"Get Lucky" is a song by Frenchelectronic music duoDaft Punk featuring American musiciansPharrell Williams andNile Rodgers. Daft Punk released the song as thelead single from their fourth and final studio album,Random Access Memories, on 19 April 2013. Before its release as a single, it was featured in television advertisements broadcast duringSaturday Night Live, after which Rodgers and Williams announced their involvement in the track. "Get Lucky" is ahouse-inspireddisco,funk, andpop track with lyrics that, according to Williams, are about the good fortune of connecting with someone, as well as sexual chemistry. Upon release, it received widespread acclaim frommusic critics, who praised Williams's vocals and Rodgers's guitar riffs.
"Get Lucky" reached number one in several countries, including Daft Punk's native France, where theSyndicat National de l'Édition Phonographique (SNEP) certified it diamond. The song peaked at number two on the USBillboard Hot 100 for five consecutive weeks, giving Daft Punk their first top-10 hit in the United States. In the UK, the single topped theUK Singles Chart for four weeks and was the second best-selling single of 2013 with 1,308,007 copies sold. It won multiple awards, includingRecord of the Year andBest Pop Duo/Group Performance at the56th Annual Grammy Awards. Daft Punk performed "Get Lucky" at the awards, joined by Rodgers, Williams and American singerStevie Wonder.
Daft Punk first metNile Rodgers at a listening party inNew York City for the duo's 1997 debut albumHomework, and became friends thereafter.[1] However, Rodgers noted that a series of near misses and scheduling conflicts had delayed their chance of collaborating. The duo eventually invited him to theRandom Access Memories sessions atElectric Lady Studios inNew York City.[2]
Pharrell Williams was interested in working with Daft Punk;[3] he had first heard about the project from Daft Punk at a party hosted by American singerMadonna, and offered his services for a collaboration; he joked, "If you just want me to playtambourine, I'll do it." The duo and Williams later met in Paris, where he shared some of his own material; Williams explained that he had been inspired by Rodgers without knowing that Daft Punk had coincidentally been recording with him.[4] As a member of production teamthe Neptunes, Williams had previously provided a remix of Daft Punk's 2001 song "Harder, Better, Faster, Stronger", which appeared on the 2003 albumDaft Club.[5] Daft Punk also served as co-writers and producers for the 2010 single "Hypnotize U" byN.E.R.D., Williams's band.[6]
"Get Lucky" was completed in approximately 18 months.[7] Prior to Rodgers's involvement, the song existed in a rough form that centered on aWurlitzer electronic piano.[8] After listening to Daft Punk's demo of what would become "Get Lucky", Rodgers asked that all of the elements except the drum track be muted so that he could create a suitable guitar part; he recalled that he experimented until the duo were visibly pleased.[9] Once Rodgers finished, Daft Punk hadNathan East re-record the bass part to fit Rodgers's performance.[10] Rodgers further elaborated: "Everybody else wound up re-playing to me."[9] Mixer and engineerMick Guzauski recalled that the rhythm guitar fit easily into the production: "I experimented with balancing and other positioning, and working other stuff around it. He didn’t have to be processed – Nile just sounded great the way he is."[11] The song as it appears on the album also features a synthesizer by Daft Punk, keyboards byChris Caswell and additional guitar performed byPaul Jackson Jr.[12]
Williams noted that the duo adopted a perfectionist approach when recording the vocals for "Get Lucky", as he was asked to perform several takes and multiple instances of specific phrases.[13] He also said that when he returned to the United States after recording his vocals, he had "forgotten everything" regarding the composition of "Get Lucky". He attributed it tojet lag, but jokingly wondered if Daft Punk had tampered with his memory.[4] The duo responded, saying that Williams's lyrics and performance had arisen spontaneously, and was likely the reason he had trouble recalling the song.[10]
In promotion of the10th anniversary edition of the album, a video seriesMemory Tapes was released throughout 2023.[14] In Williams's episode, he revealed that he did not expect his vocals to be on the finished versions of "Get Lucky" and "Lose Yourself to Dance". The episode contains footage of Williams's reaction upon listening to both of the completed songs for the first time.[15]
In an article forSlate,Owen Pallett states that the song can be heard in two different keys: "Most of the time it sounds as if it's in the minor mode of [F♯]Aeolian [...] essentially a form of [F♯]minor", which appears as the third chord of the progression on the line "We're up all night for good fun". The first chord of the progression is not F♯ minor, but B minor; the song "slides back to it each time" on the line "I'm up all night to get some". Pallett continues, "when the chord cycle comes back to the beginning [...] the ear is tricked for a moment into thinking that the song is in a different key, a musicalTilt-a-Whirl".[22] British journalistCaitlin Moran speculated that the song's attractiveness is due to its combination of minor chords and regular disco-type "up" beats throughout the song, with the former creating an unresolved feeling.[23]
Friend and occasional collaboratorChilly Gonzales mentioned that Daft Punk had previously used the chord progression in "Around the World" and that theverse, pre-chorus and chorus of "Get Lucky" are largely defined by themelodic phrasing of the vocal. He also noted the resemblance of the upward-moving sustained notes in the pre-chorus to those in the title phrase of the song "Can't Help Falling in Love".[24] Jake Cohen forConsequence wrote that the rising pattern complemented the sense of "ascending 'to the stars'".[25] Pallett further described that in thebridge, Daft Punk "overlay the hook from the pre-chorus with the hook from thechorus, getting them both going simultaneously".[22] Jason Lipshutz ofBillboard mentioned that the song has "an effectively simple hook and clipped robo-breakdown to create a warm, winning throwback".[26] Williams's vocal and Daft Punk's vocoder performance span threeoctaves together: D2 to D5.
