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George Dalaras

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Greek singer (born 1949)
George Dalaras
Γιώργος Νταλάρας
Background information
Born (1949-09-29)29 September 1949 (age 76)
Piraeus, Greece
OriginGreek
Genrespop music,éntekhno,laïko,traditional folk music,rebetiko,byzantine music, rock music,music of Latin America,western classical music,contemporary classical music,symphonic music, opera,etc
Occupation(s)Singer, musician, composer, instrumentalist, music arranger, record producer, recording artist
Instrument(s)Voice, guitar,string instrument,bouzouki,oud,baglamas,tzouras, harmonica, percussion instrument
Years active1967–present
Websitehttp://www.georgedalaras.com
Musical artist

George Dalaras (Greek:Γιώργος Νταλάρας, born 29 September 1949) is a Greek singer and musician. He is one of the most prominent figures of Greek music. In October 2006, he was selected as aGoodwill Ambassador for the UN Refugee Agency.

He was born inPiraeus. His first memories of music were the basic forms of Greek music, such as traditional, folk, rebetiko, laïka, which influenced him as an artist. In addition, he has performed many othermusic genres in several different languages, such as pop, rock, latin, contemporary, byzantine music, classical, opera etc. He has collaborated with many Greek and foreign artists (composers, poets, maestros, musicians, etc). In all, he has released almost 90 personal albums and has collaborated in more than 150 others as singer, musician or producer.[1][2] He is the Greek artist who has performed the biggestconcerts of all time, both in Greece and abroad.[3] He has performed at some of the most famous concert halls and stadiums all over the world, and has collaborated with many of the most renownedsymphonic orchestras of the world.[4]

He has received several honors and awards includingCyprus citizenship, the "Kennedy" Award and theUNHCR Goodwill Ambassadorship.

Concerts and sales

[edit]

George Dalaras has released almost 90 personalalbums (which in total have sold more than 18,000,000 copies worldwide) and has collaborated in more than 150 albums of others as singer, musician or producer, always expanding his musical horizons with his multi–faceted creativity.[5]

"George Dalaras sings in Greek, yet his music, springing from the heart, has a universal appeal" stated the French dailyLe Figaro in 1993, long after his reputation had reached across the borders of his native land. The packed theatres and stadiums, the thousands of concerts, the tenths of tours around the world, the collaborations with many prominent Greek and foreign artists, the collaborations with many of the most renownedsymphonic orchestras of the world etc, ascertain George Dalaras’ exceptional and unique course as an artist and as an ambassador of the Greek culture.

In 1983, he performed two back to back sold-out concerts in theOlympic Stadium of Athens, attended by more than 160,000 people.[6] It is the biggest music event ever held in Greece."Greek music enters the era of the big stadiums" stated theRolling Stone magazine.[7] In 1987, he performed a third personal sold-out concert at theOlympic Stadium of Athens.[8]

Since the late 1970s, he has performed in over 800 concerts outside Greece, promoting Greek culture abroad. He has performed at some of the most famous concert halls all over the world, such asRadio City Music Hall,Royal Albert Hall,Metropolitan Opera,Olympia,Roy Thompson Hall,Meadowlands Arena,Kooyong Stadium,Rod Laver Arena,Sydney Opera House,Hammerstein Ballroom,Madison Square Garden,Wembley Arena,Rosemont Theatre,Trump Taj Mahal,Heichal HaTarbut,The Wang Theatre,Apollo Theater,Place des Arts,Wiener Konzerthaus,Palais des Congrès, etc.[9][5]

He has also appeared at numerous cultural festivals, includingCuba (1981,1998), the Europalia Festival inBrussels (1982), the Peace Festival inVienna (1983), the Youth Festival in Moscow (1985), the Aid to Africa Concert in the Peace and Friendship Stadium inPiraeus (1986), the Amnesty International Concert inAthens with Peter Gabriel, Sting, Bruce Springsteen, Tracy Chapman and Youssou'n'Dour (1988),[10] the Poznan Jazz Festival inPoland (1999), the Crossing Border Festival inAmsterdam (2001), theSaratoga Festival in USA, with the famousPhiladelphia Orchestra conducted byCharles Dutoit (2001), etc.[11]

In 1992, he performed a sold-out concert at theWembley Arena in London. It is the biggest Greek concert ever held in United Kingdom. It was a personal initiative of George Dalaras, to support Cyprus and to promote theCyprus problem. Among others,Vanessa Redgrave and Georges Moustaki had taken part in the concert.[12]

