and potter
Gilbert Benjamin Atencio
Wah Peen
Born1930 (1930)
Died1995 (aged 64–65)
EducationSan Ildefonso Day School,
Santa Fe Indian School
Occupation(s)painter, potter, medical illustrator, politician
MotherIsabel Montoya
RelativesTony Atencio (brother),
Pat Atencio (brother)
Colorful painting shows 9 human figures in a line. Apparel is colorful and carefully rendered.
"San Ildefonso Buffalo Dance," 1967, tempera color painting.

Gilbert Benjamin Atencio, also calledWah Peen (English: Mountain of the Sacred Wind; 1930–1995), was aSan Ildefonso Pueblopainter,potter,medical Illustrator, andpolitician.[1]

Early life and education

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Atencio was born in 1930 inGreeley, Colorado. He was the daughter of Benjamin Atencio and painterIsabel Montoya, who was a cousin ofMaria Martinez. His brothersPat Atencio andTony Atencio were also artists,[1] as were his sistersHelen Gutierrez andAngelita Sanchez.[2]

He studied at the San Ildefonso Day School and then at theSanta Fe Indian School, graduating in 1947.[3]

Career

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Known for his portraiture and portrayals of local ceremonies and customs, he has exhibited his work across the country.[1][4] He was trained in the Studio style,[5] and was initially interested in portraiture. An early success was his painting of his relatives Maria andJulian Martinez.[6] His later work often broke from the Studio style and showed influence of self-taught painters likeFred Kabotie.[7] His drawings often feature a number of figures, with apparel and features meticulously rendered.[3] By the 1980s, Atencio also painted abstract or semi-abstract works.[8]

Atencio served as Governor of the San Ildefonso Pueblo in 1966 to 1967. He worked for some years as a medical illustrator.[3]

Death and legacy

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Atencio died on April 6, 1995, inAlbuquerque, New Mexico. Some of his works have been in the permanent collection of institutions including theMuseum of New Mexico, theNational Museum of the American Indian,[9] theGilcrease Museum,[10] and thePhilbrook Museum of Art.[1][11]

Atencio's paintings were included the book,Southwest Indian Painting: A Changing Art (1957,University of Arizona Press) byClara Lee Tanner.

References

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  1. ^abcdKing, Jeanne Snodgrass (1968).American Indian painters; a biographical directory. Smithsonian Libraries. New York : Museum of the American Indian, Heye Foundation.
  2. ^Spivey, Richard L. (2003).The legacy of Maria Poveka Martinez. Santa Fe, N.M.: Museum of New Mexico Press.ISBN 978-0-89013-419-1.
  3. ^abcSilberman, Arthur (1978).100 years of native American painting, March 5-April 16, 1978, the Oklahoma Museum of Art, Oklahoma City : [exhibition catalogue]. Oklahoma City: The Museum.
  4. ^Dawdy, Doris Ostrander (1968).Annotated bibliography of American Indian painting. Smithsonian Libraries. New York, Museum of the American Indian, Heye Foundation.
  5. ^United States Information Service (1900).Contemporary American Indian paintings from the Margretta S. Dietrich collection. Smithsonian Libraries. S.l. United States Information Service.
  6. ^St. James guide to native North American artists. Detroit: St. James Press. 1998.ISBN 978-1-55862-221-0.
  7. ^Museum of the American Indian, Heye Foundation; Fawcett, David M.; Callander, Lee A. (1982).Native American painting : selections from the Museum of the American Indian. New York, N.Y.: Museum of the American Indian.ISBN 978-0-934490-40-5.
  8. ^"Gilbert Atencio Paintings - Adobe Gallery, Santa Fe".www.adobegallery.com. Retrieved2021-08-03.
  9. ^"Painting | National Museum of the American Indian".americanindian.si.edu. Retrieved2021-08-03.
  10. ^"Woman & Child / Gilbert Benjamin Atencio - Gilcrease Museum".collections.gilcrease.org. Retrieved2021-08-03.
  11. ^Handbook of the Collections, 1917-1974, Museum of Fine Arts. Museum of New Mexico. 1974. p. 13.

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