Tim Jonze forThe Guardian said the lyrics are an "ode to joyless sex, hard-won after a war of attrition". He also noted the lyrics "She's up all night 'til the sun/ I'm up all night to get some/ She's up all night for good fun/ I'm up all night to get lucky" are about "sexual politics".[27] Pharrell mentioned that the title "Get Lucky" does not only refer to sexual acts, but also the good fortune of meeting with and immediately connecting to someone.[4] Rodgers noted that the titular phrase plays off of a guitar line he had contributed, and thus the song may have ended up with a completely different title had Rodgers not been involved.[28] Cohen described the "easy-to-sing celebration of hedonistic good times of the chorus, and the vocoder-laden outro where the voices become another delicious layer in the instrumental gumbo."[25] Pharrell also remarked that the music evoked the sense of being on an exotic island during a "peachy color[ed]" sunrise.[4]
"Get Lucky" was first publicly revealed via two 15-second television advertisements onSaturday Night Live. Rodgers announced his contribution to the song shortly afterward, and noted that various fan remixes of the clips appeared online since they aired.[29] The third trailer, which was shown at theCoachella Valley Music and Arts Festival, officially announced Williams's involvement in the song and features Daft Punk, Rodgers, and Williams performing together.[30] The promotional web seriesThe Collaborators featured excerpts of "Get Lucky", culminating in the Williams-focused episode in which the song was first referred to by name.[2][4] The song was leaked and broadcast on various radio stations days before it was released as a single.[31] One day before the song's release, the single's cover artwork was revealed onAmazon, featuring a band playing in front of a setting sun.[32]
Daft Punk released the song as thelead single from their fourth and final studio album,Random Access Memories, on 19 April 2013.[33] A trailer for the official "Get Lucky" remix was released via the Columbia RecordsYouTube channel on 25 June 2013.[34] Rodgers later stated that video footage for "Lose Yourself to Dance" had been shot simultaneously with footage for "Get Lucky".[35] The Daft Punk remix was later released onSpotify and, as of 27 June 2013, was streamed 64 million times.[36] Rodgers stated in an interview withThe Guardian that a different video for the song was shot in March 2013, which is distinct from the Coachella trailer.[37] A 12"vinyl single was released on 16 July 2013, featuring a ten-minute remix by Daft Punk, the album version and the radio edit.[38]
"Get Lucky" received mostly positive reviews. Michael Cragg fromThe Guardian said the song "eschews the crunching electronics of their last album and the vocoder-lead [sic] future-disco ofDiscovery", and it was the "best thing Pharrell Williams has been involved with for a long time".[39]Pitchfork listed "Get Lucky" as a Best New Track, stating that the song's "real elegance lies in the hands of Nile Rodgers";[40] one of its contributors, Mark Richardson, opined the song was a "deserved hit".[41] Lewis Corner fromDigital Spy gave the single five stars and said although Daft Punk's "creative methods may be unorthodox, the final result is a legal rush we can all enjoy".[42] Thomas Smith ofNME said the song is "impossibly good" and called it an "old-school jam session that's been spun into a super-sleek slice of pop magic".[19] Chris Mincher ofThe A.V. Club stated the song "has run up the charts with little more than a simple, breezy funk groove".[43] The staff ofRolling Stone said the song has a "bright guitar shimmer, robot come-ons, falsetto soul and a beat that keeps you up having good fun until you see the sun".[44]
Steve Lampiris forThe Line of Best Fit said "Get Lucky" is the "breeziest thing Daft Punk have ever made. The itchy slink of Nile Rodgers' guitar suggests a wonderful sunset that never ends".[45] ForAllMusic, Heather Phares praised the song as "so suave that it couldn't help but be an instant classic, albeit a somewhat nostalgic one".[46]Slate's Geeta Dayal described the track as a "breezy, infectious disco hit [that] seemed to be a good omen".[47] Benji Taylor ofRenowned for Sound mentioned the song is "driven by Nile Rodgers' irresistible funk fuelled guitar licks, and feature[s] vocals by Williams that would not have sounded out of place onOff the Wall orThriller".[48] Tatiana Cirisano ofBillboard stated it has a "dreamy, retro-meets-futurism magic and a perfectly ambiguous message".[49] Miles Raymer for theChicago Reader opined it is a "quintessential summer jam, bouncy but not oppressively eager to get you to dance, with a Pharrell vocal hook that's basically impossible to get out of your head once it's in there and a guitar riff from the legendary Nile Rodgers that's nearly as hard to shake".[50]