In 1994, he performed at theMeadowlands Arena in New Jersey before an audience of 22,000.[13] It is the biggest Greek concert ever held outside of Greece. This concert was also dedicated toCyprus. After this concert, he was invited to Washington D.C., where he received the"Kennedy" Award from SenatorEdward Kennedy, in recognition of his humanitarian contributions.[14]

The big orchestras

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George Dalaras is a Greek traveler, an exceptional interpreter, a restless musician who deeply believes in the individual character of Greek music, in its power and its competence and, at the same time, in its global quality. His relentless pursuits journeyed Greece to the end of the world while, his conviction that the multinational model is based on the mutual possession of the artistic heritage has fused his interpretation abilities with the dexterity of a number of the most renowned orchestras of the world.[15][16][17]

  • The famous DutchMetropole Orchestra is the first big orchestra with which George Dalaras collaborated. It was an exciting artistic gathering which took place in 1995, in theOdeon of Herodes Atticus, under the direction of Dick Baker. It consisted of two musical performances which moved and captivated the public through a song list which was dedicated to the soundtracks and the songs byMikis Theodorakis the performances were recorded live and, consequently, released by EMI CLASSICS in fifteen countries, in an album titled "GEORGE DALARAS & METROPOLE ORCHESTRA".
  • The artist's next collaboration with one of the most prominent and long-existent choirs in Europe took part when, in 1996, he interpretedAriel RamirezMisa Criolla Mass accompanied by the choir of theDeutsche Oper Berlin in the Berlin Opera. It was a much anticipated concert since, the tickets had long been sold out and, so much the daily press as well as the opera leaflets had extensively referred to the event. The fact that, the concert was transmitted live by SFB –a radio station with a predominantly classical repertoire- is worth mentioning.
  • The next event was to be with theIsrael Philharmonic Orchestra, one of the most outstanding orchestras worldwide. In 1997, the Orchestra invited George Dalaras to stage two concerts in the Tel Aviv Mann Auditorium. The orchestra was conducted by Ilias Voudouris. It was a collaboration which materialized, in the best possible way, George Dalaras’ long desire to interpret a number of the most brilliant Greek songs accompanied by a symphony orchestra. The internationally acknowledged interpretation skills of the Philharmonic Orchestra came together with the powerful and charismatic stage presence, the promptness and, lastly, the soulful interpretation of George Dalaras in an unfolding of the portrait of contemporary Greek music. A musical journey which began from the rebetiko songs to cross over to his big hits, to all-time classics by prominent Greek composers, to melodies from the Mediterranean as well as to medieval songs by the Greek Jewish Sephardi population (inLadino) The live recordings of these performances were internationally released in April 1999 by EMI CLASSICS in a digital disc titled: "GEORGE DALARAS AND THE ISRAEL PHILHARMONIC ORCHESTRA", a release which made quite a stir.
  • In parallel George Dalaras has collaborated with theArmonia Ateneaa, on the stage of theAthens Concert Hall in both the"...and by light and by death incessantly"[18] byCosta Gavra (1994, 1995) and the"Angel Hymns in Human Rhythms" (1997) byStavros Kougioumtzis, conducted by Alexandros Myrat.
  • In 1999, George Dalaras collaborated with theOsipov State Russian Folk Orchestra. It was a high standard collaboration which made an impression by means of its simplicity and its musicality. Thousands of spectators went for a standing ovation following George Dalaras’ interpretation of songs by Greek composers as well as of ballads from the Mediterranean. These versions were magnificently executed by the Ossipov Orchestra which is one of the most famous and grand orchestras worldwide since, it manages to merge the symphonic structure with the pop and folk elements. The 70-membered orchestra – which consisted of players of balalaikas and domras- was conducted by Nikolai Kalinin. The performances were staged in the Athens Concert Hall, in Salonica, in the Patras Ancient Conservatory, inCyprus, in London'sQueen Elizabeth Hall and, finally, in Moscow, in November 2000.
  • In October 1999, George Dalaras met in the famousNotre-Dame Basilica, which is situated in the old city of Montreal, with theMontreal Symphony Orchestra which was conducted byCharles Dutoit, the famous conductor. The Montreal Symphony Orchestra, which consists of distinguished soloists, was founded in 1934 and is, today, one of the biggest orchestras in the world.
  • In September 2000, George Dalaras collaborated, for the first time, with themBBC Concert Orchestra, one of the most outstanding British orchestras. They met at the packed theatreOdeon of Herodes Atticus in a recital of superb orchestrations for a grand orchestra under the direction of Nick Davies and the participation ofJoan Faulkner, the famous American jazz singer. The concert, the tickets of which had been sold out days before, was repeated in October of the same year in London'sRoyal Festival Hall with the participation of the big School.
  • In October 2000, four concerts that were staged in Cyprus signaled George Dalaras’ collaboration with the famous KremlinMoscow State Symphony Orchestra. This was an event in whichMargarita Zorbala, the exquisite performer, had also taken part. The Kremlin Symphony Orchestra consists of 70 superb soloists while, its main characteristic is the coalescence of the instrumental harmony structure with an impeccable technique and artistic expression. Pavel Ovsianikov is the artistic director and conductor of the orchestra; he is a composer who, in the course of his creative career, has managed to combine the preservation of the rich Russian cultural heritage with the quest for new musical ideas. In November 2000, they, once more, met in Russia, in a concert that was staged inGrand Kremlin Palace’s George Hall.
  • In June 2001, George Dalaras collaborated again with theOsipov State Russian Folk Orchestra conducted by Nikolai Kalinin. The event took place inDelphi and it was a unique concert that was part of the list of events scheduled for the celebration of the FirstWorld Refugee Day as well as for the completion of 50 years upon the founding of theUnited Nations High Commissioner for Refugees. The song list of the concert in whichJocelyn B. Smith, the prominent American singer had also taken part, included, mainly, songs byMikis Theodorakis to whom the concert was dedicated as being one of the most renowned refugees globally.
  • In August 2001, George Dalaras –through his participation in the Saratoga Classical Music Festival- collaborated for the first time with the famousPhiladelphia Orchestra conducted byCharles Dutoit, the renowned maestro with whom they had met two years before in the Montreal Notre Dame Basilica Cathedral. The above Festival is one of the most celebrated Classical Music Festivals around the world which, each summer, is organized in Saratoga Springs, N.Y. It was the first time that a Greek artist participated in it.
  • In September 2001, he collaborated withArmonia Atenea Orchestra, with ninety musicians in total and the Fons Musicalis choir, at theOdeon of Herodes Atticus. He was accompanied byEmma Shapplin.
  • Toward the end of 2002 and the beginning of 2003, George Dalaras collaborated with theCyprus Symphony Orchestra. Together, they staged three concerts in London, Copenhagen and Paris which aimed at promoting the cultural visage of Europe, upon the instance Cyprus’ imminent integration within the European Union.
  • In August 2004, George Dalaras performed two concerts entitled "30th – 40th parallel – Musical Journey to the Mediterranean" at theOdeon of Herodes Atticus, with special guestsDulce Pontes,Stefanos Korkolis,Eddy Napoli,Mira Awad, Macarena Giraldez Losada, Marcos Jimenez Antonio and Compania Flamenca "Ronda Al Alba", Halil Moustafa and Mehmet Moustafa. The artists were accompanied by a popular orchestra andERT National Symphonic Orchestra, conducted by Loukas Karitinos. In May 2005 George Dalaras andDulce Pontes performed two unique concerts at the Herodes Atticus Odeon entitled "The Sea and Us". These concerts were organized by the Association of Friends of Children with Cancer "ELPIDA" for supporting their objectives, under the auspices of the Hellenic Festival.
  • In November 2005, George Dalaras performed at theAthens Concert Hall two of the most significant works ofMikis Theodorakis "Romiosini" poetry byYiannis Ritsos and "Axion Esti" poetry byOdysseas Elytis. In these concerts texts of the poets were read byGeorge Kimoulis. In "Axion Esti" Tassis Christoyannis, baritone also participated. George Dalaras was accompanied by the Popular Orchestra "Mikis Theodarakis" and a popular orchestra, the Greek Radio and TV Modern Music Orchestra conducted by Andreas Pylarinos, the Electricity Board Choir with Choirmaster Kostis Konstantaras, the Athens Municipal Choir with Choirmaster Stavros Beris and the Youth Choir of the Nea Smyrni Leontion Lyceum with Choirmaster Katerina Vasilikou. The proceeds of both concerts were offered to the Association of Rehabilitation for Addicted persons "THE RETURN". Among the rest of its leads, the Orchestra wrote history in cinema when, in 1939, it recorded the soundtrack of Walt Disney's Fantasia –a peak cartoon character movie which facilitated the popularization of symphony music in the United States.
  • In November 2010, George Dalaras had a unique concert in New York atLincoln Center withCityMusic Cleveland conducted by Alexandros Myrat. The works of the Greek-Canadian composer Christos Hadzis "Credo" and "Telluric Dances" were presented for the first time in a world premiere.
  • In June and September 2011, George Dalaras cooperated with theOsipov State Russian Folk Orchestra conducted by Vladimir Andropov, in very successful concerts in Cyprus and Israel. He was accompanied by Aspasia Stratigou.
  • In July 2011, George Dalaras cooperated for the first time with theIstanbul State Symphony Orchestra conducted by Hakan Sensoy, in a unique sold out concert, accompanied by Aspasia Stratigou.
  • On 26 November 2011, George Dalaras presented in a world premier the work "Kavafis" by the composer Alexandros Karozas at theKonzerthaus, Vienna withVienna Chamber Orchestra andWiener Singakademie, under the direction of the maestro Yorgos Kountouris. One of the most important German actors,Bruno Ganz recited the poems ofConstantine P. Cavafy.[19]
  • In September 2012, George Dalaras participated in "Balkan Symphony" in Sarajevo. In this concert prominent artists from Balkan countries and the Mediterranean participated together with theSarajevo Philharmonic Orchestra, enriched with local instruments, conducted byOguzhan Balci.
  • In February 2013, George Dalaras presented the work "Kavafis" by the composerAlexandros Karozas, atGasteig in Munich withVienna Chamber Orchestra andWiener Singakademie of the "Vienna Academy of Music" under the direction ofStefan Vladar. One of the leading German character actors,Lambert Hamel recited the poems of Konstantine Kavafis.[19]
  • In May 2014, he collaborated again with theIsrael Philharmonic Orchestra, at theMann Auditorium in Tel Aviv, conducted by Loukas Karytinos. He was accompanied byMaria Faradouri.
  • In June 2014, he collaborated with theBursa State Symphony Orchestra and the State Polyphonic Choir, in Bursa of Turkey, with the participation ofOkan Bayülgen.
  • In October 2017, he collaborated with theİzmir State Symphony Orchestra, in Izmir, conducted by Hakan Şensoy.[20]
  • In June 2019, he collaborated again with theİzmir State Symphony Orchestra, conducted by Hakan Şensoy. The two concerts were held at theOdeon of Herodes Atticus.