Abby Johnston forThe Austin Chronicle thought the track "refuses to tire, propelled forward by a sparkling Seventies guitar riff and Williams' falsetto".[51] Aaron Payne ofmusicOMH called the track a "real dancefloor filler" and said it has the "groove that Daft Punk are searching for elsewhere on the record, but that's because of Nile Rodgers' guitar; the man is a human groove. Pharrell supplies stylish, modern hooks to go over Rodgers' guitar, and Daft Punk's production and beats add the remaining crucial elements."[52] Eric Henderson ofSlant Magazine said the song is a "model of reservation next to the likes of 'Aerodynamic' or even 'Technologic'".[53] Dan Weiss ofPaste criticized the song, saying that it "is no miracle; it's not brought off by Pharrell's uncomplicated voice or Nile Rodgers' studied grooves".[54] Robin Murray forClash opined the song was "such a safe bet – and it feels it" and that "from the crisp, pared down Nile Rodgers guitar to the bubbling synths, it feels ready-made, arriving with a nagging sense that you've heard it some place before".[55]
In France, "Get Lucky" debuted at number one on theFrench Singles Chart on 27 April 2013, and became Daft Punk's first chart-topping single in their home country since "One More Time" in 2000. The song sold 38,887 copies in three days, making "Get Lucky" the best-selling digital single in a one-week period.[72] It stayed on the chart for a total of 62 weeks.[73] TheSyndicat National de l'Édition Phonographique (SNEP) certified it diamond.[74] In the United Kingdom, "Get Lucky" debuted at number three on theUK Singles Chart on 21 April 2013, sold more than 50,000 copies 48 hours after its release and became Daft Punk's first top-10 hit in the United Kingdom since "One More Time" in 2000.[75] The song then peaked at number one the following week, sold over 155,000 copies, and became Daft Punk's first and only number one single in the UK. The song remained in the top position during the following week and sold over 163,000.[76] "Get Lucky" remained at the top of the chart for another three consecutive weeks, selling over 100,000 copies weekly.[77][78][79] By late May 2013, over 600,000 copies of the song were sold in four weeks, and sales had exceeded those ofMacklemore andRyan Lewis's "Thrift Shop", which made "Get Lucky" the country's best-selling single of the year thus far.[80] According to theOfficial Charts Company, the single became Britain's second best-selling single of 2013 with sales of 1,308,007 copies.[81]
In the United States, the song debuted at number 19 on the USBillboard Hot 100 on 24 April 2013, selling 113,000 downloads, which gave Daft Punk their first top 40 hit on the chart.[82] On 22 May 2013, the song rose from number 15 to number 10, and became Daft Punk's first top-10 hit in the US.[83] A few weeks later, "Get Lucky" peaked at number two for five consecutive weeks, and was runner-up toRobin Thicke's "Blurred Lines", which also features Williams.[84][85] This made Williams the first artist in four years to have songs peak at both number one and two simultaneously on the Hot 100.[84] Chris Molanphy ofSlate claimed that the single did not reach number one because "Blurred Lines" had digital sales, radio, online streaming and video.[86] The song debuted at number five on theBillboardDance/Electronic Songs chart for the week ending 4 May 2013.[87] By the week of 1 June, the song rose to number one,[88] "Get Lucky" also reached the number one position on theHot Dance Club Songs chart, the first Daft Punk song to do so since "Face to Face" in 2004.[89] As of April 2014[update], the song has sold over 3,475,000 copies in the US.[90] The song received theRIAA certification of 8x Multi-Platinum on 12 May 2023.[91]
The song broke records with the highest number of plays of any song in a single day onSpotify.[92] "Get Lucky" peaked at number one on singles charts of Australia,[93] Austria,[94] both the Belgium Flanders and Wallonia charts,[95][96] Denmark,[97] Finland,[98] Germany,[99] Hungary,[100] Ireland,[101] Israel,[102] Italy,[103] Norway,[104] Scotland,[105] Slovakia,[106] Slovenia,[107] South Africa,[108] Spain,[109] Sweden,[110] and Switzerland.[111]
* Sales figures based on certification alone. ^ Shipments figures based on certification alone. ‡ Sales+streaming figures based on certification alone. † Streaming-only figures based on certification alone.
^"ČNS IFPI" (in Czech). Hitparáda – Radio Top 100 Oficiální. IFPI Czech Republic.Note: Select 35. týden 2013 in the date selector.
^"ČNS IFPI" (in Czech). Hitparáda – Digital Top 100 Oficiální. IFPI Czech Republic.Note: Select 18. týden 2014 in the date selector. Retrieved 2 July 2014.
^"ČNS IFPI" (in Slovak). Hitparáda – Singles Digital Top 100 Oficiálna. IFPI Czech Republic.Note: Select SINGLES DIGITAL - TOP 100 and insert 201430 into search. Retrieved 29 July 2014.