Collaborations and styles

[edit]
George Dalaras inCaesarea's Roman theatre in 2011

Since the 1960s, George Dalaras has sung numerous different Greek music styles (e.g. rebetiko, laïkó,Latin, pop),Arabic music, and religious music. He has collaborated with many contemporary Greek composers, includingMikis Theodorakis,Stavros Kouyioumtzis,Manos Loizos, Apostolos Kaldaras,Stavros Xarhakos,Manos Hadjidakis and Christos Nikolopoulos. He also discovered and supported youngAreti Ketime, producing her first album. Apart from his prominent singing career, Dalaras is considered to be one a talented musician as he plays most of the stringed instruments of a Greek folk band with great success, including the guitar,bouzouki,baglamas,tzouras andouti. He has accompaniedAl Di Meola andPaco de Lucía, among others. Dalaras' most important projects include collaborations with several international singers, including British singerSting, releasing together a duet of Sting's songMad About You. He has also collaborated withPyx Lax,Bruce Springsteen,Jethro Tull,Yehuda Poliker,Emma Shapplin,Goran Bregovic,Apostolis Anthimos,Dulce Pontes,Andriana Babali and many others. Dalaras moved from his homestay label ofMinos EMI in favour ofUniversal Music Greece in 2006, thus ending an almost 40-year collaboration.

In 2000, Dalaras discovered a new local orchestra that specialized at traditionalSmirneiko (fromSmyrna) andRebetiko songs. The orchestra's name was "Εστουδιαντίνα Νέας Ιωνίας" (Estoudiantina Neas Ionias[21] and it came fromNea Ionia, a city nearVolos. Dalaras pulled Estoudiantina in the light of publicity and make it known to the Greek public. Since then Estoudiantina has become one of the most important and famous orchestras in Greece. Estoudiantina's repertoire now also includesModern Greek,Greek Laiko, andMediterranean.

Early career

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Dalaras' first song, "Προσμονή" (Prosmoni, "expectation"), was recorded in 1967. The single never reached any popular status, in fact it was barely released. Dalaras even had to struggle to get into the studio, as ironically the day he began his studio career was the day that theGreek military junta took over the streets of Athens, and the roads were littered with tanks. After several appearances on various recordings as a guest singer, his debut album was released in early 1969, a self-titled album released on the Minos label. The recording included many compositions byStavros Kouyioumtzis, who in the early years proved a fountain of help towards Dalaras achieving musical success. As Dalaras has said in various interviews, he owes the fact that he became a singer to Kouyioumtzis, who composed Dalaras' first songs. His relation with Kouyioumtzis remained friendly until the sudden death of the composer due to a heart attack in March 2005.

The biggest hit of the record, "Που 'ναι τα χρόνια" (Pou 'ne ta chronia, "Where are the years?"), is still sung today, and is regarded as a mainstay in Dalaras' large repertoire. In 1970, he released the album "Να 'τανε το 21 " (Na 'tane to ikosi-ena, "If only it were '21", that is, 1821, a reference to theGreek War of Independence). The album was immediately more successful than his debut LP and included hits such as "Na 'tane to 21'", "Κάπου νυχτώνει" ("Kapou nichtoni",Somewhere the night falls), and an instrumental version of "Pou 'ne ta chronia". The album was made up entirely of compositions by Stavros Kouyioumtzis. The songs were mainly reinterpretations, as was common in the late 60s for new Greek singers; however, not all the songs on their first release (most of them on the smaller yet more distinctive LYRA label) had proved successful, and in many instances, even now, many people in Greece believe that the Dalaras songs are originals and not cover versions.

First gold album

[edit]

In 1972, Dalaras along with singerHaris Alexiou, received his big break in the Greek music industry when theirLP "Μικρά Ασία" (Mikra Asia,Asia Minor) wentgold, his first album to do so. The songs were written byApostolos Kaldaras, a heavyweight in thelaïkó scene of the 50s and 60s, who at this time decided to enter the political fray of Greek music. Dalaras and Alexiou were immediately thrown into the limelight. The LP was also recently re-released in both CD and limited edition LP format by Minos-EMI. TheMikra Asia LP was followed up by "Βυζαντινός Εσπερινός" (Vizantinos Esperinos,Byzantine Vespers) in 1973. The album consisted again of Dalaras and Haris Alexiou, and was composed by Apostolos Kaldaras, however the lyrics were by the emergingLefteris Papadopoulos, who had written Dalaras' first official recording. This was the last time that Dalaras officially worked with Apostolos Kaldaras in the studio, however, they worked together in live performances. UnlikeMikra Asia,Vizantinos Esperinos did not meet with exceptional sales, and is somewhat 'forgotten' in the repertoire of Dalaras's songs.

Rebetiko revival

[edit]

After several LPs and further collaborations with Kouyioumtzis, Kaldaras,Manos Loïzos,Mikis Theodorakis and others, Dalaras decided to release his own renditions ofrebetiko songs on the double LP "50 Χρόνια Ρεμπέτικο Τραγούδι" (Peninta Chronia Rebetiko Tragoudi,50 Years of Rebetiko songs), released 1975. The recording proved an immediate success, despite the toning down of the lyrics. However, as a result, a new movement was set to take place in Greek music, and the once forgottenrebetes were finding themselves performing, in some cases for the first time in 30 to 40 years. He followed up this work with an LP in 1980, "Ρεμπέτικα της Κατοχής" (Rebetika tis Katohis, Rebetiko (songs) of the occupation), which was a more gritty and meaty release, more faithful to the tone of the original rebetika as heard in the 1930s. However, again references to drugs were cut out, and only mentioned in passing. Unlike the previous double LP, this one contained some of the original musicians,Bayianteras andGenitsaris in particular making an appearance on the album.

International Orthodox Youth Conference controversy

[edit]

Dalaras had been scheduled to perform a concert on the closing night of the second International Orthodox Youth Conference held inIstanbul from 11 to 15 July 2007.[22] The event, organised by theEcumenical Patriarchate of Constantinople, had drawn the ire of the Turkish press and Turkish nationalist politicians who filed complaints to the Governorship of Istanbul to revoke the licence for the concert it had issued, and the concert was abruptly cancelled by the Turkish authorities of the Governorship of Istanbul on the grounds that the country's Archaeological Service did not permit the use of the planned venue, the 15th centuryRumeli Hisar castle. The site had previously been used for international theatre festivals and for an international dance festival, until its use was prohibited by the Archaeological Service.[23] The last-minute cancellation of the concert attracted strong media coverage and criticism in neighbouring Greece.[24]

Personal life

[edit]

Dalaras was born George Daralas, son of the rembetiko singerLoukas Daralas. He subsequentlyanagrammatized his name toDalaras. Since 1982, Dalaras is married to Anna Ragousi, also his manager and former politician who served with thePASOK government in 2009 and 2011. They have one daughter, Georgianna. Dalaras is a collector of musical instruments and in his spare time he goes fishing and traveling on his motorcycle, being a big motorsports fan.

References

[edit]
  1. ^"Η Προσωπική Δισκογραφία του Γιώργου Νταλάρα".Γιώργος Νταλάρας (in Greek). Retrieved16 October 2022.
  2. ^"List of Greek Discography 1950 – 2019", by Petros Dragoumanos
  3. ^"Οι Μεγάλες Συναυλίες".Γιώργος Νταλάρας (in Greek). Retrieved16 October 2022.
  4. ^"Οι Μεγάλες Ορχήστρες".Γιώργος Νταλάρας (in Greek). Retrieved16 October 2022.
  5. ^ab"gr design" magazine (10/2020)
  6. ^operator (30 September 1983)."Ολυμπιακό Στάδιο της Αθήνας".Γιώργος Νταλάρας (in Greek). Retrieved16 May 2023.
  7. ^"Μουσικό Κουτί" (1997): Αυτοβιογραφικό ένθετο & αποκόμματα περιοδικών/εφημερίδων
  8. ^operator (27 September 1987)."Τα "LATIN" στο Ολυμπιακό Στάδιο".Γιώργος Νταλάρας (in Greek). Retrieved16 May 2023.
  9. ^"Οι Μεγάλες Συναυλίες".Γιώργος Νταλάρας (in Greek). Retrieved16 May 2023.
  10. ^Κωστελέτου, Ελίνα (3 October 1988)."Στη συναυλία της Διεθνούς Αμνηστίας στο ΟΑΚΑ".Γιώργος Νταλάρας (in Greek). Retrieved16 May 2023.
  11. ^"The Cavafy Project".www.kavafis.eu. Retrieved16 May 2023.
  12. ^operator (26 June 1992)."Στο Wembley του Λονδίνου".Γιώργος Νταλάρας (in Greek). Retrieved16 May 2023.
  13. ^Boxscore. Clipping fromBillboard georgedalaras.com
  14. ^operator (31 March 1994)."Η μεγαλύτερη συναυλία ελληνικού τραγουδιού που πραγματοποιείται ποτέ στην Αμερική".Γιώργος Νταλάρας (in Greek). Retrieved16 May 2023.
  15. ^"THE BIG ORCHESTRAS – Γιώργος Νταλάρας – George Dalaras".Dalaras.gr. Retrieved6 January 2018.
  16. ^"The Cavafy Project".Kavafis.eu. Retrieved6 January 2018.
  17. ^"Οι Μεγάλες Ορχήστρες".Γιώργος Νταλάρας (in Greek). Retrieved16 May 2023.
  18. ^operator (24 June 1994).""…και με φως και με θάνατον ακαταπαύστως" στο Μέγαρο Μουσικής".Γιώργος Νταλάρας (in Greek). Retrieved16 May 2023.
  19. ^ab"THE KAVAFIS PROJECT".Kavafis.eu. Retrieved6 January 2018.
  20. ^operator (30 September 2017)."Με την Κρατική Ορχήστρα Σμύρνης στη Σμύρνη".Γιώργος Νταλάρας (in Greek). Retrieved16 May 2023.
  21. ^"Estoudiantina – A Mediterranean Ethnic Orchestra".Estoudiantina.com.gr. Retrieved6 January 2018.
  22. ^Second Orthodox Youth Conference-Istanbul, Turkey Youth.ecupatriarchate.org, 7 November 2007. Retrieved 15 July 2007.
  23. ^"Dalara's Concert Cancelled". 14 July 2007. Archived fromthe original on 10 August 2007. Retrieved15 July 2007.
  24. ^Istanbul revokes licence for Dalaras concertArchived 28 August 2024 at theWayback MachineAthens News Agency, 7 July 2007. Retrieved 15 July 2007.

External links

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